Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

Studio portrait of Orpheus Moyer Schantz and Cornelia "Carrie" Flagler Schantz, with their daughter Ruth Schantz. Ruth is seen standing at centre with bow in hair arms on her parents' backs.

Head and torso studio portrait of Orpheus Moyer Schantz (center back) with (left to right) Ruth, Worth Flagler and Carrie Schantz.

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

A studio portrait of Orpheus Moyer Schantz by Loubell Studios. Orpheus is wearing a bowler hat and top coat.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

Upper body studio portrait of Orpheus Moyer Schantz seen looking at camera.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Head and torso studio portrait of Mary Moyer Schantz at approximately sixteen years of age with ribbons in hair.

The register of visitors for the funeral of Mary Schantz (nee Moyer) who died January 28, 1935 in Kitchener, Ontario at the age of 94. Mary Schantz's funeral was held at the Ratz-Bechtel Funeral Home in Kitchener, Ontario.

A snapshot of Joan Elizabeth Schantz (right) and Sally Ann Schantz standing outside and smiling at camera.

A snapshot of Joan Elizabeth Schantz seated outside on a stool and smiling at something off camera.

Snapshot of Joan Elizabeth Schantz seated outside on the steps of a home and looking off camra.

Snapshot of Joan Elizabeth Schantz as a child seated outside in a garden in front of a stone wall and shrubbery.

Three-quarter length studio portrait of Florence Annie Catherine Schantz seen standing behind a chair, with arms at back, and looking at the camera. The photo was taken on Florence's 26th birthday on December 28, 1905.

Head and torso studio portrait of Florence Annie Catherine Schantz seen looking off camera.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Head and shoulders studio portrait of Elisabeth Schantz (nee Snyder) seen looking at camera.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

One photograph of Christian K. Schantz, wife Mary (Hutchinson) Schantz, five of their children and two dogs in front of their homestead south of Wetaskiwin, Alberta.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

One upper body studio portrait of Carrie Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One tax notice for Arthur Benjamin Schantz's land in Big Prairie, Alberta. Notice was never opened.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

Head and torso studio portrait of siblings Florence Annie Catherine Schantz, Franklin Abram Schantz, Herbert Cecil Palmer and Arthur Benjamin Schantz.

One loose album page that has been removed from an unidentified photograph album. Recto shows three photographs: Christian Schantz in front of his home in Wetaskiwin, Alta; his dog Tye; and cats playing in front of a home. The verso shows two photographs: Myford, Hamilton and Walter Kitney in 1915; and Walter Charles and Ada Kitney.

Card photograph possibly of the exterior of the Schantz house in Port Elgin, Ontario. Shows a wood frame house with a porch and a wooden fence. Standing out front are one adult and five children, one of whom is holding a bicycle.

Photograph of the Schantz family taken in front of the Schantz home at 43 Schneider Avenue in Kitchener, Ontario. Left to right: Walter Spelman (holding Dorothy Spelman), Ruth Schantz (with Walter Bishop Spelman and Margery Ruth Spelman), Orpheus Moyer Schantz, Carrie Flagler Schantz, Sophie Schantz, Florence Schantz, Mary Moyer Schantz, Dorothy White, Worth Schantz.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

A studio portrait of Orpheus Moyer Schantz, Carrie Schantz and Ruth Schantz.

A snapshot of members of the Schantz and Hamilton families and a dog standing outside and smiling at camera. From left to right: Charles C. Hamilton, Ruth Schantz, Ruth Hamilton, Elizabeth Joan Schantz (back), Sally Schantz, and Worth Flagler Schantz.

Photograph of members of the Schantz family and friends seen seated together in a residential home.

Back row: Etta Schantz, [Kathryn Ellis]
Middle row: H. Goodwal Dickerman, Charlotte Hayes Moyer, Harry Rollin Moyer, Orpheus Moyer
Front row: Carrie Flagler Schantz, Ruth Schantz, Mary Emma Moyer.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

Head and shoulders studio portrait of (left to right) siblings Worth and Ruth Schantz with cousin Dorothy White. Ruth is wearing eyeglasses and both she and Dorothy are wearing hair ornaments.

One full length studio portrait of Florence Annie Catherine Schantz , Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur is standing at centre, and Herbert is standing with left arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Copy print, taken on the other side of the building shown in GA92-9-73, showing what is possibly a weigh scale for wagons. The domed building is the town hall and the light coloured building in the background is the Kitchener Hotel.

Copy print, Frederick and Duke looking toward King St. In Canada's Centennial, 27 June 1967, p. 27

Direct print photograph of film still of people shopping and walking around outdoors at the Kitchener market.

