Head and shoulders studio portrait of Tobias Kolb Schantz seen looking off camera in partial profile.

Date and Place from: Mar. 20, [1890?] Berlin, Ont. To Schantz, Austin Tobias. From Schantz, Florence Annie Catherine.

Ten prints including:

One portrait of Abraham Lincoln.

Two memorial portraits of Victoria, Queen of Great Britain, 1819-1901.

One portrait of the [George] Washington family.

One portrait of Baden-Powell of Gilwell, Robert Stephenson Smyth Baden-Powell, Baron, 1857-1941. This print is mounted on the lid of a box and decorated with gilt paper trim.

Side-by-side portraits of George V, King of Great Britain, 1865-1936 and Mary, Queen, consort of George V, King of Great Britain, 1867-1953.

Side-by-side portraits of Edward VII, King of Great Britain, 1841-1910 and Alexandra, Queen, consort of Edward VII, King of Great Britain, 1844-1925.

One illustration of the G?ltzsch Viaduct, a railway bridge in Germany.

One illustration of a landscape in Switzerland.

One illustration of cupid and another figure warming their hands by a fire.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

One full length studio portrait of Florence, Arthur and Herbert Schantz. Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

A brochure with information on using the Kombi camera.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One upper body studio portrait of an unidentified couple.

One upper body studio portrait of Jake Moyer in collared shirt and tie seen looking off camera.

One upper body studio portrait of Amos Musselman seen looking off camera. File also includes one small red paper flower that was included in the album with the photograph.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

One upper body studio portrait of Mary Schantz (nee Moyer).

Originally in page 3 of album 1.

Full length studio portrait of Orpheus Moyer Schantz and Carrie Schantz (nee Flagler). Orpheus is seated in a chair, dressed in a suit, with legs crossed. Carrie stands to his left in a long dress with right hand on back of Orpheus' chair.

Full length studio portrait of Albert Snyder and wife standing side by side in their wedding outfits.

Canadian Drawing Course, book 4. The book is authorized by the Minister of Education and had been completed by Etta Lydia Mary White (nee Schantz).

An advertisement for Delmonico blend coffee.

25 postcards (20 real photos and 5 printed) of scenery in Great Smoky Mountains National Park. The photographs were taken by Orpheus Moyer Schantz and are captioned.

Photograph of a large windmill in a grassy field with a wooden fence and dirty road in foreground. Photograph is a sample produced by the Eastman Kodak Company showing the quality and size of picture made with the Bullet and Bulls-Eye cameras.

Full length studio portrait of Willie and Arthur, last name unknown, seated side by side. One child, dressed in a plaid dress with a lace collar, is seated in a chair, with left arm on the side of an armchair where a second child, an infant, is seated upright dressed in a white grown.

Upper body portrait of an unidentified seated adult looking toward camera while holding an infant, dressed in an white gown, upright on lap. The child's face is blurry from moving when the photo was taken.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.

Studio portrait of a family seen looking at camera. Two adults are seated at both ends of the photo with five children seated and standing between and next to them.

Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.

Head and shoulders studio portrait of an unidentified teenager seen looking off camera.

Head and shoulders studio portrait of Emma Wilkin (Simpson) seen looking slightly off camera.

File consists of an album compiled by Ella Anthes Cook, and including some additions probably by Martha Rieder. Includes snapshots of family members and friends and snapshots taken on Ella's trip to Europe, around Ontario, at Felsheim, and on her honeymoon. Includes a family photograph taken at Talmon Henry Rieder's 40th birthday, a snapshot taken when Earl Grey visited Berlin, a snapshot taken at the unveiling of Queen Victoria's monument at Victoria Park, and a photograph by Denton of the interior of Zion Evangelical Church.

Studio portrait of J.I. Frank Anthes (at right) with an unidentified man.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Series consists of visual material produced and accumulated by various personnel and departments within Electrohome. Some of the material may have been used by Robert Lovell, Public Relations Manager (1963 to ca. 1988), or his successors, as it appears that some photographs were taken for internal and external publicity purposes.

Some of the material appears to have been pulled from elsewhere in collection, probably for use in Raymond Stanton's book Visionary Thinking: The Story of Canada's Electrohome, or for other purposes associated with the 90th anniversary celebration or researching company history. Includes photographs, slides, negatives, transparencies, contact sheets, and printing proofs.

