File consists of eight studio portraits of Paul Rieder as a baby, toddler, and youth. Duplicates are present.

File consists of two photographs taken at the wedding of Paul Rieder and Dorothy Scheifele. Includes a portrait of Paul and Dorothy, and a portrait of the wedding party.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.

Upper body studio portrait of Peter Rieder seen looking at camera.

Full body studio portrait of Peter Rieder standing and looking down at a newspaper with an umbrella hanging from left arm.

Head and torso studio portrait of Peter Rieder seated and looking at camera.

File consists of two studio portraits of Peter Rieder.

Full body studio portrait of Peter Rieder standing and looking forward with left hand on a carrying case and right hand holding an umbrella.

Series consists of material accumulated by Peter Rieder relating to taxes paid in Saskatchewan and Alberta. Includes correspondence, tax notices, and tax receipts.

File consists of nine portraits (cartes-de-visites) of members of the Rieder family, seven men and two women, possibly the parents, aunts and uncles of Peter Rieder. Some portraits are identified on verso: Christian Rieder, Sam Rieder, Dan Rieder, and Peter Rieder (d. 1858).

Upper body studio portraits of Emeline Rieder and Peter Rieder seen looking at camera. The photos are inside a double panel photographer mount with decorative patterns around the photos.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

File consists of studio portraits of Peter and Emeline Rieder. Includes one portrait of Peter and Emeline together, and one portrait of each individual mounted together. One duplicate is present.

File consists a studio portrait of Peter and Emeline Rieder with five of their children, probably Talmon Henry (standing back centre), Elmer, Maude, Idella, and Loretta.

File consists of two copies of a group portrait of Peter and Emeline Rieder on their 50th wedding anniversary, with their children and grandchildren. The group is seen standing and seated in rows inside of a residential home.

Head and shoulders studio portrait of Sam Reider seen looking off camera.

Snapshot of Talmon Henry Rieder.

File consists of 14 studio portraits of Talmon Henry Rieder, including one carte-de-visite. Duplicates are present. File also includes several copies of printed reproductions of a portrait.

Series consists of material created and accumulated by Talmon Henry Rieder relating to his personal life and his career, as well as material accumulated by Martha Rieder during the process of settling Talmon's estate. Material relating to Talmon's career pertains to his involvement in the Canadian Consolidated Rubber Company, Canadian Consolidated Felt Company, and Ames Holden McCready, as well as with the Westmount Improvement Company.

Series contains material relating to the construction of the Rieder house at 610 Belmont Avenue, Montreal; the vulcanization of rubber; the formation of the felt syndicate; and Talmon's property in Calgary. Includes:

• incoming and outgoing correspondence;
• agreements and other legal documents;
• diaries;
• ephemera;
• life insurace applications and policies;
• company newsletters (Foot-prints and The Dominion from the Canadian Consolidated Rubber Company, and From the Ground Up from Ames Holden McCready);
• membership cards, certificates, and other personal documents;
• clippings;
• ms. notes;
• estate statements;
• a prospectus (Westmount); and
• other material.

File consists of two portraits of Talmon Henry Rieder.

Studio portrait of an unidentified adult, probably R.E. Jamieson, General Sales Manager of Canadian Consolidated Rubber Company, seen dressed in a suit and tie and looking off camera.

Unidentified informal group photograph of Talmon Henry Rieder (standing centre) posing with eight other men.

File consists of studio portraits of buisness associates of Talmon Henry Rieder, probably accumulated by him throughout his career. Some portraits are identified by autograph or on verso. Portraits include:

• [T.H. Todd?],
• Mr. Ashcroft,
• A.E. Massie (St.John Division Manager, Canadian Consolidated Rubber Co.),
• Pearl Y. Smiley (General Footwear Factor Manager, Merchant's Rubber Co.),
• R.E. Jamieson (General Sales Manager, Canadian Consolidated Rubber Co.),
• Ralph Dilworth,
• E.C. Kabel (Manager, Dominion Tire factory and President of Kitchener Manufacturers' Association),
• Aaron D. Weber (Vice-President and General Manager of the Canadian Consolidated Felt Co.), and
• a man from the James Robertson Co. of Montreal.

