Full length studio portrait of Ruth Schantz at two years of age seen standing in a long white gown and holding a bough of flowers.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Head and shoulders studio portrait of Herbert Cecil Palmer Schantz, aged 11, wearing a fur hat.

One studio portrait of Goodwal Dickerman as the character Freddie in "The Tomkins Family" given as a gift for Christmas 1894. Goodwal was a humorist and impersonator, and went on to act on Broadway.

One studio portrait photograph of Goodwal Dickerman, showing his left side. Goodwal was a humorist and impersonator, and went on to act on Broadway.

Copy negative of old photograph of J. M. Donaldson standing outside of Bell Telephone Co. Central Office building in Berlin.

Three copies of a studio portrait of (left to right) John S. Anthes, Sally [Salome] Anthes Strasser, and Henry William Anthes as older adults.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Photograph of men seated with beer kegs and beer bottles around them, large sign behind reads "L. Kuntz's Park Brewery, F. Bauer Brewer and Maltster"; keg with young boy seated on top holding a mug of beer, printed on keg is "1894".

One head and shoulders studio portrait of Lillian M. Moyer seen looking off camera.

One full body studio portrait of Inez Muriel Martin, aged one year. Inez is showing standing on a chair, wearing a long white gown with lace.

Contents: file consists of one portrait photograph of Charles Warren Hunt Jr.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera. Originally a card photograph, the card has been nailed to the back of a mount. Ruth can be seen through a heart-shaped frame. Around her are hand drawn leaves (possibly by Carrie Flagler Schantz) and a ribbon.

File consists of one three quarter length studio graduation portrait of David Shannon Bowlby. David is shown with legs crossed, wearing a gown and holding a graduation cap in his lap.

One upper body studio portrait of Edmond Warren Moyer in collared shirt and bow tie.

Upper body studio portrait of Alfred Stocker seen looking off camera.

Photograph of employees and a horse drawn delivery sleigh, stacked with boxes, outside of the C.H. Doerr & Co. Biscuit & Confectionery Works buildings.

File consists of one upper body studio portrait of David Shannon Bowlby seen in partial profile looking of camera in graduation cap and gown.

Studio portrait possibly of Christian Staebler, uncle of Mary Staebler Wagner, seen looking off camera.

Studio portrait of Louis Henry Wagner seen looking off camera.

Two copies of a studio portrait of Helena Schneider seated, holding Emma Louise Schneider upright on lap.

One studio portrait of Alice Egan (later Hagen) as a young woman, looking down with hands crossed at chin.

File consists of one full length studio portrait of Martha Esther Murphy Bowlby with daughters Janie Elizabeth Bowlby Clement, Grace Bowlby Fennell and Emma Allen Bowlby Boyd.

File consists of one three quarter length wedding portrait of Isabel and Peter Mackay in their wedding clothing. Peter is standing by a seated Isabel who is holding a branch of leaves.

File consists of two identical group portraits (one mounted) showing the Clement family by Green & Co, Berlin, Ont.

Back row: William Pope, Charles Bowlby, Blanche Mildred Clement Kelly.

Front row: Florence Grace, Janie Elizabeth Bowlby, Edwin Perry, Edwin Oliver.

File consists of one group portrait showing members of the Ladies Hospital Auxiliary. Standing: Helen Allister MacKie Lackner, Melvina Emilia Breithaupt Bauman, Hattie Schneider Wegenast, Janie Elizabeth Bowlby Clement, Catherine Hailer Breithaput, Wilhelmine Hartman Rumpel, and Mrs. George Lang.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, and wife Sarah Moyer Wagner.

File consists of one head and shoulders studio portrait of Isabel Mackay in her wedding dress. The upper part of her dress can be seen, and she is holding a bouquet of ferns and carnations and wearing a snake upper arm cuff.

A composite photograph of the graduating class in Arts at the University of Toronto in 1895. This photograph was found with Hervey Bowman's belongings.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

File consists of nine portraits (cartes-de-visites) of members of the Rieder family, seven men and two women, possibly the parents, aunts and uncles of Peter Rieder. Some portraits are identified on verso: Christian Rieder, Sam Rieder, Dan Rieder, and Peter Rieder (d. 1858).

Head and torso studio portrait of Sophie Emma Schantz seen looking off camera.

Head and torso studio portrait of Ward Malott White seen in profile and wearing a Salvation Army uniform.

One full body studio portrait of Howard Hutchinson as a small child. Howard is shown standing against a small stool wearing a long dress.

Full length studio portrait of Florence Annie Catherine Schantz and Sophie Emma Schantz seen looking off camera. Sophie is seated on a chair draped in a large fur and Florence is stands to her right with left hand on back of chair.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

Portrait of Levi Nash and Mollie Moyer seated side by side in front of a book shelf inside of a home and looking at camera.

