Manuscript poem entitled, "On Parting from My Sister and Her Children." Also included are two pencil drawings, one of which depicts a church and graveyard scene in a village located three miles from Dublin. The poem and drawings have been bound into a book. In the front cover of the book is a newspaper clipping of an obituary for Isabella Jane and Caroline Olivia Clare.

Collection contains prints of Canadian landscapes done by William Henry Bartlett in 1841 and portraits of prominent 17th and 18th century politicians from Europe and Canada. Also included are letters from English prime ministers dating around the 1700s. The collection is arranged in one series consisting of print engravings, a file of Bartlett prints, and a scrapbook containing letters.

One photograph album kept by an unknown woman with pictures of famous women. The album is made with wooden boards which feature paintings of a sunset over water and a song sparrow with calligraphic poetry. Each page includes a photograph of a different woman surrounded by a hand drawn frame that speaks to her life and work. Women in the album include Florence Nightingale, Elizabeth Barrett Browning, Dame Millicent Garrett Fawcett, Elizabeth Garrett Anderson, Lady Florence Baker, Mary Somerville, Emily Davies, Johanna Maria Lind, and Rosa Bonheur.

Fonds consists of one painting by Peter Etril Snyder of the Dana Porter Library. The work was commissioned in 1975 for the home of the then President of the University, Burt Matthews.

Fonds consists of four prints titled "A.R.H." by Olivia Carvalho. The prints feature a portrait and handwriting of Alice Riggs Hunt.

Fonds consists of one charcoal drawing of a George Barrie print titled "The Old Mill." There is no signature on the drawing. Also includes a print of The Old Mill.

One print of the library of All Souls College. Original drawing by A. Pugin.

Fonds consists of one print of a work by Thomas Austen Brown. The drawing shows ships in the water at night underneath a moon. Signed by the artist.

Collection consists of two prints of Sir Robert Peel and Lord Nelson. They are printed by George Baxter as an oil colour picture print, the first commercially viable colour printing.

File consists of nineteen woodcut prints by Elizabeth Rivers. Some of the prints are signed and numbered and include captions.

Collection consists of seven caricature prints of "men of the day" from the British weekly magazine Vanity Fair. Includes images of Mr. R. Richardson-Gardner; Mr. Herbert Spencer; Marquis of Winchester; Admiral Sir H.R. Yelverton; Mr. Joseph Ernest Renan; The Reverend Arthur Tooth; Lord H.F. Thynne.

Fonds consists of one charcoal drawing by Arthur Lismer of Elizabeth Styring Nutt of Halifax. Elizabeth was principal of the Victoria School of Art and Design in Halifax (later NSCAD) in the period immediately following Lismer's time there.

Collection of etchings from the 16th to 20th centuries covering a variety of formats and topics.

Sketchbooks and loose sketches by David Hill, American artist. Includes material relating to his death and estate, primarily correspondence to Joe Plaskett. Includes correspondence to David Hill by Virgil Burnett.

Sketchbook belonging to Helen Edmonds, dated July 1991, containing sketches in the style of Virgil Burnett. Most sketches are drawn with brown ink and feature people, landscapes, buildings, and sculptures. The sketchbook also includes watercolour sketches accompanied by notes and quotations.

Content: Copy negatives of paintings, including portaits of ladies, outdoor scences, outside of homes and a service inside a church.

A photograph of a painting of the founding members of Mutual Life.

Fonds consists of materials created and accumulated by Stan Johannesen including seven diaries and original artwork for his novel Sister Patsy.

The fonds consists of a single diary kept by Jane Urquhart from 1974 to 1981, before she began her writing career, and documents primarily several trips to Europe taken with Tony Urquhart. This diary served as a sketchbook, journal and trip diary, and contains drawings and sketches, photographs, ephemera, plant material, etc. Its 258 pages contain 71 sketches, drawings and watercolours including 27 by Tony Urquhart, 32 by Jane Urquhart, 2 by Michael Ondaatje and 10 by other artists.

File consists of one drawing of a house, titled "Ville de Madrid." Titled, dated and signed by Gill with an explanatory note. Also includes photocopy and caption from Thomas Fisher Rare Book Room.

File consists of one watercolour painting by Gill, titled Seen in Utopia. The work is very different from his usual style. Signed and dated.

File consists of one drawing of an unidentified femal nude. The drawing has been squared, possibly indicating it was to be made into a sculpture. Verso of drawing appears to be a list of books. Also includes photocopy and original sale notice.

File consists of various small drawings of cartoons and sketches on three sheets of paper. Includes cartoons copied from famous works (including Mutt and Jeff), original cartoons, and sketches.

Undated sketchbook containing pencil sketches by David Hill.

File consists of one print of Bartimeus. Originally an illustration the jacket of the Aldine Bible.

File consists of one original drawing by Eric Gill titled "Old House at Ditchling." Signed E.A.G.

