Conqueror wringer advertisement showing three women and two children on washing day titled "Washing Day." The women are washing, wringing, and hanging out clothes to try while the children are playing with a boat and a doll near the wash bucket. Verso reads "The Conqueror excels all other wrings in having 1. A forged steel spring, tapered and tempered, and the temper not "drawn" by galvanizing. 2. The extension crank, which gives double power, without loss of speed. 3. Composition metal bearings, which neither rot, rust or wear out. 4. Patent solid white rubber rolls, fastened immovably to the shaft. 5. Malleable iron swivel clamps, which fit either round or stationary tubs. Foote & Gaskill dealers in hardware, agricultural implements, also stoves, hollow ware, house furnishing goods, &c. wringers repaired. Hamilton, New York." Includes illustrated depiction of the wringer.

Advertisement trade card showing a woman seated using a clothes wringer while a man stands next to her holding a tennis racket and a cat stands at her feet. The caption reads "George: Come into the garden Maud. Maud: Wait George until I finish these clothes it won't take three minutes with this new Empire Wringer. "Verso reads ""You can do twice the work! And no more labor required. Our ""purchase gear"" reduces the labor one-half! By giving added power, and the strength thus saved every week is worth much more than the small additional cost. The gears and bearings of rolls need no oil, so cannot soil or grease the clothes the crank is not attached to either roll, as in other wringers, thus saving wear or rolls and cost of repairs. The rolls are solid white rubber. Empire wears longest and is warranted against defects. Look for brass bushing on the crank journal: our latest improvement. Use the Empire Wringer - will pay for itself. For sale by S.A. Ball, Le Roy, N.Y."""

Advertisement trade card for Sapolio showing three women washing dishes with the caption "Wash dishes with Sapolio." Verso reads "There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in Tin Foil, and surrounded with Ultramarine Blue-Band, and bears the above device) always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make house cleaning a quick and easy job, will clean paint and all painted surfaces, will clean marble, mantles, tables and statuary, will clean oil-cloths, floors, shelves, etc., will clear bath tubs, wash basins, etc., will clean crockery, glassware, etc., will clean kitchen utensils, of all kinds, will clean windows without splashing of water, will polish tin, brass and copperware, will polish knives as you wash them, will polish all metal surfaces and will clean all household articles and is better and cheaper than soap, emery, rotten stone, etc. John Wanamaker, Grad Depot, Phila."

Puzzle card postcard advertising Bissell Carpet Sweepers showing an unhappy couple with a regular broom and a happy couple with a Bissell Carpet Sweeper. Recto reads "Why is this gentleman so perplexed, why is this lady sorely vexed? Why does this gentleman now smile. and she be happy all the while? The reason will be plain, if you can but this puzzle card see through."

Head and torso studio portrait of Florence Ahrens seen standing next to a floral chair and looking at the camera.

Head and shoulder studio portrait of J.E. Bilger seen looking off camera.

Upper body studio portrait of Evelyn Breithaupt, Aida [Yentles?], and Blanche Mildred Clement Kelly taken when they were attending Ontario Ladies College. The group is looking at camera and wearing similar hats.

File consists of one studio portrait of, left to right, Emma Kaufman, Blanche Mildred Clement Kelly, and Evelyn Breithaupt taken when they were attending Ontario Ladies College. The group is posed identically, seen wearing similar hats and black ribbons tied around the necks of their high-collared blouses.

Studio portrait of Orpheus Moyer Schantz and Cornelia "Carrie" Flagler Schantz, with their daughter Ruth Schantz. Ruth is seen standing at centre with bow in hair arms on her parents' backs.

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Head and shoulders studio portrait of unidentified woman seen in profile.

One photograph of a portion of the lake or creek at Victoria Park, Kitchener, Ontario.

Upper body studio portrait of Blanche Mildred Clement looking off camera, seen wearing a fancy hat.