Two portraits of Talmon Henry Rieder with two friends, Aaron D. Weber and [?] Marshal.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with right arm on back of Martha's chair and the other in his front pant pocket.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.Studio portrait of Martha Anthes and Talmon Henry Rieder, both seen standing in wedding dress and suit.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair looking toward camera. Talmon, dressed in suit with a three-quarter length jacket, is seen in partial profile standing at Martha's side with arms at back and looking off camera.

Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.

File consists of two wedding portraits of Talmon Henry Rieder and Martha Anthes.

File consists of a brochure from Rigo & Co., a manufacturer of artistic furniture, glass, chandeliers, mirrors, mosaics, etc. in Venice, Italy. Contains a fold-out map of Venice showing the location of Rigo & Co. and photographs of the merchandise. Item probably belonged to Ella Anthes, acquired on her trip to Europe.

Upper body studio portrait of unidentified woman seen looking slightly off camera and wearing a hat.

Photograph of a large windmill in a grassy field with a wooden fence and dirty road in foreground. Photograph is a sample produced by the Eastman Kodak Company showing the quality and size of picture made with the Bullet and Bulls-Eye cameras.

File consists of a class portrait. Martha Rieder is seated in the second row from the bottom, third from right. Ella Anthes is seated second from left, at front.

File consists of a scrapbook kept by Ella Anthes Cook. Includes manuscript poems, proverbs, and facts, and newspaper clippings (mainly poems and general humour and knoweldge). Some items are loose between pages. Many pages are blank.

Letter from Jacob Anthes to his parents, Martin and Catharine that begins with an update about a blessed assembly and extended meeting at Brother Bittner's. He shares that his wife Magdalena has been unwell for some time, but remains cheerful, and notes that he wants to fetch Katharina Weber to server her. He also shares that Magdalena David, currently in Berlin, is expected in the next week. He concludes by asking that Heinrich be told to come to Sebringville to wed and that J. Wolf be advised to hold off selling half the wheat.

File consists of flyers, correspondence, and newspaper clippings sent to J.I. Frank Anthes regarding investments in securities and bonds.

File consists of a keepsake box and sewing kit received by Martha Rieder for Christmas, 1892, from John and Carrie Breithaupt. Box is red velvet with a painting of two birds on the top (painting cracked and flaking off in some places). Contents of the box include:

• sewing kit items (needle case, needle, hook, thimble, etc.),
• pin cushion for displaying trinkets,
• 2 trinkets (birch bark canoe, souvenir of [?] tower),
• small paper fan with painting of matador and bull,
• mother of pearl bottle with decorative metal trim and cork stopper (scent flask?),
• clam shells attached with metal hinges and painted with flowers (souveinr of Niagara Falls [?]; paint flaking off; containing some type of fragrant material?),
• red velvet coin purse with leather interior containing a miniature pocket knife and coins (5 cents Canadian 1902, 5 cents US 1895, 25 cents US 1895).

Box also contains ms. note: "Martha M. Anthes, Christmas 1892, from Carrie and John."

File consists of share certificates kept by the Anthes family. Includes certificates for shares owned by John S. Anthes in the Berlin and Bridgeport Electric Street Railway Company (1) and the Berlin and Waterloo Street Railway Company (3); and certificates for shares owned by H. Milton Cook in Upper Canada Mines Ltd. (2), Malartic Gold Fields Ltd. (2), Triad Oil Co. Ltd. (1), Canadian Astoria Minerals Ltd. (1), and Canadian Atlantic Oil Co. Ltd. (1).

Also present are two letters, a memorandum, and manuscript notes regarding the shares. File also includes an manuscript list entitled "Anthes strong box contents," which includes the share certificates as well as documents relating to property transactions.

Upper body studio portrait of Lillian Southgate and Nettie Morris seen looking at camera, dressed in jackets and fancy straw hats.

