Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.Studio portrait of Martha Anthes and Talmon Henry Rieder, both seen standing in wedding dress and suit.

Clipping regarding the marriage of Talmon Rieder and Martha Anthes, which took place at 34 Weber Street at the home of John and Lydia Anthes. Ella Anthes attended Martha, H. Milton Cook was Talmon's best man, and Frieda Breithaupt and May Rieder service as flower girls. The service was performed by Talmon's uncle, H.L. Merner, and L.H. Wagner.

File consists of material relating to the work of Talmon Henry Rieder in the Dominion Rubber System and his resignation as president, his resignation as president of the Canadian Consolidated Felt Company and the Canadian Consolidated Rubber Company, and his retirement as a director of the Columbus Rubber Company (Montreal). Includes correspondence, extracts of minutes from shareholders' meetings expressing appreciation for Rieder's service, and a pin for 20 years of service with the Dominion Rubber System.

File also includes vol. 2, no. 9 of "Factory Facts" (employee newsletter of the Dominion Rubber System Eastern Factories), containing an article about Rieder's resignation as president; and ephemera relating to a reception for Charles B. Seger, president of the US Rubber Co. (manuscript notes on verso).

File consists of vol. 3, no. 2 (Spring, 1915) of Foot-prints, a company newsletter for the Canadian Consolidated Rubber Company Limited. Includes reference to and a photograph of Talmon Henry Rieder. Also includes several pages of product advertisements (Fleet Foot shoes, and Dominion raincoats).

File consists of the following issues of From the Ground Up, the company newsletter of the Ames Holden McCready System: vol. 1, no. 2 (Februrary 1), 3 (March 1, with supplement), 4 (April 1, with supplement; 2 copies), 5 (May 1, with supplement), 6 (June 1), and 7 (July-August), for the year 1921. Several issues contain reference to Talmon Henry Rieder.

File consists of carbon copies of six letters sent by Talmon Henry Rieder. Three letters are addressed to J.H. Pearce of New Haven, Connecticut; two letters are to Reiner Bros. & Co. in Wellesly, Ontario; and one letter is to the management committee of the Berlin Rubber Manufacturing Co.

File consists of the diary of Talmon Henry Rieder for the year 1902. Diary kept in ink and pencil in printed pocket diary. Includes cash account at the end of the diary pages. On some pages, Rieder has pasted in a loose sheet of paper containing the entry.

File consists of material accumulated by Martha Rieder during the process of settling the estate of Talmon Henry Rieder. Documents pertain to Rieder's investments, his life insurance policies, succession duties on the estate, Martha's financial affairs, etc. Includes correspondence, notices, invoices, manuscript and typescript notes, a bank book, a newspaper clipping, a German bond (Hamburg state bond, 1902 issue, 1000 mark), etc. Correspondence is from executors H. Milton Cook and Hugo Wellein, and others; outgoing correspondence from Martha is in draft form.

File consists of material relating to a case brought by J.J. Westgate against Talmon Henry Rieder in 1911 regarding the consolidation of rubber companies, and material relating to the formation of a felt syndicate by Rieder, D. Lorne McGibbon of Montreal, A.J. Kimmel of Elmira, Ontario, and others. J.J. Westgate was connected in some way to the formation of the felt syndicate, possibly as a competitor.

Includes:

• agreements regarding the felt syndicate;
• correspondence;
• manuscript notes;
• a writ of summons and plaintiff's declaration (carbon copy);
• the typescript statement of Talmon Henry Rieder;
• a reprinted series of correspondence between McGibbon and Rieder (Sept. 1906 to May 1907);
• financial statements of the Berlin Rubber Manufacturing Company Limited and of the Merchants Rubber Company Limited for 1907, 1908, and 1909; and
• a machine print-out of several linear feet containing data about the production of footwear from several companies.

File also includes a letter regarding water rights at the rubber company in Granby, Quebec [probably unrelated].

File consists of material relating to a farewell banquet for Talmon Henry Rieder given by the Kitchener Manufacturers' Association on April 28, 1917, in honour of his appointment as president of the Canadian Consolidated Rubber Co. and subsequent move to Montreal. Includes ephemera (menu/program, paper dinner napkin, etc.), the manuscript speech given by Rieder at the dinner, and a newspaper clipping.

File consists of material created and accumulated by Talmon Henry Rieder relating to life insurance policies applied for and denied or issued to him. Includes correspondence, manuscript notes, sample and completed policies, and a receipt.

File consists of manuscript notes by Talmon Henry Rieder. Includes notes regarding stock values and Ames Holden McCready Co., calculations, and the text of some correspondence between D. Lorne McGibbon of the City of Montreal and Samuel P. Colt of the United States Rubber Co.

File consists of a blue ribbon containing the logos of the Merchants Rubber Co. and The Berlin Rubber Co., and the date Aug. 17th, 1907, Berlin.

File consists of a paper by Dr. Werner Esch from an unknown publication about the vulcanization of India rubber. Also included are two loose pages from Lehmann & Voss (Hamburg, chemical manufacturers) about the use of heavy calcined magnesia or magnesia usta in vulcanization.

Series consists of material accumulated by J.I. Frank Anthes relating to securities investing. Includes correspondence, flyers, and brochures.

File consists of flyers, correspondence, and newspaper clippings sent to J.I. Frank Anthes regarding investments in securities and bonds.

