One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

Collection consists of four files donated as part of the Sol Eisen collection of Canadiana. These items include a ms. of Mexican plays, a music manuscript, a receipt for work completed by a slave on chain gang, and materials related to the life of Frederic William Wile.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

File consists of photographs, transparencies, and slides depicting Electrohome Projection Systems products and their applications in various corporations and organizations. Applications pictured include: CSX Transportation Control Center (Jacksonville, FL), Canadian Embassy (Tokyo, Japan), Rochester Gas and Electric (Rochester, NY), Thames River Water System (London, UK), National Bowling Stadium (Reno, NV), the Barcelona Stock Exchange (Spain), and others.

File consists of material relating to the writing and publication of an application case history about the the use of Electrohome's ECP 4000 projectors at Martin Marietta space launch systems interactive demonstration centre (Denver, CO). Includes correspondence and memoranda (some faxed), edited draft and final typed versions of story outlines and of articles (some faxed), ms. notes, a photograph of the projection system at the demonstration centre, and other information about Martin Marietta.

File consists of photographs and negatives of Electrohome plants and product testing facilities. Includes photographs of the Morristown, TN, plant; the Electrohome (U.S.A.) Inc. branch in Ontario, CA; an aerial photograph of Plant 10 (Cambridge, ON); and photographs of employees testing television and video monitors. One photograph has been mounted on board and retouched.

File consists of material relating to public relations activities for the years 1982 and 1983. Includes news releases, memoranda, copies of form letters to employees and dealers from John A. Pollock, product photographs with typed cutlines, typed remarks by John A. Pollock given at the 1982 annual meeting, the first issue of the newsletter Electrohome World, and press kits for Electrohome Electronics, Deilcraft furniture, and the 1982 annual meeting.

File also includes a portfolio from the Morristown Area Chamber of Commerce (Morristown, TN) containing news releases about Electrohome's purchase of a production facility there and 16 photographs of the plant during construction.

One piece of correspondence to Dorothy Etta White, undated, from Lowrena, Detroit, Michigan.

Two pieces of correspondence to Dorothy Etta White from Mabel, Yale, Mich.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

One full body studio group portrait of Jessie Watt Moyer with children Barbara Helen and Dorothy Louise. Barbara is seated in Jessie's lap and Dorothy is standing next to them.

Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Five hand lettered visiting cards of Jennie Moyer, Edmund Warren Moyer, Austin Schantz, and Orpheus Moyer Schantz and F.J. Ottmax. The cards of Edmund and Jennie list them as living at 3823 Langley Ave., Chicago. The card of Orpheus and F.J. Ottmax is inscribed "A Happy New Year 1889."

Five identical decal prints from the Wild Flower Preservation Society: Illinois Chapter. The decals say "Enjoy-Do Not Destroy" around the edge and the middle shows a drawing of pink blossoms. The Wild Flower Preservation Society was a branch of the Illinois Audubon Society of which Orpheus Schantz was a board member.

One print showing the enlarged premises of the Marshall & Field Company building in Chicago. Orpheus worked for Marshall & Field.

Head and shoulders studio portrait of unidentified teenager, dressed in suit, seen looking slightly off camera.

One upper body studio portrait of Oliver Bushy seen in partial profile.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

One upper body studio portrait of Carrie Schantz seen looking off camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

A snapshot of Joan Elizabeth Schantz seated outside on a stool and smiling at something off camera.

Snapshot of Joan Elizabeth Schantz seated outside on the steps of a home and looking off camra.

Two snapshots of the Schantz's Cole 8 car, one with Worth Flagler Schantz driving.

Head and shoulders studio portrait of Ruth Schantz seen in profile with a ribbon in hair.

Two studio portraits of Charles Andrew Ahrens, seen in formal dress with hands crossed at abdomen. One is an upper body portrait, and the other is a head and shoulders crop of the same photo.

Photograph of Florence Grace Clement (left) and Blanche Mildred Clement Kelly smiling at the camera while standing on a train platform. Florence is holding a camera and Blanche a rolled up newspaper.

Photograph of Florence Grace Clement posed for a photo while standing on the side of pool of water that is surrounded by palm branches.

One image of a barn, identified on the verso as from Cooperstown, New York.

Five images of historic buildings in Saugus, Massachusetts.

Two copies of a typed manuscript titled, "Counting algorithms for connected labelled graphs" by Donald Cowan, R.C. Mullin, and Ralph G. Stanton. The manuscript is twelve pages. This paper was presented at the sixth Southeastern Conference on Combinatorics, Graph Theory, and Computing held at Florida Atlantic University in Boca Raton, Florida between February 17-20, 1975. This paper was subsequently published in the Proceedings of the sixth Southeastern Conference on Combinatorics, Graph Theory, and Computing, pages 219-231. Also includes correspondence related to the submission of the paper to the conference.

