Three quarter length studio portrait of Solomon Wismer seen looking at camera with legs crossed and left arm resting on side table.

Head and shoulders studio portrait of Tobias Kolb Schantz seen looking off camera in partial profile.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

One full length studio portrait of Florence, Arthur and Herbert Schantz. Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One upper body studio portrait of an unidentified couple.

One upper body studio portrait of Jake Moyer in collared shirt and tie seen looking off camera.

One upper body studio portrait of Amos Musselman seen looking off camera. File also includes one small red paper flower that was included in the album with the photograph.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

One upper body studio portrait of Mary Schantz (nee Moyer).

Originally in page 3 of album 1.

Full length studio portrait of Orpheus Moyer Schantz and Carrie Schantz (nee Flagler). Orpheus is seated in a chair, dressed in a suit, with legs crossed. Carrie stands to his left in a long dress with right hand on back of Orpheus' chair.

Full length studio portrait of Albert Snyder and wife standing side by side in their wedding outfits.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait of Ella Moyer.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.

One full length studio portrait of Florence Annie Catherine Schantz , Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur is standing at centre, and Herbert is standing with left arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Two identical copies of a full length studio portrait of Florence Annie Catherine Schantz, Arthur Benjamin Schantz, and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Originally in page 3 and 29 of album 1.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Upper body studio portrait of Ward Malott White seen in profile.

Two dry glass plate negatives. One shows a marble bust of Sir John Alexander Macdonald, seen in partial profile, and the other shows a copy of the Ladies Home Journal. Both were originally housed in a box of "Stanley" brand dry plate negatives.

One studio portrait of Etta Lydia Mary White (nee Schantz) taken while she was living with her brother Orpheus Moyer Schantz in Chicago, Ill.

Snapshot of an unidentified man sitting on a wooden chair in a garden, next to a tree, with parrots in cages on the grass to his right.

One full length studio portrait of Florence Annie Catherine Schantz , Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur is standing at centre, and Herbert is standing with left arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

A studio portrait of Tobias Kolb Schantz showing him with his book agent's accoutrements including a hat, cane and book sample case.

Photograph of Charlotte Hayes and mother-in-law Mary Elizabeth "Mollie" Moyer. They are seen sitting together in a hammock on the front porch of a home. Charlotte is shown wearing a boater hat.

One upper body portrait of Louise Moyer seen leaning over the back of a chair and wearing a dress with a lace collar.

Head and shoulders studio portrait of Henry Nash. Photograph has been altered to show Henry in a scroll and the edges of the card are bevelled.

One photograph of Christian K. Schantz, wife Mary (Hutchinson) Schantz, five of their children and two dogs in front of their homestead south of Wetaskiwin, Alberta.

Card photograph possibly of the exterior of the Schantz house in Port Elgin, Ontario. Shows a wood frame house with a porch and a wooden fence. Standing out front are one adult and five children, one of whom is holding a bicycle.

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

One upper body studio portrait of Eli Brubacher.

One full length studio portrait of Mable Grant seen standing in a long lace and velvet dress in front of lace curtains.

One upper body studio portrait of Clyde Entrekin Moyer seen in partial profile.

One head and body studio portrait of Ela Bliss Moyer seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One full length studio portrait of Florence Annie Catherine Schantz, Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Originally on page 15 of album 2.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera in partial profile.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

One upper body studio portrait of Carrie Schantz seen looking off camera.

One composite photograph captioned, "Members of the Twentieth General Conference of the Church of the United Brethren in Christ convened in York, Penn'a May 9th to 19th, 1889."

The photograph shows 33 members of the conference including: Dinius, W.O; Wood, C.L.; Wright, Milton; Becker, Henry J.; Kiracoff, C.H.; Dillon, William; Clay, William; Powell, A.B.; Kabrich, John M.; Geeslin, A.W.; Ensell, J.; Titus, W.S.; French, J.; Mahan, S.T.; Tharp, I.M.; McNew, Z.; Kenover, J.; Floyd, Halleck; Davis, Lewis; Barnaby, H.T.; Bennetz, A.; Bowles, G.A.; Nelson, J.K.; Livingston, S.L.; Bonewell, B.A.; Luce, N.R.; Miller, William; Spoonemore, J.P.; Knipple, W.W.; Alwood, J.K.

Bishop Milton Wright was the father of Orville and Wilbur Wright.

The photograph is mounted on a card advertising the need for agents in other conference groups.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

Casual group portrait of the Berlin Rangers soccer team wearing jerseys with the word 'Canada' visible on the front.

Back row: [Unknown], Dave Forsyth, Walter Bowman, Solly Brubacher, W.P. Mustard, Carl Kranz.
Middle row: [E. Webster], Walter Thompson, Tom Gibson, E. T. Gordon, Fred Killer.
Front row: H. Pirie, [Alex Gibson?], [A. N. Garrett?]

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Originally in page 21 of album 2.

