Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

Hand-coloured photograph sent as a postcard to Miss Alberta Ritzer, Waterloo, postmarked Buffalo Sept. 20, 1906.

File consists of photographs, transparencies, and slides depicting Electrohome Projection Systems products and their applications in various corporations and organizations. Applications pictured include: CSX Transportation Control Center (Jacksonville, FL), Canadian Embassy (Tokyo, Japan), Rochester Gas and Electric (Rochester, NY), Thames River Water System (London, UK), National Bowling Stadium (Reno, NV), the Barcelona Stock Exchange (Spain), and others.

File consists of one photograph of Dana Porter with wife Dorothy Porter and three unidentified others at a table at the Saranac Inn, in New York.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

Upper body studio portrait of J.M. Moyer. Identification from verso.

Contains two photographs of the Kaufman plant in Batavia New York under the name Kaufman Footwear Corporation.

Two copies of a full body studio portrait of John Christian Breithaupt seated and Louis Henry Wagner standing, seen looking at camera.

File consists of a photograph of an Electrohome dealer in New York, the store front of the Hydro Shop (Waterloo, ON?), and the Vancouver branch of Electrohome.

File consists of snapshots of houses, some identified by city, otherwise unidentified. Includes snapshots taken in Hamilton and Kitchener, Ont. and Bronx and Jamaica, N.Y.

A diary containing daily entries written by Betty Forbes in 1947. Several entries describe family events, parties, dances, trips to Buffalo, Sudbury and British Columbia, and Betty’s work at Claremont Nursery School. The diary includes letters, telegrams, invitations, programs, press clippings, pressed flowers, a napkin, and a photograph of an unknown individual.

Studio portrait of Catherine Wagner Bates. Catherine is dressed formally in a dress with choker necklace, earrings and her hair in a snood.

One image of a barn, identified on the verso as from Cooperstown, New York.

Head and shoulders portrait of Emma Ahrens seen looking off camera.

Two studio portraits of Charles Andrew Ahrens, seen in formal dress with hands crossed at abdomen. One is an upper body portrait, and the other is a head and shoulders crop of the same photo.