One head studio portrait of Jacob Moyer seen looking off camera.

File consists of one full length photograph of Martha Esther Murphy Bowlby.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Modern copy of a 19th century photograph. Includes identifications as follows:

Back row, left to right: Carrie, Laura, Emma.

Middle row, left to right: Helena, Louise, Minnie.

Front row: Mary.

Portrait of Merne [Marion] and Madge [Margaret] Wilson as young girls.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Full length studio portrait of Etta and Sophie Schantz with friends. Etta is seated at left and Lavina Detweiler, Sophie and Nancy Eby are seen standing. Maggie Eby is also seated, on a higher chair at right, and Noah Eby is seated on the ground at the centre of the group. The women are wearing three story, or flower pot hats, while Noah's bowler hat lies on the ground next to him. The women are holding either parasols or cedar boughs. Identification from verso.

Upper body studio portrait photograph of David Sovereign Bowbly seen looking off camera.

Studio portrait of Jacob Hailer. Jacob is seated holding a cane with his foot propped on a stool.

File consists of an album probably compiled by one or more of Martha Rieder's children. Includes snapshots of Martha and Talmon Henry Rieder, their children, and their family, many of them with extended family and friends. Includes snapshots taken at Felsheim, Woods Bay, Bayview Cottage, the family home on Belmont Ave in Montreal, etc. Album also includes newspaper clippings, letters to Santa from Edward and Paul Rieder, a letter from Edward to Talmon Henry Rieder, and ephemera. Some of the photographs include dates/captions, and album contains the handwriting of several different individuals.

One carte de visite, portrait of child. This is tentatively identified as Emma Schneider but is probably not her. The photographer, D.G. Denison, worked in Berlin ca. 1865-1885 and Emma was not born until 1894.

Photograph of Charles August Ahrens and family in front of their first home on Courtland Ave. in what was then Berlin, Ontario.

Left to right: Charles August Ahrens, his wife Emma, children Lottie and Fred, and Martin Nagel.

One studio group portrait of the Ahrens family. File also includes typed identifications, a list of addresses for Ahrens family members, and an envelope that reads: "Grandfather Charles Andrew Ahrens and family. The only picture including grandmother Charlotte (Roth) Ahrens."

Identifications in photo:

Back row, left to right: Henry J. Ahrens, Helena Ahrens (Mrs. J.M. Schneider), Charles August Ahrens, Wilhelmine A. "Minnie" Ahrens (Mrs. Ferdinand Von Ende), Caroline Ahrens, Albert Ahrens.

Middle row, left to right: Emma Ahrens, Charles Andrew Ahrens, Henrietta Charlotte Ahrens (née Roth), Louise Ahrens.

Front row, left to right: Laura Ahrens (Mrs. Geo. Hachborn), Mary Charlotte Ahrens (Mrs. Harry Halliwell, born July 26, 1876), Herman Ahrens.

Studio portrait of Lizzie Schlier.

Head and shoulders studio portrait of J.M. Schneider seen looking off camera, dressed in collared shirt and tie.

File consists of one full body group studio portrait of members of the Bowlby Clement families. From left to right: David Sovereign Bowlby, Janie Elizabeth Bowlby Clement, Charles Bowlby Clement (being held by Janie), Adam H. Bowlby. Identification on verso incorrectly identifies the infant as William Pope Clement.

Three studio portraits of Louisa Breithaupt.

Photograph of the exterior of the Ahrens family home at the corner of Benton and Courtland Streets in what is now Kitchener, Ontario. There are several trees in the yard and family members are visible on the lawn and on the porch. Two adults and four children are included in frame. Two of the children are standing with bicycles, one is standing on the porch and another is standing with a buggy with a doll inside.

Formal portrait of William Henry Lapsley.

Studio portrait of Catherine Wagner Bates. Catherine is dressed formally in a dress with a silk scarf and her neck and earrings.

Photograph of members of the Hailer family standing in front of a general good store in Baden. A note on the verso indicates that they owned the store.

One photograph album. Includes a list describing each photograph created by rych mills.

Consists primarily of snapshots belonging to Dorothy Etta Russell (nee White), before and after her marriage to Clarke Russell. Includes one formal portrait of "The Nash sisters": Mary, Susie, Elizabeth, Debbie, Priscilla, ca. 1880's (p. 1).