Two identical studio head and shoulders studio portraits of Ward Malott White in his salvation army uniform. Identification from verso.

Studio portrait of the Honsberger family. The spelling of the Honsberger name varies in inscription on verso.

Back row, left to right: Lucinda Honsberger, Amanda White (nee Honsberger), Owen Honsberger, Lovina Levagood (nee Honsberger).

Front row, left to right: Benjamin Honsberger, Phoebe Murphy (nee Honsberger), Ervine Honsberger, Rosa Honsberger, Mrs. Stickney (first name unknown), Esther Honsberger (nee Biehn).

Photograph showing the interior of an unidentified store. Identified from the recto are: Orpheus Moyer Schantz, Will Chase, Eddie Moyer, Harry Moyer, Lou Jeutoft [?].

Full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

A composite photograph which includes image of the Science building at the University of Toronto, eight graduates, and three faculty.

One full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

One upper body studio portrait of Oliver Bushy seen in partial profile.

Full length studio portrait of Orpheus Moyer Schantz (at left) with left arm around the shoulders of an unidentified friend. The two are shown seated in front of a backdrop of a door to a house and are holding an upside sign that reads "two for 5¢."

Upper body studio portrait of Robert Bliss Moyer, seen looking off camera.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column. Identification from album.

Originally on page 15 of album 3.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column.

Originally in page 5 of album 1.

Full length studio portrait of Orpheus Moyer Schantz (at right) and Kitty Cole. The two are shown seated in front of a backdrop of a house window. Kitty is looking off camera and Orpheus is looking directly at it

One upper body studio portrait of Ethel Davey.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

One upper body studio portrait of an unidentified adult.

One full length studio portrait of Orpheus Moyer Schantz with an unidentified friend. The two are shown in front of a backdrop of Roman columns. Orpheus is seated looking at a photograph while his friend stands looking over his shoulder.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

Full length studio portrait of Orpheus Moyer Schantz seen looking off camera with left arm resting on a [tree stump?] prop and left ankle crossed over the right.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Full length studio portrait of Etta and Sophie Schantz with friends. Etta is seated at left and Lavina Detweiler, Sophie and Nancy Eby are seen standing. Maggie Eby is also seated, on a higher chair at right, and Noah Eby is seated on the ground at the centre of the group. The women are wearing three story, or flower pot hats, while Noah's bowler hat lies on the ground next to him. The women are holding either parasols or cedar boughs. Identification from verso.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Head and shoulders studio portrait of Amanda Schiedel seen looking off camera and dressed in a high-collared top.

One photograph album. Includes a list describing each photograph created by rych mills.

Consists primarily of snapshots belonging to Dorothy Etta Russell (nee White), before and after her marriage to Clarke Russell. Includes one formal portrait of "The Nash sisters": Mary, Susie, Elizabeth, Debbie, Priscilla, ca. 1880's (p. 1).

Family members and friends included in posed and informal snapshots include Mary Moyer Schantz, Tobias Schantz, Austin Tobias Schantz, Ward Malott White, Franklin Abram Schantz, Orpheus Moyer Schantz, Dorothy Etta Russell, Clarke Russell, Sophie Emma Schantz, Florence Annie Catherine Schantz, Mr. and Mrs. Ernest Russell, Eva Kolb, Worth Flagler Schantz, Emily Schantz, Verna Fraser, Helen Lockie, Inez Martin, Mrs. E.H. Schiedel, her son Elmer Schiedel and daughter-in-law Nellie, Mrs. Elizabeth George.

Also includes snapshots of groups of individuals (identified on the packs of tipped-in snapshots) taken during the 1930 Schantz family reunion: Detwiler, Schiedel, Snyder, Bingeman family members, Phranie Bingeman, Mr. Yocum, and during the Hilborn Reunion, July 1-9, [192-?].

Also includes snapshots of White family members and homes: Ward Malott White on his visit to Dundas, Leamington and Kitchener from Chilliwack, B.C., Ada, Edna, Ruth, May and Elmer White, Malcon, Mr. and Mrs Lye, Maple lake and Orrville [Parry Sound area], White house in Orrville, horses in lake at Orrville, people swimming.

Locations and structures include Kitchener Cenotaph (p. 9), "Dr. Hilliard's garden" (p. 13), log schoolhouse, Waterloo Park (p. 17), Pioneer Tower, (p. 30), Schantz House, Conestogo (p. 34), Euler House (p. 34) [both of these are of old structures in disrepair], Bridge across river at Conestogo and Grand River at Conestogo (p. 43), Grand River in flood (p. 65-66).

Snapshots taken after Dorothy and Clarke's marriage include: White family gravestones in Leamington, Ont., Clarke Russell in uniform on his motorcycle, Lake Erie [swimming], Tecumseh Park, Chatham, Dorothy playing the ukelele and the Hawaiian guitar.