File consists of one pencil drawing highlighted with watercolours by Gill. The drawing shows a woman's head and is titled "Minnie." Unique in style for Gill, the drawing is a Whisterlian OHO!.

File contains the April 2, 1992 issue of the magazine "Frank". There is a comic created by John Herbert published in the magazine on page 22. Includes author's note on the envelope: "Box C - C6: FRANK Magazine: A comic strip by J.H. aka 'Nemesis', page 22 - 'The Club on Bay Street'. Note: John Herbert used the nom de plume 'Nemesis', as a cartoonist for Onion, the Toronto Paper on the Arts, from 1975 to 1982. (See collection of Onion issues in J.H. archives, the Porter Library, University of Waterloo)."

File consists of one drawing by Gill of the Fox Inn, Bramsdean. Signed and dated.

File contains 28 drawings (originals and photocopies) of draft cartoon drawings, unfinished drawings, and sketches. They also include notes regarding story development ideas. Includes a photocopy of a three page manuscript letter to the editor of Now Weekly. Includes author's note on the envelope: "Box E: John Herbert archives , Porter Library, University of Waterloo. Enclosed: cartoons. E16: a variety of complete and incomplete cartoons and comic strips by John Herbert (under one or another of his 'noms de plume' as cartoonist) - plus some preliminary sketches and notes in planning the cartoons. Names (noms de plume) Nemesis, Hellican, Jan, R.U. Horny, Jacki Brun, No. of items: 31 pages - Dates: 1989 to 1994."

File contains 6 pen and ink drawings created by John Herbert in 1973 regarding his comic "The Slideshow". The drawings have captions written on them. Includes author's note on the envelope: "Box D: John Herbert archives. D15: original drawings, 1973. The Sideshow (a comic book). The enclosed 6 pages were John Herbert's beginning of a comic-book project (under the name 'Jack Past') based on his memories of working with a carnival burlesque show (Model Shows' 'Paris After Midnight') in 1953, travelling through Ontario, Quebec, New Brunswick and Nova Scotia (over a 6 months period)."

File consists of four drawings later used to create woodcuts. They include The Manage (Physick 74), Epiphany (Physick 84) and Palm Sunday (Physick 86).

File consists of one drawing of Father O'Connor. Verso identifies him as "Father O'Connor (the very reverend mgr. John O'Connor). Also includes a photocopy of the drawing.

A wedding planner notebook containing correspondence, sketches, advertisements, and notes pertaining to Betty Forbes's wedding ceremony with Bill Land on May 29, 1954 in Hespeler, Ontario.

A notebook containing drawings, writing, and mathematical equations created by Peg Forbes.

File consists of one drawing of David Pepler. Titled, dated and signed by Gill.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one print of Babe on bough. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress.

Partial sketchbook containing pencil sketches by David Hill.

File consists of one dance programme in the format of a large painting listing the dances, and featuring an illustration of a student using a transit to look at a flying diploma while his military instructor urges him on. Painting is unsigned but is attributed to W.H.E. Schmalz.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

Drawing of LeRoy car.

File consists of one print of View of Ditchling. Originally a design for the Ditchling Women's Institute.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of four watercolour paintings of landscapes.

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

File consists of one print of St. Matthew. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

One sketchbook (12 pages). Includes landscape sketches of Cape Cod and Ogunquit for paintings, and studies of birds and boats.

File consists of one portrait of David Sovereign Bowlby. The painting is oil on prepared canvas. A signature on the bottom left is hard to read, but may say [Ella] [Moss].

File consists of one print of At the Round Earths Imagin'd Corners. Numbered 7/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

Sketchbook containing pencil sketches by David Hill.

File consists of one print of St. Luke. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of St. John. Numbered 11/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of twenty drawings, mostly pencil sketches, of scenery, still lifes and friends and family.

File consists of one print of St. Bernadette, lettered "Bernadette Ora Pro Nobis." Numbered 25/50 and signed by Gill.

File consists of one print of the side-by-side images of Spray of Seven Leaves and Flower Bud and Woman Climbing Floreated Phallus. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of The Skaters showing two naked skaters based on a photograph from the London Daily Mail. Labled "specimin plate."

File consists of one print of The Single Bed (Thanks). Numbered 12/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of The Shipman's Tale showing a man and woman on a bed surrounded by a border of leaves and the letter "O." Numbered USA 1/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one poster advertising the Kaufman Lofts. The poster is double sided with two different advertisements.

File consists of one print of Sculpture II, showing a male nude sculpture.

File consists of three small card folded horizontally featuring a woodcut illustrion of a fish and a religious verse. Lettering reads "Salvator noster hodie natus est: gaudeamus. Neque enim fas est locum esse tristitiae, ubi natalis est vitae. Nemo ab hujus alacritatis participatione secernitur: una cunctis laetitiae communis est ratio. Ersultet (sic) sanctus, quia appropinquat ad palmam; gaudeat paccator, quia invitatur ad beniam."