File consists of three mounted photographic reproductions, possibly acquired as a souvenir by Ella Cook during her trip to Europe. Titles are: Ploughing in Nivernais (by Bonheur), Early Morning (by Bernier), and Le Pecheur (by E. Minet).

File consists of one guide published by St John Ambulance during the first world war. The guide gives instructions on how to make various garments and supplies to send overseas to troops. A knitting pattern has been hand written on the back of the guide.

File consists of studio portraits, most of which were probably accumulated by Martha Rieder and possibly Talmon Henry Rieder. Portraits are of families, children, men, and women, probably family members and friends of Martha, Talmon, and the Rieder and Anthes families. Some photographs include a date and/or caption on verso. People identified are:

• Jane Anthes,
• Jozo Takano (missionary),
• cousin Ruth,
• Helena Esther Breithaupt (Duffield),
• Willie & Arthur,
• [Rev. Burn?] family,
• May Wing family (Evelyn & Hugh),
• Margaret Parry,
• Parry family,
• Laurie L. Anthes,
• Mildred Wood Sweet,
• Aunt Emma Wilkin (Simpson),
• W.W. Nash, and
• J.E. Bilger.

File consists of studio portraits, most of which were probably accumulated by Martha Rieder and possibly Talmon Henry Rieder. Portraits are of families, children, men, and women, probably family members and friends of Martha, Talmon, and the Rieder and Anthes families. Some photographs include a date and/or caption on verso. People identified are:

• Jane Anthes,
• Jozo Takano (missionary),
• cousin Ruth,
• Helena Esther Breithaupt,
• Willie & Arthur,
• [Rev. Burn?] family,
• May Wing family (Evelyn & Hugh),
• Margaret Parry,
• Parry family,
• Laurie L. Anthes,
• Mildred Wood Sweet,
• Aunt Emma Wilkin (Simpson),
• W.W. Nash, and
• J.E. Bilger.

Several duplicates are present.

File consists of personalized gift tags sent with flowers received by Martha Rieder upon the death of Talmon Henry Rieder.

File consists of personalized gift tags sent with flowers and a telegram received by Martha Rieder during Talmon Henry Rieder's illness. File also includes an manuscript list of flowers and telephone calls received, and an manuscript draft of a telegram sent by Martha to H.Milton Cook regarding Talmon.

File consists of ca. 80 letters and telegrams received by Martha Rieder upon the death of her husband Talmon Henry Rieder. Letters are from family members, friends, neighbours, and colleagues of Talmon Henry Rieder. Most letters include envelopes; stamps have been removed.

File consists of ca. 80 letters and telegrams received by Martha Rieder upon the death of her husband Talmon Henry Rieder. Letters are from family members, friends, neighbours, and colleagues of Talmon Henry Rieder. Most letters include envelopes; stamps have been removed.

File consists of ca. 80 letters and telegrams received by Martha Rieder upon the death of her husband Talmon Henry Rieder. Letters are from family members, friends, neighbours, and colleagues of Talmon Henry Rieder. Most letters include envelopes; stamps have been removed.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

File of material relating to taxes paid by Peter Rieder in the Regional Municipality of Tullymet, Saskatchewan, and in the Grangedale School District and the Municipal District of Gilt Edge in Alberta. Includes correspondence, tax notices, tax receipts, etc.

File consists of six telegrams received by Martha Rieder from Talmon Henry Rieder. Also present is a telegram from Talmon Henry Rieder to F. H. Rieder [possibly an error].

File consists of the book by R.A. Torrey, The Gist of the Lesson : A Concise Exposition of the International Sunday School Lessons for the Year 1902. Includes manuscript notes throughout by Talmon Henry Rieder. Enclosure: delegate ribbon for Y.M.C.A. convention, Brantford, 1898.

File consists of The Prize Winner (vol. 1, no. 3), a monthly published in Waterloo by The Prize Winner Publishing Co. The journal describes itself as "a journal of choice literature, devoted to the improvement and amusement of the family circle." Contains a write-up about the wedding of John C. Breithaupt and Caroline (Carrie) Anthes.

