Relief shown pictorially. Includes illustrations of buildings.

Relief shown by landforms. Map shows township boundaries and railways.

Upper body studio portrait of Ruth Schantz, seen from the left side with a ribbon in her hair.

Head and shoulders studio portrait of unidentified woman seen looking off camera in partial profile and dressed in a high-collar top with leg of mutton sleeves.

Full body studio portrait of an unidentified teenager wearing an outdoor jacket and holding a pair of [knit?] mittens, seen looking off camera.

Full body studio portrait of Glenn Earl Eby, seen as a small child, standing on a chair, wearing a long gown with lace.

Upper body studio portrait of Henry William Anthes seen looking at camera.

Upper body studio portrait of John S. Anthes seen in profile.

A cabinet card photograph of an unidentified man and woman indoors, seen looking at camera, from the Bechler family photo album.

Head and shoulders studio portrait of two unidentified women, seen looking off camera and wearing fancy hats, from the Bechler family photo album.

Studio portrait of an an infant in a gown holding a small plant sprig from the Bechler family photo album.

File consists of one photograph of the Kitchener market with the city hall and post office buildings visible.

File consists of snapshots of the cottage of John C. Breithaupt at Woods Bay, and snapshots of people in a canoe. A duplicate photograph is present. Photographs may have been taken by Martha Rieder.

Exterior of gun and locksmith shop of Louis Hedderich located on King Street north. Horse-drawn wagon in front with man in driver's seat. Louis Hedderich in 1889 Directory, not in 1899 Directory

File consists of three identical upper body studio portraits of Martha Esther Murphy Bowlby.

File consists of one full body studio portrait of Emma Allen Bowlby Boyd. Emma is shown standing in a jungle setting wearing an elaborately decorated dress, holding her hat and umbrella.

File consists of three identical upper body studio portraits of Emma Allen Bowlby Boyd. The portraits have been taken from a larger photograph of Emma, her sisters, and her mother.

File consists of one snapshot of Grace Bowlby Fennell standing on her father's porch in Kitchener. Identification from verso.

File consists of one three quarter length studio portrait of Ethel M. Wilkis. Verso reads "with much love from Ethel M. Wilkis." Photographer: Bogart Studio, Toronto.

Full body cabinet card studio portrait of an unidentified man, seen looking at camera with right arm propped on back of chair, from the Bechler family photo album.

Cabinet card studio portrait of three unidentified children and an infant, seen looking at the camera, from the Bechler family photo album.

Head and shoulders studio portrait of Abraham Nash Moyer seen in partial profile.

Upper body studio portrait of J.M. Moyer. Identification from verso.

One photograph of Christian K. Schantz, wife Mary (Hutchinson) Schantz, five of their children and two dogs in front of their homestead south of Wetaskiwin, Alberta.

Card photograph possibly of the exterior of the Schantz house in Port Elgin, Ontario. Shows a wood frame house with a porch and a wooden fence. Standing out front are one adult and five children, one of whom is holding a bicycle.

Ten business cards collected by Orpheus Moyer Schantz. Businesses include: McLean Armature Works, Chicago ; C.S. Allen family pharmacist, Chicago (business card opens to reveal price list) ; Hathaway, Soule & Harrington, Chicago (advertisement for new fall and winter men's shoes) ; The Butterick Publishing Co. Ltd., Chicago ; Alex M. Rivenburg, D.D.S., Chicago ; Chinese and Japanese Store, Chicago ; The Northern Trust Company Bank, Chicago (with timecard from Chicago to Wilmette on verso) ; J.H. Kelley, agent for O.R. Gilbert & Co., Taxidermy and Furs, Council Bluffs, Iowa ; Blair Union Christian Endeavour Society, annotated by Carrie Belle Blaschke (unfolds to show listing of lectures for the season) ; C.F. Steckleberg, Music Teacher and Soloist, Council Bluff, Iowa. Of interest to note is that C.F. Steckleberg was head of the violin department at University of Nebraska School of Music.

Full body studio portrait of unidentified woman seen looking off camera while standing next to a table, holding a document..

Upper body studio portrait of two unidentified children wearing matching polka dot outfits and seen looking off camera. They are posed with heads together, one with arm around the shoulders of the other.

Head and shoulders studio portrait of unidentified woman seen looking directly at camera in hair short bangs and a high bun.

Head and shoulders studio portrait of William Flagler seen in outdoor jacket and looking off camera.

Head and shoulder studio portrait of unidentified teenager seen looking off camera and wearing a top with large leg of mutton sleeves.

Head and shoulders studio portrait of Dan Rieder seen looking off camera.

Head and shoulders studio portrait of unidentified adult seen looking off camera.

One group portrait of Ahrens Shoe Co. staff taken outside at the factory on Queen St. S., Berlin, Ont. Includes 28 people, men and women, some holding shoes. There are also shoes displayed in front of the group. The three men in the centre of the front row are identified as Henry Ahrens, Mr. Bornhold, and Charles Ahrens. The boy on the end is identified as Fred Ahrens.

