Beatitudes of ice.
Beatitudes of ice.
Beatitudes of ice.
Beatitudes of ice.
You gaze at the sun, then you are lost in the dark - Seferis (for Anne).
You gaze at the sun, then you are lost in the dark - Seferis (for Anne).
Yes, in our Father's house there are many rooms.
Yes, in our Father's house there are many rooms.
Winter grass.
Winter grass.
Why I can talk of the angelic qualities of the raven.
Why I can talk of the angelic qualities of the raven.
The wedding photo and the geckoes of the evening.
The wedding photo and the geckoes of the evening.
The upside-down elephant who was a poet.
The upside-down elephant who was a poet.
The unhyphenated Canadians.
The unhyphenated Canadians.
A touch of genetics (for Michael).
A touch of genetics (for Michael).
Thinking of you Mother #3 : Maria takes Antoni on safari.
Thinking of you Mother #3 : Maria takes Antoni on safari.
Autobiography.
Autobiography.
Thinking of you Mother #1.
Thinking of you Mother #1.
There's always a water bead in the cactus (for my favourite students at SSAS).
There's always a water bead in the cactus (for my favourite students at SSAS).
Taxi.
Taxi.
Sunday morning.
Sunday morning.
Spring raking.
Spring raking.
Song of the immigrant.
Song of the immigrant.
Song for the Indian River man (Indian River, Keene, 10 May, 1986) for Murray Black.
Song for the Indian River man (Indian River, Keene, 10 May, 1986) for Murray Black.
Song for the burning bush.
Song for the burning bush.
Song for silence.
Song for silence.
Slow dancing.
Slow dancing.
At the wedding of the lake.
At the wedding of the lake.
The separate one.
The separate one.
Seasons of memory.
Seasons of memory.
Salute to a cat with a head full of memories.
Salute to a cat with a head full of memories.
Rice.
Rice.
Return of the fishermen.
Return of the fishermen.
Remains of an Asian poet writing in Canada.
Remains of an Asian poet writing in Canada.
The rain doesn't know me any more.
The rain doesn't know me any more.
Poetry reading (Scarborough College).
Poetry reading (Scarborough College).
Poetics.
Poetics.
Poem for a certain Atlantic critic.
Poem for a certain Atlantic critic.
As told to a new Asian immigrant on the brink of winter.
As told to a new Asian immigrant on the brink of winter.
Please, no more questions.
Please, no more questions.
The painter.
The painter.
The opposite men.
The opposite men.
On the beach.
On the beach.
Of spiders and sponge cakes.
Of spiders and sponge cakes.
Of life and death.
Of life and death.
Ode to a fly (after Pablo Neruda).
Ode to a fly (after Pablo Neruda).
Not for her the madness of art.
Not for her the madness of art.
Not exactly Jade.
Not exactly Jade.
No fixed address.
No fixed address.
The art of self-deception.
The art of self-deception.
Night train through the tunnel.
Night train through the tunnel.
Never discuss theology with your granddaughter.
Never discuss theology with your granddaughter.
Moving.
Moving.
The midnight hour/before citizenship.
The midnight hour/before citizenship.
Mayaro sea sculpture.
Mayaro sea sculpture.
Masks.
Masks.
Magpie.
Magpie.
Love poem for Anne #4.
Love poem for Anne #4.
Love poem for Anne #2.
Love poem for Anne #2.
Leaving, Michael style.
Leaving, Michael style.
Apartment #13.
Apartment #13.
Learning the language.
Learning the language.
Late evening in Bechtel woods.
Late evening in Bechtel woods.
Know your own bone.
Know your own bone.
King Kong doesn't understand the English language.
King Kong doesn't understand the English language.
The interview.
The interview.
Inheritance.
Inheritance.
In a weathervane idiom.
In a weathervane idiom.
How can we understand the pain in the rickshawman's thighs.
How can we understand the pain in the rickshawman's thighs.
God is in the apple turnover.
God is in the apple turnover.
Guess what happened the day I walked on water.
Guess what happened the day I walked on water.
God is in the apple turnover.
God is in the apple turnover.
The ghosts of kings.
The ghosts of kings.
All I ask is my life.
All I ask is my life.
Getting to know you.
Getting to know you.
The geography of voice.
The geography of voice.
The genetics of language.
The genetics of language.
From a fisherman's log-book.
From a fisherman's log-book.
For the winter man.
For the winter man.
For Cleta Marcellina Nora Serpanchy #3.
For Cleta Marcellina Nora Serpanchy #3.
For Cleta Marcellina Nora Serpanchy #1.
For Cleta Marcellina Nora Serpanchy #1.
For a poet friend thrashed by a humbling wind.
For a poet friend thrashed by a humbling wind.
Faces of the sun-man.
Faces of the sun-man.
The eye.
The eye.
Again, a dream of another brief kind of summer.
Again, a dream of another brief kind of summer.
Eventually grandpa.
Eventually grandpa.
Etiquette for an exotic night.
Etiquette for an exotic night.
Elegy for the straw man.
Elegy for the straw man.
Elegy for the poems that got away.
Elegy for the poems that got away.
Elegy for the perfect man.
Elegy for the perfect man.
Elegy (for Cleta Nora Marcellina Serpanchy).
Elegy (for Cleta Nora Marcellina Serpanchy).
Elegy #2.
Elegy #2.
Dusk.
Dusk.
A door ajar to Eden or Cathay.
A door ajar to Eden or Cathay.
The divine equation.
The divine equation.
After the K-W Writers' Award #2.
After the K-W Writers' Award #2.
Death of a poet.
Death of a poet.
Dark with excessive bright.
Dark with excessive bright.
Dark antonyms in paradise.
Dark antonyms in paradise.
Coming through the shadows.
Coming through the shadows.
Come take the shy man by his third ear.
Come take the shy man by his third ear.
Civilization.
Civilization.
The child who would be a poet (for Michael).
The child who would be a poet (for Michael).
Boy and bird.
Boy and bird.
Bouquet to my colonial masters.
Bouquet to my colonial masters.