Family members and friends included in posed and informal snapshots include Mary Moyer Schantz, Tobias Schantz, Austin Tobias Schantz, Ward Malott White, Franklin Abram Schantz, Orpheus Moyer Schantz, Dorothy Etta Russell, Clarke Russell, Sophie Emma Schantz, Florence Annie Catherine Schantz, Mr. and Mrs. Ernest Russell, Eva Kolb, Worth Flagler Schantz, Emily Schantz, Verna Fraser, Helen Lockie, Inez Martin, Mrs. E.H. Schiedel, her son Elmer Schiedel and daughter-in-law Nellie, Mrs. Elizabeth George.

Also includes snapshots of groups of individuals (identified on the packs of tipped-in snapshots) taken during the 1930 Schantz family reunion: Detwiler, Schiedel, Snyder, Bingeman family members, Phranie Bingeman, Mr. Yocum, and during the Hilborn Reunion, July 1-9, [192-?].

Also includes snapshots of White family members and homes: Ward Malott White on his visit to Dundas, Leamington and Kitchener from Chilliwack, B.C., Ada, Edna, Ruth, May and Elmer White, Malcon, Mr. and Mrs Lye, Maple lake and Orrville [Parry Sound area], White house in Orrville, horses in lake at Orrville, people swimming.

Locations and structures include Kitchener Cenotaph (p. 9), "Dr. Hilliard's garden" (p. 13), log schoolhouse, Waterloo Park (p. 17), Pioneer Tower, (p. 30), Schantz House, Conestogo (p. 34), Euler House (p. 34) [both of these are of old structures in disrepair], Bridge across river at Conestogo and Grand River at Conestogo (p. 43), Grand River in flood (p. 65-66).

Snapshots taken after Dorothy and Clarke's marriage include: White family gravestones in Leamington, Ont., Clarke Russell in uniform on his motorcycle, Lake Erie [swimming], Tecumseh Park, Chatham, Dorothy playing the ukelele and the Hawaiian guitar.

Victoria Park snapshots: statue of Queen Victoria, winter views, Dorothy paddling a canoe, the new Victoria Park Pavilion, glue factory ruins[?], Dorothy and two friends with snowshoes and in britches, visit of Duke and Duchess of Devonshire and daughters Lady Blanch and Dorothy Cavendish at Victoria Park, June 13, 1918 [snapshot of platform, no dignitaries?] (p. 64).

F.W. Woolworth Co. picnic: includes Mr. Emil Wagner, manager, and family, employee group portrait, Gertie Kruse, Marjorie Blin[?]kho.

P. 81: Inez Martin.

P. 91 Sophie and Mrs. Lye knitting (on beach).

Head and shoulders studio portrait of Amanda Schiedel seen looking off camera and dressed in a high-collared top.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Studio portrait of the Ahrens sisters seen standing and seated in front of a decorative backdrop.

Back row, left to right: Carrie, Laura, Emma.

Middle row, left to right: Helena, Louise, Minnie.

Front row: Mary.

Studio portrait of Josiah Kolb Shantz with wife Nancy Kolb Shantz and children Eliza, Benjamin, Abram, Elo and Lorena. Placement of children not included with identifications. Birth dates of children suggest Eliza and Elo are standing at right and Lorena is seated at left. Benjamin and Abram were born too close together to determine their standing order at left.

File consists of one photograph of Martha Esther Murphy Bowlby. Identification from frame.

Formal portrait of Caroline Yates Lapsley.

Two formal portraits of Clara Joachimi Lapsley, variants.

Formal portrait of William Henry Lapsley.

Two copies of a modern print of a formal portrait of Heinrich Metz Schneider.

File consists of one studio portrait of Charles Bowlby Clement with sister Blanche Mildred Clement Kelly as children seen looking at camera. Blanche is seated on the edge of a couch, with a magazine in lap, and Charles is standing next to her, right arm resting on couch.

File consists of two identical head and shoulders studio portraits of Janie Elizabeth Bowlby Clement seen looking off camera.

One image of an unidentified native woman on a mule [?] pulling a travois. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Photograph of men working on a rail line along King Street at Erb Street. The shop front of H.A. Zoellner, Druggist, is visible as well as a telephone (telegraph?) pole. Possibly construction of tracks for electric street railway between Kitchener and Waterloo.

Studio portrait of Louis Henry Wagner with is sister Catherine Wagner Bates. The two are posed as though going for a county walk, wearing gloves and hats and Louis Henry is carrying a cane.

Studio portrait of Louis Henry Wagner seen looking off camera.