Three copies of a studio portrait of J.M. Schneider with son Norman. Norman is seen with elbow on J.M's left shoulder with ringlets in his hair, wearing a plaid garment with a collar and bow.

Studio portrait of an infant posed upright in a chair, dressed in a gown and lace cardigan. Possibly a cousin to Anna Elizabeth Metz Schneider.

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

Head and shoulders studio portrait of Carl Ahrens seen dressed in suit and tie and looking at camera.

Copy negative and modern prints of an old formal portrait of the children of Catherine Schneider White and John White. Includes identifications:

Left to right: John White, Arthur White, Elizabeth White.

Series consists of biographical information and photographs relating to Elizabeth Schneider Gofton.

Series consists of biographical information and photographs relating to Albert Carl Schneider.

Copy negative and modern prints of an old formal portrait of Albert Carl Schneider.

Legal documents for the John Ratz estate executors and distribution.

Receipts relating to the John Ratz estate including Royal Bank stock certificates, cheques, taxes, groceries, fire insurance, and some correspondence.

One photograph of a man standing in front of trees holding a knife and an apple [?]. He is wearing a salt and pepper style cap and a pocket watch chain with a croix pattée.

Two photographs , one showing the harbour docks of St. John's, Newfoundland and one showing two ships up close. One ship appears to have the words "Cobden Mines" written on it.

One photograph of a sailing ship in open water, and one of a British naval ship [?] in St. John's, Newfoundland harbour.

One photograph of 4 people on a rocky beach at the bottom of a cliff, possibly at Blow me Down Provincial Park. One photograph of a small unnamed harbour.

One photograph of 5 people sitting on rocks by the water, possibly at Blow me Down Provincial Park. One photograph of a small community in an inlet, possible Lark Harbour or somewhere else in the Bay of Islands area.

One photograph of 3 men eating in a boat which is on a river bank. Two men are wearing salt and pepper caps and one is smoking a pipe. The third man is pouring liquid into a cup from a kettle. the verso of the photograph reads "A resting spot. Humber River."
One photograph of a lean to in small clearing. Verso of the photograph reads "Cook house at our camp. Big Falls Humber River."

One photograph of 2 men standing on a boat. One is wearing what appears to be a captain hat. One photograph of a group of Inuit men standing outside wearing caps and sealskin kamiks.

One photograph of a group of dogs in a small community. One photograph of two women and a man on a boat.

Two photographs of snowy landscapes.

One photograph of a large modern house with a barn outside.

One photograph of a bare tree. One photograph of water with hills in the background. The caption on the verso of the photograph reads "Mountain scenery. Lower Humber."

One photograph of Signal Hill and the Battery area of St. John's, Newfoundland. One photograph of two men standing on a boat.

One photograph of three people in a forest.

One photograph of salmon leaping the Big Falls, Humber River. One photograph of a large wooden ship in a harbour.

One photograph of an Inuit man standing on a ship wearing European clothing and sealskin kamiks.

Fonds consists of material created and accumulated mainly by Ivan W. Keffer, and some by his wife Mary L. Keffer, that documents the lives and activities of the Keffers, especially during the time they lived in Germany. Records also relate to the career of Ivan W. Keffer at the F.W. Woolworth Co. Includes diaries, correspondence, photographs, souvenir postcards and other ephemera, personal documents, reports, clippings, and other material.

Series consists of photographs, negatives, slides, transparencies and other images relating to the distillery, its employees, its history, and also to the local area. File titles are for the most part as assigned by the Seagram Museum.

One register book kept by the Ontario Association of Architects for the years 1890-1899. The book lists dues paid by each member of the association as well as money received for exam fees, filing articles, student fees and more. Also includes one item of correspondence from Mills & Hutton, architects asking the secretary for information on rates for architectural work. The register was kept by William R. Gregg.

Material related to the life of Emma Kaufman. Includes correspondence, clippings, biographical items, and photographs.

Full body portrait of an unidentified woman, possibly Mary Eidt Kaufman.

1 images, b&w original, copy print and negative.

Photograph of a cliff with trees on top by a body of water with logs along shoreline at left.

