Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

File consists of one programme for the twelfth anniversary of the Bonar Presbyterian Church in Toronto.

Small notebook with household accounts, expenses associated with Etta's death and burial, lists of expenses associated with "Baby" and "Dorothy", also "North West Accounts" listing expenses for Tobias and Austin in Alberta.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

Head and shoulders studio portrait of W.W. Nash seen looking at camera.

Photograph taken by Jackie Cassell of Norman C. Schneider at a camp on the point on Dundee Dam. Note in scrapbook by Norman C. Schneider: "Photograph taken by Jakie Cassell of our camp on the point on Dundee Dam. My father, J.M. Schneider, hauled our tent and equipment and food out to New Dundee in a horse drawn wagon, the five boys rode out and back on our bicycles. Year about 1902, to the best of my recollection."

Left to right: Mrs. Wing, mother of Ross, Miss Wing, Norman Schneider, Carl Ahrens, Ross Wing, Henry Feick, Milton Detweiler.

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

Studio portrait of Alma Bean. Alma is wearing a bonnet and bib.

One image of log buildings and sleeping dogs at Fort Providence on the Mackenzie River (in the Northwest Territories), 1901.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

Head and body studio portrait of Emma Kaufman seen looking off camera in a white dress and standing with hands at front.

Studio portrait of Charles Campbell McDonald.

Wedding portrait of George Buck and Emma Joachimi [seated?] with Minnie Joachimi and Joe Neeb.

One head and shoulders studio portrait of Annie Bowman, seen looking at camera, that was found with Hervey Bowman's belongings.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

One group portrait of some attendees of the golden wedding anniversary celebrations for Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Full body studio portrait of Russel Nash as an infant seen seated, dressed in white gown with a lace collar, and smiling at something off camera.

Head and shoulders studio portrait of an unidentified adult.

Copy negative of Page 78 of Twentieth Century Number of Busy Berlin showing fire brigade in action at St. Paul's Lutheran Church on Queen St. and a partial view of group portrait. Fire brigade caption reads: "Berlin Fire Brigade (Throwing steam over St. Paul's Church)". Group portrait caption reads: "Another Group of Travellers. W. G. Cleghorn, I. S. K. Weber, A. K. Dunke, J. Voelker, and L. Stuebing."

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

File consists of a wedding portrait of Albert Breithaupt and Louisa Anthes.

Photograph of a houseboat with a Dixie sign at top surrounded by several smaller boats and people relaxing, fishing, etc. John S. Anthes is seated at far left on the deck of the houseboat. Martha Rieder is standing next to him and Ella Anthes is seated on the deck railing, looking toward camera. John Edward Breithaupt may be the child seated on the end of the row boat with a blurry face from moving when the photo was taken.

File consists of two identical snapshots of members of the Bowlby family in Los Angeles in 1901. Includes David Sovereign Bowlby, Martha Esther Murphy Bowlby, Grace Bowlby Fennell and two unknown people. Versos read "Los Angeles May 6, 1901. To dear Mosom with love from Grandma" and "Lose Angelse Cal. May 6, 1901. To dear little Frieda with grandma's love."

Photograph of the visit of the Duke (George VI, King of Great Britain, 1895-1952) and Duchess of York (Mary, Queen, consort of George V, King of Great Britain, 1867-1953) to Berlin, Ontario in 1901. The photograph was taken from behind a crowd and shows dignitaries on a flag-draped platform in front of a train car behind and people are visible on the rooftops of buildings opposite, including Randall & Roos Wholesale Grocers.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

File consist of clippings relating to Toronto.

Photograph of a group of four children sitting down in a hammock, two of the children holding sticks in their hands, taken at the family "Bay View Cottage" in Penetanguishene (Ontario). There is vegetation and a lake in the background.

People in photograph are: John Edward Breithaupt, Frieda Caroline Harris, Carl Louis Breithaupt and Louise Catherine Geil.

Photograph of a group of seven adults sitting down or standing on the bridge over river falls, taken at the Falls in Blackstone Harbor "Where the cow goes over the Moon."

Photograph of two children, one seated and one standing, on a house porch with trees and vegetation in the background, taken at 172 Margaret Avenue. The child that is sitting down has a basket with flowers in her left hand.

According to annotations, children are Grace M. Augustine and Louise Catherine Geil.

File consists of three identical studio portraits (two mounted) of the sons of Janie and E.P. Clement. Left to right are: Edwin Oliver, William Pope, David Ward, and Charles Bowlby.

File consists of a photograph (postcard, blank) of a view of Berlin, taken from a high vantage point, showing several factories and smoke towers.

Studio portrait of Zella Dexter McDonald, seen wearing a hat with a large bow on top.

