Head and shoulders studio portrait of Rev. Edwin Clement seen looking off camera.

One upper body studio portrait of Oliver Bushy seen in partial profile.

Full length studio portrait of Orpheus Moyer Schantz (at left) with left arm around the shoulders of an unidentified friend. The two are shown seated in front of a backdrop of a door to a house and are holding an upside sign that reads "two for 5¢."

Contents: file consists of one portrait photograph of Mary Osgood Riggs Hunt with an infant Alice Riggs Hunt and their dog Coco.

Contents: file consists of one portrait photograph of Mary Osgood Riggs Hunt with an infant Alice Riggs Hunt.

Upper body studio portrait of Robert Bliss Moyer, seen looking off camera.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column. Identification from album.

Originally on page 15 of album 3.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column.

Originally in page 5 of album 1.

Full length studio portrait of Orpheus Moyer Schantz (at right) and Kitty Cole. The two are shown seated in front of a backdrop of a house window. Kitty is looking off camera and Orpheus is looking directly at it

Studio portrait of Louis Henry Wagner.

Copy negatives of portrait of Otto L. Mikachi. Includes carte-de-visite by Boone & Clippinger, Akron, Ohio, ca 1886.

One formal posed studio portrait of the John King Family of Berlin, Ontario, ca. 1885.
Front row, seated, left to right: Isabel King, Janet Lindsey King, John King, Dougall Macdougall King [seated in front], William Lyon Mackenzie King.
Back Row, left to right: one unidentified boy, two unidentified young men, Bella King.

One image of Mr. Blinkinsop (Indian Agent), Mrs. Hunt, and her children and grandchildren in front of a building at Fort Rupert, Vancouver Island. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

One upper body studio portrait of Ethel Davey.

One upper body studio portrait of an unidentified adult.

One full length studio portrait of Orpheus Moyer Schantz with an unidentified friend. The two are shown in front of a backdrop of Roman columns. Orpheus is seated looking at a photograph while his friend stands looking over his shoulder.

Studio portrait of Louis Jacob Gordon Wagner as an infant.

Full length studio portrait of Blanche Mildred Clement Kelly as a child seen seen leaning against a decorative prop wall, wearing a dress and a bonnet.

One image of Fort Saskatchewan from the north side of the Saskatchewan River. Caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

View of Waterloo looking south from the top of Central School at King and Central (formerly Church) streets. Albert Street is at top right and Silver Lake in Waterloo Park can be seen behind Albert Street. Spring Street is in the foreground. Written on verso: one storey house with two chimneys still on Albert St.

A composite photograph which includes image of the Science building at the University of Toronto, eight graduates, and three faculty.

View of Waterloo from top of Central School located at King and Central (formerly Church) Streets looking south. Central School was built in 1855 with many additions and renovations over the years and demolished in 1952.

One full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

One photograph of Blood [Kaniai] and Peiikani (formerly Piegan) Indigenous Chiefs of the Blackfoot Confederacy in Brantford for the unveiling of the Brant Memorial. The chiefs are identified as One Spot, Red Crow, and North Axe.

Studio portrait of Mary Staebler Wagner taken Febraury 17, 1887, three months before she died.

Studio portrait of Louis Jacob Gordon Wagner as an infant.

Photograph showing the interior of an unidentified store. Identified from the recto are: Orpheus Moyer Schantz, Will Chase, Eddie Moyer, Harry Moyer, Lou Jeutoft [?].

Full body studio portrait of John B. Nash as an infant seen seated, dressed in a white gown, and looking at camera.

File consist of one photograph of Queen Victoria and her family during the 50th year of her reign. Identification from verso.

Studio portrait of Louis Henry Wagner with infant son Louis Jacob Gordon Wagner, dressed in a gown, on his lap. Both are seen looking at camera.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Casual group portrait of the Berlin Rangers soccer team wearing jerseys with the word 'Canada' visible on the front.

Back row: [Unknown], Dave Forsyth, Walter Bowman, Solly Brubacher, W.P. Mustard, Carl Kranz.
Middle row: [E. Webster], Walter Thompson, Tom Gibson, E. T. Gordon, Fred Killer.
Front row: H. Pirie, [Alex Gibson?], [A. N. Garrett?]

