Group portrait of graduates (men and women) from the No 1. Technical Training School in St. Thomas, Ontario seen standing and seated in rows outdoors.

Photograph of Royal Canadian Air Force Women's Division members in uniform, seen marching along a city street in what is Hamilton, Ontario. A Honey Dew coffee shop storefront is partially visible in frame.

Two copies of a three-quarter length studio portrait of J.I. Frank Anthes seated with a role of paper in hand and looking at the camera.

Studio portrait of John S. and Lydia Anthes. John is seen in profile looking off camera and Lydia is seen looking toward it.

Studio portrait of John S. (seated left) and Lydia Anthes (seated right) with their children. Ella and Martha are seen posed between their parents with siblings (left to right) John, Louisa, and Carrie standing at back.

Upper body studio portrait of John S. Anthes seen in profile.

Upper body studio portrait of John S. Anthes seen in partial profile.

Two copies of a studio portrait of Lydia Anthes with daughters Louisa Breithaupt, Ella Cook, Martha Rieder and Carrie Breithaupt. Louisa and Ella are seen standing, with Lydia, Martha and Carrie seated at front. Only Ella, Lydia and Carrie are looking toward the camera.

Upper body studio portrait of Blanche Mildred Clement looking off camera, seen wearing a fancy hat.

Studio portrait of Ina Kimmel seen standing and looking off camera.

Scenic view of a tree-lined Grand River with marsh grass in the water included in foreground.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen seated in front of a vine covered backdrop.

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Head and shoulders studio portrait of unidentified bearded adult seen looking off camera.

Head and torso studio portrait of unidentified adult seated in arm chair.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.

Head and shoulders studio portrait of an unidentified adult seen looking at the camera with a slight smile on face.

Fully length studio portrait of an unidentified child looking toward camera with right hand resting on the arm of a chair positioned at back. Their right ankle is crossed in front of the left and they are holding a rolled up document in their left hand.

Head and shoulders studio portrait of Lulu Fawcett seen looking off camera. Lulu is wearing a fancy hat and a high-collar jacket with leg of mutton sleeves.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

Upper body studio portrait of two unidentified adults seem looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Head and shoulder studio portrait of J.E. Bilger seen looking off camera.

Head and shoulders studio portrait of W.W. Nash seen looking at camera.

Photograph of Ahrens, Daniels and Schneider family members standing outdoors at Grand Bend. From left to right: Stella Daniels, Lottie Ahrens, Emma Schneider, Emma Ahrens, Ella Daniels, J.M. Schneider, Floss Ahrens, [Chales August Ahrens] and Norman C. Schneider.

Image of office staff, five men and one woman, seated at desks, turned toward camera.

Image of a sprawling vineyard seen from above.

Conqueror wringer advertisement showing three women and two children on washing day titled "Washing Day." The women are washing, wringing, and hanging out clothes to try while the children are playing with a boat and a doll near the wash bucket. Verso reads "The Conqueror excels all other wrings in having 1. A forged steel spring, tapered and tempered, and the temper not "drawn" by galvanizing. 2. The extension crank, which gives double power, without loss of speed. 3. Composition metal bearings, which neither rot, rust or wear out. 4. Patent solid white rubber rolls, fastened immovably to the shaft. 5. Malleable iron swivel clamps, which fit either round or stationary tubs. Foote & Gaskill dealers in hardware, agricultural implements, also stoves, hollow ware, house furnishing goods, &c. wringers repaired. Hamilton, New York." Includes illustrated depiction of the wringer.

Advertisement trade card for Bacon, Stickney, & Co., enterprise baking powder, coffee, spices, Albany, N.Y. depicting a young woman washing clothes in a wash bucket while a man with a riding crop looks on. Caption reads "The handsomest girl in town."

Advertisement trade card showing a woman seated using a clothes wringer while a man stands next to her holding a tennis racket and a cat stands at her feet. The caption reads "George: Come into the garden Maud. Maud: Wait George until I finish these clothes it won't take three minutes with this new Empire Wringer. "Verso reads ""You can do twice the work! And no more labor required. Our ""purchase gear"" reduces the labor one-half! By giving added power, and the strength thus saved every week is worth much more than the small additional cost. The gears and bearings of rolls need no oil, so cannot soil or grease the clothes the crank is not attached to either roll, as in other wringers, thus saving wear or rolls and cost of repairs. The rolls are solid white rubber. Empire wears longest and is warranted against defects. Look for brass bushing on the crank journal: our latest improvement. Use the Empire Wringer - will pay for itself. For sale by S.A. Ball, Le Roy, N.Y."""

