Upper body portrait of an unidentified seated adult holding an infant, dressed in an white gown, upright on side of chair. Both are seen looking at camera.

File consists of five snapshots of Martha Rieder with friends on a picnic on the Grand River.

File consists of mounted snapshots taken in Penetanguishene, probably by Martha and Ella Anthes. Includes snapshots of people on a beach, a cottage, loads of bark on a dock and a boat, people resting from travelling, hiking, etc.

File consists of three studio portraits of Margaret Rieder Paisley as a baby, toddler, and youth. One duplicate is present.

File consists of a photograph of an orchard taken from Frank's [J.I. Frank Anthes?] upper verandah. Photograph possibly taken by Martha Rieder.

Photograph taken on the way to Penetanguishene from Berlin, of women and children resting on a beach and in horse-drawn buggy. Carrie Breithaupt is seen standing with three children, including John Edward Breithaupt, standing at left. The adults seated in the carriage are likely (left to right) Martha and Louisa Anthes.

File consists of miniature portraits of Martha, Ella, and Louisa Anthes and their friends and [cousins?], including Louise McEwen; J.E. Breithaupt; Peg [last name unknown]; Laurie, Lou and Emma Anthes and Lemar and Carrie Strawser; Zella Dexter McDonald; Alvin R. Kaufman; Emma Kaufman; and other unidentified individuals.

Informal portrait of Elizabeth Merner (nee Young) seated in a wicker chair reading with glasses on.

File consists of a photograph of the home of Elizabeth Merner (nee Young) on Main Street in New Hamburg, Ontario. Her family (children and grandchildren) are gathered in the front yard and on the front porch.

Group portrait of Elizabeth Merner (nee Young) with her family, including children and grandchildren, taken outdoors at her home on Main Street in New Hamburg, Ontario. Included in the photograph are Peter Rieder and Emeline Rieder (nee Merner), as well as some of their children. The people in the photograph are numbered and pasted to the bottom of the mount is a piece of paper identifying the people by number.

Back row (left to right):

• 1. Aunt Alma Flett
• 2. Chester Merner
• 3. Winnifred M. Brittin
• 4. Aunt Adele "Della" Rieder
• 5. Bert Merner
• 6. Aunt Esther Shave
• 7. Don Merner
• 8. May Gauerke

Second row from back:

• 9. Ernest Wood
• 10. Aunt Em Merner
• 11. Grandpa Peter Rieder
• 12. Marianne Merner
• 13. Aunt Margaret Merner
• 14. Aunt Effie Merner

Third row from back:

• 15. Uncle Henry Merner
• 16. Uncle Ed Merner
• 17. Grandma Emeline Rieder
• 18. Grt. Grandma Merner
• 19. Uncle Emanuel Merner
• 20. Uncle George Merner
• 21. Uncle Will Merner

Fourth row from back:

• 22. Aunt Maude [Wood?]
• 23. Aunt Sarah Zinn
• 24. Thelma Merner (Goldsword)
• 25. Aunt [Linn?] Zurbrigg
• 26. Aunt Tillie
• 27. Aunt Eva Rieder
• 28. Emily Merner

Front row:

• 29. Mildred Wood (Sweet)
• 30. Charles Wood
• 31. Clinton Zurbrigg
• 32. Martha Merner McCorkle
• 33. Miriam Merner

File consists of three copies of a modern reproduction of a studio portrait of Christian and Elizabeth Merner (nee Young). The couple are seen seated side by side in chairs, both looking at camera and with hands in lap.

File consists of 29 letters received by John S. and Lydia Anthes from Martha Rieder, some addressed individually to her mother and father. File also includes one letter from Louisa Anthes Breithaupt.

Studio portrait of a family seen looking at camera. Two adults are seated at both ends of the photo with five children seated and standing between and next to them.

Head and torso studio portrait of an unidentified woman standing, and looking at camera.

Studio portrait of Louisa Anthes with unidentified friend looking at the camera, dressed in fancy hats and cool weather, collared jackets.

