Three negatives showing images of the Waterloo Pioneer Memorial Tower. In one image people can be seen reading the tombstones at the base of the tower, and period cars can be seen in the background of each image.

Two negatives showing images of the Victory Bond rally parade in Kitchener. Included are images of local people and army vehicles. Identification from enclosure.

One group portrait of some of the students of the Toronto Normal School, possibly those in Kindergarten-Primary section as well as parents and friends.

Back row: Ray Weldon, Helen Lockie, Rowena Stringer, Verna Frazer, Dorothy White, Christine [?], Unknown, Unknown, Glenny Bannerman.

Middle Row: Kathleen Frizzle, Unknown, Mrs. (Bishop) Stringer, Mrs. Bannerman, Margaret Flarity.

Front Row: Joy Connel, Marjorie Dougall, Grace Longworth.

Mrs. (Bishop) Stringer is the mother of student Rowena Stringer and wife of the then Bishop of York. Mr. and Mrs. Bannerman were a couple that Dorothy boarded with while attending the Normal School and Glenny is their son. The other girls in the image are friends and classmates of Dorothy's. Identifications from verso.

One head and shoulders studio portrait possibly of Dorothy White.

One full body studio portrait of Dorothy White, approximately five years of age. Identification from verso.

Four identical full length studio portraits of Dorothy White, aged one year. Identification from verso.

Ten slides of photographs taken by Dorothy White. Four are of Toronto and show the old and new city halls as well as views from the top of the new building. Six are of the University of Waterloo and show various buildings on campus including the Dana Porter Library. Identifications from container.

237 slides of photographs taken by Dorothy White. Originally organized into subjects, they do not necessarily correspond with what is shown on the images. Subjects include: Downtown Kitchener, Kitchener City Hall (interior and exterior), Oktoberfest parade, construction on King St., Rockway Gardens, images of Waterloo region, 1959 Loblaws fire, Christmas lights downtown Kitchener, Kitchener trollybusses, Conestogo Parkway, Blair's Sheave Tower, Victoria Park, Queen Elizabeth's visit to Kitchener, Bridgeport Mills, Waterloo Pioneers Memorial Tower.

Ten photographs. Six of the images are of students taught by Dorothy White at both Prueter and Margaret Ave public schools. Three of the images are exterior views of Prueter P.S. Identification from enclosure.

One head and shoulders colour portrait of Dorothy White. Dorothy is wearing a necklace and earrings in the image.

Six negatives showing the Schantz-Russell family at Port Elgin. They are shown picnicking, with a catch of fish, and posing in the wilderness. Identification from enclosure.

Six group class photos of of students at Prueter Public School. In four of the images Dorothy White is the teacher, the other two show the rhythm band. Enclosure included in file.

Photograph of Dorothy Russell posed with a scarecrow-like figure. The figure is seen in redface, adorned in a feathered headdress, a tobacco pipe, a striped poncho, and moccasins. The scarecrow is posed in a chair. Dorothy is smiling at the camera as she sits on the figure’s lap. She appears to be in a parking lot and in the background two cars and lampposts are visible.

Photograph of two unidentified children, posed together with Harold Russell who is on the right. All three are looking at the camera. The ground is covered with snow, and they are dressed for cold weather. Two of the children are seen holding snowballs.

Photograph of two unidentified children and Harold Russell, in front of the Victoria Park Pavilion in Kitchener. The ground is covered with snow, and subjects are seen in the midst of a snowball fight. Harold is seen bent over and gathering snow.

Photograph of Harold Russell posed with a football, smiling and gazing off camera. Fallen leaves line the sidewalk, and Harold is dressed in a striped sweater. The shadow of the photographer is seen in the foreground.

Blurry photograph of an unidentified adult seated in a rocking chair and reading a newspaper. The subject’s features are unclear. What is likely a wood-burning radiator can be seen in the forefront.

Photograph of Harold Russell riding a bicycle down a street. While Harold and the bicycle are clear, the background and foreground are blurred. Houses and trees are visible in the background.

Photograph of Harold Russell standing beside a bicycle with his hands on the handlebar and looking slightly off from the camera. Trees and houses are seen in the background.

