Mounted photograph of employees standing in a row, posed for the camera, at the side front of the Anthes Manufacturing Company building under a painted sign that reads: "The Anthes Mfg. Co. of Berlin. Limited." J.I. Frank Anthes is visible standing in a doorway behind the employees at right.
Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.
Mounted photograph of employees posed for a photo outside of the Anthes Manufacturing Company factory. Seen in two rows, one standing and one kneeling, most are holding hats at their side or on a knee. An unidentified man on a horse is included in the group at right.
Letter from Jacob Anthes to his parents, Martin and Catharine, regarding the shipment and selling of bushels of apples. Anthes makes reference to a trip he took with Brother Miller to transport an almost too heavy load of apples and shares his wishes for how they are to be sold and distributed, and at what price.
Two copies of an photograph of Ella and Martha Anthes standing arm in arm in a yard, next to a wicker chair with a Union Jack affixed to it. Both are wearing white dresses and seen looking at the camera.
Photograph of J.I. Frank and Lydia Anthes standing in a yard. Frank, dressed in a suit and bowler hat, is blowing on a [dandelion?] as Lydia, wearing a high-collared dress with leg of mutton sleeves, looks on.
Photograph of (left to right) Louisa, Ella and J.I. Frank Anthes seated and kneeling in a tree filled yard. Louisa is seated with Ella kneeling at her side. Both are seen looking at the camera. Frank is seated at right using an instrument on Louisa's upturned hand [possibly reading her palm?]. Frank is dressed in a suit and bowler hat and Lydia and Ella are wearing high-collared dresses with leg of mutton sleeves.
Photograph of Martha and Ella Anthes standing arm in arm in a tree line yard. Both are wearing white dresses and seen from the waist up, looking at the camera.
Photograph of (left to right) John S., Ella, Lydia and Martha Anthes together in a yard. Lydia is seated, surrounded by the others who are seen standing.
Photograph of (left to right) Ella and Louisa Anthes seated in a tree filled yard. Ella is seated in a wicker chair with Louisa Anthes perched on the side of the chair. Both are seen looking at camera.
Three copies of a photograph of Ella Anthes seated in a wicker chair, looking at the camera, and Martha Anthes looking down at her from behind the chair. The pair is seen posed in a tree-filled yard with a display of flowers to their left.
Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.
Photograph of Zella Dexter McDonald posed for the camera seated, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.
Two copies of a full body studio portrait of (left to right) John S. Anthes, Ella Cook and Lydia Anthes. John is seen in partial profile, seated in an ornately carved arm chair. Ella and Lydia are seen standing next to John, looking at the camera with arms crossed at each other's back.
Two copies of a full body studio portrait of the Anthes siblings seen looking at camera. Frank is seen at centre, seated in an ornate, high-backed arm chair with (left to right) Martha and Carrie standing and Lydia and Ella seated on either side of the chair.
Studio portrait of Lydia Anthes with daughters Ella Cook, Martha Rieder, Louisa Breithaupt and Carrie Breithaupt. Ella and Martha are seen standing, with Louisa and Carrie seated on either side of Lydia. Only Lydia and Louisa are looking toward the camera.
Two copies of a studio portrait of Lydia Anthes with daughters Louisa Breithaupt, Ella Cook, Martha Rieder and Carrie Breithaupt. Louisa and Ella are seen standing, with Lydia, Martha and Carrie seated at front. Only Ella, Lydia and Carrie are looking toward the camera.
Studio portrait of Lydia Anthes (centre) with daughters (left to right) Carrie Breithaupt, Martha Rieder, Ella Cook, and Louisa Breithaupt. Only Martha and Ella are seen looking toward camera.
Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.
Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.
Fully length studio portrait of Margaret Parry as a small child looking at the camera while holding a stuffed animal in right hand and wearing a white dress.
Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.
Fully length studio portrait of an unidentified child looking toward camera with right hand resting on the arm of a chair positioned at back. Their right ankle is crossed in front of the left and they are holding a rolled up document in their left hand.
Studio portrait of an unidentified infant seated upright in an armchair and looking toward camera. The child is dressed in an embroidered dress with a lace collar and underskirt.
Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.
Full length studio portrait of four children, possibly siblings, seated at various heights and looking at camera. Two of the children have large bows in their hair, another is wearing a suit with mid-leg high socks, and the third, an infant, is dressed in a white gown.
Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.
Upper body portrait of an unidentified seated adult holding an infant, dressed in an white gown, upright on side of chair. Both are seen looking at camera.
Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.
Full length studio portrait of two unidentified adults seen looking at camera. One is wearing a floor length white dress and the other is seated in a high-based armchair at right.
Studio portrait of two unidentified children. One is seated in a chair and smiling at something off camera and the other is seated at a table playing with a metal building set.
Studio portrait of two unidentified adults. One is seated and looking off camera with legs crossed and the other is standing with left hand on the other's shoulder, looking off camera in the opposite direction.
Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.
Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.
Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with right arm on back of Martha's chair and the other in his front pant pocket.
Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.Studio portrait of Martha Anthes and Talmon Henry Rieder, both seen standing in wedding dress and suit.
Clipping regarding the marriage of Talmon Rieder and Martha Anthes, which took place at 34 Weber Street at the home of John and Lydia Anthes. Ella Anthes attended Martha, H. Milton Cook was Talmon's best man, and Frieda Breithaupt and May Rieder service as flower girls. The service was performed by Talmon's uncle, H.L. Merner, and L.H. Wagner.
Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair looking toward camera. Talmon, dressed in suit with a three-quarter length jacket, is seen in partial profile standing at Martha's side with arms at back and looking off camera.
Wedding invitation to the January 10, 1906 marriage of Martha Anthes to Talmon Rieder at the Anthes' family home at 34 Weber Street issued by John and Lydia Anthes.
Clipping regarding the marriage of Talmon Rieder and Martha Anthes, which took place at 34 Weber Street at the home of John and Lydia Anthes. Ella Anthes attended Martha, H. Milton Cook was Talmon's best man, and Frieda Breithaupt and May Rieder service as flower girls. The service was performed by Talmon's uncle, H.L. Merner, and L.H. Wagner.