File consists of portraits of Zella Dexter McDonald and family (friend of Martha Rieder and Ella Anthes Cook). Includes two informal portraits probably taken by Martha, two studio portraits of Zella's son Dexter, one studio portrait of Zella with her husband, Charles, and Dexter, one studio portrait of Charles, and one studio portrait of Zella and Ella.

File consists of three photographs of the Kitchener Natatorium and its locker rooms. Talmon Henry Rieder played a role in the construction of the natatorium, which opened July 21, 1917 at at 121 King Street West in the Rieder Block.

File consists of three studio portraits and a snapshot of Emma Kaufman, and one studio portrait of Emma and Alvin R. and with three unidentified people. Some portraits are mounted.

File consists of photographs of unidentified houses and other buildings.

File consists of four photographs taken during the construction of the Rieder house at 610 Belmont Avenue in the City of Westmount, Montreal.

File consists of four snapshots taken on the street outside of the Rieder home at 58 Roy Street in Kitchener in the winter. A duplicate photograph is present.

File consists of a photograph of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener).

File consists of three photographs of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener). Two photographs are mounted. Includes one duplicate photograph.

Photograph of a houseboat with a Dixie sign at top surrounded by several smaller boats and people relaxing, fishing, etc. John S. Anthes is seated at far left on the deck of the houseboat. Martha Rieder is standing next to him and Ella Anthes is seated on the deck railing, looking toward camera. John Edward Breithaupt may be the child seated on the end of the row boat with a blurry face from moving when the photo was taken.

File consists of seven studio portraits of Helen Rieder Henderson as a baby and toddler. Duplicates are present. Some portraits include a nurse and one includes Martha Rieder.

File consists of 14 letters received by John S. and Lydia Anthes from Martha Rieder, some addressed individually to her mother and father.

Head and shoulders studio portrait of Lulu Fawcett seen looking off camera. Lulu is wearing a fancy hat and a high-collar jacket with leg of mutton sleeves.

Studio portrait of A. R. Kaufman, posed with left hand at face, as a child.

Upper body studio portrait of an unidentified woman seen in profile.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.

Photograph of Ella Anthes, Emma Kaufman and Martha Anthes standing outside dressed for cool weather in capes and fancy hats.

Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.

Photograph of Emma Ratz Kaufman standing on the sandy shore of a body of water in Haliburton.

Photograph of Zella Dexter McDonald posed for the camera seated, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

File consists of a brochure from Rigo & Co., a manufacturer of artistic furniture, glass, chandeliers, mirrors, mosaics, etc. in Venice, Italy. Contains a fold-out map of Venice showing the location of Rigo & Co. and photographs of the merchandise. Item probably belonged to Ella Anthes, acquired on her trip to Europe.

Two copies of a full body studio portrait of (left to right) John S. Anthes, Ella Cook and Lydia Anthes. John is seen in partial profile, seated in an ornately carved arm chair. Ella and Lydia are seen standing next to John, looking at the camera with arms crossed at each other's back.

Upper body studio portrait of Edna Louise Augustine seen looking off camera.

Studio portrait of Martha Rieder and Ella Cook.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

Full body studio portrait of Peter Rieder standing and looking forward with left hand on a carrying case and right hand holding an umbrella.

Head and shoulders studio portrait of Zella Dexter McDonald seen dressed in a high-collar top and looking off camera.

Studio portrait of John S. and Lydia Anthes. John is seen in profile looking off camera and Lydia is seen looking toward it.

Two copies of a studio portrait of Lydia Anthes with daughters Louisa Breithaupt, Ella Cook, Martha Rieder and Carrie Breithaupt. Louisa and Ella are seen standing, with Lydia, Martha and Carrie seated at front. Only Ella, Lydia and Carrie are looking toward the camera.

Photo of Albert Breithaupt posing with an upright riffle, standing over a dead buck at his feet.

Scenic view of a tree-lined Grand River with marsh grass in the water included in foreground.

