Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

One photograph of Christian K. Schantz, wife Mary (Hutchinson) Schantz, five of their children and two dogs in front of their homestead south of Wetaskiwin, Alberta.

Head and shoulders studio portrait of (left to right) siblings Worth and Ruth Schantz with cousin Dorothy White. Ruth is wearing eyeglasses and both she and Dorothy are wearing hair ornaments.

Full length studio portrait of Etta and Sophie Schantz with friends. Etta is seated at left and Lavina Detweiler, Sophie and Nancy Eby are seen standing. Maggie Eby is also seated, on a higher chair at right, and Noah Eby is seated on the ground at the centre of the group. The women are wearing three story, or flower pot hats, while Noah's bowler hat lies on the ground next to him. The women are holding either parasols or cedar boughs. Identification from verso.

Photograph of the Schantz family taken in front of the Schantz home at 43 Schneider Avenue in Kitchener, Ontario. Left to right: Walter Spelman (holding Dorothy Spelman), Ruth Schantz (with Walter Bishop Spelman and Margery Ruth Spelman), Orpheus Moyer Schantz, Carrie Flagler Schantz, Sophie Schantz, Florence Schantz, Mary Moyer Schantz, Dorothy White, Worth Schantz.

Photographs of unknown Schantz Russell extended family members. Everyone in the photos is white with the exception of one studio portrait of Black child taken in Chicago, Illinois.

One group portrait of some of the students of the Toronto Normal School, possibly those in Kindergarten-Primary section as well as parents and friends.

Back row: Ray Weldon, Helen Lockie, Rowena Stringer, Verna Frazer, Dorothy White, Christine [?], Unknown, Unknown, Glenny Bannerman.

Middle Row: Kathleen Frizzle, Unknown, Mrs. (Bishop) Stringer, Mrs. Bannerman, Margaret Flarity.

Front Row: Joy Connel, Marjorie Dougall, Grace Longworth.

Mrs. (Bishop) Stringer is the mother of student Rowena Stringer and wife of the then Bishop of York. Mr. and Mrs. Bannerman were a couple that Dorothy boarded with while attending the Normal School and Glenny is their son. The other girls in the image are friends and classmates of Dorothy's. Identifications from verso.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

Snapshot of (left to right) Dorothy, Margery Ruth and Walter Bishop Spelmen as children standing on the running boards of a Cole 8 car.

Two snapshots of the Schantz's Cole 8 car, one with Worth Flagler Schantz driving.

Studio portrait of Jacob Nash Moyer and family seen looking at camera. Left to right: Evelyn M. Moyer (age 9), Frances M. Moyer (age 14), Jacob Nash Moyer, Willard White Moyer (age 16), Mary Miller Moyer, Richard Moyer (age 12) and Winifred M. Moyer (age 7).

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

One upper body studio portrait of Mary Schantz (nee Moyer).

Originally in page 3 of album 1.

One upper body studio portrait of Sophie Emma Schantz. The photograph has been modified so that a border of flowers and birds surrounds Sophie.

Originally in page 11 of album 1.

Head and torso studio portrait of Sophie Emma Schantz seen looking off camera.

Head and shoulders studio portrait of Tobias Kolb Schantz seen looking off camera in partial profile.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Originally in page 21 of album 2.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

Head and shoulders studio portrait of George Shantz and Mary Nellis seen seated side by side and looking at camera.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

Studio portrait of Josiah Kolb Shantz with wife Nancy Kolb Shantz and children Eliza, Benjamin, Abram, Elo and Lorena. Placement of children not included with identifications. Birth dates of children suggest Eliza and Elo are standing at right and Lorena is seated at left. Benjamin and Abram were born too close together to determine their standing order at left.

Head and shoulders tudio portrait of Josiah Orphus Schantz with wife [Isabella Mae Hutchinson] and an unidentified child, likely Earl Robert Christian, posed between them with hand on Isabella's shoulder.

Upper body studio portrait of Ward Malott White seen in profile.

Full length studio portrait of Albert Snyder and wife standing side by side in their wedding outfits.

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Two identical full length studio portraits of Miss. Jessie Thomson seen seated on a chair covered with a fur and looking at camera. Enclosed is a calling card of Miss. Thomson with the inscription "With love all & best wishes for the new year."

