Photograph of employees and a horse drawn delivery sleigh, stacked with boxes, outside of the C.H. Doerr & Co. Biscuit & Confectionery Works buildings.

File consists of one upper body studio portrait of David Shannon Bowlby seen in partial profile looking of camera in graduation cap and gown.

Studio portrait possibly of Christian Staebler, uncle of Mary Staebler Wagner, seen looking off camera.

Studio portrait of Louis Henry Wagner seen looking off camera.

Three studio portraits of Lydia Anthes.

Full body studio portrait of Elmer Ratz and sister Ruth E. Ratz both seen looking at camera. Ruth is seated on a wicker chair dressed in a lace bonnet and dress. Elmer is standing next to the chair wearing a sun hat and dressed in a romper.

File consists of three studio portraits of Martha Rieder and Ella Anthes Cook by Chas. Sifton and H. A. Huber.

Two copies of a studio portrait of Helena Schneider seated, holding Emma Louise Schneider upright on lap.

One studio portrait of Alice Egan (later Hagen) as a young woman, looking down with hands crossed at chin.

File consists of one full length studio portrait of Martha Esther Murphy Bowlby with daughters Janie Elizabeth Bowlby Clement, Grace Bowlby Fennell and Emma Allen Bowlby Boyd.

File consists of one three quarter length wedding portrait of Isabel and Peter Mackay in their wedding clothing. Peter is standing by a seated Isabel who is holding a branch of leaves.

File consists of two identical group portraits (one mounted) showing the Clement family by Green & Co, Berlin, Ont.

Back row: William Pope, Charles Bowlby, Blanche Mildred Clement Kelly.

Front row: Florence Grace, Janie Elizabeth Bowlby, Edwin Perry, Edwin Oliver.

File consists of one group portrait showing members of the Ladies Hospital Auxiliary. Standing: Helen Allister MacKie Lackner, Melvina Emilia Breithaupt Bauman, Hattie Schneider Wegenast, Janie Elizabeth Bowlby Clement, Catherine Hailer Breithaput, Wilhelmine Hartman Rumpel, and Mrs. George Lang.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, and wife Sarah Moyer Wagner.

File consists of one head and shoulders studio portrait of Isabel Mackay in her wedding dress. The upper part of her dress can be seen, and she is holding a bouquet of ferns and carnations and wearing a snake upper arm cuff.

A composite photograph of the graduating class in Arts at the University of Toronto in 1895. This photograph was found with Hervey Bowman's belongings.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

Five stereograms. Two depict humorous marital scenes, one a child putting on makeup, one a humorous scene involving a misunderstanding of the term undressed, and one showing Ontario’s contribution to Canada’s fruit exhibition at the Pan America Exposition.

Head and torso studio portrait of Sophie Emma Schantz seen looking off camera.

Head and torso studio portrait of Ward Malott White seen in profile and wearing a Salvation Army uniform.

One photograph album labelled, "Florence c1907-1911, excel. Alberta." Includes:

Snapshots taken at the Orpheus Moyer Schantz home in Morton Park, Ill., Dec. 1910-March 1911.

Snapshot of Ruth Schantz with Dorothy Etta Russell (nee White), May 29, 1900.

Two group portraits with identifications, 1908: possibly Woolworth Co. employee picnics.

Portrait of Rebecca V.L. Krampene (Laschinger), New Hamburg and "A nook at River View, 1906". Also wedding of Beatrice Laschinger in New Hamburg, Jan. 1908 [also in another album, unidentified].

Photographs taken at Arthur Benjamin Schantz's homestead in Alberta in 1908-1912: includes snapshots of Arthur with his dogs, Austin Tobias Schantz, livestock including turkeys, angora goats, hogs, horses, Arthur's homestead shack, Arthur and Florence Annie Catherine Schantz with horses and wagon, interior of homestead shack with Arthur Benjamin Schantz and Florence Annie Catherine Schantz, "Threshing in March 1912" [faded], Reed family, "Prairie fire" [badly faded], Austin Tobias Schantz and homestead shack.

Photographs of places including panorama of Salmon Arm, B.C., Calgary, Alberta.

Portrait: Sophie Emma Schantz, May 4, 1912.