Pamphlet advertising L.I. Fisk & Co's Soaps. The cover shows three women washing and hanging out clothes with the caption "The suds is like velvet, I never used a soap like it. The water is settled and I find no grit in the tub. We never had such clothes they are whiter at every washing. L.I. Fisk & Co,'s Soaps for sale by all grocers who look to the interests of their customers by buying pure goods." The interior describes the qualities of the soap and gives examples of clothes washed in their soap and with others. The back cover shows a young woman and a caricature of a Japanese man holding a scroll which reads "All soaps bearing our name are warranted free from any of the many adulterations the best for economy, purity, cleanliness and washing quality of any in the world. L.I. Fisk and Co., Springfield, Mass." There are also testimonials on the back cover which read "It has cured my chapped hands. I'll use no other and keep them so. It is a delight to all in the bath. It is so soft and clean."

Advertisement trade card for Sapolio showing three women washing dishes with the caption "Wash dishes with Sapolio." Verso reads "There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in Tin Foil, and surrounded with Ultramarine Blue-Band, and bears the above device) always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make house cleaning a quick and easy job, will clean paint and all painted surfaces, will clean marble, mantles, tables and statuary, will clean oil-cloths, floors, shelves, etc., will clear bath tubs, wash basins, etc., will clean crockery, glassware, etc., will clean kitchen utensils, of all kinds, will clean windows without splashing of water, will polish tin, brass and copperware, will polish knives as you wash them, will polish all metal surfaces and will clean all household articles and is better and cheaper than soap, emery, rotten stone, etc. John Wanamaker, Grad Depot, Phila."

Die cut card showing five women behind a fence with a caption reading "The look well on the fence! Much better on the other side. This road leads to success used by the million." The verso shows the backs of the women, each of whom are holding a Sweeperette sweeper. Verso reads "always in the push our Sweeperette. Sweeperette Company 76 5th Ave. New York Grand Rapids, Mich."

Puzzle card postcard advertising Bissell Carpet Sweepers showing an unhappy couple with a regular broom and a happy couple with a Bissell Carpet Sweeper. Recto reads "Why is this gentleman so perplexed, why is this lady sorely vexed? Why does this gentleman now smile. and she be happy all the while? The reason will be plain, if you can but this puzzle card see through."

Photograph of the exterior of the south corner and surround grounds of the Dominion Tire factory, with the smoke stack and [utility building?] included at left. Wooden outbuildings, workers, and a horse-drawn wagon are also visible.

Photograph of cooling pond and surrounding annex site. Parked freight cars at end of building and residential buildings are included in frame.

Photograph of two unidentified adults standing on the factory floor and looking at camera with faces partially obscured by sun. Person at right may be R.Y. Copland.

Two copies of a photograph of the Dominion Tire factory office with E.C. Kabel and Irene Bain seated at desks and looking off camera. Kabel's desk has a variety of rubber tread samples on top.

Two copies of a photograph of Robert Youdale Copland and Henry S. Poole leaning and seated on a [box?] outdoors. Construction material and residential homes are visible in the background.

Two copies of a photograph of Dominion Tire employees standing outdoors in a row and looking at camera. The group is seen dressed in coveralls. Includes identifications (left to right): Norm Peacey, Harold W. Knechtel, Byers, and Harry Coakley.

Two copies of a photograph of two unidentified Dominion Tire employees standing next to and leaning on a [box?] outdoors. Construction material and residential homes are visible in the background.

Studio portrait of (left to right) Ross, Sharon Louise and Beulah Galloway seen looking off camera.

Studio portrait of Sharon Louise Alloway seen in partial profile.

Photograph of (left to right) Carl Berlet, Alf Stewart and David Ward Clement standing in a row outdoors. The group is seen in uniform and looking at camera.

Two copies of a photograph of (left to right) Art Schnarr, David Ward and Alf Stewart standing outside of a residential home. The group is seen in uniform and looking at camera.

Photograph of a group of tall ships docked along a wooden wharf.

Three quarter length portrait of Emily Murphy seen standing with left arm resting on the back of a wooden armchair and looking at camera with a slight smile on face.