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Upper body studio portrait of Worth Schantz seen looking at camera with arms crossed.

One full body studio portrait, identified on verso as Mrs. Mary Schantz. Woman is standing to the side of her husband who is seated in a large dining chair. It is unclear if the identification on the verso refers to the woman in the photograph, or the owner of the photograph.

Full body studio portrait of James Robert Shantz (nephew of Tobias Schantz) and wife Elisabeth seen looking at camera. James is seated in a wicker chair with Elisabeth standing at side.

Portrait of Ruth Schantz at six years of age seen looking at camera and with left arm resting on a table with a potted plant.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Upper body studio portrait of possibly of Sophie Schantz seen looking at camera.

Studio portrait of an unidentified adult with three children. The adult may be Faith Snider with children (left to right) Ralph Edward, Gertrude Mabel and Elsie Louise.

Group portrait taken during an outing to Elora, Ontario of members of a United Brethren Church group from Berlin, Ontario. The group is seen posed for the camera against a rocky backdrop.

Back row standing: ?, [Aggie Brubacher], Franklin Abram Schantz, Edgar Clemens, ?, ?

Seated middle row: Arthur Benjamin Schantz, Eli Brubacher, ?, [Amos Musselman], Ella Weaver, ?

Seated front row: Sophie Emma Schantz, [Lizzie Musselman]

Photograph of Nell Johnston Flagler and William B. Flagler, posed for the camera, seated on a bench on the side lawn of a residential home.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Full length studio portrait of Ruth Schantz at two years of age seen standing in a long white gown and holding a bough of flowers.

Head and shoulders body studio portrait of Sophie Emma Schantz seen looking off camera in partial profile.

Full length studio portrait of Orpheus Moyer Schantz and Carrie Schantz (nee Flagler). Orpheus is seated in a chair, dressed in a suit, with legs crossed. Carrie stands to his left in a long dress with right hand on back of Orpheus' chair.

Full length studio portrait of Orpheus Moyer Schantz, age 2 years and 5 months. Orpheus is seen seated in a high back chair, dressed in a long gown and jacket.

Three quarter length studio portrait of Solomon Wismer seen looking at camera with legs crossed and left arm resting on side table.

Full length studio portrait of Florence Annie Catherine Schantz and Sophie Emma Schantz seen looking off camera. Sophie is seated on a chair draped in a large fur and Florence is stands to her right with left hand on back of chair.

Photograph of Franklin Schantz on the back of a horse posed for the camera in from of a row of trees.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera.

Upper body studio portrait of Portus B. Weare seen looking off camera.

Head and shoulders studio portrait of Clara White seen looking off camera. Photograph has been altered to show Clara in a flower adorned scroll.

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

Upper body studio portrait of Ruth Schantz, seen from the left side with a ribbon in her hair.

Head and shoulders studio portrait of Sophie Schantz seen looking at camera and wearing a top with leg of mutton sleeves.

Upper body studio portrait of Joe Snyder, wife Priscilla, and daughter Martha (age 1). Joe is looking toward the camera and Priscilla is seen looking at Martha.

One group portrait of the Victoria School class of 1915-1916, of which Dorothy White [front row, third from right?] was a student. The group, taught by Mrs. Suter, is seen posed in four rows, grouped by gender, on the front steps of the school.

Upper body studio portrait of Urban Snyder seen looking toward camera.

Photograph of Constance Demaris Spelman, aged five years and nine months, Richard Ogden Spelman, aged four years and eleven months, and Joan Elizabeth Schantz, aged three years. The cousins are seen outdoors seated in a row on a bench.

Studio group portrait of Ruth Schantz with four of her children, possibly Walter Bishop, Margery Ruth, Dorothy, and John Edmonds.

Photograph of Ruth and Worth Schantz. Ruth is seen seated, with right arm over chair arm, and Worth is standing with head in Ruth's lap.

Photograph of Ruth Schantz on an illustrated mount. The photograph consists of four separate shots of Ruth in different poses that have been developed together as one photograph and mounted on a large board around which Carrie Flagler Schantz has painted pink flowers. The mount is dated September 30, 1899 and includes two lines from the poem, Seven Times One by Jean Ingelow: “I've said my seven times over and over; Seven times one are seven.”