File consists of one full length studio portrait of Isabel Mackay with an unknown woman. The two are seater side by side wearing elaborate gowns.

Photograph taken during the construction of an unidentified factory in Berlin (now Kitchener), probably the Berlin Rubber Manufacturing Company.

Upper body studio portrait of unidentified woman see looking at camera.

Upper body studio portrait of Evelyn Breithaupt seen looking slightly off camera.

Upper body studio portrait of Louise McEwen McLean looking off camera, wearing a high-collar top with leg of mutton sleeves.

Head and shoulders studio portrait of Emma Ratz Kaufman seen looking off camera.

Advertisement trade card for Armour's Mince Meat and Canned Meats showing an older woman teaching a group of younger women how to cook. Verso reads "It is admitted by every prudent housekeeper, that our Condensed Mince Meat is equal in every respect to the old-fashioned home-made article. Our well known connection with the beef industry, enables us, to put a Mince Meat on the market second to none. We use only the best and purest ingredients, and it is the universal verdict that our product retains its sweetness longer and goes farther than any other brand. Packaged in 12 oz. (net) cardboard cartons. Enough for two large pies. 2 packages for 25 cents. At all first-class grocery stores. Armour and Company, Chicago."

Conqueror wringer advertisement showing three women and one young girl ironing clothes titled "Ironing Day." The young girl is seated at a stool holding up a dress in front of a Conqueror wringer. Verso reads "The Conqueror excels all other wrings in having 1. A forged steel spring, tapered and tempered, and the temper not "drawn" by galvanizing. 2. The extension crank, which gives double power, without loss of speed. 3. Composition metal bearings, which neither rot, rust or wear out. 4. Patent solid white rubber rolls, fastened immovably to the shaft. 5. Malleable iron swivel clamps, which fit either round or stationary tubs. Foote & Gaskill dealers in hardware, agricultural implements, also stoves, hollow ware, house furnishing goods, &c. wringers repaired. Hamilton, New York."

Advertisement trade card for Sapolio showing two women cleaning marble statues with the caption "clean marble with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Agate Iron Ware showing a group of women holding hands in a circle around an iron tea pot. The caption reads "The growing triumph." Verso reads "For sale by Davis, Wright & Co., 41 Main Street, Keene, N.H."

Head and shoulders studio portrait of Charles August Ahrens seen looking off camera.

Postcard of Central School, Berlin, Canada.

Postcard of the old Tassie High School, Galt, Ontario.

Exterior view of Hervey Bowman's home located at 60 Church Street, Kitchener, Ontario by an unidentified photographer. The house is somewhat obscured by trees and an adult, possibly Hervey Bowman, is seen standing at left, behind a row of shrubs.

Photograph of Ruth Schantz seated in a wooden chair holding and looking down at infant cousin Dorothy Etta Russell (nee White). An organ and baby carriage are visible in background.

Upper body studio portrait of Eli Brubacher, seen looking at camera.

One studio portrait of Annie Nash Fry (wife of Samuel Fry) seen looking at camera. Annie is shown late in life wearing a bonnet which ties at her neck, and glasses. Also includes one print of the identical portrait with a poem. Item may be a funeral card. Identification from verso with birth date as 1819 and death as 1903. Identification is uncertain however, as a print with a poem about the woman identifies the woman as Nancy Fry (possibly familiar form of Anna).

Poem reads:

We meet, in thankfulness to-day,
For blessings showered on our way.
May all our hearts with love abound
As once again we gather round
The heartstone of Aunt Nancy.
Vineland, August 9th, 1905.

Studio portrait of an unidentified woman seen looking off camera in partial profile, wearing wire-framed glasses and a high-collar top with large leg of mutton sleeves

A studio portrait of Orpheus Moyer Schantz, Carrie Schantz and Ruth Schantz.

File consists of one manuscript essay on reminiscences of Freeport, Waterloo County from 1867-1873, by M.G. Sherk [i.e. Scherck]. The reminiscences were later published in the Waterloo Historical Society annual volume.

Copy print, taken on the other side of the building shown in GA92-9-73, showing what is possibly a weigh scale for wagons. The domed building is the town hall and the light coloured building in the background is the Kitchener Hotel.

21 glass plate negatives showing people and buildings around the former town of Newbridge, Ontario.

Image of two adults in snow covered woods holding axes on either side of a felled tree.

Image of group of horses and buggies with riders loaded with barrels in a row along the front of a long low building.

Image of two people and a dog standing in a grassy yard in front of a barn and looking toward the camera.

Image of a group of adults and children standing in a wooded area and posed for the camera.

Image of a person seated in the a horse-drawn buggy in a field. A dog is sniffing the ground at right and a house and barn are visible in the distance in the background.