Material created or accumulated by Andrew Telegdi during his tenure as a Member of Parliament related to the Canada-United States Safe Third Country Agreement. The documents provide general information about the agreement. In addition, the material captures the concerns of some constituents and associations such as Sanctuary Coalition of Southern Ontario and Jesuit Refugee Service Canada regarding the provisions of the agreement. Records include correspondence, notes, and reports.

One snapshot of an unidentified group standing on a bridge in a Japanese garden. Take on a trip with Fred H., Ella and Fred P. Schneider to Golden Gate Park in San Francisco.

Snapshots taken on a visit to Nelson Schweitzer in California.

Advertisement trade card for Mt. Penn Stove Works featuring decorative floral illustration surrounding a woman cooking on a range with a caption reading "a complete kitchen always contains a pretty cook and a Penn Esther range." A large line of sizes and a great variety of styles. For sale by G.W. Rinesmith & Sons 114 North Hanover Street, Carlisle, PA. Made by Mt. Penn Stove Works, Reading, Pa."

Advertisement trade card for Armour's Mince Meat and Canned Meats showing an older woman teaching a group of younger women how to cook. Verso reads "It is admitted by every prudent housekeeper, that our Condensed Mince Meat is equal in every respect to the old-fashioned home-made article. Our well known connection with the beef industry, enables us, to put a Mince Meat on the market second to none. We use only the best and purest ingredients, and it is the universal verdict that our product retains its sweetness longer and goes farther than any other brand. Packaged in 12 oz. (net) cardboard cartons. Enough for two large pies. 2 packages for 25 cents. At all first-class grocery stores. Armour and Company, Chicago."

Advertisement trade card for Soapine by Kendall Manufacturing Company of Providence Rhode Island and illustrated by Charlotte Perkins Gilman showing a woman from behind dusting figurines that spell out Soapine on a mantel piece. Verso reads "Cleanliness in the house, laundry, kitchen and workshop is best secured by the use of Soapine. All wise people continue to use it after one trial. Kendall Mfg. Co. Established 1827. Providence, R.I."

Correspondence from Litchfield Steam Laundry of Litchfield, Illinois. The letterhead shows women at work in the laundry engaged in tasks such as using washing drums, pressing, and folding clothes. The letter reads "...from 40 to 69 lbs. Also, the water is clear now to what is was one month ago. It is also a compound which if you would let stand one month no settling would be acceptable. But hoping you have a machine which can master it. [illegible] yours truly, Hugh Snell"

Advertisement for B.T. Babbitt's 99 soap showing a mother washing an infant with the soap while her daughter does laundry with it and her son blows soap bubbles in the kitchen. The advertisement reads "For the laundry or bath try B.T. Babbitt's 99 soap."

Conqueror wringer advertisement showing three women and one young girl ironing clothes titled "Ironing Day." The young girl is seated at a stool holding up a dress in front of a Conqueror wringer. Verso reads "The Conqueror excels all other wrings in having 1. A forged steel spring, tapered and tempered, and the temper not "drawn" by galvanizing. 2. The extension crank, which gives double power, without loss of speed. 3. Composition metal bearings, which neither rot, rust or wear out. 4. Patent solid white rubber rolls, fastened immovably to the shaft. 5. Malleable iron swivel clamps, which fit either round or stationary tubs. Foote & Gaskill dealers in hardware, agricultural implements, also stoves, hollow ware, house furnishing goods, &c. wringers repaired. Hamilton, New York."

French Laundry and Soapine advertisement trade card illustrated by Charlotte Perkins Gilman showing a young woman standing in a frame holding a washing board and a box of soap. The frame is held up on either side by two young men standing on upside down washing buckets that read Soapine. "Verso reads ""French Laundry is the best soap ever made for all purposes. It is the oldest popular soap, having outlived all its rivals. It has won its way into public favor solely on its merits, and thousands of families who are now using it would not be without it. One trial with convince you. Soapine is the best article known for the laundry and general household use. Use no soap, sal soda, borax, washing crystals or other preparations with it. For washing dishes, glassware, silverware, milk cans, dairy utensils, windows, marble, paint or oil cloth, and house cleaning, use Soapine. Kendall Mfg. Co. Established 1827 Providence, R.I."""