Card photograph possibly of the exterior of the Schantz house in Port Elgin, Ontario. Shows a wood frame house with a porch and a wooden fence. Standing out front are one adult and five children, one of whom is holding a bicycle.

One snapshot showing Ruth Schantz holding her newborn cousin Dorothy Etta Russell (nee White) in a family home.

Originally in page 24 of album 1.

Photograph of Ruth Schantz seated in a wooden chair holding and looking down at infant cousin Dorothy Etta Russell (nee White). An organ and baby carriage are visible in background.

One snapshot of Ruth holding her newborn cousin Dorothy. Image of the children is only 5 cm (diam) surrounded by a border of leaves. Photograph is possibly a photogram.

Upper body studio portrait of Worth Schantz seen looking off camera.

One upper body studio portrait of Tobias Schantz.

Originally in page 20 of album 2.

Head and shoulders studio portrait of Ruth Schantz seen looking at camera with a slight smile.

Two identical full body studio portrait of Ruth Schantz, four years of age, seated on a stool with fingers interlaced on top of crossed legs and looking off camera.

Upper body studio portrait of Ruth Schantz, four years of age, seen looking off camera.

Upper body studio portrait of Orpheus Moyer Schantz seen looking at camera.

One head and shoulders studio photograph of Tobias Schantz in his later years.

Full body studio portrait of Worth Schantz, age twelve weeks. Worth is seen propped in a chair wearing a long white gown and looking toward camera.

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

Two identical head and shoulder studio portraits of Tobias Schantz with long beard seen looking at camera.

One tintype studio portrait of Sophie Schantz (seated at right) with friends Amanda (last name unknown) and Faith Gribble (standing).

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Photograph of Schantz family members and friends outside of the home of Mrs. McNamee, who lived in Morton Park along with the Schantz's. The group is see at the side of a house standing between a three trees.

Back row: Sophie Schantz, Arthur Schantz, "Jed" Moore [?], Lor Brown, Orpheus Moyer Schantz, Frank Thompson and Clara Robbins, seen standing with a bicycle built for two.

Middle Row: Carrie Flagler Schantz, Annie Payne Brown, Mrs. McNamee [?].

Front Row: Marshall Dutton, Ruth Schantz, Edwina Meaney, Laura Gardin, Robert Brown, Geradline Meaney.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Two dry glass plate negatives. One shows a marble bust of Sir John Alexander Macdonald, seen in partial profile, and the other shows a copy of the Ladies Home Journal. Both were originally housed in a box of "Stanley" brand dry plate negatives.

Nine dry glass plate negatives showing various images. Five of the plates show images of Arthur Schantz, Eli Brubacher and Herbert Schantz, Franklin Abram Schantz and Edgar Clemens that are recognizable from positives elsewhere in the fonds. They are possibly from when Arthur was working for Schneuker photography studio. The remaining images are of unidentified portraits. Images were originally housed in a box of "Stanley" brand dry plate negatives.

Nine glass plate negatives showing a variety of images. Included are landscapes of a forest, a lake and a creek, possibly taken in Victoria Park, as well as an image of a rose, of a woman standing in a dress, and a postmortem image of a coffin with a deceased man in it.

Full body studio portrait of Joan Elizabeth Schantz, aged four years and eleven months. Joan is seen in a dress with a bow in her hair, seated with legs bent at side.

Portrait of Anna Tomlins Moyer taken outdoors. Anna is shown sitting on a wicker chair with branches behind her.

One photograph album. Includes a list describing each photograph created by rych mills.

Snapshots of family, friends and scenic views taken at Rockwood and Port Elgin, in 1916, 1918, British Columbia, Niagara Falls, Paradise lake, Cressman's Woods, "at Pomeroy's, Bridgeport." Individuals identified include Ruth Schantz and Walter Spelman, Margery Spelman, "Edmonton Cousins", 1917, Edna and Stella [?], Elsie N., Cleveland Ohio, Worth Flagler Schantz, Viola Snyder and Dorothy Schantz [with hair down], Levi Moyer, Eva and Lloyd Pomeroy, Mr. and Mrs. Pomeroy at the O.A.C., Guelph, 1918, Julia Arnew, Gladys Snider, Mr. and Mrs. Elmer Schiedel, Lillian Snider, Annie Kuntz, Barbara Livingston.

