File consists of one full body studio portrait of Muriel Alberta Kerr Clement. Muriel is shown sitting on a bench with her legs crossed, wearing a hat, dress, and heels.

File consists of two snapshots showing the Clement family tombstone at Mount Pleasant Cemetery, Toronto, particularly the epitaph of Rev. Edwin Clement. In one photograph Florence Grace Clement and Donald Rossell Forbes can be seen examining the stone. Snapshots were taken by Margaret (Peggy) Chellew Adams Clement Forbes.

File consists of eight photographs showing the fiftieth anniversary party for William Pope Clement and Muriel Alberta Kerr Clement at Westmount Golf and Country Club. Photographs include images of the couple as well as guests such as: Goeroge Morley, Leith Fraser Raney, Danielle [?], Frederick Pohl, Karel Stark, Norma Hatten, Dorothy Snyder [?], and Helen Pollock.

File consists of one photograph showing William Pope Clement and wife Muriel Alberta Kerr Clement dancing at the wedding of their grandson William Ross Stewart at the Westbury Hotel, Toronto.

File consists of one snapshot of William Pope Clement mowing the grass at the family home at 51 Benton St., Kitchener, Ont.

File consists of two photographs of William Pope Clement. He is shown in his office on the telephone looking at a document. One photograph is a cropped and enlarged version of the other.

File consists of four photographs showing the home of William Pope Clement and wife Muriel Alberta Kerr Clement at 71 Heins Ave., Kitchener, Ont. The home was built for them by Mr. Frank.

File consists of one snapshot of William Pope Clement at the Pioneer Party of Trinity United Oldsters. Verso reads "I played some piano solos for them - 'guest artist'."

File consists of one head and shoulders studio portrait of William Pope Clement upon his graduation from Victoria College, University of Toronto. William is shown wearing his graduation robe and hood.

File consists of one upper body studio portrait of William Pope Clement upon his graduation from Victoria College, University of Toronto. William is shown wearing his graduation robe and fur-trimmed hood.

File consists of one upper body studio portrait of William Pope Clement upon his graduation from Victoria College, University of Toronto. William is shown wearing his graduation robe.

File consists of one head and shoulders studio portrait of William Pope Clement.

File consists of one head and shoulders studio portrait of William Pope Clement.

File consists of one head and shoulders studio portrait of William Pope Clement.

File consists of six studio proofs of upper body portraits William Pope Clement. Also included is the original proof-book.

File consists of one photograph showing Margaret (Peggy) Chellew Adams Clement Forbes and sister Elizabeth (Betty) Clement Stewart on their lawn at 71 Heins Ave., Kitchener, Ont.

Head and shoulders studio portrait of Margaret (Peggy) Chellew Adams Forbes taken on the occasion of her graduation from Occupational Therapy school.

File consists of one full length studio portrait of Bowlby family dog Fritzy Beau. The photo shows a white, long-haired, medium sized dog seated and looking at camera with mouth open in contented manner.

File consists of three photographs showing life at Portage Point, Georgian Bay. Two identical photographs show the "Portage Point Farewell", a snapshot of extended Clement family members holding hands and jumping in the air. The third photograph is on the verso side of a page to which one farewell photograph is glued. This shows a sailboat on Georgian Bay. Family members shown in the image include: A.Y. Jackson, David Ward Clement, Florence Grace Clement, Ed Whyte, Esther Williams, Elinor Williams, Marial Birnie.

File consists of two identical snapshots showing members of the extended Clement family doing the "Portage Point Farewell" at Georgian Bay. These snapshots show the family holding hands and jumping into the air. Included in the photographs are: William Pope Clement, A.Y. Jackson, David Ward Clement, Florence Grace Clement, Ed Whtye, Esther Williams, Elinor Williams and Marial Birnie.

File consists of one re-print photograph showing members of the extended Clement family sailing on Georgian Bay. Included in the image are: David Ward Clement, Elinor Williams, John Birnie and an unidentified man.

File consists of snapshots taken by, and showing, extended family members and friends of the Clement family at locations in Georgian Bay. Edwin Perry Clement and his brother-in-law John Birnie both had cottages in Georgian Bay. The photographs show the cottages and camps as well as family and friends swimming, boating, picnicking and enjoying the outdoors. Family and friends shown include: John Birnie, Florence Grace Clement, Muriel Alberta Kerr Clement, David Ward Clement, Charles Bowlby Clement, Blanche Mildred Clement Kelly, Edwin Oliver Clement, William Pope Clement, Alice Lyons Clement Birnie, Esther Williams, Edwin Perry Clement, Mosson Boyd.

File consists of two photographs related to the launch of the Hochelaga in Collingwood Ontario. One shows the Hochelaga in port, and the other shows on-lookers watching it launch. Information from verso indicates that it was the first ship launched sideways.

Re-print photograph of A.Y. Jackson looking at the camera while seated in a row boat on Georgian Bay.

Snapshot portrait of Geneva Jackson shown holding a spray of leaves, with right hand at head, standing at the edge of a body of water, possibly Georgian Bay.

