Correspondence, manuscripts and typescripts of poetry and prose , clippings of published work and reviews. Correspondents include Nellie McClung (2 letters), Laura Goodman Salverson (1 letter) and Charles G.D. Roberts (1 letter).

Contains one letter dated January 21, 1963 and addressed to "My Dear Jean" from Dion Calthrop Clayton regarding his book. Underneath the body of the letter is a drawing in black ink of a person blowing on a trumpet. There is also a separate, folded leaflet included with the letter titled, "In Memoriam 1881-1937". Inside the leaflet is a black and white profile shot of Calthrop.

One unfolded and uncut printing of Fireside Conversations in the Time of Queen Elizabeth, or '1601' a fragment by Mark Twain. This was privately printed in 1920.

Fonds consists of two scrapbooks compiled by Mauritana Smith containing material written by leading 19th century American writers and articles written by her mother, Damaris Isabella Smith.

Fonds consists of approximately 100,000 letters dating between 1904 and 1953 to and from authors, publishers, agents, film studios, journals, newspapers, etc. concerning the use of articles, stories, and manuscripts. Some of Chapman's personal correspondence is included.

Materials created and accumulated by Barbara Smucker relating to her professional activities. Primarily includes materials relating to her various published works including research, reviews, and manuscripts and typescripts.

The B.M. Bower Western Novels Collection, acquired in 2015, consists of over 70 American western novels written by Bertha Muzzy Sinclair (known as B.M. Bower) and her husband Bertrand Sinclair. Many of the books in this collection also feature pictorial cover art.

Two letters thanking Thompson Waldo for providing a copy of his book, "Swampscott: historical sketches of the town". One letter is from C.B. Tillinghast, Acting Librarian at Boston, dated August 18, 1884 and the other is from Howard B. Nicholson, a librarian at Bodleian at the University of Oxford, dated November 19, 1889.

Manuscript poem entitled, "On Parting from My Sister and Her Children." Also included are two pencil drawings, one of which depicts a church and graveyard scene in a village located three miles from Dublin. The poem and drawings have been bound into a book. In the front cover of the book is a newspaper clipping of an obituary for Isabella Jane and Caroline Olivia Clare.

Contains one holograph letter from Armistead Churchill Gordon to C.C. Pinckney discussing John Drinkwater's book "Robert E. Lee."

Manuscript poem that was found in "Poems: Songs and Sonnets" by Hartley Coleridge (1796-1849). The poem is written in an unknown hand and the title reads "Lines (unpublished) written to a friend after a discussion on [points] of faith - by Hartley Coleridge."

Fonds consists of a typescript script by Gary and Ken Ledbetter, based on stories by Ken Ledbetter.

One scrapbook kept by an unknown theatre goer. The book is specially made for theatre performances and features in index of the plays, and a two page spread devoted to each play. The left hand side of the page allows for written comments on the title, date and location of the play as well as impressions, and criticisms of the actors and performance. The right hand side of the page is intended to be used to paste in the playbill. In many entries newspaper clippings about the performance are also present. All of the productions were held at the Castle Square Theatre in Boston by the Boston Stage Society in 1904 and 1905. There are records for 80 plays. Some of the playbills also include advertisements.

One autograph album signed by former members of the Poets Club on the occasion of club's twenty-fifth anniversary. The book is full Morocco leather with raised spine bands.

Fonds contains two scrapbooks created by Sir Percival Hartley dating from 1921 to 1939. Both contain newspaper clippings and handwritten notes relating to a variety of topics in areas such as theology, physicians, poetry, and the history of England.

Consists of a single holograph letter from Patrick Foley to G.S. Payson dated April 23, 1898 and addressed to Boston, Massachusetts. The contents of the letter focuses on Nathaniel Hawthorne's book, "Doctor Grimshawe's Secret".

Consists of five items of correspondence from John Jay Chapman to others. Includes four letters to Edwin F. Edgett of "The Lookout" and one to the Boston Evening Transcript.

One manuscript copy (1 vol. 299 pp.) of the 1839 edition of John Clare's "Shepherd's calendar with village stories and other poems" transcribed by G. Silverlock and presented to his son Orestes Silverlock. The text includes an introduction from "Village minstrel" as well as poems from other works by Clare. The work is written in fine calligraphy and includes a hand drawn frontispiece, title page, and publishers advertisements. Accompanying the manuscript is one item of correspondence from E. Blunden to Mrs. Wrangham discussing the text.