Studio portrait of the Louis Henry Wagner family. From left to right at Sarah Moyer Wagner, Ida Wagner, Florence Wagner, Louis Jacob Gordon Wagner, Carl Henry Wagner, and Louis Henry Wagner.

Image of a corner in the interior of a home. Included in the shot are plant in front of a window, a rocking chair, artwork, and family photos.

Image of a group of people group of people, one of whom has a bicycle, posed for the camera at various points along the length of a large brick home.

Group portrait of adults and children seen in formal dress and posed for the camera in front of the door to a brick home.

Image of three people, one seated and two standing, posed for the camera in the yard of a board and batten home. A large tree is visible in the background at right and buggy is partially visible parked behind a wood fence.

Image of a group of schoolchildren standing in two rows with their teacher in front of a brick school house.

Image of a group of people having a picnic in the woods. Most of the group is seen looking toward the camera from seated or standing positions with one adult visible at left gripping and hanging from a tree branch.

Image of an a person holding standing and looking at a horse outside in a grassy enclosure. Trees and possibly an orchard are visible in the background.

Image of a woman standing outdoors wearing a naval style hat and pointing a rifle off camera.

File consists of snapshots taken inside the Ontario legislative building at Queen's Park in Toronto, probably by Martha Rieder.

Snapshot of Florence Grace Clement and Esther Williams sailing on Georgian Bay.

One image of an ox and cart in front of a barn, with an unidentified man forking hay into the loft.

Postcard of Courtland Avenue School, Berlin, Ontario.

Postcard of the first school house in Waterloo, now located in Waterloo Park.

Head and torso studio portrait of Jesse Gross Moyer dressed in suit and tie, looking off camera.

Upper body studio portrait of Theodore Moyer seen looking off camera.

Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

File consists of mounted snapshots taken at Bayview, the cottage of Louis Jacob Breithaupt, near Penetanguishene. Includes snapshots of the cottage and people on the lawn of the cottage, people canoeing, and a boat house labelled as "the ark." File also includes a group photograph taken on the lawn outside the cottage. Some photographs probably taken by Martha Rieder.

Upper body studio portrait of Anna [?] seen looking at camera.

Upper body studio portrait of an unidentified woman seen in profile.

Studio portrait of unidentified woman seen in profile.

Upper body studio portrait of Irene Anthes Locke seen looking at camera.

Advertisement showing three women of different generations at a water pump with a washing bucket washing clothes and holding up a box of Ivorine. In the background are two men standing looking into the distance carrying farm implements. Verso reads "Ivorine the wonderful cleanser the best and purest article for all washing purposes that it is possible to produce; also, unequaled as a disinfectant. Use it, and clothes, money, and life will last longer. We use the same care in the selection of materials and the preparation of Ivorine, which, for almost half a century has given Williams' "Genuine Yankee" shaving soaps their wide popularity. A handsome silver plate tea-sponn is given with each one-pound package of Ivorine, and, with each two-pound package, either a substantial silver plated table spoon, knife, fork, butter knife, or sugar shell as the purchaser may prefer. By this way of advertising Ivorine and inducing the housekeeper to give it a trial, we are giving to them, directly, what others spend in newspapers and other expensive advertising from which the purchaser gets no benefit. As this plated-ware is made for us by the Williams Bros. M'f'g Co., of this town, under our direct supervision, we can guarantee each article to be of good quality and to wear well. Ask your grocer for Ivorine. The J.B. Williams Co., Established 1840, Glastonbury, Conn."

Advertisement trade card for Sapolio showing three women polishing glassware with the caption "clean glass with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

File consists of 1 aerial photograph of Seagram plant and surrounding area illustration.

Image of the Newbridge, Ontario post office and store. People standing on the steps of the store, and horse and buggies are parked out front. The post office has a Bell Telephone sign hanging out front and visible items for sale include boots, a coat, a wash basin and rugs.

Image of a person seated in a horse-drawn buggy in front of a house holding reins and looking toward the camera.