Photograph album with photographs of the Breithaupt family in Penetanguishene (Ontario) taken in August 1900. Includes family photographs and photographs of some members in logging settings and travelling.

Photograph of nine adults, four children, and a dog sitting down or standing with vegetation in the backfound, taken in Penetanguishene (Ontario).

People in the photograph are: Carrie Breithaupt third sitting from left.

File consists of one manuscript essay on reminiscences of Freeport, Waterloo County from 1867-1873, by M.G. Sherk [i.e. Scherck]. The reminiscences were later published in the Waterloo Historical Society annual volume.

Postcard of Central School, Berlin, Canada.

Postcard of the old Tassie High School, Galt, Ontario.

Exterior view of Hervey Bowman's home located at 60 Church Street, Kitchener, Ontario by an unidentified photographer. The house is somewhat obscured by trees and an adult, possibly Hervey Bowman, is seen standing at left, behind a row of shrubs.

Photograph of Ruth Schantz seated in a wooden chair holding and looking down at infant cousin Dorothy Etta Russell (nee White). An organ and baby carriage are visible in background.

Upper body studio portrait of Eli Brubacher, seen looking at camera.

One studio portrait of Annie Nash Fry (wife of Samuel Fry) seen looking at camera. Annie is shown late in life wearing a bonnet which ties at her neck, and glasses. Also includes one print of the identical portrait with a poem. Item may be a funeral card. Identification from verso with birth date as 1819 and death as 1903. Identification is uncertain however, as a print with a poem about the woman identifies the woman as Nancy Fry (possibly familiar form of Anna).

Poem reads:

We meet, in thankfulness to-day,
For blessings showered on our way.
May all our hearts with love abound
As once again we gather round
The heartstone of Aunt Nancy.
Vineland, August 9th, 1905.

Studio portrait of an unidentified woman seen looking off camera in partial profile, wearing wire-framed glasses and a high-collar top with large leg of mutton sleeves

A studio portrait of Orpheus Moyer Schantz, Carrie Schantz and Ruth Schantz.

Photograph taken during the construction of an unidentified factory in Berlin (now Kitchener), probably the Berlin Rubber Manufacturing Company.

Upper body studio portrait of unidentified woman see looking at camera.

Upper body studio portrait of Evelyn Breithaupt seen looking slightly off camera.

Upper body studio portrait of Louise McEwen McLean looking off camera, wearing a high-collar top with leg of mutton sleeves.

Head and shoulders studio portrait of Emma Ratz Kaufman seen looking off camera.

Studio portrait of Zella Dexter McDonald, seen wearing a hat with a large bow on top.

Advertisement trade card for Armour's Mince Meat and Canned Meats showing an older woman teaching a group of younger women how to cook. Verso reads "It is admitted by every prudent housekeeper, that our Condensed Mince Meat is equal in every respect to the old-fashioned home-made article. Our well known connection with the beef industry, enables us, to put a Mince Meat on the market second to none. We use only the best and purest ingredients, and it is the universal verdict that our product retains its sweetness longer and goes farther than any other brand. Packaged in 12 oz. (net) cardboard cartons. Enough for two large pies. 2 packages for 25 cents. At all first-class grocery stores. Armour and Company, Chicago."

Conqueror wringer advertisement showing three women and one young girl ironing clothes titled "Ironing Day." The young girl is seated at a stool holding up a dress in front of a Conqueror wringer. Verso reads "The Conqueror excels all other wrings in having 1. A forged steel spring, tapered and tempered, and the temper not "drawn" by galvanizing. 2. The extension crank, which gives double power, without loss of speed. 3. Composition metal bearings, which neither rot, rust or wear out. 4. Patent solid white rubber rolls, fastened immovably to the shaft. 5. Malleable iron swivel clamps, which fit either round or stationary tubs. Foote & Gaskill dealers in hardware, agricultural implements, also stoves, hollow ware, house furnishing goods, &c. wringers repaired. Hamilton, New York."

Advertisement trade card for Sapolio showing two women cleaning marble statues with the caption "clean marble with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Agate Iron Ware showing a group of women holding hands in a circle around an iron tea pot. The caption reads "The growing triumph." Verso reads "For sale by Davis, Wright & Co., 41 Main Street, Keene, N.H."

Head and shoulders studio portrait of Charles August Ahrens seen looking off camera.

File consists of three identical studio portraits (two mounted) of the sons of Janie and E.P. Clement. Left to right are: Edwin Oliver, William Pope, David Ward, and Charles Bowlby.

File consists of one full length studio portrait of Isabel Mackay with an unknown woman. The two are seater side by side wearing elaborate gowns.

File consists of a photograph (postcard, blank) of a view of Berlin, taken from a high vantage point, showing several factories and smoke towers.

Copy print, taken on the other side of the building shown in GA92-9-73, showing what is possibly a weigh scale for wagons. The domed building is the town hall and the light coloured building in the background is the Kitchener Hotel.