Victoria Park snapshots: statue of Queen Victoria, winter views, Dorothy paddling a canoe, the new Victoria Park Pavilion, glue factory ruins[?], Dorothy and two friends with snowshoes and in britches, visit of Duke and Duchess of Devonshire and daughters Lady Blanch and Dorothy Cavendish at Victoria Park, June 13, 1918 [snapshot of platform, no dignitaries?] (p. 64).

F.W. Woolworth Co. picnic: includes Mr. Emil Wagner, manager, and family, employee group portrait, Gertie Kruse, Marjorie Blin[?]kho.

P. 81: Inez Martin.

P. 91 Sophie and Mrs. Lye knitting (on beach).

Studio portrait of Josiah Kolb Shantz with wife Nancy Kolb Shantz and children Eliza, Benjamin, Abram, Elo and Lorena. Placement of children not included with identifications. Birth dates of children suggest Eliza and Elo are standing at right and Lorena is seated at left. Benjamin and Abram were born too close together to determine their standing order at left.

Full body studio portrait of Florence Annie Catherine Schantz as an infant seen looking off camera and dressed in a white gown.

One head studio portrait of Jacob Moyer seen looking off camera.

One full body studio group portrait of Levi Nash Moyer and Mollie Moyer with thier children (left to right) Eva Moyer, Charles Moyer, Mary Emma Moyer, and Harry Rollin Moyer. Levi is holding a young Eva and an infant Mary Emma is being held by Mollie.

One full length studio portrait of Lillian and Maurice Moyer as children. The two are shown seated side by side wearing long gowns.

One full length studio portrait of Lillian May and Maurice Moyer. The two are shown seated side by side hugging wearing long gowns.

Upper body studio portrait of unidentified teenager, seen looking off camera, seated with left arm propped on chair armrest and table open on table at side.

Upper body studio portrait of unidentified man seated with left arm on partially visible prop.

Full body studio portrait of Russel Nash as an infant seen seated, dressed in white gown with a lace collar, and smiling at something off camera.

Head and shoulders studio portrait of an unidentified individual seen looking off camera and dressed in a high collared top with a brooch at centre of neck.

One upper body studio portrait of Jesse Moyer seen looking at camera and dressed in a suit and tie.

A composite class photograph of the scholars attending the Freeport Academy taken around 1870. This photograph was originally housed in an oval frame featuring decorative fruits and leaves. The individuals in the photograph were identified by a list in the Isaac Bowman files.

Row 1, top: Charles Shupe, Levi B. Clemens, Titus Snyder, George A. Scott (Assistant), Levi Sherk, Jacob Hagey.

Row 2: Menno Bowman, Nelson Morley, Henry Woods, J.B. Weaver, Mina Gonder, Menno B. Clemens, Unidentified, Jos. Perrin.

Row 3: Ephraim Snyder, John Groh, Hespeler, Harriet Shupe, I.L.Bowman (Principal), Simon Bowman, Moses Weaver, Levi Roos.

Row 4: Charles Glick, Sylvester Godbold, Benjamin Sherk, A.O. Bowman, Aaron Sherk, Sarah Snyder, Philip Boehmer.

Row 5, bottom: Henry Sauer, John Sherk, Mary Snyder, Saruch Eby, Mary Weaver, Aaron Meyer, Menno B. Clemens.

Head and torso studio portrait of Agnes Nash seen in partial profile looking off camera. Nash is wearing a top with lace edging around the collar and a cross on a choker necklace.

One tintype studio portrait of Sophie Schantz (seated at right) with friends Amanda (last name unknown) and Faith Gribble (standing).

Group portrait of Freeport Academy teachers and students taken about 1869.

Back row, left to right: Rev. John B. Schlichter, Ezra Weber, Mary Snyder (Mrs. Moses Weaver), Harriet Shupe, Mina Gonder, Miss Bergey, Samuel S. Moyer, Isaac L. Bowman (Principal).

Middle row, left to right: William Simmons, Ananias Eby, Ephraim A. Snyder, James Peterson, William Sherk, Saruch Eby, Charles Shupe, Abraham M. Snyder.

Front row, left to right: Benjamin M. Snyder, Moses Weaver, Abram O. Bowman, Titus Snyder, Horace Beam, Horace Smith, Jacob B. Weaver, Hiram Hewitt.

One full body studio portrait of Etta Lydia Mary White (nee Schantz) at the age of three.

Etta is shown seated on a small stool.

One fully body cartes-de-visite studio portrait of Etta Schantz, at the age of three. Etta is seated on a small stool.

Full body studio portrait of John B. Nash as an infant seen seated, dressed in a white gown, and looking at camera.

One full length studio portrait of Etta Lydia Mary White (nee Schantz) as a child. Etta is shown in a long gown sitting on a short stool.

Full length studio portrait of Orpheus Moyer Schantz, age 2 years and 5 months. Orpheus is seen seated in a high back chair, dressed in a long gown and jacket.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.