Photographs taken at Lionel Bricker farm [Alberta?], 1910-1912: Menno Bricker with horses, grandchildren Marjory and George, Bricker children posed with fields behind.

Photographs taken of Tuggle family in Alberta, 1912, in fields with stooks, also of "Thanksgiving at Swingles, Oct. 30, 1911."

Photographs taken at Wetaskawin, Saskatchewan: Cousin Bennie Schantz: family in front of "Model Bakery, " fishing.

Portrait taken at High River, Alta., Aug. 1909: Percy Robinson, W.H. Dickinson, Milton Eby, Serena Eby, Ida Dickenson, Lala Hart, Edna Weber, G.A. Frerks.

Photographs taken at Orrville, Ont.: "White children party." [Note: the family surname was White].

One full body studio portrait of Howard Hutchinson as a small child. Howard is shown standing against a small stool wearing a long dress.

Full length studio portrait of Florence Annie Catherine Schantz and Sophie Emma Schantz seen looking off camera. Sophie is seated on a chair draped in a large fur and Florence is stands to her right with left hand on back of chair.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera.

One head and shoulders studio portrait of Lillian M. Moyer seen looking off camera.

One full body studio portrait of Inez Muriel Martin, aged one year. Inez is showing standing on a chair, wearing a long white gown with lace.

One upper body studio portrait, possibly of Faith Gribble. Photograph is in an embossed green enclosure with a purple interior and reads "With the Compliments of the Season."

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

One full body portrait of Jennie Moyer seen seated outdoors on a barrel and wearing a cap and tweed jacket with leg of mutton sleeves.

File consists of mounted studio portraits of friends (as well as cousins?) of Martha and Ella, predominantly from their time at the Ontario Ladies' College in Whitby. Photographs have inscriptions on verso, most addressed to Martha and some to Ella. Most of the girls and women are identified on verso. Duplicates may be present.

Studio portrait of Lizzie and Jack Schweitzer seen looking off camera with slight smiles.

File consists of one studio portrait of William John Motz. The photograph shows five different angles of William John seated around a table playing cards and smoking.

Contents: file consists of one portrait photograph of Alice Riggs Hunt.

Head and shoulders studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

One full body studio portrait of Leila Vera Hilborn as an infant. Hilborn is shown wearing a cap and gown, and laying on a fur rug.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Upper body studio portrait of Ruth Schantz, four years of age, seen looking off camera.

File consists of mounted miscellaneous snapshots accumulated by Martha Rieder, most of them also probably taken by her. Includes snapshots of Martha and her family and friends, including her daughter Margaret and nieces and nephews; Talmon Henry Rieder is also present in some photographs. Includes snapshots taken at Penetanguishene, at picnics, at a factory, part of a May 24 procession, and other subjects.

Upper body studio portrait of Urban Snyder seen looking toward camera.

Studio portrait of Louis Henry Wagner seen looking off camera.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

Portrait of Levi Nash and Mollie Moyer seated side by side in front of a book shelf inside of a home and looking at camera.

Two identical full body studio portrait of Ruth Schantz, four years of age, seated on a stool with fingers interlaced on top of crossed legs and looking off camera.

One head and shoulders studio portrait of Arthur Schantz.

File consists of three photographs of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener). Two photographs are mounted. Includes one duplicate photograph.

File consists of one group portrait showing William Pope Clement with an unidentified other boy. Both boys are wearing jackets and garrison caps.

Head and torso studio portrait of Arthur Benjamin Schantz seen looking off camera and dressed in a suit and tie.

Head and shoulders studio portrait of Elisabeth Schantz (nee Snyder) seen looking at camera.

One head and should studio portrait of Arthur B. Schantz. Identification from verso.

One upper body studio portrait of Arthur Schantz. Date is based on identical photograph on a different mount found in the collection. Identification from verso.

File consists of two different portraits of John S. and Lydia Anthes and their children and grandchildren. Verso of one photograph contains identification.

Nine mounted snapshots of the family of John S. and Lydia Anthes. Includes photographs of Martha Rieder and Ella Anthes Cook, Ella Anthes Cook and Louisa Breithaupt, J.I. Frank Anthes with Ella and Louisa, John. S. and Lydia Anthes with Louisa and Martha, and John S. Anthes. Some of the photographs were probably taken by Martha with her camera.