Studio portrait of Louis Jacob Gordon Wagner. Louis is wearing a suit and tie with a pocket square.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting next to a mirror so that his face is visible looking off camera and in profile.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting in front of a mirror, holding up one finger, so that his face is visible looking off camera and in profile.

File consists of one snapshot of William Pope Clement mowing the grass at the family home at 51 Benton St., Kitchener, Ont.

Upper body studio portrait, formerly owned by Blanche Mildred Clement Kelly, Lillian Southgate and Nettie Morris seen looking at camera, dressed in jackets and fancy straw hats.

File consists of 1 aerial view photograph of Seagram plant and surrounding area illustration.

Photograph of the exterior of the C.H. Doerr & Co. Confectionery Works building. A man in a suit and hat is standing in the front doorway and a driver is visible standing on a horse drawn cart piled with boxes at the side of the building.

One photograph of Victoria Park, Kitchener, Ontario, showing the bridge in the foreground. A canoe on the lake is visible in the background.

One photograph of the lake at Victoria Park, Kitchener, Ontario. A number of canoes with unidentified male and female occupants are visible near the bridge and shore.

Studio portrait of evangelists Hugh Crossley and John Hunter. Crossley is seen with legs crossed, looking off camera and paper in left hand. Hunter is seated on the arm of a chair next to him with right arm propped on Crossley's shoulder, looking at camera.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

One upper body studio portrait of Jeremiah Eby. Identification from album.

Upper body studio portrait of Portus B. Weare seen looking off camera.

Upper body studio portrait of unidentified woman seen looking slightly off camera and wearing a hat.

Upper body studio portrait of Mae [?] seen in partial profile.

Studio portrait of Adah Montgomery Forrest seen wearing a high-collared, lace-trimmed top.

Three copies of studio portrait of Norman C. Schneider seen looking off camera dressed in suit and tie.

Image of Ahrens family members seated and standing on the porch of a cottage with a "Berlin" sign affixed to the building siding taken at Grand Bend.

File consists of four advertisement trade cards featuring women and girls working in the kitchen.

Tree Ball Washing crystal advertisement trade card showing an illustration of three women washing, hanging out, and ironing laundry. The women are accompanied by a dog and a bird in a cage. Verso reads "Nellie - mama, shall I go for the washerwoman, as you have been sick lately and are not able to do the washing? Mother - Oh no, my dear child, you just go to our grocer and get me a large 5 cents package of the Three Ball Washing Crystal, it makes washing so easy that no washwoman is required. Manufactured by C.H. Fischer & Co., New York"

Advertisement trade card for the White Mop Wringer Company of Fultonville, N.Y. Serving as a business card for representative M.D. Alger. Recto shows a woman using a mop wringer and the verso shows illustrations of two mop wringers, one for family use and the other for hotel use.

Advertisement trade card for Sapolio showing a woman scrubbing a tub while a baby bathes in a smaller tub with the caption "clean baths with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tin pan while a young girl shows a cat its reflection in another. Caption reads "clean tins with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

One photograph showing J.M. Schneider and Charles Schneider standing on the outside front steps of the "first shop". A free-standing sign is visible with "J.M. Schneider" painted on it; J.M. Schneider is leaning against a large lantern on a pole.

Photograph of Emma and Charles August Ahrens, both wearing hats and standing outdoors, in front of a leafy backdrop. Emma is looking at camera with a slight smile on her face and arms at back. Charles is standing to her left, looking off camera with right hand on a [walking stick?].

Modern copy of a photograph showing Johann Christoph Schneider's farm in the Highland Rd-Lawrence Ave. area of Kitchener, ca. 1900.

Image of a group, like a family standing in front of a board and batten home where three horses and a buggy are visible at right. One of the children is standing at far left next to a seated dog and the other is standing in the buggy next to a seated adult. The second adult is seen standing in the middle of the shot near the front entrance of the home.

Group portrait of adults and children seated and standing while posed for the camera outdoors in front of trees and greenery. They are seen dressed in formal wear and some are holding small American flags on sticks.

Studio portrait of Mary Eidt Kaufman and her daughters (left to right) Emma Ratz Kaufman and Edna Louise Augustine.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Head and shoulders studio portrait of unidentified woman seen in profile.

One photograph of a portion of the lake or creek at Victoria Park, Kitchener, Ontario.

Studio portrait of Orpheus Moyer Schantz and Cornelia "Carrie" Flagler Schantz, with their daughter Ruth Schantz. Ruth is seen standing at centre with bow in hair arms on her parents' backs.

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

Head and shoulder studio portrait of J.E. Bilger seen looking off camera.