David's Prize Soap advertisement trade card showing a vital looking woman washing laundry in a washing bucket with David's Prize Soap while a young girl looks in. Looking in through the door way is a sallow looking older woman. The caption reads "Get David's Prize Soap if you want to avoid hard labor and save your health and strength in washing besides you may get a small fortune as a prize into the bargain." "Verso explains that prizes can be won by purchasing David's Prize Soap, including 2 grand pianos."

Universal Clothes Wringer puzzle advertisement showing a young woman using a clothes wringer while a man looks in from the window. When the advertisement is held up to the light you can see that the man is looking in with a gun while the young woman leans in to kiss a young man and an older woman comes towards them brandishing a broom. As well, a caption on the advertisement becomes clear which reads "Buy the universal clothes wringer."

Advertisement trade card for Sapolio showing two women cleaning marble statues with the caption "clean marble with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Agate Iron Ware showing a group of women holding hands in a circle around an iron tea pot. The caption reads "The growing triumph." Verso reads "For sale by Davis, Wright & Co., 41 Main Street, Keene, N.H."

Bendix Automatic Home Laundry pamphlet detailing uses for the housewife, worker, nurse or chief. The advertisement makes reference to the use of Bendix during the Second World War.

Snapshots of Herb and Betty: skiing, fishing, hiking and sailing in New Zealand, Alaska, Austria, Switzerland and Georgian Bay. Includes two postcards, one to Herb from Carl Holman, head brewer for Carlsberg Beer.

Snapshot of (left to right) Helena Schneider, Emma Ahrens, Charles August Ahrens, J.M. Schneider and Louise Ahrens at the Mexico-U.S. boundary. Charles Ahrens and J.M. Schneider are wearing serapes, sombreros, gunbelts and pistols.

File consists of one trip diary kept by Florence Bray. The diary details trips to Europe (1926), California (1938 & 1939), New York and Atlantic City (1932), Virginia (1950), Florida (1930 & 1938), Scotland (1892), Gaspe (1946), Muskoka (1946). Also included in the diary are addresses of people met while on trips, a list of hotels stayed in and a fold out map of the United States and Mexico. The 1926 trip to Europe is of particular interest, with descriptions of major European cities and First World War battlefields.

A diary containing daily entries written by Betty Forbes in 1948. Several entries describe Betty’s work in British Columbia, family events, dances, a trip to Alaska, holidays, and Peg Forbes’s wedding to Colin Andrew (Joe) Wilson. The diary contains letters, invitations, lists, a patch, and press clippings including one titled, Girls advised to train for career and marriage published in The Globe and Mail on January 27, 1948.

File consists of a booklet containing 20 photochrom prints of views seen along the Columbia River highway.

Informal group portrait of 7 unidentified individuals sitting by a fountain in a court. Caption on verso reads: "Note your big sis taken in the Court of the Little Theatre first of its kind in America and in the Old French Quarters a beautiful court, April 19 - 1930."

Fonds consists of one scrapbook assembled by Ethel and Anne Longfellow during their attendance at Smith College, Massachusetts between 1902-1906. The scrapbook contains correspondence, photographs, programmes, clippings, notes and ephemera detailing the academic and social life of the sisters.

Four pieces of personal correspondence one written to Emma Kaufman, and three written by Emma Kaufman. These three letters are written to friends in Japan and are dated Dec. 4, 5 and 7 respectively, and describe her efforts to gather material to send back with a Japanese friend on the Dec. 14th sailing of a ship from Los Angeles to Japan.

Photograph of a man posing for the camera with buildings in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Photograph of an adult studying in a dorm room with a bed in the background and pennants on the wall. Photograph was possibly taken at North-Western College, Naperville, Illinois.

File consists of one day book belonging to Louis Breithaupt. The pages are numbered by hand to p. 60 and are variously headed "Buffalo" and "Berlin". It is uncertain whether handwriting is contemporary or added later by Louis Jacob Breithaupt,.

p. 1-53 contain entries from June 1852 to Oct. 1861 relating to his business in Buffalo, N.Y. [and probably Berlin as well as of 1857].
p. 54-55 written on by Louis J. Breithaupt, Jan. 7, 1870. "Facts" and penmanship practice.
p. 56 accounts resume at Nov. [1861?] Page is headed "Breithaupt & Strauss". Accounts appear to relate to business in Berlin. P. [68] contains an entry on Oct. 20 [1862?] relating to balance "Schoellkopf " according to statement. Page is headed "Buffalo, September 1861" in an unidentified handwriting.
p. [70] ends with entry for Jan. 1863. Page [71] overleaf starts at Nov. 18, 1865 and is weekly accounts, including wages paid to named individuals in "Beam House", "Currier Shop", "Yard." P. [78] headed "Berlin Dec. 23rd 1865" contains annotation: "This was written by P. Cress: all on this page but this."
Accounts continue to p. [185] ending with June 22, 1867.
p. [186] begins day book described on end leaf as "Team book kept by Louis J. Breithaupt Berlin, Ont., 1869-1870. The first entry is dated Aug. 13, 1869. Entries concern loads carried by various teams, what was carried and where carried to, threshing, plowing, etc.. LJB would be 15 years old at this time. Ends at p. [236], entry for Sept. 15, 1870.
P. [237 blank].
P. [238] contains inscription: "L.J. Breithaupt, Berlin, Ont., student of Berlin Central School, Berlin Ontario, Sept. 15, 1870. Page also contains a list of "Old bricks for inside wall of house."
P. [239] contains a list of "Boarders: when they come and when leave."