Full length studio portrait of Orpheus Moyer Schantz seen looking off camera with left arm resting on a [tree stump?] prop and left ankle crossed over the right.

Folder contains images of flooding, some original and some copy prints and negatives. Includes New Hamburg, Dunnville (1912, 1930), Ayr (1883, 1977), Fergus (1899-1900), Galt (1929, 1936, 1948), Paris (1971), Grand Valley (1972), Preston (1972), West Montrose

Contents: file consists of one portrait photograph of Mary Osgood Riggs Hunt with an infant Alice Riggs Hunt.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

File consists of two identical portrait photographs showing Blanche Mildred Clement Kelly at the age of three. The portrait shows Blanche leaning on the back of a couch resting her head on her arms. Only her head is visible.

File consists of 14 studio portraits of Talmon Henry Rieder, including one carte-de-visite. Duplicates are present. File also includes several copies of printed reproductions of a portrait.

One image of an unidentified individual standing in front of Lake Mistassini at the Hudson Bay Post in Québec.

One upper body studio portrait of Oliver Bushy seen in partial profile.

Full length studio portrait of Orpheus Moyer Schantz (at left) with left arm around the shoulders of an unidentified friend. The two are shown seated in front of a backdrop of a door to a house and are holding an upside sign that reads "two for 5¢."

Contents: file consists of one portrait photograph of Mary Osgood Riggs Hunt with an infant Alice Riggs Hunt and their dog Coco.

Upper body studio portrait of Robert Bliss Moyer, seen looking off camera.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column. Identification from album.

Originally on page 15 of album 3.

Studio portrait of Louis Henry Wagner.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column.

Originally in page 5 of album 1.

Full length studio portrait of Orpheus Moyer Schantz (at right) and Kitty Cole. The two are shown seated in front of a backdrop of a house window. Kitty is looking off camera and Orpheus is looking directly at it

Copy negatives of portrait of Otto L. Mikachi. Includes carte-de-visite by Boone & Clippinger, Akron, Ohio, ca 1886.

One upper body studio portrait of Ethel Davey.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

One upper body studio portrait of an unidentified adult.

One full length studio portrait of Orpheus Moyer Schantz with an unidentified friend. The two are shown in front of a backdrop of Roman columns. Orpheus is seated looking at a photograph while his friend stands looking over his shoulder.

One formal posed studio portrait of the John King Family of Berlin, Ontario, ca. 1885.
Front row, seated, left to right: Isabel King, Janet Lindsey King, John King, Dougall Macdougall King [seated in front], William Lyon Mackenzie King.
Back Row, left to right: one unidentified boy, two unidentified young men, Bella King.

One image of Mr. Blinkinsop (Indian Agent), Mrs. Hunt, and her children and grandchildren in front of a building at Fort Rupert, Vancouver Island. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Studio portrait of Louis Jacob Gordon Wagner as an infant.

Full length studio portrait of Blanche Mildred Clement Kelly as a child seen seen leaning against a decorative prop wall, wearing a dress and a bonnet.

One image of Fort Saskatchewan from the north side of the Saskatchewan River. Caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

A composite photograph which includes image of the Science building at the University of Toronto, eight graduates, and three faculty.

View of Waterloo looking south from the top of Central School at King and Central (formerly Church) streets. Albert Street is at top right and Silver Lake in Waterloo Park can be seen behind Albert Street. Spring Street is in the foreground. Written on verso: one storey house with two chimneys still on Albert St.

One full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

View of Waterloo from top of Central School located at King and Central (formerly Church) Streets looking south. Central School was built in 1855 with many additions and renovations over the years and demolished in 1952.

One photograph of Blood [Kaniai] and Peiikani (formerly Piegan) Indigenous Chiefs of the Blackfoot Confederacy in Brantford for the unveiling of the Brant Memorial. The chiefs are identified as One Spot, Red Crow, and North Axe.

Photograph showing the interior of an unidentified store. Identified from the recto are: Orpheus Moyer Schantz, Will Chase, Eddie Moyer, Harry Moyer, Lou Jeutoft [?].

Full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

File consist of one photograph of Queen Victoria and her family during the 50th year of her reign. Identification from verso.

Studio portrait of Mary Staebler Wagner taken Febraury 17, 1887, three months before she died.

Studio portrait of Louis Jacob Gordon Wagner as an infant.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

File consists a studio portrait of Peter and Emeline Rieder with five of their children, probably Talmon Henry (standing back centre), Elmer, Maude, Idella, and Loretta.