Series consists of correspondence received by Talmon Henry Rieder. Most correspondence is personal, from family and friends, including from his wife Martha Rieder. Includes letters, telegrams, and postcards.

Head and shoulders studio portrait of Dan Rieder seen looking off camera.

Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.

File consists of one white handkerchief with pink borders. The handkerchief is inscribed "From Grandpa 1891."

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair looking toward camera. Talmon, dressed in suit with a three-quarter length jacket, is seen in partial profile standing at Martha's side with arms at back and looking off camera.

Head and shoulders studio portrait of J.I. Frank Anthes seen looking off camera. The image has been altered so that Anthes is shown in a scroll.

Photograph of the extended Anthes family outdoors during a picnic at Bridgeport on the occasion of John and Lydia Catherine Anthes' 42nd wedding anniversary. The group is seen standing and seated along the length of a bench and "Bowling Alley" sign is visible in the background at right.

Adults in back row: Cyrena Anthes, John Isaac Anthes holding an unidentified infant, Carrie Breithaupt holding an unidentified infant, John S. Anthes, Lydia Catherine Anthes, Emeline Rieder, Talmon Rieder, Peter Rieder, Ella Anthes, Martha Rieder, and Louisa Breithaupt.

Children in front row: ?, John Edward Breithaupt, ?, Frieda Breithaupt, Louise Breithaupt with possibly Esther Breithaupt, Walter Breithaupt and Fred Breithaupt (likely incorrect).

Photograph of Louisa Anthes seated in a yard, looking over at camera, while working on [embroidery?].

Upper body studio portrait of John S. Anthes seen in profile.

File consists of three negatives taken at Helen Rieder Henderson's university graduation ceremony. One of the negatives includes Martha Rieder and Emeline Rieder.

File consists of a wedding portrait of Arthur Gauerke and Talma (May) Rieder, a photograph of their daughter Joyce Evelyn at 6 months old, and a later family portrait (with three daughters).

File consists of mounted studio portraits of friends (as well as cousins?) of Martha and Ella, predominantly from their time at the Ontario Ladies' College in Whitby. Photographs have inscriptions on verso, most addressed to Martha and some to Ella. Most of the girls and women are identified on verso. Duplicates may be present.

File consists of a studio portrait of Catherine Feick and family, seen looking at camera in two rows, standing and seated. Catherine and husband Menno Liebler are likely the couple seated at centre front.

File consists of two studio portraits of Martha Rieder's friend Lucie Edkins with her daughter Phyllis, and one studio portrait of Phyllis.

Album containing photographs of the construction of the Dominion Tire Company manufacturing plant in what was then Berlin, Ontario. Includes photographs of the construction process, the surrounding land, the interior and exterior of the building during construction, equipment used the tire manufacturing process and employees on the factory floor, etc. Although the majority of the people are unidentified the following people appear in the album: Talmon Henry Rieder (page 1), [Ed Cable?] and Irene Bain (page 3), Dr. Wood (page 6), and J.I. Franklin Anthes (page 9 and 53).

File consists of photographs (possibly progress photographs) of the construction of additions to the the Dominion Tire Company manufacturing plant in Kitchener. File also includes some photographs of the Elmira Rubber factory.

File consists of a group portrait of the [Waterloo?] county council. Included in the photograph (and identified on verso) are John S. Anthes and George Debus.

File consists of one wedding portrait each of H. Milton Cook and Ella Anthes Cook.

File consists of nine studio portraits of Ella Anthes Cook.

File consists of 23 letters received by John S. and Lydia Anthes from Martha Rieder. Some letters are addressed individually to her mother or father. File also includes a letter from Ella Anthes Cook to Lydia; and two letters to Louisa Anthes Breithaupt, one from Martha and one from Ella.

Head and shoulders studio portrait of Laurie Anthes seem looking off camera.

Upper body studio portrait of Blanche Mildred Clement looking off camera, seen wearing a fancy hat.

