Title and statement of responsibility area
Private Press collection.
General material designation
Other title information
Title statements of responsibility
- Source of title proper: From content of collection.
Level of description
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Physical description area
91 cm of graphic materials
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Scope and content
Collection consists of ephemeral materials created and accumulated by various private presses including Dolmen Press, Rampant Lions Press, Poetry Bookshop, Press Porcepic, Soft Press, Stanbrook Abbey Press.
To be stored flat.
Immediate source of acquisition
Purchased over a variety of years from various book sellers, Dolmen Press materials donated by Colin Smythe.
Arranged in series as follows:
- 1. Dolmen Press;
- 2. Poetry Bookshop;
- 3. Press Porcepic;
- 4. Rampant Lions Press;
- 5. Soft Press;
- 6. Stanbrook Abbey Press.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
The private press movement was begun by William Morris with the Klemscott Press in 1891. The development of the press came out of Morris' interests in Medieval literature and craftsman workshops. The Klemscott press printed 53 books in 18,000 copies over seven years, the most important of which being The Klemscott Chaucer. The Klemscott Press lead to a renewed interest in book design and high quality book production, as well as typography. The movement tapered off in the 1930s with the Great Depression. A resurgence began in the 1950s, especially with artists and "artists books" and other experimental printing.
Standard number area
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Level of detail
Dates of creation, revision and deletion
Described by Jessica Blackwell, winter 2013.