Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

File consists of a portrait of an unidentified man in uniform.

File consists of an album probably compiled by one or more of Martha Rieder's children. Includes snapshots of Martha and Talmon Henry Rieder, their children, and their family, many of them with extended family and friends. Includes snapshots taken at Felsheim, Woods Bay, Bayview Cottage, the family home on Belmont Ave in Montreal, etc. Album also includes newspaper clippings, letters to Santa from Edward and Paul Rieder, a letter from Edward to Talmon Henry Rieder, and ephemera. Some of the photographs include dates/captions, and album contains the handwriting of several different individuals.

Photograph of Charles August Ahrens and family in front of their first home on Courtland Ave. in what was then Berlin, Ontario.

Left to right: Charles August Ahrens, his wife Emma, children Lottie and Fred, and Martin Nagel.

Studio portrait of Lizzie Schlier.

Head and shoulders studio portrait of J.M. Schneider seen looking off camera, dressed in collared shirt and tie.

Upper body studio portrait photograph of David Sovereign Bowbly seen looking off camera.

Studio portrait of Jacob Hailer. Jacob is seated holding a cane with his foot propped on a stool.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Photograph of the exterior of the Ahrens family home at the corner of Benton and Courtland Streets in what is now Kitchener, Ontario. There are several trees in the yard and family members are visible on the lawn and on the porch. Two adults and four children are included in frame. Two of the children are standing with bicycles, one is standing on the porch and another is standing with a buggy with a doll inside.

Studio portrait of Catherine Wagner Bates. Catherine is dressed formally in a dress with a silk scarf and her neck and earrings.

Upper body studio portrait of John S. Anthes seen in profile.

Studio portrait of the Ahrens sisters seen standing and seated in front of a decorative backdrop.

Back row, left to right: Carrie, Laura, Emma.

Middle row, left to right: Helena, Louise, Minnie.

Front row: Mary.

File consists of one photograph of Martha Esther Murphy Bowlby. Identification from frame.

File consists of one studio portrait of Charles Bowlby Clement with sister Blanche Mildred Clement Kelly as children seen looking at camera. Blanche is seated on the edge of a couch, with a magazine in lap, and Charles is standing next to her, right arm resting on couch.

File consists of two identical head and shoulders studio portraits of Janie Elizabeth Bowlby Clement seen looking off camera.

Collection consists of local history materials relating to the Kitchener Waterloo area.

Letter from Thomas H. Johnson to Colin Rankin's purchase of the "east half of lot 15 in the 14th [concession] of Papineau, containing 30 1/2 acres" at a rate of 50 cents per acre; a land grant certificate with seal dated June 14, 1881; a typescript reproduction of the text on the certificate; and a typescript description of the land accompanied by a hand drawn sketch.

One image of an unidentified native woman on a mule [?] pulling a travois. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

One image of a mountainous landscape west of Waterton River, looking out from Lunch Point, British Columbia.

File consists of one sample newspaper for The Gazette, Montreal.

Photograph of men working on a rail line along King Street at Erb Street. The shop front of H.A. Zoellner, Druggist, is visible as well as a telephone (telegraph?) pole. Possibly construction of tracks for electric street railway between Kitchener and Waterloo.

Studio portrait of Louis Henry Wagner with is sister Catherine Wagner Bates. The two are posed as though going for a county walk, wearing gloves and hats and Louis Henry is carrying a cane.

Studio portrait of Louis Henry Wagner seen looking off camera.

File consist of clippings relating to Hamilton.

Photograph of a log house with vegetation, taken in Magazine Island.

Confirmation certificate granted to Gottfried Lehler from Lutherithen Kirche zu Luden. The certificate is written in German and the translation is as follows: Gottfried Lehler, born on the 1st of September in the year of 1869, confirmed on the 15th of April in the year of 1883 in the Lutheran Church of [ineligible], Waterloo, Ontario.

File consists of a portrait of the Barnes family with only three people identified. Caroline Barnes is seated at centre and at front (left to right) are Lillie Caroline and Emma Barnes.

Fonds consists of records relating to the history, administration, and operations of Greb Industries Limited and its predecessors, the Greb Shoe Company Limited and the Berlin Shoe Manufacuring Company Limited, as well as its subsidiary companies. Includes letters patent and by-laws, minutes, financial statements, annual reports, correspondence and memoranda, legal documents, press clippings, newsletters, reports, presentations, advertisements, photographs, ephemera, and audio and video recordings.

File consists of two identical portrait photographs showing Blanche Mildred Clement Kelly at the age of three. The portrait shows Blanche leaning on the back of a couch resting her head on her arms. Only her head is visible.

Contains one holograph letter from James Hoyes Panton to Drinkwater (C.P.R.) requesting a pass to travel free during the summer in order to do geological research, dated April 16, 1884.

One image of an unidentified individual standing in front of Lake Mistassini at the Hudson Bay Post in Québec.