Photograph of Harold Russell outside in the middle of a tree-lined street. It is a sunny day, and Harold is dressed for warm weather. Harold is smiling at the camera as he stands astride a bicycle, with one foot on a pedal.

Photograph of Dorothy Russell standing outside on a winter day. There is snow on the ground, and she is dressed for cold weather. Dorothy is smiling at the camera and holding a small suitcase or briefcase.

Photograph of Dorothy Russell and her son, Harold, standing outside during the day, and holding hands. There is a street, trees, and houses in the background with some snow on the ground, and they are dressed for cool weather. Harold is smiling at the camera while Dorothy is smiling at Harold.

Fourteen images of Dorothy Russell and family. Included are images of bicycle riding, dress-up, a snowball fight, and other leisure activities.

Image of Harold Russell in a carriage looking toward the camera with an unidentified toddler trying to show something to Harold. At right in the background an unidentified adult looks on.

Image of Harold Russell as an infant, wrapped in a blanket and wearing a hat, being held by an unidentified adult in [Victoria Park] along a shoreline. In the background trees, a foot bridge and a swan are visible.

Image of Harold Russell seated on a tricycle smiling happily toward the camera. A clothes line, trees and a garden bed are visible in the background.

Image of Harold Russell sitting upright in a baby carriage as an infant with mother Dorothy looking on. The pair are seen outdoors on the sidewalk of a residential street.

Four negatives of Harold Russell as an infant with mother Dorothy White, on a tricycle as a toddler, in [Victoria Park] being held by an unidentified adult, and in a carriage with another child as an unidentified adult looks on. Enclosure included in file.

Image of three adults and two children posing for the camera while standing in skates on a frozen body of water. The adults are standing in the back row and the children are standing at front, one of whom is holding a hockey stick horizontally.

Image of Dorothy White and one of the Gross children posing for the camera while standing on either side of a snowman on a residential street. The shadow of the person taking the photo is visible at bottom right.

Image of Don and Lydon Gross posed for the camera on a residential street along with two unidentified adults who are both holding dogs. A snowman with snowshoes at its base is visible behind the group at left.

Image of Don and Lyndon Gross standing in front of in front of a snowman, seen in profile, on a residential street. Snowshoes and a toboggan are positioned at the base of the snowman.

Image of Don and Lyndon Gross standing in front of a snowman on a residential street. Snowshoes and a toboggan are positioned at the base of the snowman.

Image of two children, possibly Don and Lydon Gross, holding hands and looking toward the camera as an adult wearing a hat and suit looks on from behind them with a lawnmower. The children have ropes around their torsos, held by the adult, and are positioned to pull the lawnmower like they are animals.

Image of two children, possibly Don and Lydon Gross, holding hands and smiling at the camera as an adult wearing a hat and suit looks on from behind them with a lawnmower. The children have ropes around their torsos, held by the adult, positioned to pull the lawnmower like they are animals.

Image of Harold Russell smiling toward the camera while standing on a rock in a shallow pool of water. An unidentified adult wearing a hat and suit is watching from the side. Other unidentified adults are visible conversing and standing on rocks in the background.

Image of Harold Russell looking toward the camera with mouth open and hands at side. Birch trees and a body of water are visible in the background.

Nine negatives of family snapshots. Images includes children building a snowman and playing in the snow with snowshoes, a family playing hockey, and children pulling a push lawn mower. Enclosure included in file.

Image of a rocky shoreline with a windblown tree at left. People are visible in the distance, walking along the rocks.

Image of an unidentified man sailing on a body of water with a rocky, tree lined shoreline visible in background.

Image of an unidentified group standing along a rocky shoreline. In the background is a small rocky, tree covered island with a boat house.

Image of two unidentified women standing on a wooden dock next to a pleasure boat with "The Wabanaki" painted along side at front.

Image of two windblown trees along a rocky shoreline.

Image of windblown trees along a rocky shoreline.

Seven negatives showing images of Beausoliel Island. Four are landscapes showing the windblown trees, one shows a sailboat, another two women stand next to a pleasure boat "The Wabanaki" and the final is a group portrait. Enclosure included in file.

One snapshot of Ruth holding her newborn cousin Dorothy. Image of the children is only 5 cm (diam) surrounded by a border of leaves. Photograph is possibly a photogram.