File consists of six snapshots of Martha Rieder with friends playing in the snow and and sitting on a wooden structure labelled on verso as "toboggan slide, Westmount Boulevard." Snapshots probably taken by Martha; some belonged to Ella Anthes Cook. Duplicates are present.

File consists of snapshots taken inside the Ontario legislative building at Queen's Park in Toronto, probably by Martha Rieder.

File consists of snapshots probably taken by Martha Rieder on a trip she took to Niagara on September 1, 1898 from Toronto on the S.S. Chippewa with her uncle and aunt [Anthes?], Irene [cousin?] and Ella Anthes Cook. Includes snapshots of Niagara Falls, Brock's monument, some of the party having a picnic, and other scenes from the trip.

Studio portrait of Effie Schmidt Tulloh seen standing with right hand at back and looking off camera.

Upper body portrait of an unidentified seated adult holding an infant, dressed in an white gown, upright on side of chair. Both are seen looking at camera.

Full body studio portrait of unidentified adult standing with right hand on top of a book placed on table at side.

Head and shoulders portrait of an unidentified woman looking over left shoulder, off camera, with a smile on face.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Head and shoulders studio portrait of an unidentified adult.

Unidentified adult looking at camera,d wearing a fancy hat and fur collar.

Studio portrait of unidentified adult looking at camera, wearing a fancy had and fleece lined, collared jacket.

Head and shoulders studio portrait of unidentified bearded adult seen looking off camera.

Head and torso studio portrait of unidentified adult seated in arm chair.

Head and shoulders studio portrait of an unidentified adult, possibly a Della Rieder, looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Head and shoulders studio portrait of an unidentified adult seen looking at the camera with a slight smile on face.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Head and shoulders studio portrait of unidentified adult seen looking off camera.

Head and torso studio portrait of unidentified adult seated with right hand on thigh and left arm propped on table at side.

Head and shoulders studio portrait of an unidentified adult seen looking at camera.

Studio portrait of two unidentified women seen looking off camera.

Full length studio portrait of two unidentified adults seen looking at camera. One is wearing a floor length white dress and the other is seated in a high-based armchair at right.

Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.

Upper body studio portrait of two unidentified adults seem looking off camera.

Studio portrait of two unidentified adults. One is seated and looking off camera with legs crossed and the other is standing with left hand on the other's shoulder, looking off camera in the opposite direction.

Portrait of unidentified child in jacket and tie, with hair parted at side.

Fully length studio portrait of an unidentified child looking toward camera with right hand resting on the arm of a chair positioned at back. Their right ankle is crossed in front of the left and they are holding a rolled up document in their left hand.

Full length studio portrait of a young unidentified child seen looking off camera and dressed in a button up outfit with a lace collar.

Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.

Full length studio portrait of four children, possibly siblings, seated at various heights and looking at camera. Two of the children have large bows in their hair, another is wearing a suit with mid-leg high socks, and the third, an infant, is dressed in a white gown.

Studio portrait of two unidentified children. One is seated in a chair and smiling at something off camera and the other is seated at a table playing with a metal building set.

File consists of a portrait of an unidentified group of women. Included in the group are Ella Anthes Cook and other women identified on verso by surname only: Kaufman, Bender, Bilger, Augustine, and Holman.

Standing (left to right): ?, ?, Holman, Edna Louise Augustine, ?, ?

Seated: Bilger, Bender, Ella Anthes Cook, Jean Helen Kaufman

Studio portrait of an unidentified infant seated upright in an armchair and looking toward camera. The child is dressed in an embroidered dress with a lace collar and underskirt.

Full length portrait of an unidentified infant looking off camera and dressed in a white gown.

Full length portrait of an unidentified infant seated in a high back chair, looking toward camera and dressed in a white gown.

Studio portrait of unidentified person seen reading a [chapbook?] about faith.

Head and shoulders studio portrait of an unidentified teenager seen looking off camera.