Photograph of yucca blossoms in southern California.

Photograph of a woman in a street holding books in one hand with buildings in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Head and shoulders studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

Upper body studio portrait of Portus B. Weare seen looking off camera.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

One carousel of slides. The slides are dated May 1973.

Head and shoulders studio portrait of unidentified woman seen looking directly at camera in hair short bangs and a high bun.

Hand-coloured photograph sent as a postcard to Miss Alberta Ritzer, Waterloo, postmarked Buffalo Sept. 20, 1906.

Head and shoulders studio portrait of unidentified teenager, dressed in suit, seen looking slightly off camera.

Head and shoulder studio portrait of unidentified teenager seen looking off camera and wearing a top with large leg of mutton sleeves.

Studio portrait postcard of an unidentified man in military uniform, seen smiling at camera, from the Bechler family photo album. Postcard made in the United States of America and bottom right corner of portrait signed Holloway.

Full length studio portrait of an unidentified posed seated and standing, and looking off camera.

Full body studio portrait of unidentified child seen looking at camera and standing with arm and foot propped on wicker chair.

Head and torso studio portrait of unidentified adult seated in arm chair.

File consists of one photograph of the 1946 training conference for independent biscuit manufacturers held March 25th-29th 1946 in Chicago.

File consists of publicity photographs from United States Rubber and Uniroyal of tires being tested primarily in Laredo, Texas. Note that United States Rubber was the former name of Uniroyal.

One image of what appears to be a stable, identified on the verso as possibly from Old Sturbridge Village in Massachusetts.

Upper body studio portrait of Alfred Stocker seen looking off camera.

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Snapshot of (left to right) Dorothy, Margery Ruth and Walter Bishop Spelmen as children standing on the running boards of a Cole 8 car.

File consists of a booklet containing 20 photochrom prints of views seen along the Columbia River highway.

Print of a photograph of snow covered trees on Mount Hood taken by Ackroyd Photography Inc. and published in a Portland, Oregon newspaper.

Series consists of William Dendy's personal architectural slide collection depicting architecture, urban spaces, and landscapes. The majority of the collection, consisting of approximately 17,550 slides, is dedicated to Canadian architectural heritage. Slides from regions of the United States of America (ca. 7,000 slides), various Western European countries with a focus on England, as well as parts of Central and South America and the Caribbean are also included.

Roughly eighty percent of the slides were taken by Dendy in person. The remaining slides consist of commercially produced slides or reproductions of plans, maps, photographs, architectural drawings, paintings, etc. from books or archival collections where Dendy conducted research. Many of the reproduction slides consist of historical records in the the public domain and were likely taken by Dendy. Reproduction sources are often included on corresponding slide mounts.

One slide tray plus extras.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

Snapshots taken on a visit to Nelson Schweitzer in California.

Snapshot of (left to right) Helena Schneider, Emma Ahrens, Charles August Ahrens, J.M. Schneider and Louise Ahrens at the Mexico-U.S. boundary. Charles Ahrens and J.M. Schneider are wearing serapes, sombreros, gunbelts and pistols.

Portrait of (left to right) Louise Ahrens, Helena Schneider, J.M. Schneider taken in an outdoors courtyard, possibly of a hotel. Helena is seen seated in a chair with an [orange] in her left hand with Louise and J.M. standing at her sides. The group is posed next to a table with a large bowl of [oranges] on top. File also includes photocopies and identifications of a postcard of the same individuals with Charles and Emma Ahrens taken at the Mexican border.

Snapshots of Herb and Betty: skiing, fishing, hiking and sailing in New Zealand, Alaska, Austria, Switzerland and Georgian Bay. Includes two postcards, one to Herb from Carl Holman, head brewer for Carlsberg Beer.

Snapshots of Herb and Betty "skiing with the Hilkers, Stowe, 1989".

One snapshot of an unidentified group standing on a bridge in a Japanese garden. Take on a trip with Fred H., Ella and Fred P. Schneider to Golden Gate Park in San Francisco.

One snapshot of a gravestone of Frederick A. Schneider, 1843-1920, taken in Calistogo, Napa Valley, California.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Two snapshots of the Schantz's Cole 8 car, one with Worth Flagler Schantz driving.

A snapshot of the exterior home of Worth Flagler Schantz taken from across the street by his father Orpheus Moyer Schantz.

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Snapshot of Sally Ann Schantz standing outside in front of a bare shrub and smiling at camera.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Head and shoulders studio portrait of Ruth Schantz seen in profile with a ribbon in hair.

Full length studio portrait of Ruth Schantz at two years of age seen standing in a long white gown and holding a bough of flowers.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Upper body studio portrait of Ruth Schantz, seen from the left side with a ribbon in her hair.

