One formal studio portrait of Dorothy Etta Russell (nee White) as a child, taken prior to her entrance into high school.

One hand coloured head and shoulders portrait of a woman possibly, Eliza M. Bowman of Berlin, Ont.

Studio portrait of an unidentified woman and two children seen looking at camera. This portrait was found with Franklin Abram Schantz' belongings.

One full body studio portrait, identified on verso as Mrs. Mary Schantz. Woman is standing to the side of her husband who is seated in a large dining chair. It is unclear if the identification on the verso refers to the woman in the photograph, or the owner of the photograph.

One head and shoulders studio photograph of Tobias Schantz in his later years.

Photographs of unknown Schantz Russell extended family members. Everyone in the photos is white with the exception of one studio portrait of Black child taken in Chicago, Illinois.

One three quarter length studio portrait of John, Annie and Sophia Wismer. Identification from verso.

One full length studio portrait possibly of Sophia Wismer. Sophia is shown wearing an elaborate hat and a long coat, and carrying a handbag. Identification from enclosure.

Photographs from album 3 which are unidentified.

One upper body studio portrait of Harvey Moyer.

Photographs from album 1 which are unidentified.

Photographs from album 2 which are unidentified.

One head and shoulders studio portrait of Emma Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait of Levi Nash Moyer seen looking off camera.

A photograph album belonging to the Schantz Russell family. The album is covered in red velvet with an arts and crafts design. Edges of photograph pages are gilted, and the album features a stylized silver clasp.

A photograph album belonging to the Schantz Russell family. The album is bound in brown leather with gilt decoration. The album originally belonged to Sophie Emma Schantz.

One upper body studio portrait of Melvina Dorthula Flagler seen looking off camera.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

Two identical head and shoulders studio portraits of Sophia Wismer. Head and shoulders studio portrait.

One heads and shoulders portrait of (left to right) Melvina Dorthula Flagler, Ruth Schantz, and Carrie Flagler Schantz. Ruth in the middle with arms around her Melvina's neck.

Head and shoulders studio portrait of Abraham Nash Moyer seen in partial profile.

One full body studio portrait of John Matt Moyer, aged fifteen months. John is wearing a long white gown.

Nine glass plate negatives showing a variety of images. Included are landscapes of a forest, a lake and a creek, possibly taken in Victoria Park, as well as an image of a rose, of a woman standing in a dress, and a postmortem image of a coffin with a deceased man in it.

One photograph of the Schantz/Flagler family. From left to right: Samuel Adee Flagler, William B. Flagler, Nell Johnston Flagler, [Carrie Flagler Schantz?], Orpheus Moyer Schantz, Melvina Dorthula Flalger, unknown. The family is shown sitting outside on a lawn.

Three photographs that have been hole punched and tied together. The first shows Ruth Schantz sitting in a wheelbarrow with Carrie Flagler Schantz in front of the home at Morton Park. The second shows Ruth Schantz and Orpheus Moyer Schantz on the steps of the home at Morton Park. The third shows Ruth standing in a garden holding flowers.

A photograph album belonging to the Schantz Russell family. The album is bound in brown leather with gilt decoration.

Head and torso studio portrait of Jesse Gross Moyer dressed in suit and tie, looking off camera.

Head and torso studio portrait of Mary Moyer Schantz at approximately sixteen years of age with ribbons in hair.

Head and torso studio portrait of Mrs. Shinbein [first name unknown] seen looking off camera and seated with hands crossed on table at side. What is likely a wedding band is visible on left ring finger.

Full body studio portrait of Anna Bilger (nee Fry) seen looking at camera and standing with left hand resting on the back of a chair.

One carte-de-visite portrait of HRH Prince Edward VII.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

One full body studio portrait of Issac Lucius Bowman seen dressed in a long coat and standing with left hand resting on the top of a chair.

Head and torso studio portrait possibly of John Book or Jesse (last name unknown) seen looking off camera and dressed in suit and tie.

Full length studio portrait of Orpheus Moyer Schantz, age 2 years and 5 months. Orpheus is seen seated in a high back chair, dressed in a long gown and jacket.

Full body studio portrait of John B. Nash as an infant seen seated, dressed in a white gown, and looking at camera.

One full length studio portrait of Etta Lydia Mary White (nee Schantz) as a child. Etta is shown in a long gown sitting on a short stool.