Translation: This day our Saviour was born: let us rejoice. For it is impossible to be sad to, where is the birthday of life. No one from participating in our category, all a joy to both systems. Rejoice, O thou holy, because it approaches nearer to the palm;'s joy is a sinner, for he is invited to pardon.

One print of a studio portrait of Levi Nash Moyer.

File consists of one print of Romance: Man Seizing Unreality. Numbered 4/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

Notecard with a reproduction of a sketch of the Olympic Range in B.C. by Lady Aberdeen.

One sketchbook, ten pages. Includes landscape sketches of Egol (Isle of Skye), other landscape sketches, and a transcript of a tombstone.

Sketchbook containing pencil sketches by David Hill.

File consists of one print of Ascension. Originally an illustration for "The Game" printed by St. Dominic's Press.

File consists of one print of Puck Juggling. Numbered 5/20 and signed by Gill. Originally from half title for The New Temple Shakespeare.

Print of a photograph of Levi Nash Moyer.

File consists of seven proofs of the prints created by Eric Gill for the Aldine Bible. Note that there is one blank page, but it is unclear if it is intentionally blank or if a print has been removed.

File consists of one print showing a head and shoulders portrait of Mrs. Moira Robert Gibbings. Edition is marked as 40/50 and is signed by Gill.

File consists of one print of The Pardoner's Tale showing three men in a garden with a skeleton looking up at them, along with the letter "O." Numbered 10/10 and signed by Gill along with the annotation USA 5. Used as an illustration for the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one drawing of a lighthouse on an island. The bottom right hand corner is signed F.K.M. (probably Francis Kathleen Montgomery).

File consists of one mock up for The Order of Industrial Heritage award as presented by the London Daily Herald. This second version shows the original holy ghost dove has been replaced by a star. Also includes one colour copy of the print and a caption created by Thomas Fisher Rare Book Library.

Contains 1 sketchbook (29 pages). Includes sketches of symbols and geometric designs (some in colour), mathematical calculations, sketches of landscapes, boats, harbours, and cityscapes.

Handmade New Years card from the Schantz family to Arthur Benjamin Schantz. The card features calligraphy, small drawings of bells and has scherenschnitte edges. It reads: "1894. Wishing you a joyous new year. To Arthur B. Schantz From Ruth, Carrie & Orph."

File consists of one print of The Nun's Priests's Tale showing three figures and a chicken under a leaf border with the letter "H". Numbered 4/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

One sketchbook (62 pages). Includes ms. notes, geometrical designs, sketches of birds and landscapes, and mathematical calculations.

One sketchbook (59 pages). Includes ms. notes, geometric designs and sketches, mathematical calculations, sketches of profiles, figures, cityscapes, landscapes, ships, and birds.

File consists of one print of Nature and Nakedness. Numbered 15/25 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

One sketchbook (50 pages). Includes ms. notes, plans for paintings, perspective calculations, landscape sketches, cityscape sketches, geometric designs and sketches, figures and profiles.

A scrapbook containing press clippings, cards, postcards, telegrams, tickets, programs, report cards, certificates, a diploma, invitations, correspondence including notes of congratulations to Betty Forbes on her engagement to Bill Land, the birth certificates of Millicent Lyall Forbes and Betty Forbes, and other textual material. Also includes three watercolour paintings by Willie Winklemann and photographs of the Forbes family featuring Peg Forbes and Joe Wilson's wedding and other family events.

File consists of one print of a nativity scene. Numbered 20/25 and signed by Gill.

File consists of two prints of Naphill Jubilee Card. Lettered "to his majesty King George from his loyal subjects of Naphill Buckinghamshire thankful greetings."

One sketchbook (65 pages). Includes ms. notes, geometric designs and sketches (some with coloured pen), Christmas card designs with a watercolour sketch version, landscape sketches, and perspective calculations.

File consists of one print of My Love Among the Lilies showing a man sitting in a garden with a goblet in one hand and a ball in the other which was used in the Golden Cockerel Press edition of Song of Songs. The print is numbered as edition 8/12 and is signed by Gill.

One sketchbook (89 pages). Includes sketches and ms. notes regarding landscape in Orleans and Cape Cod, ms. notes and sketches regarding Kandinsky, a "list of stuff to paint/sketch", landscape sketches, design sketches, sketches of cars and other objects, and notes relating to an automobile accident.

Small painted drawing of the back of a woman wearing a pink bonnet by Carrie Flagler Schantz.

22 coloured illustrations of flowers, animals, children, and sentimental scenes. Most of the prints are Chicago Tribune Art supplements.

Sketchbook containing pencil sketches by David Hill.

File consists of one print of Animals All. The print is unique in that it is gold ink on a black background. Originally used for the tail piece "The Philosophy of Art."

One sketchbook, ten pages. Includes landscape sketches of Preston Springs, studies of trees and figures, and sketches of a cottage.