Upper body studio portrait of Evelyn Breithaupt, Aida [Yentles?], and Blanche Mildred Clement Kelly taken when they were attending Ontario Ladies College. The group is looking at camera and wearing similar hats.

Photograph of Blanche Mildred Clement Kelly in Santa Monica standing among cacti and other flora.

File consists of one studio portrait of, left to right, Emma Kaufman, Blanche Mildred Clement Kelly, and Evelyn Breithaupt taken when they were attending Ontario Ladies College. The group is posed identically, seen wearing similar hats and black ribbons tied around the necks of their high-collared blouses.

Photograph of the exterior of the home of Blanch Mildred Clement Kelly and her husband Frederick Bowman Kelly at 5 Ardmay Crescent in Guelph, Ontario. Taken in warm weather, the home is partially covered in ivy with and is landscaped with shrubs and young maple trees at front.

File consists of two identical portrait photographs showing Blanche Mildred Clement Kelly at the age of three. The portrait shows Blanche leaning on the back of a couch resting her head on her arms. Only her head is visible.

Full length studio portrait of Blanche Mildred Clement Kelly as a child seen seen leaning against a decorative prop wall, wearing a dress and a bonnet.

File consists of one photograph of the Kitchener-Waterloo Symphony Orchestra performing.

File consists of three photographs showing the members of the Kitchener-Waterloo Symphony Orchestra, in which William Pope Clement played the viola for twenty-five years, and was a Life Director. William can be seen in the orchestra in two of the photographs.

Upper body studio portrait, formerly owned by Blanche Mildred Clement Kelly, Lillian Southgate and Nettie Morris seen looking at camera, dressed in jackets and fancy straw hats.

File consists of one full length wedding portrait of Elizabeth (Betty) Clement Stewart. Betty is shown in her gown, holding her bouquet on the front steps of her home. Portrait was taken and is signed by Charles Belair.

Two "candid camera" snapshots of Elizabeth (Betty) Clement Stewart on her wedding day being walked into the church by her father William Pope Clement.

Full body photograph of an unidentified woman seen smiling at camera in formal sleeveless dress.

File consists of three snapshots (two duplicates and one variant) showing a walking party at Chicoppee. Members of the party include: Frederick Bowman Kelly, Florence Grace Clement, Dorothy Pierson [?], Freida Kathleen Boyd Heefer, Blanche Mildred Clement Kelly, Clayton Snyder, Vera Bonnell (Havergal friend), Norah Smythe, Sadie Devitt, Pete [Moyer?], Edwin Oliver Clement, Eddie Hewitt.

Group snapshot of the attendees of a wedding posed outdoors in front of a large tree. William Pope and Muriel Clement standing second row, fourth and fifth from left.

File consists of one photograph showing the exterior of Daphne Berkinshaw's home. Two unidentified adults are visible in photo, one standing on a wrap around porch and the other seated on steps leading to the porch.

Snapshot of the gravestone of Adam Bowlby and others in Waterford, Ont.

File consists of one upper body studio portrait of Alfred Bowlby seen looking at camera.

File consists of one three quarter length studio graduation portrait of David Shannon Bowlby. David is shown with legs crossed, wearing a gown and holding a graduation cap in his lap.

File consists of one upper body studio portrait of David Shannon Bowlby seen in partial profile looking of camera in graduation cap and gown.

File consists of two identical photographs of David Sovereign Bowbly's home "Liberty Hall" in Kitchener, taken from the tennis courts in warm weather. The resident is seen from the rear, surrounded by trees, shrubs and garden beds.

Photograph of the exterior of "Liberty Hall", the 25 John Street residence of David Sovereign Bowlby in what was then Berlin, Ontario. The home is situated on a dirt road. A wrought-iron fence and two trees border the front of the house and ivy is visible growing up sections of the building. A sign over an entrance to a separate section of the home, at left, reads: "Dr. Bowlby".

File consists of two identical upper body studio portrait photographs of David Sovereign Bowbly in his graduation cap and gown.

Upper body studio portrait photograph of David Sovereign Bowbly seen looking off camera.

File consists of two identical upper body studio portraits of David Sovereign Bowlby, seen in partial profile looking off camera.

File consists of one upper body studio portrait photograph of David Sovereign Bowbly by J. Inglis, Montreal.

Upper body studio portrait of David Sovereign Bowbly in graduation cap and gown.

File consists of one group portrait of Martha Esther Murphy Bowlby (left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

File consists of one group portrait of Martha Esther Murphy Bowlby (second from left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell, and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

File consists of one photograph showing members of the Bowlby family in front of "Liberty Hall", the family home. In the carriage are shown Martha Esther Murphy Bowlby and Janie Elizabeth Bowlby Clement, being pulled by mare Dolly. In front of the home are shown David Sovereign Bowlby, George Herbert Bowlby, Blanche Alexandrine (Adine) Seagram Bowlby, David Shannon Bowlby, and Grace Esther Bowlby Fennell. The photograph was used in "Busy Berlin" in 1897.