One tintype studio portrait of Sophie Schantz (seated at right) with friends Amanda (last name unknown) and Faith Gribble (standing).

Group portrait of Freeport Academy teachers and students taken about 1869.

Back row, left to right: Rev. John B. Schlichter, Ezra Weber, Mary Snyder (Mrs. Moses Weaver), Harriet Shupe, Mina Gonder, Miss Bergey, Samuel S. Moyer, Isaac L. Bowman (Principal).

Middle row, left to right: William Simmons, Ananias Eby, Ephraim A. Snyder, James Peterson, William Sherk, Saruch Eby, Charles Shupe, Abraham M. Snyder.

Front row, left to right: Benjamin M. Snyder, Moses Weaver, Abram O. Bowman, Titus Snyder, Horace Beam, Horace Smith, Jacob B. Weaver, Hiram Hewitt.

One full body studio portrait of Etta Lydia Mary White (nee Schantz) at the age of three.

Etta is shown seated on a small stool.

One fully body cartes-de-visite studio portrait of Etta Schantz, at the age of three. Etta is seated on a small stool.

A composite class photograph of the scholars attending the Freeport Academy taken around 1870. This photograph was originally housed in an oval frame featuring decorative fruits and leaves. The individuals in the photograph were identified by a list in the Isaac Bowman files.

Row 1, top: Charles Shupe, Levi B. Clemens, Titus Snyder, George A. Scott (Assistant), Levi Sherk, Jacob Hagey.

Row 2: Menno Bowman, Nelson Morley, Henry Woods, J.B. Weaver, Mina Gonder, Menno B. Clemens, Unidentified, Jos. Perrin.

Row 3: Ephraim Snyder, John Groh, Hespeler, Harriet Shupe, I.L.Bowman (Principal), Simon Bowman, Moses Weaver, Levi Roos.

Row 4: Charles Glick, Sylvester Godbold, Benjamin Sherk, A.O. Bowman, Aaron Sherk, Sarah Snyder, Philip Boehmer.

Row 5, bottom: Henry Sauer, John Sherk, Mary Snyder, Saruch Eby, Mary Weaver, Aaron Meyer, Menno B. Clemens.

Head and shoulders studio portrait of an unidentified individual seen looking off camera and dressed in a high collared top with a brooch at centre of neck.

One upper body studio portrait of Jesse Moyer seen looking at camera and dressed in a suit and tie.

Head and torso studio portrait of Agnes Nash seen in partial profile looking off camera. Nash is wearing a top with lace edging around the collar and a cross on a choker necklace.

Full body studio portrait of Russel Nash as an infant seen seated, dressed in white gown with a lace collar, and smiling at something off camera.

One full length studio portrait of Lillian and Maurice Moyer as children. The two are shown seated side by side wearing long gowns.

One full length studio portrait of Lillian May and Maurice Moyer. The two are shown seated side by side hugging wearing long gowns.

One full body studio group portrait of Levi Nash Moyer and Mollie Moyer with thier children (left to right) Eva Moyer, Charles Moyer, Mary Emma Moyer, and Harry Rollin Moyer. Levi is holding a young Eva and an infant Mary Emma is being held by Mollie.

Full body studio portrait of Florence Annie Catherine Schantz as an infant seen looking off camera and dressed in a white gown.

One head studio portrait of Jacob Moyer seen looking off camera.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Full length studio portrait of Etta and Sophie Schantz with friends. Etta is seated at left and Lavina Detweiler, Sophie and Nancy Eby are seen standing. Maggie Eby is also seated, on a higher chair at right, and Noah Eby is seated on the ground at the centre of the group. The women are wearing three story, or flower pot hats, while Noah's bowler hat lies on the ground next to him. The women are holding either parasols or cedar boughs. Identification from verso.

One photograph album. Includes a list describing each photograph created by rych mills.

Consists primarily of snapshots belonging to Dorothy Etta Russell (nee White), before and after her marriage to Clarke Russell. Includes one formal portrait of "The Nash sisters": Mary, Susie, Elizabeth, Debbie, Priscilla, ca. 1880's (p. 1).