Three photographs that have been hole punched and tied together. The first shows Ruth Schantz sitting in a wheelbarrow with Carrie Flagler Schantz in front of the home at Morton Park. The second shows Ruth Schantz and Orpheus Moyer Schantz on the steps of the home at Morton Park. The third shows Ruth standing in a garden holding flowers.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

Head and torso studio portrait of Orpheus Moyer Schantz (center back) with (left to right) Ruth, Worth Flagler and Carrie Schantz.

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

A studio portrait of Orpheus Moyer Schantz by Loubell Studios. Orpheus is wearing a bowler hat and top coat.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

Upper body studio portrait of Orpheus Moyer Schantz seen looking at camera.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

A snapshot of Joan Elizabeth Schantz (right) and Sally Ann Schantz standing outside and smiling at camera.

A snapshot of Joan Elizabeth Schantz seated outside on a stool and smiling at something off camera.

Snapshot of Joan Elizabeth Schantz seated outside on the steps of a home and looking off camra.

Snapshot of Joan Elizabeth Schantz as a child seated outside in a garden in front of a stone wall and shrubbery.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

One upper body studio portrait of Carrie Schantz seen looking off camera.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

A snapshot of members of the Schantz and Hamilton families and a dog standing outside and smiling at camera. From left to right: Charles C. Hamilton, Ruth Schantz, Ruth Hamilton, Elizabeth Joan Schantz (back), Sally Schantz, and Worth Flagler Schantz.

Photograph of members of the Schantz family and friends seen seated together in a residential home.

Back row: Etta Schantz, [Kathryn Ellis]
Middle row: H. Goodwal Dickerman, Charlotte Hayes Moyer, Harry Rollin Moyer, Orpheus Moyer
Front row: Carrie Flagler Schantz, Ruth Schantz, Mary Emma Moyer.

Five images of historic buildings in Saugus, Massachusetts.

Group portrait of Harry Byers (front row, centre) with and what appears to be his Kansas Sweeney Tractor Machine Company class. There is a banner above the class that says "SAS Kansas City" [Sweeney Automobile School], and Harry Byers is holding a sign that says "Plate 1157 Jan. 3, 1928."

Head and shoulders studio portrait of possibly of Minerva Alverta Rinehart seen looking at camera.

Head and shoulders studio portrait of Dan Rieder seen looking off camera.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

Three photographs of the home of Orpheus Moyer Schantz presented on a board along with decorative detailing.

File consists of material relating to public relations activities for the years 1982 and 1983. Includes news releases, memoranda, copies of form letters to employees and dealers from John A. Pollock, product photographs with typed cutlines, typed remarks by John A. Pollock given at the 1982 annual meeting, the first issue of the newsletter Electrohome World, and press kits for Electrohome Electronics, Deilcraft furniture, and the 1982 annual meeting.

File also includes a portfolio from the Morristown Area Chamber of Commerce (Morristown, TN) containing news releases about Electrohome's purchase of a production facility there and 16 photographs of the plant during construction.

File consists of material relating to public relations activities for the years 1982 and 1983. Includes news releases, memoranda, copies of form letters to employees and dealers from John A. Pollock, product photographs with typed cutlines, typed remarks by John A. Pollock given at the 1982 annual meeting, the first issue of the newsletter Electrohome World, and press kits for Electrohome Electronics, Deilcraft furniture, and the 1982 annual meeting.

File also includes a portfolio from the Morristown Area Chamber of Commerce (Morristown, TN) containing news releases about Electrohome's purchase of a production facility there and 16 photographs of the plant during construction.

File consists of photographs, transparencies, and slides depicting Electrohome Projection Systems products and their applications in various corporations and organizations. Applications pictured include: CSX Transportation Control Center (Jacksonville, FL), Canadian Embassy (Tokyo, Japan), Rochester Gas and Electric (Rochester, NY), Thames River Water System (London, UK), National Bowling Stadium (Reno, NV), the Barcelona Stock Exchange (Spain), and others.

File consists of one photograph of Dana Porter with wife Dorothy Porter and three unidentified others at a table at the Saranac Inn, in New York.

File consists of photographs and negatives of Electrohome plants and product testing facilities. Includes photographs of the Morristown, TN, plant; the Electrohome (U.S.A.) Inc. branch in Ontario, CA; an aerial photograph of Plant 10 (Cambridge, ON); and photographs of employees testing television and video monitors. One photograph has been mounted on board and retouched.

Photograph of a building. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

One photograph album capturing moments of gender expression in the early 20th Century. The album contains family and school photographs, and the images of gender expression centre around a group of students on what appears to be a school trip in Pennsylvania. People who appear to be assigned female at birth are shown wearing typical male clothing of the time, or dressed en homme, and people who appear to be assigned male at birth are shown wearing typical female clothing of the time, or dressed en femme.

One image of the bell tower of the Perkinsville [Vermont?] Roman Catholic church.