Two identical full body studio portrait of Ruth Schantz, four years of age, seated on a stool with fingers interlaced on top of crossed legs and looking off camera.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

One full body portrait of Jennie Moyer seen seated outdoors on a barrel and wearing a cap and tweed jacket with leg of mutton sleeves.

File consists of one studio portrait of William John Motz. The photograph shows five different angles of William John seated around a table playing cards and smoking.

Contents: file consists of one portrait photograph of Alice Riggs Hunt.

One full body studio portrait of Leila Vera Hilborn as an infant. Hilborn is shown wearing a cap and gown, and laying on a fur rug.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Upper body studio portrait of Ruth Schantz, four years of age, seen looking off camera.

File consists of one group portrait of Martha Esther Murphy Bowlby (second from left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell, and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

Upper body studio portrait of Urban Snyder seen looking toward camera.

File consists of one group portrait of Martha Esther Murphy Bowlby (left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

Studio portrait of Louis Henry Wagner seen looking off camera.

One head and shoulders studio portrait of Arthur Schantz.

File consists of one group portrait showing William Pope Clement with an unidentified other boy. Both boys are wearing jackets and garrison caps.

Head and torso studio portrait of Arthur Benjamin Schantz seen looking off camera and dressed in a suit and tie.

Head and shoulders studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

One upper body studio portrait of Mary Emma Moyer seen looking at camera. She is wearing a lace collared top with leg of mutton style sleeves.

One head and should studio portrait of Arthur B. Schantz. Identification from verso.

One upper body studio portrait of Arthur Schantz. Date is based on identical photograph on a different mount found in the collection. Identification from verso.

File consists of five snapshots of Martha Rieder with friends on a picnic on the Grand River.

Full body studio portrait of Elmer Ratz and sister Ruth E. Ratz both seen looking at camera. Ruth is seated on a wicker chair dressed in a lace bonnet and dress. Elmer is standing next to the chair wearing a sun hat and dressed in a romper.

A stereograph titled, “Heaven’s Blessing on the Twain” taken by Benjamin Kilburn and mounted by James M. Davis. The stereograph is part of Benjamin Kilburn’s “Marriage series” and depicts a man and a woman asleep in bed with a spectral outline of an angel overlooking them. This stereograph is an example of spirit photography.

File consists of one photograph showing members of the Bowlby family in front of "Liberty Hall", the family home. In the carriage are shown Martha Esther Murphy Bowlby and Janie Elizabeth Bowlby Clement, being pulled by mare Dolly. In front of the home are shown David Sovereign Bowlby, George Herbert Bowlby, Blanche Alexandrine (Adine) Seagram Bowlby, David Shannon Bowlby, and Grace Esther Bowlby Fennell. The photograph was used in "Busy Berlin" in 1897.

One studio portrait of Etta Lydia Mary White (nee Schantz) taken while she was living with her brother Orpheus Moyer Schantz in Chicago, Ill.

One upper body studio portrait of Mary Emma Moyer.

Originally on page 36 bottom left of album 3.

Photograph of members of the Schantz family and friends seen seated together in a residential home.

Back row: Etta Schantz, [Kathryn Ellis]
Middle row: H. Goodwal Dickerman, Charlotte Hayes Moyer, Harry Rollin Moyer, Orpheus Moyer
Front row: Carrie Flagler Schantz, Ruth Schantz, Mary Emma Moyer.

One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

One informal group portrait of the Schantz/Flagler family and friends. The family is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers, H. Goodwal Dickerman with Ruth Schantz, Orpheus Schantz.

Portrait of Ruth Schantz at six years of age seen looking at camera and holding head with left arm resting on a table with a potted plant.

File consists of mounted photographs relating to Martha Rieder's involvement at her church. Includes a group portrait of the first officers of the Junior Young People's Alliance (including Rev. J.G. Litt, and Martha as secretary), a snapshot of Martha's Sunday School class at the Grand River, snapshots of picnics of the Junior Young People's Alliance, and snapshots of Martha with her sisters and friends dressed in costume for church play, "In want of a servant."

Photograph of adults and children (including members of the Clement family) on board a steamboat, possibly The Seguin, and standing along boarding dock in Muskoka.

Copy negatives from old photograph. Appeared in Kitchener's First 100 Years, June 22, 1954, p. 5. L-R: Unidentified customer, Louis Sattler, Ed Foerster, A. Heller, H. Bender, as well as a small boy, the future owner.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Head and shoulders studio portrait of Elisabeth Schantz (nee Snyder) seen looking at camera.

One upper body studio group portrait of the four youngest children of Tobias Schantz and Mary Moyer: Florence Annie Catherine, Franklin Abram, Herbert Cecil Palmer, and Arthur Benjamin. Portrait belonged to Sophie Emma Schantz. Identification from verso.

Portrait of Ruth Schantz at six years of age seen looking at camera and with left arm resting on a table with a potted plant.

