Upper body studio portrait of Lydia Louisa Anthes and Marie [?]. Louisa is seen looking off camera, while Marie is looking directly at it. Both are dressed in high-collared dresses with leg of mutton sleeves.
Studio portrait of Leona Hoffman seen looking at the camera and seated in a wicker chair. She is wearing a hat and a high-collar dress with slight leg of mutton sleeves.
Studio portrait of Ella Anthes and Frieda [?]. Ella is seen looking at camera and Frieda, seen in partial profile, is looking off camera. Both are dressed in high-collar tops with leg of mutton sleeves.
Studio portrait of Ella Anthes and Frieda [?]. Ella is seen looking at camera and Frieda, seen in partial profile, is looking off camera. Both are dressed in high-collar tops with leg of mutton sleeves.
Photograph of Zella Dexter McDonald posed for the camera with left hand at back of head, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.
Studio portrait of (seated, left to right) Louise McEwen, and Ella and Martha Anthes with two unidentified friends. The group is dressed for cool weather and posed against a winter backdrop.
Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.
Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.
Upper body portrait of an unidentified seated adult holding an infant, dressed in an white gown, upright on side of chair. Both are seen looking at camera.
Studio portrait of two unidentified children. One is seated in a chair and smiling at something off camera and the other is seated at a table playing with a metal building set.
