One image of Mr. Blinkinsop (Indian Agent), Mrs. Hunt, and her children and grandchildren in front of a building at Fort Rupert, Vancouver Island. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Photograph of A.R. Kaufman posed for the camera while seated at a large wooden desk in his office.

Image of Mr. and Mrs. Norm Schneider.

Image of Mr. and Mrs. Harry Schmidt.

Image of Cyril and ["Frances"] Hayes.

Image of Mr. and Mrs. Charlie Thurlow.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

One three quarter length studio portrait of Theodore Moyer seen looking off camera with left hand in waistcoat pocket.

One three quarter length studio portrait of Theodore Moyer seen in a suit, with right thumb hooked in vest pocket.

Upper body studio portrait of Theodore Moyer seen looking off camera.

One group studio portrait of Samuel Moyer and Emma Bliss Moyer with their children Ela Bliss Moyer (standing right), Robert B. Moyer (standing left) and Louise Moyer.

Upper body studio portrait of Robert Bliss Moyer, seen looking off camera.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.

Upper body studio portrait of J.M. Moyer. Identification from verso.

One upper body studio portrait of Mary Emma Moyer seen looking at camera. She is wearing a lace collared top with leg of mutton style sleeves.

Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

One upper body portrait of Louise Moyer seen leaning over the back of a chair and wearing a dress with a lace collar.

One head and shoulders studio portrait of Lillian M. Moyer seen looking off camera.

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

One full body studio group portrait of Jessie Watt Moyer with children Barbara Helen and Dorothy Louise. Barbara is seated in Jessie's lap and Dorothy is standing next to them.

Head and torso studio portrait of Jesse Gross Moyer dressed in suit and tie, looking off camera.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

One head studio portrait of Jacob Moyer seen looking off camera.

One upper body studio portrait of Harvey Moyer.

One head and shoulders studio portrait of Emma Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

One upper body studio portrait of Ella Moyer.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One head and body studio portrait of Ela Bliss Moyer seen looking off camera.

One upper body studio portrait of Edmund Warren Moyer seen in profile.

One full body studio portrait of Dorothy Louise Moyer, age 10 1/2 months. Dorothy is shown sitting on a chair looking at the camera and dressed in a white gown.

One upper body studio portrait of Clyde Entrekin Moyer seen in partial profile.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Head and shoulders studio portrait of Abraham Nash Moyer seen in partial profile.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

File consists of material relating to properties in Saskatoon, including Block 11 (Bellevue), Saskatoon.

One image of a mountainous landscape west of Waterton River, looking out from Lunch Point, British Columbia.

File consist of documents relating to the transfer of title to Plot 20, Lot 40 at Mount Pleasant Cemetery from the heirs-at-law of the late Mrs. Ada Wilson to the Clark family. This correspondence was conducted between the Trustees of the Toronto General Burying Grounds and Harold Clark in 1969 and 1970. Additionally, this file contains an Indenture dated June 21, 1937 between the Toronto General Buying Grounds and Ada Wilson, widow of James Frederick Wilson. By means of this indenture Ada Wilson purchased Plot 20, Lot 40 at the Mount Pleasant Cemetery to be used for the purposes of a burial ground. This file also contains a Statutory Declaration of Wilfred Harold Clark in the matter of the estate of Ada Wilson, deceased and the matter of the title to Plot 20, Section 40 of Mount Pleasant Cemetery. This is dated April 1968. An unsigned deed of transfer for the above burial ground dated October 2, 1969 is also contained in this file.

Further correspondence between Harold Clark and the Toronto Trust Cemeteries took place in 1976 and relates to the locations of the existing interments and the possible grave spaces in Plot 20, Lot 40 at Mount Pleasant Cemetery.