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

One group portrait of the Victoria School class of 1915-1916, of which Dorothy White [front row, third from right?] was a student. The group, taught by Mrs. Suter, is seen posed in four rows, grouped by gender, on the front steps of the school.

Photographs of unknown Schantz Russell extended family members. Everyone in the photos is white with the exception of one studio portrait of Black child taken in Chicago, Illinois.

Two identical full length studio portraits of Miss. Jessie Thomson seen seated on a chair covered with a fur and looking at camera. Enclosed is a calling card of Miss. Thomson with the inscription "With love all & best wishes for the new year."

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

One full length portrait of Walter Bishop Spelman (son of Ruth Schantz) at two years of age. Walter is shown wearing a one piece jumper standing outside. Identification from recto.

One fully body studio portrait of Walter and Margery Spelman (children of Ruth Schantz), aged two years and six months. Included with photograph is a slip of paper inscribed "With love to Great-Grandmother From Walter and Margery. Walter Age 2 years. Margery – 6 months." Identification from paper.

Upper body studio portrait of Urban Snyder seen looking toward camera.

Upper body studio portrait of Joe Snyder, wife Priscilla, and daughter Martha (age 1). Joe is looking toward the camera and Priscilla is seen looking at Martha.

Upper body studio portrait of Worth Schantz seen looking at camera with arms crossed.

Upper body studio portrait of Worth Schantz seen looking off camera.

Full body studio portrait of Worth Schantz, age twelve weeks. Worth is seen propped in a chair wearing a long white gown and looking toward camera.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

One head and shoulders studio photograph of Tobias Schantz in his later years.

Two identical head and shoulder studio portraits of Tobias Schantz with long beard seen looking at camera.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

One tintype studio portrait of Sophie Schantz (seated at right) with friends Amanda (last name unknown) and Faith Gribble (standing).

Head and shoulders studio portrait of Sophie Schantz seen looking at camera and wearing a top with leg of mutton sleeves.

Upper body studio portrait of possibly of Sophie Schantz seen looking at camera.

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Upper body studio portrait of Ruth Schantz, four years of age, seen looking off camera.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera. Originally a card photograph, the card has been nailed to the back of a mount. Ruth can be seen through a heart-shaped frame. Around her are hand drawn leaves (possibly by Carrie Flagler Schantz) and a ribbon.

Two identical three quarter studio portrait of Ruth Schantz. Ruth is shown leaning on a chair wearing a lace dress, a jacket and a flowered hat. Photograph was originally owned by Franklin Schantz. Identification from verso.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Three photographs that have been hole punched and tied together. The first shows Ruth Schantz sitting in a wheelbarrow with Carrie Flagler Schantz in front of the home at Morton Park. The second shows Ruth Schantz and Orpheus Moyer Schantz on the steps of the home at Morton Park. The third shows Ruth standing in a garden holding flowers.

Upper body studio portrait of Ruth Schantz, seen from the left side with a ribbon in her hair.

Portrait of Ruth Schantz at six years of age seen looking at camera and with left arm resting on a table with a potted plant.

Upper body portrait of Ruth Schantz seen looking at camear. Ruth is wearing her eyeglasses and a large hat.

Head and shoulders studio portrait of Ruth Schantz seen looking at camera with a slight smile.

Two identical full body studio portrait of Ruth Schantz, four years of age, seated on a stool with fingers interlaced on top of crossed legs and looking off camera.

Photograph of Ruth Schantz on an illustrated mount. The photograph consists of four separate shots of Ruth in different poses that have been developed together as one photograph and mounted on a large board around which Carrie Flagler Schantz has painted pink flowers. The mount is dated September 30, 1899 and includes two lines from the poem, Seven Times One by Jean Ingelow: “I've said my seven times over and over; Seven times one are seven.”

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

Photograph of Ruth and Worth Schantz. Ruth is seen seated, with right arm over chair arm, and Worth is standing with head in Ruth's lap.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Studio group portrait of Ruth Schantz with four of her children, possibly Walter Bishop, Margery Ruth, Dorothy, and John Edmonds.

One loose album page that has been removed from an unidentified photograph album. Recto shows three photographs: Christian Schantz in front of his home in Wetaskiwin, Alta; his dog Tye; and cats playing in front of a home. The verso shows two photographs: Myford, Hamilton and Walter Kitney in 1915; and Walter Charles and Ada Kitney.