Image of three people, possibly teenagers, boiling maple syrup in the woods. Two are holding metal buckets and the third, partially obscured by smoke, appears to be tending to a fire.

Image of a group of adults and children posing for the camera along the front and side of a board and batten house with a small front porch.

Image of adults and children standing outdoors with horses, some hitched to a wagon, and a dog in a field in front of a house.

Image of a two people standing amongst a line of horses in front of a board and batten home.

Photograph of two children, one seated and one standing, on a house porch with trees and vegetation in the background, taken at 172 Margaret Avenue. The child that is sitting down has a basket with flowers in her left hand.

According to annotations, children are Grace M. Augustine and Louise Catherine Geil.

Photograph of a group of seven adults sitting down or standing on the bridge over river falls, taken at the Falls in Blackstone Harbor "Where the cow goes over the Moon."

Photograph of a group of four children sitting down in a hammock, two of the children holding sticks in their hands, taken at the family "Bay View Cottage" in Penetanguishene (Ontario). There is vegetation and a lake in the background.

People in photograph are: John Edward Breithaupt, Frieda Caroline Harris, Carl Louis Breithaupt and Louise Catherine Geil.

One head and shoulders studio portrait of Annie Bowman, seen looking at camera, that was found with Hervey Bowman's belongings.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

One group portrait of some attendees of the golden wedding anniversary celebrations for Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Full body studio portrait of Russel Nash as an infant seen seated, dressed in white gown with a lace collar, and smiling at something off camera.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

Head and body studio portrait of Emma Kaufman seen looking off camera in a white dress and standing with hands at front.

Studio portrait of Charles Campbell McDonald.

Wedding portrait of George Buck and Emma Joachimi [seated?] with Minnie Joachimi and Joe Neeb.

One image of log buildings and sleeping dogs at Fort Providence on the Mackenzie River (in the Northwest Territories), 1901.

Studio portrait of Alma Bean. Alma is wearing a bonnet and bib.

Head and shoulders studio portrait of an unidentified adult.

Copy negative of Page 78 of Twentieth Century Number of Busy Berlin showing fire brigade in action at St. Paul's Lutheran Church on Queen St. and a partial view of group portrait. Fire brigade caption reads: "Berlin Fire Brigade (Throwing steam over St. Paul's Church)". Group portrait caption reads: "Another Group of Travellers. W. G. Cleghorn, I. S. K. Weber, A. K. Dunke, J. Voelker, and L. Stuebing."

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

File consists of a wedding portrait of Albert Breithaupt and Louisa Anthes.

Photograph of a houseboat with a Dixie sign at top surrounded by several smaller boats and people relaxing, fishing, etc. John S. Anthes is seated at far left on the deck of the houseboat. Martha Rieder is standing next to him and Ella Anthes is seated on the deck railing, looking toward camera. John Edward Breithaupt may be the child seated on the end of the row boat with a blurry face from moving when the photo was taken.

File consists of two identical snapshots of members of the Bowlby family in Los Angeles in 1901. Includes David Sovereign Bowlby, Martha Esther Murphy Bowlby, Grace Bowlby Fennell and two unknown people. Versos read "Los Angeles May 6, 1901. To dear Mosom with love from Grandma" and "Lose Angelse Cal. May 6, 1901. To dear little Frieda with grandma's love."

Photograph of the visit of the Duke (George VI, King of Great Britain, 1895-1952) and Duchess of York (Mary, Queen, consort of George V, King of Great Britain, 1867-1953) to Berlin, Ontario in 1901. The photograph was taken from behind a crowd and shows dignitaries on a flag-draped platform in front of a train car behind and people are visible on the rooftops of buildings opposite, including Randall & Roos Wholesale Grocers.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

File consist of clippings relating to Toronto.