File consists of five snapshots of Martha Rieder with friends on a picnic on the Grand River.

A stereograph titled, “Heaven’s Blessing on the Twain” taken by Benjamin Kilburn and mounted by James M. Davis. The stereograph is part of Benjamin Kilburn’s “Marriage series” and depicts a man and a woman asleep in bed with a spectral outline of an angel overlooking them. This stereograph is an example of spirit photography.

File consists of one photograph showing members of the Bowlby family in front of "Liberty Hall", the family home. In the carriage are shown Martha Esther Murphy Bowlby and Janie Elizabeth Bowlby Clement, being pulled by mare Dolly. In front of the home are shown David Sovereign Bowlby, George Herbert Bowlby, Blanche Alexandrine (Adine) Seagram Bowlby, David Shannon Bowlby, and Grace Esther Bowlby Fennell. The photograph was used in "Busy Berlin" in 1897.

One upper body studio portrait of Mary Emma Moyer.

Originally on page 36 bottom left of album 3.

Photograph of members of the Schantz family and friends seen seated together in a residential home.

Back row: Etta Schantz, [Kathryn Ellis]
Middle row: H. Goodwal Dickerman, Charlotte Hayes Moyer, Harry Rollin Moyer, Orpheus Moyer
Front row: Carrie Flagler Schantz, Ruth Schantz, Mary Emma Moyer.

One upper body studio portrait of Mary Emma Moyer seen looking at camera. She is wearing a lace collared top with leg of mutton style sleeves.

One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

One informal group portrait of the Schantz/Flagler family and friends. The family is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers, H. Goodwal Dickerman with Ruth Schantz, Orpheus Schantz.

Portrait of Ruth Schantz at six years of age seen looking at camera and holding head with left arm resting on a table with a potted plant.

File consists of two photographs of Albert Breithaupt, one posing with a rifle over a buck, and one posing with Martha Rieder and a fish he caught.

Photograph of adults and children (including members of the Clement family) on board a steamboat, possibly The Seguin, and standing along boarding dock in Muskoka.

Copy negatives from old photograph. Appeared in Kitchener's First 100 Years, June 22, 1954, p. 5. L-R: Unidentified customer, Louis Sattler, Ed Foerster, A. Heller, H. Bender, as well as a small boy, the future owner.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

One upper body studio group portrait of the four youngest children of Tobias Schantz and Mary Moyer: Florence Annie Catherine, Franklin Abram, Herbert Cecil Palmer, and Arthur Benjamin. Portrait belonged to Sophie Emma Schantz. Identification from verso.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Portrait of Ruth Schantz at six years of age seen looking at camera and with left arm resting on a table with a potted plant.

File consists of two identical group portraits (one mounted) showing the children of Janie and E.P. Clement. Left to right : Edwin Oliver, William Pope, Blanche Mildred, Florence Grace, Charles Bowlby.

File consists of one group portrait showing sisters Florence Grace Clement and Blanche Mildred Clement seen looking at camera. Both are dressed in fur winter coats and hats.

Photograph taken on the way to Penetanguishene from Berlin, of women and children resting on a beach and in horse-drawn buggy. Carrie Breithaupt is seen standing with three children, including John Edward Breithaupt, standing at left. The adults seated in the carriage are likely (left to right) Martha and Louisa Anthes.

File consists of snapshots probably taken by Martha Rieder on a trip she took to Niagara on September 1, 1898 from Toronto on the S.S. Chippewa with her uncle and aunt [Anthes?], Irene [cousin?] and Ella Anthes Cook. Includes snapshots of Niagara Falls, Brock's monument, some of the party having a picnic, and other scenes from the trip.

Formal portrait of Norm Schneider and Alfred Schneider Gofton. They are dressed in overalls but are wearing shirts and ties. Includes a note on the verso of the photograph about Alfred Gofton's relationship to Norm Schneider.

Fully body studio portrait of Norm Schneider and Alfred Schneider Gofton. Norm is standing with arm on Alfred's shoulder. Both are wearing coveralls with a shirt and tie underneath.