One loose album page that has been removed from an unidentified photograph album. Recto is missing both photographs, but has labels that read "Elk Lodge Alberta- Arthur-Florence" and "Elsie Snyder-Ralph Snyder". Verso shows two photographs. The first is an oval photograph of the Nash sisters (daughters of Abraham Nash and Agnes Housser or Frances Wismer). Left to right: Mary Nash Hoover, Susanna Nash Wismer (Susie), Sarah Elizabeth Nash Laschinger (Lizzie), Frances Deborah Nash Carter (Debbie) and Priscilla Nash. The second image is titled "The Jolly Sleigh Ride, Aug. 28. 1902, Jordan, Ont." showing Samuel Fry Jr., Sarah Grobb Fry, Anna Rosetta Fry, Annie Nash Fry and others in a sleigh hitched to a horse. There is a missing image on the verso with the title "Sophie."

One loose album page that has been removed from an unidentified photograph album. Recto shows three photographs: Annie Rosetta Fry with cousin Annie Fry Clark "in Grandmothers costume [sic]." standing along a white fence; Annie Rosetta Fry and Annie Fry Clark sitting on a porch in rocking chairs knitting; C. Abraham Fry and son Edward Wilson Fry standing in a yard. Verso shows three photographs of Annie Fry Clark, Annie Rosetta Fry, Samuel Fry, Sarah Grobb Fry, Abraham Fry, Martha Jane Pysher Fry.

One loose album page that has been removed from an unidentified photograph album. On the recto is a photograph postcard that is labeled as Samuel Moyer and Emma Bliss Moyer in the Berkshire Hills. On the verso are three images showing A. Abraham Fry with niece Annie Clark, B. Abraham Fry with Annie Clark and her mother Elizabeth Fry Clark and C. Abraham Fry and three unidentified women.

Upper body studio portrait of Orpheus Moyer Schantz seen looking at camera.

One upper body studio portrait of Orpheus Moyer Schantz. Orpheus is wearing a tuxedo with a bow tie and his beard has begun to grey.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

Head and shoulders studio portrait of Orpheus Moyer Schantz seen looking at camera and dressed in a suit and tie.

Photograph showing the interior of an unidentified store. Identified from the recto are: Orpheus Moyer Schantz, Will Chase, Eddie Moyer, Harry Moyer, Lou Jeutoft [?].

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

Nine dry glass plate negatives showing various images. Five of the plates show images of Arthur Schantz, Eli Brubacher and Herbert Schantz, Franklin Abram Schantz and Edgar Clemens that are recognizable from positives elsewhere in the fonds. They are possibly from when Arthur was working for Schneuker photography studio. The remaining images are of unidentified portraits. Images were originally housed in a box of "Stanley" brand dry plate negatives.

Two dry glass plate negatives. One shows a marble bust of Sir John Alexander Macdonald, seen in partial profile, and the other shows a copy of the Ladies Home Journal. Both were originally housed in a box of "Stanley" brand dry plate negatives.

Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

Studio portrait of Orpheus Moyer Schantz and Cornelia "Carrie" Flagler Schantz, with their daughter Ruth Schantz. Ruth is seen standing at centre with bow in hair arms on her parents' backs.

One full body studio portrait, identified on verso as Mrs. Mary Schantz. Woman is standing to the side of her husband who is seated in a large dining chair. It is unclear if the identification on the verso refers to the woman in the photograph, or the owner of the photograph.

One photograph of members of the Schantz/Moyer family. The family is shown standing together outdoors in front of a growth of trees.

Identified from verso are: Ethel Raymond Sabin, Elihu De Forest Watt, Jennie Moyer, Edmund Warren Moyer, Mary May Raymond, Thomas Cowen Kelly, Jessie Watt Moyer, Ela Bliss Moyer, Orpheus Moyer Schantz, Annie Bell Raymond, Sophie Emma Schantz, Mary Emma Moyer, Mary Raymond Moyer (Mollie), Harry Rollin Moyer, Levi Nash Moyer, Robert Raymond Moyer, Ruth Schantz, Carrie Flagler Schantz, Charlotte Hays Moyer, Mary Elizabeth Moyer.