Small volume bound tete-beche meant to record bills payable and bills receivable. Included here is a record of the indebtedness of his brothers Arthur Benjamin Schantz and Austin Tobias Schantz in connection with their ranching and farming venture in Didsbury, Alberta, as well as a record and valuation of horses owned. Expected income from investments and securities is listed. One of two loose papers included is an invoice for a pistol purchased parcel post by Constable Clarke Russell, 1931.

File consists of a circular on the Canadian Institute.

Collection consists of material relating to William Lyon Mackenzie King from the estates of his brother Dougall Macdougall “Max” King and of his nephew (Dougall’s son) Arthur Macdougall King. Its major component is correspondence from Mackenzie King to Arthur King and also to Arthur’s wife Kathleen, over a period of twenty-seven years from 1923 to 1950.The first letter is dated 1923, a scant three years after the death of Max King, when Arthur and his twin brother Lyon were 10 years old and the last in the series is dated July 5, 1950. The collection also contains documents and ephemera relating to King’s death, funeral and will, received by Arthur King as a participant in those events; also present are issues of major Ontario newspapers that covered Mackenzie King's death and funeral as events unfolded day-by-day. A small selection of photographs, some formal and some snapshots, are also present. A selection of books retained by the family, among them works written and presented by John King and Dougall Macdougall King, also works owned by Mackenzie King as a boy, present a tangible reminder of the intellectual legacy of the King family.

File consists of one menu for a New Year dinner held January 1, 1885 at the Grand Union Hotel in Ottawa.

Relief shown by landforms.

Consists of the weekly examination in composition from the Collingwood Collegiate Institute for the week of April 13, 1885.

One upper body studio portrait of Ethel Davey.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

One image of Mr. Blinkinsop (Indian Agent), Mrs. Hunt, and her children and grandchildren in front of a building at Fort Rupert, Vancouver Island. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

File consists of a portrait of Lillie Caroline Barnes Bowlby and Emma Bowlby taken by J.W. Wilson.

Five land grants from the Department of Indian Affairs granting promised Indigenous lands. The grants are made out to Benjamin Franklin Mutchmor (200 acres), Elizabeth Mutchmor (175 acres), Charles Woodward (100 acres), and Mary Rowe (100 acres). The lands granted were to be for the use of the Ojibwe and Odawa of Manitoulin Island.

Full length studio portrait of Blanche Mildred Clement Kelly as a child seen seen leaning against a decorative prop wall, wearing a dress and a bonnet.

One image of Fort Saskatchewan from the north side of the Saskatchewan River. Caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

View of Waterloo looking south from the top of Central School at King and Central (formerly Church) streets. Albert Street is at top right and Silver Lake in Waterloo Park can be seen behind Albert Street. Spring Street is in the foreground. Written on verso: one storey house with two chimneys still on Albert St.

View of Waterloo from top of Central School located at King and Central (formerly Church) Streets looking south. Central School was built in 1855 with many additions and renovations over the years and demolished in 1952.

One photograph of Blood [Kaniai] and Peiikani (formerly Piegan) Indigenous Chiefs of the Blackfoot Confederacy in Brantford for the unveiling of the Brant Memorial. The chiefs are identified as One Spot, Red Crow, and North Axe.

A hand drawn floor plan for the Schantz family home located at 43 Schneider Avenue, Kitchener, Ont. This is likely the original floor plan for the house. It is possible that not all of the rooms shown on this floor plan were physically constructed when the house was built.

File consists of one sample newspaper for the Toronto Daily Mail.

File consists of a plan of the Berlin water works at Shoemaker Avenue, showing the proposed outlet of the dam; and a plat of the land of the Berlin Water Works Company. Plat shows land owned by Alexander Shoemaker, Jane Ann Shoemaker, James Potter, Berlin Water Works Company, and Moffett, Hodgkins, & Clarke.

Studio portrait of Mary Staebler Wagner taken Febraury 17, 1887, three months before she died.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

Two copies of a studio portrait of John Christian Breithaupt, seen looking off-camera.

File consists a studio portrait of Peter and Emeline Rieder with five of their children, probably Talmon Henry (standing back centre), Elmer, Maude, Idella, and Loretta.

Fonds consists of material relating to the administration and operation of the Lang Tanning Company in Kitchener Ontario, from 1888 to 1974. Contains minutes, agreements, clippings and a photograph album. Also contains a colour photocopy of a site plan from 1938. Includes 24 photographs.

Studio portrait of Louis Henry Wagner with infant son Louis Jacob Gordon Wagner and mother Margaret Hailer Wagner.

Two identical studio portraits of Herbert John (left) and Charles Alexander Schneider seen looking at camera. Both are seen seated with short hair and wearing lace collared dresses.

Confirmation certificate granted to Edward Bechler. Certificate signed by Reverend E. von Pirch from the Evangelical Lutheran Church, Berlin (later Kitchener) recognizing confirmation on March 25, 1888.