Family members and friends included in posed and informal snapshots include Mary Moyer Schantz, Tobias Schantz, Austin Tobias Schantz, Ward Malott White, Franklin Abram Schantz, Orpheus Moyer Schantz, Dorothy Etta Russell, Clarke Russell, Sophie Emma Schantz, Florence Annie Catherine Schantz, Mr. and Mrs. Ernest Russell, Eva Kolb, Worth Flagler Schantz, Emily Schantz, Verna Fraser, Helen Lockie, Inez Martin, Mrs. E.H. Schiedel, her son Elmer Schiedel and daughter-in-law Nellie, Mrs. Elizabeth George.

Also includes snapshots of groups of individuals (identified on the packs of tipped-in snapshots) taken during the 1930 Schantz family reunion: Detwiler, Schiedel, Snyder, Bingeman family members, Phranie Bingeman, Mr. Yocum, and during the Hilborn Reunion, July 1-9, [192-?].

Also includes snapshots of White family members and homes: Ward Malott White on his visit to Dundas, Leamington and Kitchener from Chilliwack, B.C., Ada, Edna, Ruth, May and Elmer White, Malcon, Mr. and Mrs Lye, Maple lake and Orrville [Parry Sound area], White house in Orrville, horses in lake at Orrville, people swimming.

Locations and structures include Kitchener Cenotaph (p. 9), "Dr. Hilliard's garden" (p. 13), log schoolhouse, Waterloo Park (p. 17), Pioneer Tower, (p. 30), Schantz House, Conestogo (p. 34), Euler House (p. 34) [both of these are of old structures in disrepair], Bridge across river at Conestogo and Grand River at Conestogo (p. 43), Grand River in flood (p. 65-66).

Snapshots taken after Dorothy and Clarke's marriage include: White family gravestones in Leamington, Ont., Clarke Russell in uniform on his motorcycle, Lake Erie [swimming], Tecumseh Park, Chatham, Dorothy playing the ukelele and the Hawaiian guitar.

Victoria Park snapshots: statue of Queen Victoria, winter views, Dorothy paddling a canoe, the new Victoria Park Pavilion, glue factory ruins[?], Dorothy and two friends with snowshoes and in britches, visit of Duke and Duchess of Devonshire and daughters Lady Blanch and Dorothy Cavendish at Victoria Park, June 13, 1918 [snapshot of platform, no dignitaries?] (p. 64).

F.W. Woolworth Co. picnic: includes Mr. Emil Wagner, manager, and family, employee group portrait, Gertie Kruse, Marjorie Blin[?]kho.

P. 81: Inez Martin.

P. 91 Sophie and Mrs. Lye knitting (on beach).

Head and shoulders studio portrait of Amanda Schiedel seen looking off camera and dressed in a high-collared top.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Studio portrait of Josiah Kolb Shantz with wife Nancy Kolb Shantz and children Eliza, Benjamin, Abram, Elo and Lorena. Placement of children not included with identifications. Birth dates of children suggest Eliza and Elo are standing at right and Lorena is seated at left. Benjamin and Abram were born too close together to determine their standing order at left.

Full length studio portrait of Orpheus Moyer Schantz seen looking off camera with left arm resting on a [tree stump?] prop and left ankle crossed over the right.

One upper body studio portrait of Orpheus Moyer Schantz seen in partial profile.

One upper body studio portrait of Oliver Bushy seen in partial profile.

Full length studio portrait of Orpheus Moyer Schantz (at left) with left arm around the shoulders of an unidentified friend. The two are shown seated in front of a backdrop of a door to a house and are holding an upside sign that reads "two for 5¢."

Upper body studio portrait of Robert Bliss Moyer, seen looking off camera.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column. Identification from album.

Originally on page 15 of album 3.

One full length studio portrait of Herbert Cecil Palmer Schantz and Florence Annie Catherine Schantz. Both are shown standing up leaning against a column.

Originally in page 5 of album 1.

Full length studio portrait of Orpheus Moyer Schantz (at right) and Kitty Cole. The two are shown seated in front of a backdrop of a house window. Kitty is looking off camera and Orpheus is looking directly at it

One upper body studio portrait of Ethel Davey.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

One upper body studio portrait of an unidentified adult.

One full length studio portrait of Orpheus Moyer Schantz with an unidentified friend. The two are shown in front of a backdrop of Roman columns. Orpheus is seated looking at a photograph while his friend stands looking over his shoulder.

A composite photograph which includes image of the Science building at the University of Toronto, eight graduates, and three faculty.