Some photographs feature activities such as boiling soap and knitting, playing croquet.

United Brethren Conference at Kitchener in May 1917 (p. 2-5). Snapshots of this occasion are present in previous albums but are unidentified, except for the Alma St. Church sign.

Victoria park and David St./Schneider Ave: winter scenes including people on skis and snowshoes.

Schoolmates, teachers and school activities: Field day at K.C. I., 1917 : Miss Boyd, Miss Jones, Miss De Guerre, Miss Barber [all outdoors at field day], Eileen Clark, Alma Rieder, high jump.

Loose photos originally a part of Album #1 [GA91-2003accrual-5-157]. File includes a list describing each photograph created by rych mills.

Photographs 3, 5-9, 11-14, 19: Victoria Park.

Photograph 10, 18: Dorothy and Clarke Russell and Clarke's sister posing in bathing suits.

Photograph 12: Clarke Russell playing the guitar.

Photograph 10-16: Waves breaking.

Photograph 10-17: Laura Reichold and Dorothy Russell, Highgate, July 1924.

Photographs 20-21: Suddaby School Kindergarten class pictures, identified.

Photograph 22: C.F.C.O., Chatham Ont. : postcard.

One photograph album. Includes a list describing each photograph created by rych mills. Some photographs identified.

Albums contain snapshots of Dorothy Russell and classmates at the Toronto Normal School, friends and relatives in various locations, including Cleveland, Ohio, Chicago, Illinois, Grimsby, the reservoir (Toronto), Scarborough Bluffs, Sarnia, Niagara Falls, Rockwood, Woodstock, Parry Sound, Kettle Point, Ipperwash Beach, and Port Dover, Ontario. Includes many snapshots of Victoria Park, Schneider Ave. and David St. in Kitchener. Includes a snapshot of a car crashed through a bridge railing, of a river in flood, Swartzentruber Lake near Baden, King St. Kitchener from Frederick St. towards Walper Hotel, Merchants' Bank of Canada (Bank of Montreal) at King and Queen St. N., with streetcar and snapshots of a wedding party.

One photograph album. Includes a list describing each photograph created by rych mills. Some of the photographs are duplicates of items in previous albums. Many photographs are unidentified. Identified photographs include:

Snapshots of Elora, Rockwood (May 24 and Aug., 1916), Victoria Park, the Schantz reunion in 1913, Arthur Benjamin Schantz's homestead in Alberta, Schantz home, Schneider Ave, Kitchener, Ont., Schantz family portraits and snapshots which include Arthur Benjamin Schantz, Austin Tobias Schantz and Herbert Cecil Palmer Schantz, Orpheus Moyer Schantz home and family in Morton Park, Illinois, Levi Moyer.

Port Elgin snapshots include people swimming, walking on the beach, and snapshots taken on the reserve of the courthouse, jail, church and school Masset, B.C. : totem pole, 1911 (p. 2).

Schantz, Austin Tobias: hogs, 1912 (p. 2).

Steckle farm: Dorothy Etta Russell and Worth Flagler Schantz with dog, 1910, (p. 8). Also "At Henry Steckle's farm", 1916: group shot of Edna Steckle, Florence Annie Catherine Schantz, Sophie Emma Schantz, Aunt Carrie (Cornelia Caroline Schantz). Includes a shot which shows the whole front of the house, with chairs and hammock on porch (p. 74).

Old "Jacob Bowman" farm, Freeport, Ont., 1911 (p. 9).

Gofton, Mrs. and Ella Gofton (p. 17).

Christian and Josiah Schantz (p. 19).

Kolb family: turkey, Oliver and Grace (p. 19).

Snyder, William : "drawing room at William Snyder's, Waterloo" [ornate interior] and Elsie Snyder in Park, Waterloo, Ont. (p. 27).

Grand River: women and children wading "behind Kolb farm", Aug. 1914 (p. 31).

Bowers cottage, Port Elgin (p. 53).