Studio portrait of Louis Henry Wagner with infant son Louis Jacob Gordon Wagner, dressed in a gown, on his lap. Both are seen looking at camera.

One image of the well and ruins of an old house on an arid flat at Salt Springs, Manitoba. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

File consists of two variants of a photo gallery produced by H.A. Huber. At the center is a bird's eye view of the town, with photos of buildings on all four sides. At the bottom centre of one is H.A. Huber's card; at the bottom centre of the other is a portrait of Louis Jacob Breithaupt.

Studio portrait of John S. (seated left) and Lydia Anthes (seated right) with their children. Ella and Martha are seen posed between their parents with siblings (left to right) John, Louisa, and Carrie standing at back.

One three quarter length studio portrait of Theodore Moyer seen looking off camera with left hand in waistcoat pocket.

One three quarter length studio portrait of Victoria Priscilla Nash seen wearing a high-collar top with leg of mutton sleeves, and leaning with right arm against what looks to be the end of a bed.

Head and shoulders body studio portrait of Sophie Emma Schantz seen looking off camera in partial profile.

Three quarter length studio portrait of Solomon Wismer seen looking at camera with legs crossed and left arm resting on side table.

File consists of seven photographs and ephemera. Includes two mounted photographs taken on the streets of Berlin (Kitchener), including a shot of the Berlin market, town hall, and post office, a photograph of Alex Welker in his LeRoy car, a group portrait of students at Lady Belle [school?], a photograph of the interior of one of Electrohome's plants, and other photographs. File also includes a Christmas card from Elizabeth Pollock to John Koegler, and a page removed from a printed souvenir album containing a picture of C.E. Hoffman's button and suspender factory on Queen Street in Kitchener.

Page is annotated: "Pollock Mfg. Co. - 1908-1909 / upper floor - now SW corner Queen & Charles". File probably belonged to John Koegler.

Photograph of the front of a three-story house, possibly the house at 172 Margaret Avenue. There are trees and plants in the background and foreground and other houses in the background.

Photograph of a group of ten adults and two children sitting down or standing on a rocky shore by a lake, taken in Jubilee Island, Ontario. There are boats and vegetation in the background and a canoe in the foreground.

People in photograph are: John Schmitt Anthes and Lydia Catherine Anthes standing on the left side.

Photograph of the exterior of a corner of the Anthes Manufacturing Company of Berlin seen from across a dirt road. Clusters of trees are visible next to the building and at right in what may be an adjoining lot.

File consists of a photograph of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener).

Upper body studio portrait of Jane Anthes seen looking off camera.

Fonds consists of materials created by Dominion Rubber, and later Uniroyal, primarily relating to the activities at the Dominion Tire plant on Strange Street in Kitchener as well as to the planning and implementation of the Uniroyal world junior curling championship.

Two copies of a studio portrait of Helena Schneider seen looking off camera, wearing a high-collared shirt and [miniature crown?].

Head and shoulders studio portrait of Johann Christoph Schneider, seen looking off camera.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby seen looking off camera in partial profile and dressed in a high-collar top with leg of mutton sleeves.

Head and shoulders cabinet card studio portrait of an unidentified man, seen looking off camera, from the Bechler family photo album.

Copy print, taken on the other side of the building shown in GA92-9-73, showing what is possibly a weigh scale for wagons. The domed building is the town hall and the light coloured building in the background is the Kitchener Hotel.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One upper body studio portrait of Amos Musselman seen looking off camera. File also includes one small red paper flower that was included in the album with the photograph.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Photograph of the front of a three-story house at 172 Margaret Avenue. An adult, likely Carrie Breithaupt is seen sitting on the porch, at far right, and a child is standing at the top of the front stairs. There are trees and plants in the background and foreground and other houses are visible in the distance at left.

Two copies of a photograph of a group of nine adults, one child, and a dog standing or sitting down by a house, and an adult on the balcony above, taken at the family "Bay View Cottage" in Penetanguishene (Ontario).

Photograph of factory buildings, possibly the Breithaupt Tannery in Penetanguishene (Ontario).

Photograph of factory buildings, possibly the Breithaupt Tannery in Berlin (today Kitchener, Ontario).

File consists of an album compiled by Ella Anthes Cook, and including some additions probably by Martha Rieder. Includes snapshots of family members and friends and snapshots taken on Ella's trip to Europe, around Ontario, at Felsheim, and on her honeymoon. Includes a family photograph taken at Talmon Henry Rieder's 40th birthday, a snapshot taken when Earl Grey visited Berlin, a snapshot taken at the unveiling of Queen Victoria's monument at Victoria Park, and a photograph by Denton of the interior of Zion Evangelical Church.

Studio portrait of J.I. Frank Anthes (at right) with an unidentified man.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Full length studio portrait of Willie and Arthur, last name unknown, seated side by side. One child, dressed in a plaid dress with a lace collar, is seated in a chair, with left arm on the side of an armchair where a second child, an infant, is seated upright dressed in a white grown.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.