Photograph of two children and one adult at the entrance of a house, likely 172 Margaret Avenue, Kitchener (Ontario). One of the children is standing behind the railing of a porch and the other child is standing next to a flowery shrub as the adult looks on from the lawn.

Two copies of a photograph a partial view of a lake with buildings and trees on both shores, and a boat on one side.

Photograph of a group of five children in a canoe in a lake.

Photograph of a group of five children in a canoe in a lake.

Two copies of a studio portrait of John Christian Breithaupt, seen looking off-camera.

Postcard featuring a photograph of a group of nine adults and six children in or around a car.

People in photograph are: Lydia Louisa Breithaupt third from the left and Carrie Breithaupt sixth from the left.

Postcard featuring a photograph of a car by a building.

Postcard featuring a photograph of a woman on a dock, posing as about to jump to the water.

Five invitations and one envelope for events taking place the home of Orpheus Moyer Schantz at Morton Park. These include a New Years party, an evening of entertainment, an Arabian night, and a masquerade. The envelope is address to "Mr. Austin Schantz" and originally held the invitation for the masquerade. Others listed as hosts and entertainers include:

• Carrie Flagler Schantz,
• Samuel Adee Flagler,
• Melvina Dorthula Flagler,
• Willam Flagler,
• Nell Jonhston Flagler,
• Ida M. Wolfe,
• Nellie Remick,
• C.C. McClurg,
• J.F. Corris,
• J.R. Bolton, and
• Jennie Brown.

A small card advertisement for Detroit White Lead Works' carriage paints. Includes information on the carriage paints, prices, and colour samples.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait of Ella Moyer.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.

One full length studio portrait of Florence Annie Catherine Schantz , Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur is standing at centre, and Herbert is standing with left arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Two identical copies of a full length studio portrait of Florence Annie Catherine Schantz, Arthur Benjamin Schantz, and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Originally in page 3 and 29 of album 1.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Upper body studio portrait of Ward Malott White seen in profile.

Material relating to Franklin Abram Schantz's activities and interests, primarily household and personal accounts and investments. Includes correspondence, clippings and ephemera.

Correspondence and forms relating to assessment, taxes and expropriation for property in Manitoba, and for properties in Alberta.

Two dry glass plate negatives. One shows a marble bust of Sir John Alexander Macdonald, seen in partial profile, and the other shows a copy of the Ladies Home Journal. Both were originally housed in a box of "Stanley" brand dry plate negatives.

Twenty-seven letters received by Austin Tobias Schantz.

Date and Place from: April 13, 1891 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: May 14, 1894 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Written on Carson Pirie Scott & Co. Postcard.

Date and Place from: September 21, 1894 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: September 26, 1894 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Orpheus Moyer, 1864-1951 Notes: Written on Carson Pirie Scott & Co. Postcard.

Date and Place from: September 28, 1894 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Orpheus Moyer, 1864-1951 Notes: Written on Carson Pirie Scott & Co. Postcard.

Date and Place from: October 8, 1894 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Mary, 1840-1935 Notes: Postcard.

Date and Place from: October 17, 1894 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Unknown Attachments: Envelope only, includes stamp.

Date and Place from: December 31, 1894 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Tobias Kolb, 1842-1925 Notes: Postcard.

Date and Place from: May 17, 1895 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: May 18, 1895 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: July 9, 1895 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: November 30, 1895 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: May 21, 1896 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Written on Carson Pirie Scott & Co. Postcard.

Date and Place from: July 9, 1897 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: August 18, 1897 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: January 12, 1898 Leamington, Ont. To Schantz, Austin Tobias, 1871-1959 From White, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: January 21, 1898 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Schantz, Arthur Benjamin, 1876-1958 Notes: Written on North American Transportation & Trading Co. Letterhead.

Date and Place from: September 20, 1898 Berlin, Ont. To Schantz, Austin Tobias, 1871-1959 From Schantz, Franklin Abram, 1874-1962 Notes: Postcard.

Date and Place from: December 21, 1898 Berlin, Ont. To Schantz, Austin Tobias, 1871-1959 From Schantz, Florence Annie Catherine, 1879-1938 Notes: Written on North American Transportation & Trading Co. Letterhead. Includes note from mother.