After Harold Clark died in 1982 he was buried at the H/B/C family plot in Mount Pleasant Cemetery. This file contains the funeral directors statement of death for Wilfred Harold Clark. Also contained in this file is correspondence which was conducted between the Toronto Trust Cemeteries and Clare Clark relating to the Book of Remembrance which is available at the Chapel in which inscriptions may be made in memory of those who were cremated or buried in the Cemetery.

Finally, this file contains a certified copy of the letters probate and will of Mary Isabel Wilson who died on October 27, 1983.

File consists of two reprint photographs showing William John Motz's home in Kitchener. One image shows the entire front of the home with the family standing out front, the other shows a closeup of the lower front facade with a woman seated on the porch. The house still stands at the corner of Weber and Young St. in Kitchener.

File consists of 13 photographs with negatives of the funeral of William John Motz.

File consists of one studio portrait of William John Motz. The photograph shows five different angles of William John seated around a table playing cards and smoking.

File consists of one studio portrait of William John Motz as an infant. He is sitting, likely in his mother's lap, but she has been cropped out from the photograph.

File consists of four snapshots and two portraits of William John Motz. The snapshots show him in Nassau Bahamas, at a dinner, and holding two children outside of the family home (possibly his grandchildren William John and John Edward).

File consists of Rose Motz's press pass, with photo, for the 1934 A Century of Progress International Exposition in Chicago. Motz is seen in partial profile, wearing a hat and looking off camera.

Studio portrait of (left to right) John Edward Breithaupt, John Christian Breithaupt, and Carrie Breithaupt seen looking off-camera.

Photograph of an adult holding a baby and two children standing in a greenhouse surrounded by plants and flowers, possibly taken at the Breithaupt family home in Kitchener (Ontario). Carrie Breithaupt is standing at left, holding Carl Louis Breithaupt, and John Edward Breithaupt and Louise Catherine Geil are standing at right.

Photograph of the exterior of Orpheus Moyer Schantz's family home in Morton Park, Chicago. Carrie Schantz is visible seated on front steps and standing to her right, on the lawn, are Ruth Schantz and Worth Flagler Schantz. Also included in the shot are a newly planted tree and a wood plank sidewalk.

File consists of a document relating to property in Buffalo.

One image of a Morrisburg house with drooped fretwork on the gable and overhang.

One image of the cornice fretwork on a house in Morrisburg.

Image of a newly paved multi-intersection with an island and tree in the middle.

Photograph of a group of six adults and six children by the Moon river falls in Ontario mid-walk.

Photograph of a group of six adults and six children by the Moon river falls in Ontario mid-walk.

Photograph of a group of people by the Moon river falls in Ontario.

Photograph of tree-lined Moon Falls with a group standing on rocks at right. Person in white dress at centre is likely Ella Cook and the person in a suite, to her right, Frank Anthes.

Photograph of a group of people by the Moon river falls in Ontario.

File consists of four slides showing grave markers in Montreal, France.

File consists of one picture postcard, col., with "Canadian sport series : toboggan party" printed on the recto; two copies of another "Park toboggan slide, Montreal," with glitter representing ice on the slide.

Photocopies.

Photograph of (left to right) Marnie, Helen and Edward Rieder standing outside of their Montreal home. Lillie, who who worked as a maid for the family, is seen in profile standing behind the children and hold an infant Paul Rieder. The older children are all squinting toward the camera and Paul has his eyes closed, suggesting the sun was in their eyes.

File consists of five picture postcards, b&w and coloured.

File consists of 11 picture postcards, col., from the same series..

One image of the cobblestone facing on the Monteith house front wall, built by Charles Mitchell.

Image of Nicholas Monsarrat signing a book as Dorothy Shoemaker looks on.

Snapshot of a group of people standing on the Marquette & Joliet rock, which is marked with a cross.

One image of a building with the sign "Modern Machine Works" hanging from it, with the caption "Toronto" on the verso.

A contact sheet featuring 15 photographs of a choral music concert in the Theatre of the Arts inside the Modern Languages building likely held as part of the University of Waterloo’s 25th anniversary celebrations.