One snapshot of the Clement family and friends at Wees Beach in Sarnia, Ontario. People are shown in the water, in a boat and on the shore.

File consists of mounted photographs relating to Martha Rieder's involvement at her church. Includes a group portrait of the first officers of the Junior Young People's Alliance (including Rev. J.G. Litt, and Martha as secretary), a snapshot of Martha's Sunday School class at the Grand River, snapshots of picnics of the Junior Young People's Alliance, and snapshots of Martha with her sisters and friends dressed in costume for church play, "In want of a servant."

Letters written to and from Alice Egan Hagen. Correspondents include Woman's Art Association of Canada, and the Nova Scotia College of Art.

• Date and Place From: 1893.04.29 Halifax, Nova Scotia To Hagen, Alice Mary From ?
• Date and Place From: 1896.11.06 Toronto, Ont. To Hagen, Alice Mary From Thompson, E.J. Notes: Partial letter
• Date and Place From: 1896.12.05 Toronto, Ont. To Hagen, Alice Mary From Thompson, E.J.
• Date and Place From: 1897.07.08 Toronto, Ont. To Hagen, Alice Mary From Thompson, E.J.
• Date and Place From: 1897.12.06 Toronto, Ont. To Egan, Thomas J. From Maughan, J. Notes: Re his daughter's work.
• Date and Place From: 1898.07.07 Toronto, Ont. To Hagen, Alice Mary From Morson, Jessie D. [?]
• Date and Place From: 1940.03.30 Halifax, Nova Scotia To Hagen, Alice Mary From Mulcahy, Mary
• Date and Place From: 1940.04.10 Mahone Bay, Nova Scotia To Mulcahy, Mary From Hagen, Alice Mary
• Date and Place From: 1940.04.13 Halifax, Nova Scotia To Hagen, Alice Mary From Nutt, Elizabeth S.
• Date and Place From: 1940.04.23 Halifax, Nova Scotia To Hagen, Alice Mary From Nutt, Elizabeth S.
• Date and Place From: 1946.08.07 Ottawa, Ont. To Hagen, Alice Mary From Smart, J.
• Date and Place From: 1947.08.05 Falmouth, Nova Scotia To Hagen, Alice Mary From Emelie
• Date and Place From: 1948.10.08 Saskatoon, Sask. To Hagen, Alice Mary From McNaughton, Violet
• Date and Place From: 1948.10.25 Falmouth, Nova Scotia To Hagen, Alice Mary From Emelie
• Date and Place From: 1953.04.29 Oakville, Ont. To Hagen, Alice Mary From Satterly, M.F.
• Date and Place From: 1958.08.05 Cambridge, ? To Hagen, Alice Mary From ?
• Date and Place From: 1961.08.07 Halifax, Nova Scotia To Hagen, Alice Mary From Rita and Bill
• Date and Place From: 1961.08.15 Halifax, Nova Scotia To Hagen, Alice Mary From Balcom, S.R.
• Date and Place From: 1961.08.16 Halifax, Nova Scotia To Hagen, Alice Mary From Roche, Gertrude
• Date and Place From: 1961.08.16 West Bay, Nova Scotia To Hagen, Alice Mary From Urquhart, Earl W.
• Date and Place From: n.d. S.l., To Hagen, Alice Mary From Emelie Notes: Top of letter torn off.
• Date and Place From: n.d..09.10 Falmouth, Nova Scotia To Hagen, Alice Mary From Emelie

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Four copies of a head and torso studio portrait of J.I. Frank Anthes dressed in a suit and seen looking off camera.

Head and shoulders studio portrait of J.M. Schneider seen looking off camera.

Group portrait taken during an outing to Elora, Ontario of members of a United Brethren Church group from Berlin, Ontario. The group is seen posed for the camera against a rocky backdrop.

Back row standing: ?, [Aggie Brubacher], Franklin Abram Schantz, Edgar Clemens, ?, ?

Seated middle row: Arthur Benjamin Schantz, Eli Brubacher, ?, [Amos Musselman], Ella Weaver, ?

Seated front row: Sophie Emma Schantz, [Lizzie Musselman]

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Head and shoulders studio portrait of J.M. Schneider seen in partial profile looking off camera.

Photograph of a rocky beach in Penetanguishene (Ontario) with two people sitting down on top of a boulder and a ship in the background.

File consists of one trip diary kept by Florence Bray. The diary details trips to Europe (1926), California (1938 & 1939), New York and Atlantic City (1932), Virginia (1950), Florida (1930 & 1938), Scotland (1892), Gaspe (1946), Muskoka (1946). Also included in the diary are addresses of people met while on trips, a list of hotels stayed in and a fold out map of the United States and Mexico. The 1926 trip to Europe is of particular interest, with descriptions of major European cities and First World War battlefields.

File consists of mounted snapshots taken in Penetanguishene, probably by Martha and Ella Anthes. Includes snapshots of people on a beach, a cottage, loads of bark on a dock and a boat, people resting from travelling, hiking, etc.

Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.