Head and torso studio portrait of siblings Florence Annie Catherine Schantz, Franklin Abram Schantz, Herbert Cecil Palmer and Arthur Benjamin Schantz.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

Snapshot of an unidentified child sitting on a porch with arms around dog and looking at camera.

Full body photograph of Annie Piggott, age 13, seen standing with arms at side in front of a door covered with a wool blanket.

Photograph of Schantz family members and friends outside of the home of Mrs. McNamee, who lived in Morton Park along with the Schantz's. The group is see at the side of a house standing between a three trees.

Back row: Sophie Schantz, Arthur Schantz, "Jed" Moore [?], Lor Brown, Orpheus Moyer Schantz, Frank Thompson and Clara Robbins, seen standing with a bicycle built for two.

Middle Row: Carrie Flagler Schantz, Annie Payne Brown, Mrs. McNamee [?].

Front Row: Marshall Dutton, Ruth Schantz, Edwina Meaney, Laura Gardin, Robert Brown, Geradline Meaney.

Copy negative from old photograph., appeared in K-W Record Supplement, Kitchener, a Busy City, June 9, 1962, p. 61. L-R: George Seiler, a neighbour, Irvin Durst, H. Bender, Louis Sattler.

File consists of mounted snapshots taken at Bayview, the cottage of Louis Jacob Breithaupt, near Penetanguishene. Includes snapshots of the cottage and people on the lawn of the cottage, people canoeing, and a boat house labelled as "the ark." File also includes a group photograph taken on the lawn outside the cottage. Some photographs probably taken by Martha Rieder.

One upper body studio portrait of Edmund Warren Moyer seen in profile.

One upper body studio portrait card photograph of Mollie Moyer (wife of Levi Nash Moyer). Identification from verso.

Full body photograph of Jennie Piggott, age 11, seen standing with arms at side in front of a door covered with a wool blanket.

Full body studio portrait of James Robert Shantz (nephew of Tobias Schantz) and wife Elisabeth seen looking at camera. James is seated in a wicker chair with Elisabeth standing at side.

Head and shoulders studio portrait of possibly of Minerva Alverta Rinehart seen looking at camera.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

Photograph of Ruth Schantz on an illustrated mount. The photograph consists of four separate shots of Ruth in different poses that have been developed together as one photograph and mounted on a large board around which Carrie Flagler Schantz has painted pink flowers. The mount is dated September 30, 1899 and includes two lines from the poem, Seven Times One by Jean Ingelow: “I've said my seven times over and over; Seven times one are seven.”

Upper body studio portrait of possibly of Sophie Schantz seen looking at camera.

Head and shoulders studio portrait of Ruth Schantz seen in profile with a ribbon in hair.

File consists of three studio portraits and a snapshot of Emma Kaufman, and one studio portrait of Emma and Alvin R. and with three unidentified people. Some portraits are mounted.

File consists of one group portrait of Florence Grace Clement and cousin [?] Dorothy Pearson Seagram.

File consists of four mounted photographs (plus duplicates) of artesian wells, probably located near the pumping station at Shoemaker's Lake. Two of the photographs show two men near the wells, and one photograph shows 10 men gathered around a well and the drilling rig.

One upper body studio portrait of Florence Annie Catherine and Sophie Emma Schantz. A more relaxed pose, Sophie has her arm around Florence and Florence is wearing glasses. Photograph was originally owned by Florence.

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Studio portrait of William Pope Clement and Florence Grace Clement seen looking at camera, wearing coats and hats.

File consists of a mounted photograph of 12 men (probably including the water commissioners) standing around an artesian well and drilling rig in front of the pump house at Shoemaker's Lake.

File consists of photographs, most of which were likely taken by Martha and her friends, documenting aspects of her time as a student at the Ontario Ladies' College in Whitby. Includes mostly snapshots of Martha's friends and roommates taken at the college on the grounds and in their dorm rooms. File also includes a two studio portraits.

Mostly groups of girls having fun e.g. 'pillow fight,' etc.; sweet photo of the 4 roommates (Martha, Ella, Lucy Edkins, Zella Dexter).

File consists of a mounted photograph of 12 men (probably including the water commissioners) standing around an artesian well and drilling rig at Shoemaker's Lake.