Casual group portrait of the Berlin Rangers soccer team wearing jerseys with the word 'Canada' visible on the front.

Back row: [Unknown], Dave Forsyth, Walter Bowman, Solly Brubacher, W.P. Mustard, Carl Kranz.
Middle row: [E. Webster], Walter Thompson, Tom Gibson, E. T. Gordon, Fred Killer.
Front row: H. Pirie, [Alex Gibson?], [A. N. Garrett?]

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Originally in page 21 of album 2.

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

Studio portrait of Louis Henry Wagner with infant son Louis Jacob Gordon Wagner and mother Margaret Hailer Wagner.

Two identical studio portraits of Herbert John (left) and Charles Alexander Schneider seen looking at camera. Both are seen seated with short hair and wearing lace collared dresses.

Two identical studio head and shoulders studio portraits of Ward Malott White in his salvation army uniform. Identification from verso.

Studio portrait of the Honsberger family. The spelling of the Honsberger name varies in inscription on verso.

Back row, left to right: Lucinda Honsberger, Amanda White (nee Honsberger), Owen Honsberger, Lovina Levagood (nee Honsberger).

Front row, left to right: Benjamin Honsberger, Phoebe Murphy (nee Honsberger), Ervine Honsberger, Rosa Honsberger, Mrs. Stickney (first name unknown), Esther Honsberger (nee Biehn).

Studio portrait of Louis Henry Wagner with infant son Louis Jacob Gordon Wagner, dressed in a gown, on his lap. Both are seen looking at camera.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

One upper body studio portrait of Carrie Schantz seen looking off camera.

File consists of studio portraits of John S. and Lydia Anthes and their children. Includes: a portrait of the family, a portrait of John and Lydia with Ella Anthes Cook, and two portraits of the children (J.I. Frank Anthes, Carrie Breithaupt, Lousia Breithaupt, Martha Rieder, and Ella Anthes Cook). Duplicate portraits are present.

One image of the well and ruins of an old house on an arid flat at Salt Springs, Manitoba. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

One composite photograph captioned, "Members of the Twentieth General Conference of the Church of the United Brethren in Christ convened in York, Penn'a May 9th to 19th, 1889."

The photograph shows 33 members of the conference including: Dinius, W.O; Wood, C.L.; Wright, Milton; Becker, Henry J.; Kiracoff, C.H.; Dillon, William; Clay, William; Powell, A.B.; Kabrich, John M.; Geeslin, A.W.; Ensell, J.; Titus, W.S.; French, J.; Mahan, S.T.; Tharp, I.M.; McNew, Z.; Kenover, J.; Floyd, Halleck; Davis, Lewis; Barnaby, H.T.; Bennetz, A.; Bowles, G.A.; Nelson, J.K.; Livingston, S.L.; Bonewell, B.A.; Luce, N.R.; Miller, William; Spoonemore, J.P.; Knipple, W.W.; Alwood, J.K.

Bishop Milton Wright was the father of Orville and Wilbur Wright.

The photograph is mounted on a card advertising the need for agents in other conference groups.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

One photograph of students out front of Bridgeport School. The teachers are identified as Mr. Weir, Miss Nicklin and Miss Moyer. Note that this is not the current Bridgeport Public School.

Three-part composite photograph. The top half contains numbered portraits of 155 members of the Berlin Philharmonic Society, the middle contains portraits of Miss C. Specker, contralto, Miss D. Zigler, soprano, Miss A. Bean, organist, Mr. Gains, tenor, Miss Specker, pianist, Mr. E. Shuch, baritone, Mr. C. Ruby, basso, and the bottom third of the photograph portrays the orchestra, seated with instruments and music. This photograph contains portraits of many well known citizens, particularly women.