Date and Place from: January 1899 San Francisco, Calif. To Schantz, Austin Tobias, 1871-1959 From Vroom, R.D.H. Notes: Postcard.

Date and Place from: February 4, 1899 Chicago, Ill. To Schantz, Austin Tobias, 1871-1959 From Unknown Notes: Empty envelope only, includes stamp.

Date and Place from: April 20, 1900 Leamington, Ont. To Schantz, Austin Tobias, 1871-1959 From White, Etta Lydia Mary, 1866-1900 Notes: Postcard.

Date and Place from: May 13, 1890 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Florence Annie Catherine, 1879-1938.

Date and Place from: n.d. Berlin, Ont. To Schantz, Austin Tobias, 1871-1959 From Schantz, Mary, 1840-1935 Notes: Includes note from Sophie.

Date and Place from: April 19, 1891 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Franklin Abram, 1874-1962 Notes: Partial letter, no closing.

Date and Place from: Dec. 5, 1894 Berlin, ON To Schantz, Austin Tobias, 1871-1959 From Schantz, Franklin Abram, 1874-1962 Notes: Written on R. D. Lang & Co. Letterhead.

Date and Place from: July 12, 1898 Berlin, Ont. To Schantz, Austin Tobias, 1871-1959 From Schantz, Mary, 1840-1935 Notes: Includes note from Florence.

Thirty-five letters received by Franklin Abram Schantz.

Date and Place from: June 4, 1902 Council Bluffs, Iowa To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Jan. 10, 1899 Council Bluffs, Iowa To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959 Attachments: Includes letter written to Herbert, envelope, no stamp.

Date and Place from: March 28, 1900 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: March 30, 1890 Chicago, Ill. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: April 19, 1890 Chicago, Ill. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Jan. 5, 1893 Chicago, Ill. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959 Notes: Written on Carson, Pirie, Scott & Co. Wholesale Dry Goods letterhead.

Date and Place from: April 27, 1890 Berlin, ON To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Feb. 21, 1891 Chicago, Ill. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: May 24, 1892 Chicago, Ill. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Dec. 17, 1898 Council Bluffs, Iowa To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Oct. 14, 1902 Council Bluffs, Iowa To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Dec. 15, 1902 Rifle, Colo. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: March 27, 1903 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: May 28, 1903 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959 Notes: Partial letter (from Austin?).

Date and Place from: June 30, 1902 Council Bluffs, Iowa To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Aug. 11, 1903 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Oct. 8, 1903 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Jan. 23, 1904 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: June 28, 1904 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: March 14, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: April 30, 1905 Alberta To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: April 24, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Oct. 3, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Oct. 23, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Oct. 30, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Nov. 7, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Nov. 22, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Dec. 1, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Dec. 5, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Dec. 22, 1905 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: Sept. 12, 1901 Didsbury, Alta. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

Date and Place from: March 7, 1903 Pocatello, Idaho To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959 Notes: Postcard.

Date and Place from: Oct. 23, 1902 Rifle, CO To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959 Notes: Postcard.

Date and Place from: Nov. 24, 1902 Rifle, Colo. To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959 Notes: Postcard.

Date and Place from: December 18, 1901 Council Bluffs, Iowa To Schantz, Franklin Abram, 1874-1962 From Schantz, Austin Tobias, 1871-1959.

One studio portrait of Etta Lydia Mary White (nee Schantz) taken while she was living with her brother Orpheus Moyer Schantz in Chicago, Ill.

Snapshot of an unidentified man sitting on a wooden chair in a garden, next to a tree, with parrots in cages on the grass to his right.

Relief shown pictorially. Includes illustrations of buildings.

Relief shown by landforms. Map shows township boundaries and railways.

Ten cards bearing hand-printed book titles, function unknown.

Textual and graphic material belonging to or created by Dorothy Russell, including her diaries, correspondence and photograph albums. Also includes a small amount of Schantz Reunion material such as the 1913 register. The photograph albums originally belonged to different members of the family.

An invitation card possibly written by or sent to Austin Tobias Schantz. The quote inscribed on the verso of the invitation card is from Alfred Tennyson's poem titled, The Sea Fairies that was first published in 1830.