Studio portrait of Emma Kaufman as a young adult, seen looking at camera with slight smile.

File consists of two photographs of Ella Anthes Cook and travelling companions on horseback in the Gap of Dunloe, Ireland.

File consists of three photographs of a group of mainly young people, taken at a home at Burlington beach (also labelled as Hamilton beach). Included in the group are Martha Rieder and Ella Anthes Cook.

Three studio portraits of Louisa Breithaupt.

Studio portrait of John C. and Carrie Breithaupt and their five children seated and standing in a row. All but John, who is seen seated and in profile, are looking at the camera.

From left to right: Carl, John Edward, Walter (in white) Carrie, Frieda, John and Louise.

File consists of a wedding portrait of Albert Breithaupt and Louisa Anthes.

File consists of a photograph of Albert Breithaupt and Louisa Anthes and their wedding party, including William Lyon Mackenzie King as best man.

File consists of two photographs of Albert Breithaupt, one posing with a rifle over a buck, and one posing with Martha Rieder and a fish he caught.

Photograph taken during the construction of an unidentified factory in Berlin (now Kitchener), probably the Berlin Rubber Manufacturing Company.

File consists of mounted snapshots taken at Bayview, the cottage of Louis Jacob Breithaupt, near Penetanguishene. Includes snapshots of the cottage and people on the lawn of the cottage, people canoeing, and a boat house labelled as "the ark." File also includes a group photograph taken on the lawn outside the cottage. Some photographs probably taken by Martha Rieder.

File consists of a photograph of Norman Franklin Anthes (son of J.I. Frank Anthes). Norman died in 1915 at age 5.

File consists of 12 letters received by John S. and Lydia Anthes from Martha Rieder; some letters also contain notes from Ella Anthes Cook and Louisa Anthes Breithaupt. Also includes one letter from Martha to Louisa.

Studio portrait of Louisa Anthes, seen in profile.

Full length portrait of an unidentified infant seated in a high back chair, looking toward camera and dressed in a white gown.

Upper body studio portrait of Lydia Louisa Anthes and Marie [?]. Louisa is seen looking off camera, while Marie is looking directly at it. Both are dressed in high-collared dresses with leg of mutton sleeves.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Photograph of the exterior of a corner of the Anthes Manufacturing Company of Berlin seen from across a dirt road. Clusters of trees are visible next to the building and at right in what may be an adjoining lot.

Three studio portraits of Lydia Anthes.

File consists of three studio portraits of Lydia Anthes and her daughters Carrie Breithaupt, Louisa Breithaupt, Martha Rieder, and Ella Anthes Cook. Duplicates are present.

File consists of seven studio portraits of John S. Anthes, including some cartes-de-visite.

Three copies of a studio portrait of (left to right) John S. Anthes, Sally [Salome] Anthes Strasser, and Henry William Anthes as older adults.

File consists of studio portraits of John S. and Lydia Anthes and their children. Includes: a portrait of the family, a portrait of John and Lydia with Ella Anthes Cook, and two portraits of the children (J.I. Frank Anthes, Carrie Breithaupt, Lousia Breithaupt, Martha Rieder, and Ella Anthes Cook). Duplicate portraits are present.

Nine mounted snapshots of the family of John S. and Lydia Anthes. Includes photographs of Martha Rieder and Ella Anthes Cook, Ella Anthes Cook and Louisa Breithaupt, J.I. Frank Anthes with Ella and Louisa, John. S. and Lydia Anthes with Louisa and Martha, and John S. Anthes. Some of the photographs were probably taken by Martha with her camera.

File consists of two different portraits of John S. and Lydia Anthes and their children and grandchildren. Verso of one photograph contains identification.

File consists of three informal group portraits of John S. and Lydia Anthes and family, including children and grandchildren. One photograph was taken on their 42nd wedding anniversary and also includes Peter and Emeline Rieder.

Upper body studio portrait of Louise McEwen McLean looking off camera, wearing a high-collar top with leg of mutton sleeves.