Studio portrait of an unidentified woman seen looking off camera in partial profile, wearing wire-framed glasses and a high-collar top with large leg of mutton sleeves

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Advertisement featuring illustration of young girl holding a dust pan, broom and bucket with a box of James Pyle's Pearline Washing Compound in it titled "My Busy Day." Verso reads "James Pyle's Pearline washing compound the great invention for saving toil & expense without injury to the texture, color, or hands. New York. Front of every package of Pearline should look exactly like this cut, or it is an imitation. Don't use an imitation of anything, much less an imitation of Pyle's Pearline. Peddlers and some unscrupulous grocers will tell you the stuff they offer is "Pearline," "same as Pearline," "or as good as Pearline." IT'S FALSE; Pearline is the Original Washing Compount - has no rival - no equal - never peddled - gives no prizes - but stands on the foundation on which it was reared – MERIT."

Photograph of employees standing outside of C.H. Doerr & Co. Biscuit & Confectionery Works looking at camera. They are seen standing on the front steps of the building and next to horse-drawn delivery buggies parked along the side.

One image of an unidentified man on the platform at the Canadian Pacific Railway station in Savanne, Ontario. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Copy negatives from an old photograph ang Page 255 of W. V. Uttley's book "A history of Kitchener, Ontario" (1975). Taken by Sebastian Fischer, the photo is of John Roat's Commercial Hotel, at the corner of Queen and King, following a fire. One of the negatives includes a photograph of the first ambulance with nurses. Also included in the file are typed captions about the hotel and the ambulance that read:

"John Roat's Commercial Hotel after fire

site of Walper

destroyed 1892, after the fire, site bought
by Abel Walper of Zurich, Ont

sign says Livery Stable

(see Uttley History of Kit ..page 255)

2) same pic from book

3) same pic /with first ambulance
& nurses..."

Photograph of a group of nine adults and children standing or sitting down on the porch of a summer house, one person approaching the group, two children on the balcony above, and a dog on the side, taken at the family "Bay View Cottage" in Penetanguishene (Ontario).

People in photograph are: on the balcony, left to right, Martha Melvina Rieder and Ella Elmina Cook. On the porch are possibly Lydia Catherine Anthes standing on the left, followed by Carrie Breithaupt, and Frank Anthes seated on the right with legs crossed.

Photograph of a group of nine adults and two children sitting down or standing for the photograph, taken at the family "Bay View Cottage" in Penetanguishene (Ontario). There is a body of water behind the group.

According to annotations, people in photograph are: Oscar Buhler, Frank Anthes, and Franey K.

Studio portrait of (left to right) John Edward Breithaupt, John Christian Breithaupt, and Carrie Breithaupt seen looking off-camera.

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

One upper body studio portrait of Nancy Bowman, friend of the Schantz family. Identification from album.

Mounted photograph of employees standing in a row, posed for the camera, at the side front of the Anthes Manufacturing Company building under a painted sign that reads: "The Anthes Mfg. Co. of Berlin. Limited." J.I. Frank Anthes is visible standing in a doorway behind the employees at right.

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Head and shoulders studio portrait of Carrie Briethaupt seen looking slightly off camera that likely belonged to Martha Rieder.

Upper body studio portrait of John S. Anthes seen in profile.

A collection of musical notation to be sung by students from Sunday Schools across Chicago as part of the Chicago Sunday School Field Day.

One group studio portrait of Samuel Moyer and Emma Bliss Moyer with their children Ela Bliss Moyer (standing right), Robert B. Moyer (standing left) and Louise Moyer.

Map shows: township boundaries, sectional survey and railways. On verso: Manitoba farming information.

Studio portrait of Louis Jacob Gordon Wagner as a child standing in a row boat holding an oar.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby seen looking off camera in partial profile and dressed in a high-collar top with leg of mutton sleeves.

Head and shoulders cabinet card studio portrait of an unidentified man, seen looking off camera, from the Bechler family photo album.

File consists of seven photographs and ephemera. Includes two mounted photographs taken on the streets of Berlin (Kitchener), including a shot of the Berlin market, town hall, and post office, a photograph of Alex Welker in his LeRoy car, a group portrait of students at Lady Belle [school?], a photograph of the interior of one of Electrohome's plants, and other photographs. File also includes a Christmas card from Elizabeth Pollock to John Koegler, and a page removed from a printed souvenir album containing a picture of C.E. Hoffman's button and suspender factory on Queen Street in Kitchener.

Page is annotated: "Pollock Mfg. Co. - 1908-1909 / upper floor - now SW corner Queen & Charles". File probably belonged to John Koegler.

Upper body studio portrait of Jane Anthes seen looking off camera.

Photograph of the exterior of a corner of the Anthes Manufacturing Company of Berlin seen from across a dirt road. Clusters of trees are visible next to the building and at right in what may be an adjoining lot.

File consists of a photograph of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener).

Two copies of a studio portrait of Helena Schneider seen looking off camera, wearing a high-collared shirt and [miniature crown?].

Head and shoulders studio portrait of Johann Christoph Schneider, seen looking off camera.

Photograph of the front of a three-story house, possibly the house at 172 Margaret Avenue. There are trees and plants in the background and foreground and other houses in the background.