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

File consists of one programme for the twelfth anniversary of the Bonar Presbyterian Church in Toronto.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

A press clipping addressed to the Editor News Record from the Bechler family photo album. Clipping consists of a card of thanks from Frederich Bechler to the Metropolitan Life Insurance Co., the employers of Russell's Cigar Factory, friends, and family thanking the addressed for support after the death of his daughter, Wilhelmina Henrietta Bechler.

Small notebook with household accounts, expenses associated with Etta's death and burial, lists of expenses associated with "Baby" and "Dorothy", also "North West Accounts" listing expenses for Tobias and Austin in Alberta.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

Head and shoulders studio portrait of W.W. Nash seen looking at camera.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

Photograph taken by Jackie Cassell of Norman C. Schneider at a camp on the point on Dundee Dam. Note in scrapbook by Norman C. Schneider: "Photograph taken by Jakie Cassell of our camp on the point on Dundee Dam. My father, J.M. Schneider, hauled our tent and equipment and food out to New Dundee in a horse drawn wagon, the five boys rode out and back on our bicycles. Year about 1902, to the best of my recollection."

Left to right: Mrs. Wing, mother of Ross, Miss Wing, Norman Schneider, Carl Ahrens, Ross Wing, Henry Feick, Milton Detweiler.

One full body studio group portrait of Jessie Watt Moyer with children Barbara Helen and Dorothy Louise. Barbara is seated in Jessie's lap and Dorothy is standing next to them.

Full body studio portrait of an unidentified woman seen looking off camera. She has a wedding ring on her left hand.

Two studio portraits of Charles Andrew Ahrens, seen in formal dress with hands crossed at abdomen. One is an upper body portrait, and the other is a head and shoulders crop of the same photo.

Head and torso studio portrait of an unidentified woman standing, and looking at camera.

Head and torso studio portrait of an unidentified woman standing with her hands and her back and wearing a nursing uniform.

File consists of two identical upper body studio portraits of David Sovereign Bowlby, seen in partial profile looking off camera.

Relief shown by hachuring and spot heights. Shows land districts, townships, roads, railroads, Pacific cable and station.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Studio portrait of Emma Louise Schneider seen looking at camera with bows in hair, standing with left hand on wooden arm chair.

Copy negatives from an old photograph ang Page 255 of W. V. Uttley's book "A history of Kitchener, Ontario" (1975). Taken by Sebastian Fischer, the photo is of John Roat's Commercial Hotel, at the corner of Queen and King, following a fire. One of the negatives includes a photograph of the first ambulance with nurses. Also included in the file are typed captions about the hotel and the ambulance that read:

"John Roat's Commercial Hotel after fire

site of Walper

destroyed 1892, after the fire, site bought
by Abel Walper of Zurich, Ont

sign says Livery Stable

(see Uttley History of Kit ..page 255)

2) same pic from book

3) same pic /with first ambulance
& nurses..."

Snapshot of John A. White sitting under a tree, reading a book.

Studio portrait of Ina Kimmel seen standing and looking off camera.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Studio portrait of Effie Schmidt Tulloh seen standing with right hand at back and looking off camera.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Two copy negatives of old photographs. One shows elephants walking double file down a dirt road beside [electric railway?] tracks headed by two single elephants with ladies riding on top. The negative is annotated: "Circus Parade. King St. near Water St. 1904." The other, taken from the same position, shows uniform wearing [firemen?] horseback riding a double file down a dirt road while carrying flags that read: "Fighting the Flames".

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

Studio portrait of John S. and Lydia Anthes. John is seen in profile looking off camera and Lydia is seen looking toward it.

Copy negatives of elephants walking down city streets. The first is of an old photograph of elephants walking down a city street captioned: "Circus Day in Berlin". Caption accompanying negative reads: "1) Circus Day in Berlin nr p/o at Benton." The second is of elephants walking down a city street, taken from behind, while passing the Market Hotel accompanied by a caption that reads: "5) circus parade king near benton 1904". File also includes caption notes for the next 6 files in series titled PARADES.