Portraits of members of the Berlin Philharmonic Society include:

1. Geo. Howard, 2. A. Master, 3. W. Tuchlinski, 4. W.F. Roadhouse, 5. O. Vogelsang, 6. R.D. Lang, 7. H.P. Harding, 8. A. Breithaupt, 9. W. Euler, 10. J. Stauffer, 11. O. Master, 12. Geo. Zigler, 13. H. Clemens, 14. W. Zigler, 15. Rev. Tafel, 16.S. Groh, 17.L. Weaver, 18. E. Englert, 19.J. Brandt, 20. T. Simpson, 21. J. Steifke, 22. E. Werner, 23. D. Musselman, 24. W. Freeman, 25. J. Fischer, 26. A. Snyder, 27. E. Brubacher, 28. A. Musselman, 29. F. Shantz[sic], 30. J. Musselman, 31. E. Clemens, 32. W.H. Becker, 33. H. Hymmen, 34. E. Reiner, 35. A. Devitt, 36. E. Heist, 37. A. Shantz[sic], 38. J. Bilger, 39. G. Rehmann, 40. C. Harttung, 41. J. Weiderholt, 42. E. Lang, 43. H.A. Huber, 44. J. Good, 45. L.J. Breithaupt, 46. F. Boehmer, 47. D. Stadelbauer, 48. G. Reiner, 49. A.Grebenstein, 50. B. Marks, 51. T. Reid, 52. M. Ahrens, 53. M. Anthes, 54. A. Moyer, 55. E.Clemens, 56. Mrs. Musselman, 57. E. davey, 58. S. Musselman, 59. A.Detweiler, 60. I. Kolb, 61. A. Fischer, 62. Mrs. Howd., 63. A. Moyer, 64. T. Fehrenbach, 65., Mrs. Becker, 66. Mrs. Schmalz, 67. E. Swartz, 68. W. Fischer, 69. L. Motz, 70. F. Knechtel, 71. A. Mitchell, 72. A. Musselman, 73. C. Lang, 74. E. Hillard, 75. C. Webb, 76. A. Rathman, 77. T. Kimmel, 78. I. McMahon, 79. M. Moyer, 80. A. Cairnes, 81. L. Ziegler, 82. L. Rudell, 83. A. Kolb, 84. L. Musselman, 85. A. Boomer, 86. M. Devitt, 87. A. Devitt, 88. E. Pfeffer, 89. B. Bean, 90. Mrs. Shuh, 91. F. Caton, 92. M. Smuck, 93. M. Smuck, 94. M. Knell, 95. A. Wiegand, 96. A. Hett, 97. E. McIntyre, 98. L. Ruby, 99. M. Burke, 100. L. Hillard, 101. L. Hoffman, 102. Miss Kumpf, 103. A. Hendershott, 104. T. Pequegnat, 105. A. Knell, 106. G. Bowman, 107. A. Bird, 108. L. Pfeffer, 109. Miss Kumpf, 110. R. Musselman, 111. E. Dunn, 112. L. Sheppard, 113. Miss Grey, 114. F. Freeman, 115. R. Huck, 116. R. Ziegler, 117. M. Lauer, 118. M. Walper, 119. C. Vetter, 120. M. Walper, 121. Mrs. Tafel, 122. A. Staebler, 123. E. Schmidt, 124. L. Teidt, 125. A. Clemens, 126. S. Strasser, 127. Mrs. Fetzer, 128. M. Detweiler, 129. Mrs. Seiler, 130. A. Bossenberger, 131. C. Rehman, 132. U. Heins, 133. E. Stein, 134. A. Bean, 135. S. Shantz[sic], 136. C. Martin, 137. A. Eby, 138. A. Moyer, 139. E. Reiner, 140. B. McIntyre, 141. L. Eby, 142. L. Barlett, 143. K. Thomas, 144. L. Bricker, 145. L. Specker, 146. Miss Wagner, 147. K. Bingeman, 148. Mrs. Doering, 149. Miss Wagner, 150. M. Kalte, 151. S. Fehrenbach, 152. Mrs. W. Oelschlager, 153. Mrs. A. Oelschlager, 154. A. Brubacher, 155. Mrs. H. Heller.

One studio portrait, possibly of Franklin Abram Schantz.

Two identical upper body studio portraits of Melvina Dorthula Flagler. Melvina is shown with a watch on a chain and a large lace flower on her jacket. Note that the mounting for one photograph is labeled: "Dunn, Leamington, Ont." but that the image was in fact taken by Hartley's, Chicago, Ill..

Nine dry glass plate negatives showing various images. Five of the plates show images of Arthur Schantz, Eli Brubacher and Herbert Schantz, Franklin Abram Schantz and Edgar Clemens that are recognizable from positives elsewhere in the fonds. They are possibly from when Arthur was working for Schneuker photography studio. The remaining images are of unidentified portraits. Images were originally housed in a box of "Stanley" brand dry plate negatives.

One upper body studio portrait of Ela Bliss Moyer.

Originally in page 25 of album 2.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.