One full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

Photograph showing the interior of an unidentified store. Identified from the recto are: Orpheus Moyer Schantz, Will Chase, Eddie Moyer, Harry Moyer, Lou Jeutoft [?].

Full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

Casual group portrait of the Berlin Rangers soccer team wearing jerseys with the word 'Canada' visible on the front.

Back row: [Unknown], Dave Forsyth, Walter Bowman, Solly Brubacher, W.P. Mustard, Carl Kranz.
Middle row: [E. Webster], Walter Thompson, Tom Gibson, E. T. Gordon, Fred Killer.
Front row: H. Pirie, [Alex Gibson?], [A. N. Garrett?]

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Originally in page 21 of album 2.

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

Two identical studio head and shoulders studio portraits of Ward Malott White in his salvation army uniform. Identification from verso.

Studio portrait of the Honsberger family. The spelling of the Honsberger name varies in inscription on verso.

Back row, left to right: Lucinda Honsberger, Amanda White (nee Honsberger), Owen Honsberger, Lovina Levagood (nee Honsberger).

Front row, left to right: Benjamin Honsberger, Phoebe Murphy (nee Honsberger), Ervine Honsberger, Rosa Honsberger, Mrs. Stickney (first name unknown), Esther Honsberger (nee Biehn).

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

One upper body studio portrait of Carrie Schantz seen looking off camera.

One composite photograph captioned, "Members of the Twentieth General Conference of the Church of the United Brethren in Christ convened in York, Penn'a May 9th to 19th, 1889."

The photograph shows 33 members of the conference including: Dinius, W.O; Wood, C.L.; Wright, Milton; Becker, Henry J.; Kiracoff, C.H.; Dillon, William; Clay, William; Powell, A.B.; Kabrich, John M.; Geeslin, A.W.; Ensell, J.; Titus, W.S.; French, J.; Mahan, S.T.; Tharp, I.M.; McNew, Z.; Kenover, J.; Floyd, Halleck; Davis, Lewis; Barnaby, H.T.; Bennetz, A.; Bowles, G.A.; Nelson, J.K.; Livingston, S.L.; Bonewell, B.A.; Luce, N.R.; Miller, William; Spoonemore, J.P.; Knipple, W.W.; Alwood, J.K.

Bishop Milton Wright was the father of Orville and Wilbur Wright.

The photograph is mounted on a card advertising the need for agents in other conference groups.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

Three-part composite photograph. The top half contains numbered portraits of 155 members of the Berlin Philharmonic Society, the middle contains portraits of Miss C. Specker, contralto, Miss D. Zigler, soprano, Miss A. Bean, organist, Mr. Gains, tenor, Miss Specker, pianist, Mr. E. Shuch, baritone, Mr. C. Ruby, basso, and the bottom third of the photograph portrays the orchestra, seated with instruments and music. This photograph contains portraits of many well known citizens, particularly women.

Portraits of members of the Berlin Philharmonic Society include:

1. Geo. Howard, 2. A. Master, 3. W. Tuchlinski, 4. W.F. Roadhouse, 5. O. Vogelsang, 6. R.D. Lang, 7. H.P. Harding, 8. A. Breithaupt, 9. W. Euler, 10. J. Stauffer, 11. O. Master, 12. Geo. Zigler, 13. H. Clemens, 14. W. Zigler, 15. Rev. Tafel, 16.S. Groh, 17.L. Weaver, 18. E. Englert, 19.J. Brandt, 20. T. Simpson, 21. J. Steifke, 22. E. Werner, 23. D. Musselman, 24. W. Freeman, 25. J. Fischer, 26. A. Snyder, 27. E. Brubacher, 28. A. Musselman, 29. F. Shantz[sic], 30. J. Musselman, 31. E. Clemens, 32. W.H. Becker, 33. H. Hymmen, 34. E. Reiner, 35. A. Devitt, 36. E. Heist, 37. A. Shantz[sic], 38. J. Bilger, 39. G. Rehmann, 40. C. Harttung, 41. J. Weiderholt, 42. E. Lang, 43. H.A. Huber, 44. J. Good, 45. L.J. Breithaupt, 46. F. Boehmer, 47. D. Stadelbauer, 48. G. Reiner, 49. A.Grebenstein, 50. B. Marks, 51. T. Reid, 52. M. Ahrens, 53. M. Anthes, 54. A. Moyer, 55. E.Clemens, 56. Mrs. Musselman, 57. E. davey, 58. S. Musselman, 59. A.Detweiler, 60. I. Kolb, 61. A. Fischer, 62. Mrs. Howd., 63. A. Moyer, 64. T. Fehrenbach, 65., Mrs. Becker, 66. Mrs. Schmalz, 67. E. Swartz, 68. W. Fischer, 69. L. Motz, 70. F. Knechtel, 71. A. Mitchell, 72. A. Musselman, 73. C. Lang, 74. E. Hillard, 75. C. Webb, 76. A. Rathman, 77. T. Kimmel, 78. I. McMahon, 79. M. Moyer, 80. A. Cairnes, 81. L. Ziegler, 82. L. Rudell, 83. A. Kolb, 84. L. Musselman, 85. A. Boomer, 86. M. Devitt, 87. A. Devitt, 88. E. Pfeffer, 89. B. Bean, 90. Mrs. Shuh, 91. F. Caton, 92. M. Smuck, 93. M. Smuck, 94. M. Knell, 95. A. Wiegand, 96. A. Hett, 97. E. McIntyre, 98. L. Ruby, 99. M. Burke, 100. L. Hillard, 101. L. Hoffman, 102. Miss Kumpf, 103. A. Hendershott, 104. T. Pequegnat, 105. A. Knell, 106. G. Bowman, 107. A. Bird, 108. L. Pfeffer, 109. Miss Kumpf, 110. R. Musselman, 111. E. Dunn, 112. L. Sheppard, 113. Miss Grey, 114. F. Freeman, 115. R. Huck, 116. R. Ziegler, 117. M. Lauer, 118. M. Walper, 119. C. Vetter, 120. M. Walper, 121. Mrs. Tafel, 122. A. Staebler, 123. E. Schmidt, 124. L. Teidt, 125. A. Clemens, 126. S. Strasser, 127. Mrs. Fetzer, 128. M. Detweiler, 129. Mrs. Seiler, 130. A. Bossenberger, 131. C. Rehman, 132. U. Heins, 133. E. Stein, 134. A. Bean, 135. S. Shantz[sic], 136. C. Martin, 137. A. Eby, 138. A. Moyer, 139. E. Reiner, 140. B. McIntyre, 141. L. Eby, 142. L. Barlett, 143. K. Thomas, 144. L. Bricker, 145. L. Specker, 146. Miss Wagner, 147. K. Bingeman, 148. Mrs. Doering, 149. Miss Wagner, 150. M. Kalte, 151. S. Fehrenbach, 152. Mrs. W. Oelschlager, 153. Mrs. A. Oelschlager, 154. A. Brubacher, 155. Mrs. H. Heller.

One studio portrait, possibly of Franklin Abram Schantz.

Two identical upper body studio portraits of Melvina Dorthula Flagler. Melvina is shown with a watch on a chain and a large lace flower on her jacket. Note that the mounting for one photograph is labeled: "Dunn, Leamington, Ont." but that the image was in fact taken by Hartley's, Chicago, Ill..

Nine dry glass plate negatives showing various images. Five of the plates show images of Arthur Schantz, Eli Brubacher and Herbert Schantz, Franklin Abram Schantz and Edgar Clemens that are recognizable from positives elsewhere in the fonds. They are possibly from when Arthur was working for Schneuker photography studio. The remaining images are of unidentified portraits. Images were originally housed in a box of "Stanley" brand dry plate negatives.

One upper body studio portrait of Ela Bliss Moyer.

Originally in page 25 of album 2.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

One three quarter length studio portrait of Theodore Moyer seen looking off camera with left hand in waistcoat pocket.

One three quarter length studio portrait of Victoria Priscilla Nash seen wearing a high-collar top with leg of mutton sleeves, and leaning with right arm against what looks to be the end of a bed.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Full length studio portrait of Orpheus Moyer Schantz standing between two unidentified women. The group is seen looking at the camera.

Upper body studio portrait of Sophie Emma Schantz and Etta Lydia Mary White (nee Schantz) seen looking off camera. Etta is seated leaning back toward Sophie with top of head against Sophie's chin.

Head and shoulders body studio portrait of Sophie Emma Schantz seen looking off camera in partial profile.

Three quarter length studio portrait of Solomon Wismer seen looking at camera with legs crossed and left arm resting on side table.