Image of group of horses and buggies with riders loaded with barrels in a row along the front of a long low building.

Image of two people and a dog standing in a grassy yard in front of a barn and looking toward the camera.

Image of a group of adults and children standing in a wooded area and posed for the camera.

Image of a person seated in the a horse-drawn buggy in a field. A dog is sniffing the ground at right and a house and barn are visible in the distance in the background.

Image of two adults in snow covered woods holding axes on either side of a felled tree.

21 glass plate negatives showing people and buildings around the former town of Newbridge, Ontario.

Upper body studio portrait of unidentified woman seen looking slightly off camera and wearing a hat.

Upper body studio portrait of Mae [?] seen in partial profile.

Studio portrait of Adah Montgomery Forrest seen wearing a high-collared, lace-trimmed top.

Image of Ahrens family members seated and standing on the porch of a cottage with a "Berlin" sign affixed to the building siding taken at Grand Bend.

File consists of four advertisement trade cards featuring women and girls working in the kitchen.

Tree Ball Washing crystal advertisement trade card showing an illustration of three women washing, hanging out, and ironing laundry. The women are accompanied by a dog and a bird in a cage. Verso reads "Nellie - mama, shall I go for the washerwoman, as you have been sick lately and are not able to do the washing? Mother - Oh no, my dear child, you just go to our grocer and get me a large 5 cents package of the Three Ball Washing Crystal, it makes washing so easy that no washwoman is required. Manufactured by C.H. Fischer & Co., New York"

Advertisement trade card for the White Mop Wringer Company of Fultonville, N.Y. Serving as a business card for representative M.D. Alger. Recto shows a woman using a mop wringer and the verso shows illustrations of two mop wringers, one for family use and the other for hotel use.

Advertisement trade card for Sapolio showing a woman scrubbing a tub while a baby bathes in a smaller tub with the caption "clean baths with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tin pan while a young girl shows a cat its reflection in another. Caption reads "clean tins with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

One photograph showing J.M. Schneider and Charles Schneider standing on the outside front steps of the "first shop". A free-standing sign is visible with "J.M. Schneider" painted on it; J.M. Schneider is leaning against a large lantern on a pole.

Photograph of Emma and Charles August Ahrens, both wearing hats and standing outdoors, in front of a leafy backdrop. Emma is looking at camera with a slight smile on her face and arms at back. Charles is standing to her left, looking off camera with right hand on a [walking stick?].

Modern copy of a photograph showing Johann Christoph Schneider's farm in the Highland Rd-Lawrence Ave. area of Kitchener, ca. 1900.

Studio portrait of Louis Jacob Gordon Wagner. Louis is wearing a suit and tie with a pocket square.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting next to a mirror so that his face is visible looking off camera and in profile.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting in front of a mirror, holding up one finger, so that his face is visible looking off camera and in profile.

File consists of one snapshot of William Pope Clement mowing the grass at the family home at 51 Benton St., Kitchener, Ont.

Upper body studio portrait, formerly owned by Blanche Mildred Clement Kelly, Lillian Southgate and Nettie Morris seen looking at camera, dressed in jackets and fancy straw hats.

File consists of 1 aerial view photograph of Seagram plant and surrounding area illustration.

Photograph of the exterior of the C.H. Doerr & Co. Confectionery Works building. A man in a suit and hat is standing in the front doorway and a driver is visible standing on a horse drawn cart piled with boxes at the side of the building.

One photograph of Victoria Park, Kitchener, Ontario, showing the bridge in the foreground. A canoe on the lake is visible in the background.

One photograph of the lake at Victoria Park, Kitchener, Ontario. A number of canoes with unidentified male and female occupants are visible near the bridge and shore.

Studio portrait of evangelists Hugh Crossley and John Hunter. Crossley is seen with legs crossed, looking off camera and paper in left hand. Hunter is seated on the arm of a chair next to him with right arm propped on Crossley's shoulder, looking at camera.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

One upper body studio portrait of Jeremiah Eby. Identification from album.

Upper body studio portrait of Portus B. Weare seen looking off camera.

Three copies of studio portrait of Norman C. Schneider seen looking off camera dressed in suit and tie.

Image of a group, like a family standing in front of a board and batten home where three horses and a buggy are visible at right. One of the children is standing at far left next to a seated dog and the other is standing in the buggy next to a seated adult. The second adult is seen standing in the middle of the shot near the front entrance of the home.

Group portrait of adults and children seated and standing while posed for the camera outdoors in front of trees and greenery. They are seen dressed in formal wear and some are holding small American flags on sticks.

Studio portrait of Mary Eidt Kaufman and her daughters (left to right) Emma Ratz Kaufman and Edna Louise Augustine.

Copy print, Frederick and Duke looking toward King St. In Canada's Centennial, 27 June 1967, p. 27

Upper body studio portrait of an unidentified individual seen looking at camera, dressed in a white lace top and with a ribbon in hair.

Head and shoulders studio portrait of Alfred Gofton seen looking at the camera, dressed in a suit and tie.