Photograph of a group of ten adults and two children sitting down or standing on a rocky shore by a lake, taken in Jubilee Island, Ontario. There are boats and vegetation in the background and a canoe in the foreground.

People in photograph are: John Schmitt Anthes and Lydia Catherine Anthes standing on the left side.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

One three quarter length studio portrait of Theodore Moyer seen looking off camera with left hand in waistcoat pocket.

One three quarter length studio portrait of Victoria Priscilla Nash seen wearing a high-collar top with leg of mutton sleeves, and leaning with right arm against what looks to be the end of a bed.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Head and shoulders body studio portrait of Sophie Emma Schantz seen looking off camera in partial profile.

Three quarter length studio portrait of Solomon Wismer seen looking at camera with legs crossed and left arm resting on side table.

Copy print, taken on the other side of the building shown in GA92-9-73, showing what is possibly a weigh scale for wagons. The domed building is the town hall and the light coloured building in the background is the Kitchener Hotel.

File consists of one full length studio portrait of Grace Bowlby Fennell by Gagen and Fraser, Toronto, Ont. Identification on verso is incorrectly identified as Emma Allen Bowlby Boyd.

Upper body studio portrait of of Aaron Weber, salesman, seen looking at camera.

One image of a Hudson's Bay Company building on the Grand Rapids Tramway, west of Grand Rapids, Manitoba.

Full body cabinet card studio portrait of an unidentified man, seen looking at camera with right arm propped on back of chair, from the Bechler family photo album.

Head and shoulders studio portrait an unidentified woman, seen looking off camera, from the Bechler family photo album.

Full body studio portrait of unidentified children standing in front of a chair from the Bechler family photo album.

Photograph of the front of a three-story house at 172 Margaret Avenue. An adult, likely Carrie Breithaupt is seen sitting on the porch, at far right, and a child is standing at the top of the front stairs. There are trees and plants in the background and foreground and other houses are visible in the distance at left.

Two copies of a photograph of a group of nine adults, one child, and a dog standing or sitting down by a house, and an adult on the balcony above, taken at the family "Bay View Cottage" in Penetanguishene (Ontario).

Photograph of factory buildings, possibly the Breithaupt Tannery in Penetanguishene (Ontario).

Photograph of factory buildings, possibly the Breithaupt Tannery in Berlin (today Kitchener, Ontario).

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One upper body studio portrait of Amos Musselman seen looking off camera. File also includes one small red paper flower that was included in the album with the photograph.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Full length studio portrait of Willie and Arthur, last name unknown, seated side by side. One child, dressed in a plaid dress with a lace collar, is seated in a chair, with left arm on the side of an armchair where a second child, an infant, is seated upright dressed in a white grown.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.

Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.

File consists of an album compiled by Ella Anthes Cook, and including some additions probably by Martha Rieder. Includes snapshots of family members and friends and snapshots taken on Ella's trip to Europe, around Ontario, at Felsheim, and on her honeymoon. Includes a family photograph taken at Talmon Henry Rieder's 40th birthday, a snapshot taken when Earl Grey visited Berlin, a snapshot taken at the unveiling of Queen Victoria's monument at Victoria Park, and a photograph by Denton of the interior of Zion Evangelical Church.

Studio portrait of J.I. Frank Anthes (at right) with an unidentified man.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Three copies of a studio portrait of J.M. Schneider with son Norman. Norman is seen with elbow on J.M's left shoulder with ringlets in his hair, wearing a plaid garment with a collar and bow.

Studio portrait of an infant posed upright in a chair, dressed in a gown and lace cardigan. Possibly a cousin to Anna Elizabeth Metz Schneider.

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

Photograph of two children and one adult at the entrance of a house, likely 172 Margaret Avenue, Kitchener (Ontario). One of the children is standing behind the railing of a porch and the other child is standing next to a flowery shrub as the adult looks on from the lawn.

Two copies of a studio portrait of John Christian Breithaupt, seen looking off-camera.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait of Ella Moyer.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.

One full length studio portrait of Florence Annie Catherine Schantz , Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur is standing at centre, and Herbert is standing with left arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Correspondence and forms relating to assessment, taxes and expropriation for property in Manitoba, and for properties in Alberta.

Relief shown pictorially. Includes illustrations of buildings.

Relief shown by landforms. Map shows township boundaries and railways.

One image of the house and grounds of Angus McKay, who was an Indian Agent at Berens River, Manitoba, in 1890. Part of the caption reads "from a Geological Survey of Canada photograph in the Public Archives of Canada".

A cabinet card photograph of an unidentified man and woman indoors, seen looking at camera, from the Bechler family photo album.

Head and shoulders studio portrait of two unidentified women, seen looking off camera and wearing fancy hats, from the Bechler family photo album.

Studio portrait of an an infant in a gown holding a small plant sprig from the Bechler family photo album.

Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.

Head and shoulders studio portrait of Lulu Fawcett seen looking off camera. Lulu is wearing a fancy hat and a high-collar jacket with leg of mutton sleeves.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

Upper body studio portrait of two unidentified adults seem looking off camera.