Victoria Park Pavilion fire, 1916 (p. 56-57).

Bridgeport Casino, 1916: Junior Endeavour picnic (p. 58-59).

Victoria school class picture, 1916: teacher, Mr. S. H. Suter (p. 69).

Camp at Carling Heights, London, 1916 [military] (p. 69).

One photograph album. Includes a list describing each photograph created by rych mills.

Consists primarily of snapshots belonging to Dorothy Etta Russell (nee White), before and after her marriage to Clarke Russell. Includes one formal portrait of "The Nash sisters": Mary, Susie, Elizabeth, Debbie, Priscilla, ca. 1880's (p. 1).

Family members and friends included in posed and informal snapshots include Mary Moyer Schantz, Tobias Schantz, Austin Tobias Schantz, Ward Malott White, Franklin Abram Schantz, Orpheus Moyer Schantz, Dorothy Etta Russell, Clarke Russell, Sophie Emma Schantz, Florence Annie Catherine Schantz, Mr. and Mrs. Ernest Russell, Eva Kolb, Worth Flagler Schantz, Emily Schantz, Verna Fraser, Helen Lockie, Inez Martin, Mrs. E.H. Schiedel, her son Elmer Schiedel and daughter-in-law Nellie, Mrs. Elizabeth George.

Also includes snapshots of groups of individuals (identified on the packs of tipped-in snapshots) taken during the 1930 Schantz family reunion: Detwiler, Schiedel, Snyder, Bingeman family members, Phranie Bingeman, Mr. Yocum, and during the Hilborn Reunion, July 1-9, [192-?].

Also includes snapshots of White family members and homes: Ward Malott White on his visit to Dundas, Leamington and Kitchener from Chilliwack, B.C., Ada, Edna, Ruth, May and Elmer White, Malcon, Mr. and Mrs Lye, Maple lake and Orrville [Parry Sound area], White house in Orrville, horses in lake at Orrville, people swimming.

Locations and structures include Kitchener Cenotaph (p. 9), "Dr. Hilliard's garden" (p. 13), log schoolhouse, Waterloo Park (p. 17), Pioneer Tower, (p. 30), Schantz House, Conestogo (p. 34), Euler House (p. 34) [both of these are of old structures in disrepair], Bridge across river at Conestogo and Grand River at Conestogo (p. 43), Grand River in flood (p. 65-66).

Snapshots taken after Dorothy and Clarke's marriage include: White family gravestones in Leamington, Ont., Clarke Russell in uniform on his motorcycle, Lake Erie [swimming], Tecumseh Park, Chatham, Dorothy playing the ukelele and the Hawaiian guitar.

Victoria Park snapshots: statue of Queen Victoria, winter views, Dorothy paddling a canoe, the new Victoria Park Pavilion, glue factory ruins[?], Dorothy and two friends with snowshoes and in britches, visit of Duke and Duchess of Devonshire and daughters Lady Blanch and Dorothy Cavendish at Victoria Park, June 13, 1918 [snapshot of platform, no dignitaries?] (p. 64).

F.W. Woolworth Co. picnic: includes Mr. Emil Wagner, manager, and family, employee group portrait, Gertie Kruse, Marjorie Blin[?]kho.

P. 81: Inez Martin.

P. 91 Sophie and Mrs. Lye knitting (on beach).

One photograph album. Includes a list describing each photograph created by rych mills.

Photograph 1: enlargement of Dorothy's face from an early portrait.

Photographs 2-3: snapshot and photograph taken by Orpheus Schantz at McGregor, Iowa.

Photograph 4: snapshot of Viola Snyder.

Photograph 5: snapshot of Frank and friends.

Photographs of various members of the Moyer and Nash families. Included is an image of Jesse Gross Moyer with wife Anna Tomlins Moyer, nieces Metta and Bertha Moyer, son Herbert Moyer, daughter-in-law Anna Talcott Moyer, Grandchildren Harold and Marjorie Moyer and unidentified other child. As well, there are two images of Jesse and Levi together as well as individual images of Willifred Moyer Curtis and husband E. Mitchell Curtis. The images were taken in 1917, 1924 and 1932 in Cedar Falls, Iowa and Kansas City, Kansas. Identification from verso and recto.