File consists of one full body studio portrait showing George Herbert Bowlby, about age 3, with dog Tippo Saib by the "Ontario" Photograph Gallery, Berlin, Ont. George and Tippo are shown in an outdoor setting in front of a wooden fence.

File consists of two identical head and shoulders studio portraits of Martha Esther Murphy Bowlby seen looking at camera. Bowlby is wearing earnings and is dressed in a lace collared top with a brooch at centre of neck.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby seen looking off camera in partial profile and dressed in a high-collar top with leg of mutton sleeves.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby by J. Fraser, Toronto, Ont.

File consists of one full length studio portrait of Martha Esther Murphy Bowlby seen standing with hands together at front and right arm resting on chair.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby seen looking off camera.

File consists of one photograph showing a painting of Richard Bowlby Sr.'s residence in Brickton, Annapolis Co., Nova Scotia.

Full body studio portrait of Emma Allen Bowlby Boyd seen in profile. Boyd is standing, looking down, and holding a book in her right hand. She is wearing a lace and embroidery adorned dress.

Head and torso studio portrait, possibly of John Chalk [?], seen looking off camera, seated with left arm on side table and wearing a fur hat.

Snapshot of (left to right) Charles Bowlby Clement, Janie Elizabeth Bowlby Clement, Isabella Jackson Hayward and Geneva Jackson standing together Geneva Jackson's garden.

File consists of one studio portrait of Charles Bowlby Clement with sister Blanche Mildred Clement Kelly as children seen looking at camera. Blanche is seated on the edge of a couch, with a magazine in lap, and Charles is standing next to her, right arm resting on couch.

Snapshot of (left to right) Charles Bowlby Clement, grandson Michael Clement, holding great-granddaughter Leigh Clement, and son Carlton Clement. Group is seen standing outdoors, on a roadway, with an automobile visible in the background. Charles and Carlton are looking toward Leigh, who is being held in Michael's arms.

File consists of one snapshot showing David Ward Clement preparing to 'shave' his brother Charles Bowlby Clement with an axe at Portage Point.

File consists of one full length studio portrait of David Ward Clement dressed in his Cadet Corps uniform taken during his time at St. Andrew's College.

Head and shoulders studio portrait of David Ward Clement seen looking at camera, dressed in military uniform.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting next to a mirror so that his face is visible looking off camera and in profile.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting in front of a mirror, holding up one finger, so that his face is visible looking off camera and in profile.

File consists of three photographs (one duplicate) showing David Ward Clement and friends Carl Spahr Berlet and Alf Stewart in their First World War uniforms the year he went overseas.

Photograph of (left to right) Carl Berlet, Alf Stewart and David Ward Clement standing in a row outdoors. The group is seen in uniform and looking at camera.

Two copies of a photograph of (left to right) Art Schnarr, David Ward and Alf Stewart standing outside of a residential home. The group is seen in uniform and looking at camera.

File consists of one typescript essay by John Brown titled "Where La Salle met Joliet" which details the meeting of the two explorers and the settlement of Otinawattawa. Also includes three photographs of the settlement. [Settlement believed to be a Neutral Nation settlement North of what is now Hamilton].

One photograph of Blood [Kaniai] and Peiikani (formerly Piegan) Indigenous Chiefs of the Blackfoot Confederacy in Brantford for the unveiling of the Brant Memorial. The chiefs are identified as One Spot, Red Crow, and North Axe.

File consists of seven snapshots of Devonian gardens in Alberta. Photographs have captions on the verso.

File consists of one snapshot of Milliken Park in Toronto.

File consists of seven snapshots of various sites in Ontario. Some photographs are identified on the verso.

File consists of four snapshots of Toronto city hall and Nathan Phillip's Square with accompanying negatives.

Photographs of Hervey Bowman, a house on Church St., Kitchener, and a house on Roland St., Kitchener. Note that the photographs were found with correspondence between Franklin Abram Schantz and Franklin Bowman regarding Hervey Bowman's death.

Upper body studio portrait of Theodore Moyer seen looking off camera.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Head and shoulders studio portrait of Henry Nash. Photograph has been altered to show Henry in a scroll and the edges of the card are bevelled.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

One photograph of Christian K. Schantz, wife Mary (Hutchinson) Schantz, five of their children and two dogs in front of their homestead south of Wetaskiwin, Alberta.

Head and shoulders studio portrait of (left to right) siblings Worth and Ruth Schantz with cousin Dorothy White. Ruth is wearing eyeglasses and both she and Dorothy are wearing hair ornaments.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Photograph of the Schantz family taken in front of the Schantz home at 43 Schneider Avenue in Kitchener, Ontario. Left to right: Walter Spelman (holding Dorothy Spelman), Ruth Schantz (with Walter Bishop Spelman and Margery Ruth Spelman), Orpheus Moyer Schantz, Carrie Flagler Schantz, Sophie Schantz, Florence Schantz, Mary Moyer Schantz, Dorothy White, Worth Schantz.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Card photograph possibly of the exterior of the Schantz house in Port Elgin, Ontario. Shows a wood frame house with a porch and a wooden fence. Standing out front are one adult and five children, one of whom is holding a bicycle.