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Originally in page 21 of album 2.

Full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

Studio portrait of Louis Henry Wagner with infant son Louis Jacob Gordon Wagner and mother Margaret Hailer Wagner.

Two identical studio portraits of Herbert John (left) and Charles Alexander Schneider seen looking at camera. Both are seen seated with short hair and wearing lace collared dresses.

Portrait of Merne [Marion] and Madge [Margaret] Wilson as young girls.

One image of the well and ruins of an old house on an arid flat at Salt Springs, Manitoba. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Modern copy of a 19th century photograph. Includes identifications as follows:

Back row, left to right: Carrie, Laura, Emma.

Middle row, left to right: Helena, Louise, Minnie.

Front row: Mary.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

One upper body studio portrait of Carrie Schantz seen looking off camera.

Upper body studio portrait photograph of David Sovereign Bowbly seen looking off camera.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Full length studio portrait of Etta and Sophie Schantz with friends. Etta is seated at left and Lavina Detweiler, Sophie and Nancy Eby are seen standing. Maggie Eby is also seated, on a higher chair at right, and Noah Eby is seated on the ground at the centre of the group. The women are wearing three story, or flower pot hats, while Noah's bowler hat lies on the ground next to him. The women are holding either parasols or cedar boughs. Identification from verso.

One composite photograph captioned, "Members of the Twentieth General Conference of the Church of the United Brethren in Christ convened in York, Penn'a May 9th to 19th, 1889."

The photograph shows 33 members of the conference including: Dinius, W.O; Wood, C.L.; Wright, Milton; Becker, Henry J.; Kiracoff, C.H.; Dillon, William; Clay, William; Powell, A.B.; Kabrich, John M.; Geeslin, A.W.; Ensell, J.; Titus, W.S.; French, J.; Mahan, S.T.; Tharp, I.M.; McNew, Z.; Kenover, J.; Floyd, Halleck; Davis, Lewis; Barnaby, H.T.; Bennetz, A.; Bowles, G.A.; Nelson, J.K.; Livingston, S.L.; Bonewell, B.A.; Luce, N.R.; Miller, William; Spoonemore, J.P.; Knipple, W.W.; Alwood, J.K.

Bishop Milton Wright was the father of Orville and Wilbur Wright.

The photograph is mounted on a card advertising the need for agents in other conference groups.

Studio portrait of Lizzie Schlier.

Head and shoulders studio portrait of J.M. Schneider seen looking off camera, dressed in collared shirt and tie.

Photograph of Charles August Ahrens and family in front of their first home on Courtland Ave. in what was then Berlin, Ontario.

Left to right: Charles August Ahrens, his wife Emma, children Lottie and Fred, and Martin Nagel.

One carte de visite, portrait of child. This is tentatively identified as Emma Schneider but is probably not her. The photographer, D.G. Denison, worked in Berlin ca. 1865-1885 and Emma was not born until 1894.

Formal portrait of William Henry Lapsley.

File consists of one studio portrait of Charles Bowlby Clement with sister Blanche Mildred Clement Kelly as children seen looking at camera. Blanche is seated on the edge of a couch, with a magazine in lap, and Charles is standing next to her, right arm resting on couch.

Envelope and two studio photographs of children. One of the photographs shows A. R. Kaufman as a baby and the other shows A. R. and Emma Kaufman as infants and was taken by C. Schneuker.

One head studio portrait of Jacob Moyer seen looking off camera.

Studio portrait of Josiah Kolb Shantz with wife Nancy Kolb Shantz and children Eliza, Benjamin, Abram, Elo and Lorena. Placement of children not included with identifications. Birth dates of children suggest Eliza and Elo are standing at right and Lorena is seated at left. Benjamin and Abram were born too close together to determine their standing order at left.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

Studio portrait of the Ahrens sisters seen standing and seated in front of a decorative backdrop.

Back row, left to right: Carrie, Laura, Emma.