File consists of two identical group portraits (one mounted) showing the children of Janie and E.P. Clement. Left to right : Edwin Oliver, William Pope, Blanche Mildred, Florence Grace, Charles Bowlby.

File consists of one group portrait showing sisters Florence Grace Clement and Blanche Mildred Clement seen looking at camera. Both are dressed in fur winter coats and hats.

Photograph taken on the way to Penetanguishene from Berlin, of women and children resting on a beach and in horse-drawn buggy. Carrie Breithaupt is seen standing with three children, including John Edward Breithaupt, standing at left. The adults seated in the carriage are likely (left to right) Martha and Louisa Anthes.

File consists of snapshots probably taken by Martha Rieder on a trip she took to Niagara on September 1, 1898 from Toronto on the S.S. Chippewa with her uncle and aunt [Anthes?], Irene [cousin?] and Ella Anthes Cook. Includes snapshots of Niagara Falls, Brock's monument, some of the party having a picnic, and other scenes from the trip.

Formal portrait of Norm Schneider and Alfred Schneider Gofton. They are dressed in overalls but are wearing shirts and ties. Includes a note on the verso of the photograph about Alfred Gofton's relationship to Norm Schneider.

Fully body studio portrait of Norm Schneider and Alfred Schneider Gofton. Norm is standing with arm on Alfred's shoulder. Both are wearing coveralls with a shirt and tie underneath.

Head and torso studio portrait of siblings Florence Annie Catherine Schantz, Franklin Abram Schantz, Herbert Cecil Palmer and Arthur Benjamin Schantz.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

Photograph of Schantz family members and friends outside of the home of Mrs. McNamee, who lived in Morton Park along with the Schantz's. The group is see at the side of a house standing between a three trees.

Back row: Sophie Schantz, Arthur Schantz, "Jed" Moore [?], Lor Brown, Orpheus Moyer Schantz, Frank Thompson and Clara Robbins, seen standing with a bicycle built for two.

Middle Row: Carrie Flagler Schantz, Annie Payne Brown, Mrs. McNamee [?].

Front Row: Marshall Dutton, Ruth Schantz, Edwina Meaney, Laura Gardin, Robert Brown, Geradline Meaney.

Copy negative from old photograph., appeared in K-W Record Supplement, Kitchener, a Busy City, June 9, 1962, p. 61. L-R: George Seiler, a neighbour, Irvin Durst, H. Bender, Louis Sattler.

One upper body studio portrait of Edmund Warren Moyer seen in profile.

One upper body studio portrait card photograph of Mollie Moyer (wife of Levi Nash Moyer). Identification from verso.

Team portraits : Berlin Hockey Club, 1894-1895, Berlin Hockey Club, 1895-1896 : Berlin Hockey Club, 1898 : Berlin and Waterloo Hockey Club, 1897, shows name of players on bottom : copy negatives of three letters from Ontario Hockey Association from 1898.

Head and shoulders studio portrait of Rev. Mrs. Baldwin seen in partial profile looking off camera.

One full body studio portrait of Wilifred White as an infant. Wilifred is shown in a cradle. Possible postmortem photograph. Wilifred was born February 20, 1899 and passed June 4, 1899. Identification from verso.

One photograph of members of the Schantz/Moyer family. The family is shown standing together outdoors in front of a growth of trees.

Identified from verso are: Ethel Raymond Sabin, Elihu De Forest Watt, Jennie Moyer, Edmund Warren Moyer, Mary May Raymond, Thomas Cowen Kelly, Jessie Watt Moyer, Ela Bliss Moyer, Orpheus Moyer Schantz, Annie Bell Raymond, Sophie Emma Schantz, Mary Emma Moyer, Mary Raymond Moyer (Mollie), Harry Rollin Moyer, Levi Nash Moyer, Robert Raymond Moyer, Ruth Schantz, Carrie Flagler Schantz, Charlotte Hays Moyer, Mary Elizabeth Moyer.

A portrait of an unidentified infant. The portrait was mounted in a handmade frame.

One hand coloured head and shoulders portrait of a woman possibly, Eliza M. Bowman of Berlin, Ont.

One studio portrait, possibly of Franklin Abram Schantz.

Studio portrait of an unidentified woman and two children seen looking at camera. This portrait was found with Franklin Abram Schantz' belongings.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

One full body studio portrait, identified on verso as Mrs. Mary Schantz. Woman is standing to the side of her husband who is seated in a large dining chair. It is unclear if the identification on the verso refers to the woman in the photograph, or the owner of the photograph.

Nine dry glass plate negatives showing various images. Five of the plates show images of Arthur Schantz, Eli Brubacher and Herbert Schantz, Franklin Abram Schantz and Edgar Clemens that are recognizable from positives elsewhere in the fonds. They are possibly from when Arthur was working for Schneuker photography studio. The remaining images are of unidentified portraits. Images were originally housed in a box of "Stanley" brand dry plate negatives.