Fonds consists of unpublished typescripts and manuscripts by Robert Alden Sanborn. Influenced by the work of Carl Jung, the unpublished works are predominantly related to Sanborn's interest in the social development of children and several of the drafts consist of narratives about young girls referred to as "Little Anna" and "Bunty". Also included is collected ephemera and correspondence between Sanborn and his family, colleagues and publishing contacts, including his editor Olive Burchfiel (1888-1960), as well as writing by Sanborn's mother, Mary Farley Sanborn, including a published version of "The Valor Ranch" (1914); a typescript version of the poem "My Eighth of May"; and a clipping of the poem "The Barrel-Stave."

One holograph letter from Amelia Alderson Opie to an unidentified correspondent dated May 5, 1838 refusing an invitation.

Typed draft of "The Anthology of Canadian Women Writers" edited by Rota Herzberg Lister. Includes one typescript which is primarily photocopies, with some originals draft of the work composed of notes written by Rota on the various authors and excerpts from the authors' writings.

The women included in the anthology wrote between 1760-1980 and include Margaret Atwood, L.M. Montgomery, Pauline Johnson, Susanna Moodie, Mary Quayle Innis, Luella Crieghton, and others.

It does not appear that the work was ever published.

Fonds consists of photocopies of materials created and accumulated by C.E. Carrington, the biographer of Rudyard Kipling. Includes typescript excerpts from Carrie Kipling's diary, as well as articles on the Kiplings and a list of corrections for Carrington's work "Rudyard Kipling: His Life and Work."

One handwritten letter from Robert Southey addressed to a William Webb of Dublin. The letter was sent from Keswick and is dated November 8, 1826. Also includes an etching of Southey.

Consists of one print of Tintern Abbey, Monmouthshire, as seen from across the River Wye. Two men in a boat can be seen fishing on the river in the foreground. The print was published October 1784 by S. [Samuel] Hooper. The Abbey is referenced by Wordsworth in a poem and was used as inspiration for other poets and painters.

Material documenting Luella Creighton's student days at Victoria College, University of Toronto, 1924-1926. Her personal life is further documented through a series of diaries, 1963-1990. Most of the textual material in the fonds, however, relates to her career as a writer of both fiction and non-fiction, and consists of correspondence with her publishers and readers, reviews, manuscripts and typescripts of both published and unpublished works.

Southey's version of nursery rhyme, presented as a holograph poem in a letter to his brother, Captain Thomas Southey, St. Helen's, Auckland, New Zealand. Signed with Southey's initials.

Collection consists of a corrected carbon typescript of a review article. The article, written by Acorn Milton, discusses the writings of Al Purdy and Irving Layton, as well as the use of poetics in writing.

Collection contains two poems. The first is a holograph poem, titled "Acceptance", which was written a short time before the death of Padraig O Broin and later published in Folio magazine. The second is a typed poem titled "Paraphrases from the Irish - James Stephens".

Fonds consists of two notebooks containing draft manuscript versions of Partridge's work "Shakespeare's Bawdy", published in 1947.

One item of correspondence from Charles Gaston Smith Jr. of the Harvard Club of Boston to Eleanor Hallowell Abbott. The letter is dated July 25, 1924 and in it Smith asks Coburn if she knows of any girls in real life that are of the same quality as those in her books.

One printed broadside printed at the Vancouver Vocational Institute of the prologue to Bertrand Russell's autobiography.

One autograph album kept by an unknown person. The album spans from 1825-1854 and features biblical and literary passages written by those in England and Scotland. Locations include Glasgow, York, London, Newark, Rotherham and more. In the back of the volume is the Lord's prayer written in Malay by a Mr. Trout, Baptist missionary in Batavia, Java.

Materials created or accumulated by Julia McCarthy during her professional and personal life. Includes journals and personal correspondence received by McCarthy, drafts of poems and anthologies, professional correspondence related to the publication of McCarthy's work, correspondence related to applications for grants and awards, awards received by McCarthy, interviews and articles about McCarthy, and work by and about other authors accumulated by McCarthy.

Collection consists of two prints and one copy of art works about the life and death of poet Thomas Chatterton. Includes one lithograph of his death, one of Chatterton writing the Rowleian manuscripts., and one reproduction of an eighteenth century handkerchief showing Chatterton.