Middle row, left to right: Helena, Louise, Minnie.

Front row: Mary.

Formal portrait of Caroline Yates Lapsley.

Two formal portraits of Clara Joachimi Lapsley, variants.

Two copies of a modern print of a formal portrait of Heinrich Metz Schneider.

One upper body studio portrait of Ella Moyer.

One photograph of students out front of Bridgeport School. The teachers are identified as Mr. Weir, Miss Nicklin and Miss Moyer. Note that this is not the current Bridgeport Public School.

Three-part composite photograph. The top half contains numbered portraits of 155 members of the Berlin Philharmonic Society, the middle contains portraits of Miss C. Specker, contralto, Miss D. Zigler, soprano, Miss A. Bean, organist, Mr. Gains, tenor, Miss Specker, pianist, Mr. E. Shuch, baritone, Mr. C. Ruby, basso, and the bottom third of the photograph portrays the orchestra, seated with instruments and music. This photograph contains portraits of many well known citizens, particularly women.

Portraits of members of the Berlin Philharmonic Society include:

1. Geo. Howard, 2. A. Master, 3. W. Tuchlinski, 4. W.F. Roadhouse, 5. O. Vogelsang, 6. R.D. Lang, 7. H.P. Harding, 8. A. Breithaupt, 9. W. Euler, 10. J. Stauffer, 11. O. Master, 12. Geo. Zigler, 13. H. Clemens, 14. W. Zigler, 15. Rev. Tafel, 16.S. Groh, 17.L. Weaver, 18. E. Englert, 19.J. Brandt, 20. T. Simpson, 21. J. Steifke, 22. E. Werner, 23. D. Musselman, 24. W. Freeman, 25. J. Fischer, 26. A. Snyder, 27. E. Brubacher, 28. A. Musselman, 29. F. Shantz[sic], 30. J. Musselman, 31. E. Clemens, 32. W.H. Becker, 33. H. Hymmen, 34. E. Reiner, 35. A. Devitt, 36. E. Heist, 37. A. Shantz[sic], 38. J. Bilger, 39. G. Rehmann, 40. C. Harttung, 41. J. Weiderholt, 42. E. Lang, 43. H.A. Huber, 44. J. Good, 45. L.J. Breithaupt, 46. F. Boehmer, 47. D. Stadelbauer, 48. G. Reiner, 49. A.Grebenstein, 50. B. Marks, 51. T. Reid, 52. M. Ahrens, 53. M. Anthes, 54. A. Moyer, 55. E.Clemens, 56. Mrs. Musselman, 57. E. davey, 58. S. Musselman, 59. A.Detweiler, 60. I. Kolb, 61. A. Fischer, 62. Mrs. Howd., 63. A. Moyer, 64. T. Fehrenbach, 65., Mrs. Becker, 66. Mrs. Schmalz, 67. E. Swartz, 68. W. Fischer, 69. L. Motz, 70. F. Knechtel, 71. A. Mitchell, 72. A. Musselman, 73. C. Lang, 74. E. Hillard, 75. C. Webb, 76. A. Rathman, 77. T. Kimmel, 78. I. McMahon, 79. M. Moyer, 80. A. Cairnes, 81. L. Ziegler, 82. L. Rudell, 83. A. Kolb, 84. L. Musselman, 85. A. Boomer, 86. M. Devitt, 87. A. Devitt, 88. E. Pfeffer, 89. B. Bean, 90. Mrs. Shuh, 91. F. Caton, 92. M. Smuck, 93. M. Smuck, 94. M. Knell, 95. A. Wiegand, 96. A. Hett, 97. E. McIntyre, 98. L. Ruby, 99. M. Burke, 100. L. Hillard, 101. L. Hoffman, 102. Miss Kumpf, 103. A. Hendershott, 104. T. Pequegnat, 105. A. Knell, 106. G. Bowman, 107. A. Bird, 108. L. Pfeffer, 109. Miss Kumpf, 110. R. Musselman, 111. E. Dunn, 112. L. Sheppard, 113. Miss Grey, 114. F. Freeman, 115. R. Huck, 116. R. Ziegler, 117. M. Lauer, 118. M. Walper, 119. C. Vetter, 120. M. Walper, 121. Mrs. Tafel, 122. A. Staebler, 123. E. Schmidt, 124. L. Teidt, 125. A. Clemens, 126. S. Strasser, 127. Mrs. Fetzer, 128. M. Detweiler, 129. Mrs. Seiler, 130. A. Bossenberger, 131. C. Rehman, 132. U. Heins, 133. E. Stein, 134. A. Bean, 135. S. Shantz[sic], 136. C. Martin, 137. A. Eby, 138. A. Moyer, 139. E. Reiner, 140. B. McIntyre, 141. L. Eby, 142. L. Barlett, 143. K. Thomas, 144. L. Bricker, 145. L. Specker, 146. Miss Wagner, 147. K. Bingeman, 148. Mrs. Doering, 149. Miss Wagner, 150. M. Kalte, 151. S. Fehrenbach, 152. Mrs. W. Oelschlager, 153. Mrs. A. Oelschlager, 154. A. Brubacher, 155. Mrs. H. Heller.

