Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.
Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.
Upper body studio portraits of Emeline Rieder and Peter Rieder seen looking at camera. The photos are inside a double panel photographer mount with decorative patterns around the photos.
Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.
Portrait of Louisa Anthes and an unidentified friend smiling and looking off camera. Both are wearing fancy hats and high-collared tops with leg of mutton sleeves.
Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen in front of a vine covered backdrop.
Photograph of two automobiles on a road running through snow covered terrain. Annotation on verso reads: "His Majesty's Royal Mail - and us! Over the trails with Henry Ford."
Photograph of George Black looking at the camera while standing with a fishing rod and holding fish caught during the trip. Martha is seen standing with a fishing rod at his side, looking down at the fish with a slight smile and hand in her pocket.
Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with right arm on back of Martha's chair and the other in his front pant pocket.
Photograph of (left to right) Louisa, Ella and J.I. Frank Anthes seated and kneeling in a tree filled yard. Louisa is seated with Ella kneeling at her side. Both are seen looking at the camera. Frank is seated at right using an instrument on Louisa's upturned hand [possibly reading her palm?]. Frank is dressed in a suit and bowler hat and Lydia and Ella are wearing high-collared dresses with leg of mutton sleeves.
Photograph of (left to right) Ella and Louisa Anthes seated in a tree filled yard. Ella is seated in a wicker chair with Louisa Anthes perched on the side of the chair. Both are seen looking at camera.
Studio portrait of Lydia Anthes with daughters Ella Cook, Martha Rieder, Louisa Breithaupt and Carrie Breithaupt. Ella and Martha are seen standing, with Louisa and Carrie seated on either side of Lydia. Only Lydia and Louisa are looking toward the camera.
Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.
Mounted photograph of employees posed for a photo outside of the Anthes Manufacturing Company factory. Seen in two rows, one standing and one kneeling, most are holding hats at their side or on a knee. An unidentified man on a horse is included in the group at right.
Photograph of Zella Dexter McDonald posed for the camera seated, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.
Studio portrait of Dexter McDonald dressed in a school uniform with a workbook on his lap. He is seen seated in a chair, with ankles crossed, looking at the camera.
Photograph of the exterior of the Dominion Tire factory annex site taken from the 3rd floor of the office building. Parked freight cars at the end of the building, three workers, and a partial view of the cooling pond are included in frame.
Photograph of the site surrounding the Dominion Tire factory taken from the roof of the building. A backyard with laundry on a clothesline, a rail line, a field and the distant city sky line are included in frame.
Two copies of a photograph of (second and third from left) Henry S. Poole, Robert Youdale Copland and two unidentified adults leaning on a [box?] outdoors. Construction material and residential homes are visible in the background.
Photograph of Dominion Tire employees standing on the factory floor around a large piece of machinery and looking at camera. Includes identifications (left to right): Fred Tremble, Bert Lavigne, Bert Pinnell, unidentified, and Stan Boyes.
Photograph of Charles August Ahrens and Emma Ahrens standing in front of a teepee. Each is wrapped in a woollen tartan blankets. Charles is standing with a box upside down on head, pointing at something off camera, and Emma is seen in redface, wearing a feather headdress.
Photograph of Norman C. Schneider kneeling on the back of a boat with Lottie and Floss Ahrens seated in side. Norman is smiling at camera and holding open a Canadian Red Ensign.
Image of Florence Ahrens and Bill Pickard standing side by side on the Pickard's wedding day, smiling widely while laughing in dress and suit. Florence is seen looking toward the camera with left arm around Bill's shoulders, who is seen in profile looking toward Florence.
Image of an unidentified group of adults and children standing and seated in two rows, posing for the camera outside of what is likely a residential home. Two of the children in the front row are wearing sailor hats and one of them is point what may be a BB gun at the camera.
Photograph of Lillian Daniels, Norman Schneider, an unidentified person, and Emmie Anthes standing with on a wood plank walkway with a bundle of caught fish held up for the camera.
Postcard photograph of Emma and Charles August Ahrens standing outdoors on September 21, 1917, their 35th wedding anniversary. Both are seen looking off camera in opposite directions and are dressed in wedding attire. Emma is holding a bouquet of flowers.
Image of administrative assistants seated in front of typewriters. Managers are seen seated at desks, and one on the phone, in offices with doors open behind them.