Postcard of scene in Waterloo Park, Waterloo, Canada.

Two images of the gable fretwork on a Scarborough house.

Two images of a Scarborough house. One image is of the entire house (not used in the book), and the other image is of a detail of the porch entablature fretwork.

Image of W. J. Robertson looking at the camera from over his shoulder while seated and testing the accuracy of a scale.

One image of an unidentified man on the platform at the Canadian Pacific Railway station in Savanne, Ontario. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Building exterior.

Five images of historic buildings in Saugus, Massachusetts.

File consists of four picture postcards, black-and-white and colour, of views of Saskatoon. Includes Nutanba Collegiate, C.N.R. Depot. Y.W.C.A. and University buildings.

File consists of two maps of Saskatoon and one of Regina, all showing lots.

Notes, photocopies, some biographical material on Violet Mcnaughton, and a copy of the Western Producer.

Map produced by the Department of the Interior Canadas showing the dispositions of land in Saskatchewan. Includes a legend that lists "Indian Reservations" and "Indian Reservations surrendered or sold".

Group portrait of Harry Byers (front row, centre) with and what appears to be his Kansas Sweeney Tractor Machine Company class. There is a banner above the class that says "SAS Kansas City" [Sweeney Automobile School], and Harry Byers is holding a sign that says "Plate 1157 Jan. 3, 1928."

Advertisement trade card for Sapolio showing two women cleaning marble statues with the caption "clean marble with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tub while a baby bathes in a smaller tub with the caption "clean baths with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tin pan while a young girl shows a cat its reflection in another. Caption reads "clean tins with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing three women washing dishes with the caption "Wash dishes with Sapolio." Verso reads "There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in Tin Foil, and surrounded with Ultramarine Blue-Band, and bears the above device) always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make house cleaning a quick and easy job, will clean paint and all painted surfaces, will clean marble, mantles, tables and statuary, will clean oil-cloths, floors, shelves, etc., will clear bath tubs, wash basins, etc., will clean crockery, glassware, etc., will clean kitchen utensils, of all kinds, will clean windows without splashing of water, will polish tin, brass and copperware, will polish knives as you wash them, will polish all metal surfaces and will clean all household articles and is better and cheaper than soap, emery, rotten stone, etc. John Wanamaker, Grad Depot, Phila."

Advertisement trade card for Sapolio showing three women polishing glassware with the caption "clean glass with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Copy negative of a mounted Denton photograph of Santa Claus visiting Kitchener in a horse drawn sleigh in 1921. Caption accompanying negative reads: "2) Santa at Kitchener 1921 (on Frederick?)."

Image of Benton Street post office building with recruitment banners hanging across front and trench walls along sidewalk with two soldiers standing at centre.

One image of the Samual Frazer home near Midland, Ontario.

Fonds consists of one daybook from The Standard Life Assurance Company, believed to have been kept by Samuel Daniel Buckberrough. Also includes a clipping about the January 21, 1904 snow storm in Kitchener.

File consists of one sample newspaper for the Toronto Daily Mail.

File consists of one sample newspaper for The Inter Dream, Chicago.

File consists of one sample newspaper for The Gazette, Montreal.

Image of Salvation Army band members standing on a snow covered sidewalk playing instruments. The group is seen dressed for cold weather and looking toward camera.

File consists of material relating to the planning, coordination, and publicity for the sales incentive trip to Quebec City and Montreal in 1994 for Projection Systems sales representatives. Includes correspondence and memoranda (some faxed), completed registration forms, ms. notes, tourism brochures, edited draft versions of the travel itinerary and information booklet, print-outs of presentation slides, snapshots of hotel facilities, draft versions of a video script advertising the trip, copies of the trip logo, and other material.

File consists of material relating to the planning, coordination, and publicity for the sales incentive trip to Quebec City and Montreal in 1994 for Projection Systems sales representatives. Includes correspondence and memoranda (some faxed), completed registration forms, ms. notes, tourism brochures, edited draft versions of the travel itinerary and information booklet, print-outs of presentation slides, snapshots of hotel facilities, draft versions of a video script advertising the trip, copies of the trip logo, and other material.

Manuscript speech (original) on given at the Sales and Plant Key Men banquet on January 17, 1963 at the Kress Hotel in Preston, Ontario. Speech relates primarily to Norman C. Schneider's views on factors in the success of the J.M. Schneider company over the years.

Image of an unidentified man sailing on a body of water with a rocky, tree lined shoreline visible in background.

File consists of one head and shoulders studio photograph of Olive Ruth Russell seen looking at the camera. Information from verso.