File consists of notes payable relating to business mostly conducted in Canada by L. Breithaupt, to be paid by account of J.F. Schoellkopf, Buffalo, N.Y.

File consists of one picture postcard, b&w

File consists of one picture postcard, col.

File consists of one picture postcard, b&w.

File consists of one picture postcard, col.

File consists of two picture postcards, col.

Collection consists of one undated typescript letter to Joseph Jefferson from Jan Larue in Iberia Parish, Louisiana. The letter requests Jefferson put in a good word for Larue. Also included is an undated photograph card of Joseph Jefferson, taken by Gilbert & Bacon studios in Philadelphia.

Fonds contains autographs collected by Eugene Ferrin Clark from various British and American actors. Correspondence from Clark to various people soliciting autographs and autographed photographs are included.

Correspondence:
1. Granville Barker also G. Barker’s autograph
2. John Randolph Bolling; November 23, 1921
3. Witter Bynner, New York; December 12, 1921/December 21, 1921
4. W. L. George, New York; October 22, 1920
5. B. Roland Lewis, University of Utah; December 14, 1919/December 19, 1919
6. Joseph Pennell, London/Philadelphia; June 8, 1913/November 16, 1919
7. G. Rollin, Chicago; May 10, 1919

Autographs collected by Clark:
8. George Arlis, Walter Hampden, Victor Herbert, William Hodge, James Hunellar, Oliver Lodge, Nance O’Neil, Eugene O’Neill, A.C. Read, Chauncey Brewster Tinker

Photographs:
9. Floral Tributes on Grave of Actor James O’Neill, 1920 and photographs with autograph signatures of:

• Nazimova, n.d.;
• Henry Irving dated 1894;
• Anton Lang as Jesus dated 1922;
• Anton Lang dated 1922;
• Guido Moyr dated 1922.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

One photograph of nurses dressed in white uniforms marching in a parade along a cobblestone city street. An Elkhart General Hospital Training School banner is being carried by nurses near the back of the group.

Full length studio portrait possibly of Joseph Emm Seagram seen looking toward camera while posed with right arm on an ornate oversize column.

Head and shoulders studio portrait of an unknown man with a mutton chops beard looking toward the camera.

Full length studio portrait of a man looking toward the camera with right hand at back an the other on the back of an armchair.

Consists of correspondence and promotional material.

File consists of Rose Motz's press pass, with photo, for the 1934 A Century of Progress International Exposition in Chicago. Motz is seen in partial profile, wearing a hat and looking off camera.

File consist of the April 15, 1865 edition of the New York Herald. This edition reports on the assassination of Lincoln.

File consists of one sample newspaper for The Inter Dream, Chicago.

Collection consists of materials created and accumulated by Paul S. Burtness and Warren U. Ober relating to their research on the events surrounding the attack on Pearl Harbor during World War II. Includes correspondence with prominent members of the U.S. Forces during World War II, as well as published articles that came out of the research.

Two photographs on one sheet from the Sheriff's Department Los Angeles showing the booking photographs of Rose Pena Ventura. Ventura is seen in full length profile and straight on. The verso of the photograph indicates it was taken September 22, 1955 when Ventura was 32. Her aliases are listed as Rose Pena and Rose Garduna and she was arrested for the crime of abortion.

Three pieces of correspondence to Dorothy Etta Russell from Marjorie and Lee N. Duncan postmarked Florida, Illinois and California. Includes stamped envelopes and photographs.

One piece of correspondence to Dorothy Etta White from her Uncle Austin Schantz, Grant, Colorado.

One head and shoulders studio portrait of Emma Bliss Moyer seen looking off camera in partial profile.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

One upper body studio portrait of Mary Emma Moyer seen looking at camera. She is wearing a lace collared top with leg of mutton style sleeves.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Full body studio portrait of unidentified child seen looking at camera and standing with arm and foot propped on wicker chair.