One upper body studio portrait of Ela Bliss Moyer.

Originally in page 25 of album 2.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

One three quarter length studio portrait of Theodore Moyer seen looking off camera with left hand in waistcoat pocket.

One three quarter length studio portrait of Victoria Priscilla Nash seen wearing a high-collar top with leg of mutton sleeves, and leaning with right arm against what looks to be the end of a bed.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Full length studio portrait of Orpheus Moyer Schantz standing between two unidentified women. The group is seen looking at the camera.

Upper body studio portrait of Sophie Emma Schantz and Etta Lydia Mary White (nee Schantz) seen looking off camera. Etta is seated leaning back toward Sophie with top of head against Sophie's chin.

Head and shoulders body studio portrait of Sophie Emma Schantz seen looking off camera in partial profile.

Three quarter length studio portrait of Solomon Wismer seen looking at camera with legs crossed and left arm resting on side table.

Copy negative of old class portrait of students and their [teacher?] outside of a school house with wooden tower.

One photograph of 6 people sitting on rocks. One woman and one man are carrying guns. One photograph of two people about to jump backwards into a body of water off of a dock.

One photograph of a steamship in open water. One photograph of a small harbour with a ship in it.

One photograph of a group of men standing on rocks. The men are wearing caps and a few are smoking pipes. One photograph of small community on the water.

One photograph of a landscape. One photograph of a modern home with a large porch and a man standing on it.

One photograph of a body of water captioned on the verso "pool at base of the fall. Steady Brook." There is a man standing on rocks overlooking the pool.

One photograph of a woman posing in front of a display of skunk pelts. One photograph of a group of Inuit and European people standing in the distance from a village.

One photograph of a salmon jumping up over Little Falls, Humber River taken from a canoe. One photograph of a person standing in a boat with a pole. The photograph is captioned on the verso "poling through Little Falls Humber River."

One photograph of salmon leaping the Big Falls, Humber River. One photograph of a man holding a fish captioned on the verso "10 lb salmon caught by W.W. Dutcher Big Falls, Humber River."

File consists of one full length studio portrait of Grace Bowlby Fennell by Gagen and Fraser, Toronto, Ont. Identification on verso is incorrectly identified as Emma Allen Bowlby Boyd.

One image of a Hudson's Bay Company building on the Grand Rapids Tramway, west of Grand Rapids, Manitoba.

One photograph of students in Mr. Weir's class at Bridgeport School. Note that this is not the current Bridgeport Public School.

One photograph of students out front of Galt Central School. The verso of the photograph indicates that this was school no. 7.

Head and shoulders studio portrait of Tobias Kolb Schantz seen looking off camera in partial profile.

One full length studio portrait of Florence, Arthur and Herbert Schantz. Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One upper body studio portrait of an unidentified couple.

One upper body studio portrait of Jake Moyer in collared shirt and tie seen looking off camera.

One upper body studio portrait of Amos Musselman seen looking off camera. File also includes one small red paper flower that was included in the album with the photograph.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.