File of material relating to taxes paid by Peter Rieder in the Regional Municipality of Tullymet, Saskatchewan, and in the Grangedale School District and the Municipal District of Gilt Edge in Alberta. Includes correspondence, tax notices, tax receipts, etc.

File consists of an indenture concerning Lots 1, 2, 3, and 4 on the west side of Ahrens Street in the Town of Berlin according to a combined plan made for Abraham C. Weber, Christian Eby, and David Weber.

File consists of an indenture concerning Lots 2 on the south side of Weber Street and Lots 1, 2, 3, and 4 on the south side of Ahrens Street of David Weber's survey in Berlin. Contains ms. annotations. File also includes an ms. diagram of the lots containing information about thier size and owners.

File consists of two ms. diagrams of the lots south of Ahrens Street and north of Weber street in Kitchener, and an empty envelope labelled "Deeds, J.S. & L.C. Anthes."

File consists of a certificate of ownership granted to John S. Anthes for Parcel 497 in the register for the District of Parry Sound, South section, namely Roberts Island. File also includes two notices regarding a patent from the Crown for the land, one to J.C. Breithaupt from the Department of Crown Lands Ontario, Patents Branch; and one to John S. Anthes from the Office of Local Master of Titles for the District of Parry Sound.

File consists of a mortgage concerning part of Lot 3 on the South side of Ahrens Street of David Weber's survey in the town of Berlin. Contains ms. annotations.

File consists of an album compiled by Ella Anthes Cook, and including some additions probably by Martha Rieder. Includes snapshots of family members and friends and snapshots taken on Ella's trip to Europe, around Ontario, at Felsheim, and on her honeymoon. Includes a family photograph taken at Talmon Henry Rieder's 40th birthday, a snapshot taken when Earl Grey visited Berlin, a snapshot taken at the unveiling of Queen Victoria's monument at Victoria Park, and a photograph by Denton of the interior of Zion Evangelical Church.

File consists of an album probably compiled by one or more of Martha Rieder's children. Includes snapshots of Martha and Talmon Henry Rieder, their children, and their family, many of them with extended family and friends. Includes snapshots taken at Felsheim, Woods Bay, Bayview Cottage, the family home on Belmont Ave in Montreal, etc. Album also includes newspaper clippings, letters to Santa from Edward and Paul Rieder, a letter from Edward to Talmon Henry Rieder, and ephemera. Some of the photographs include dates/captions, and album contains the handwriting of several different individuals.

Four copies of a head and torso studio portrait of J.I. Frank Anthes dressed in a suit and seen looking off camera.

Studio portrait of J.I. Frank Anthes (at right) with an unidentified man.

Postcard photograph of the extended Anthes family at an outdoor gathering in a park. Included in the group is Talmon Rieder (standing, third from left), Martha Rieder (standing, sixth from right), Cyrena and John Isaac Anthes (standing, third and fourth from right), John S. Anthes (standing, far right) and Lydia Catherine Anthes (seated, second from at right in black).

File consists of two different portraits of John S. and Lydia Anthes and their children and grandchildren. Verso of one photograph contains identification.

Nine mounted snapshots of the family of John S. and Lydia Anthes. Includes photographs of Martha Rieder and Ella Anthes Cook, Ella Anthes Cook and Louisa Breithaupt, J.I. Frank Anthes with Ella and Louisa, John. S. and Lydia Anthes with Louisa and Martha, and John S. Anthes. Some of the photographs were probably taken by Martha with her camera.

Two copies of an photograph of Ella and Martha Anthes standing arm in arm in a yard, next to a wicker chair with a Union Jack affixed to it. Both are wearing white dresses and seen looking at the camera.

Photograph of J.I. Frank and Lydia Anthes standing in a yard. Frank, dressed in a suit and bowler hat, is blowing on a [dandelion?] as Lydia, wearing a high-collared dress with leg of mutton sleeves, looks on.

Three copies of a photograph of Ella Anthes seated in a wicker chair, looking at the camera, and Martha Anthes looking down at her from behind the chair. The pair is seen posed in a tree-filled yard with a display of flowers to their left.

Two copies of a full body studio portrait of (left to right) John S. Anthes, Ella Cook and Lydia Anthes. John is seen in partial profile, seated in an ornately carved arm chair. Ella and Lydia are seen standing next to John, looking at the camera with arms crossed at each other's back.

Studio portrait of the Anthes siblings. Carrie and Martha are seen standing behind Lydia, Ella and Frank seated.

Two copies of a full body studio portrait of the Anthes siblings seen looking at camera. Frank is seen at centre, seated in an ornate, high-backed arm chair with (left to right) Martha and Carrie standing and Lydia and Ella seated on either side of the chair.

Upper body studio portrait of John S. Anthes seen in profile.

Studio portrait of John S. Anthes seen looking off camera.

Full body studio portrait of John S. Anthes standing with arms folded at front.

Studio portrait of Lydia Anthes (centre) with daughters (left to right) Carrie Breithaupt, Martha Rieder, Ella Cook, and Louisa Breithaupt. Only Martha and Ella are seen looking toward camera.

Three studio portraits of Lydia Anthes.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Studio portrait of John C. and Carrie Breithaupt and their five children seated and standing in a row. All but John, who is seen seated and in profile, are looking at the camera.

From left to right: Carl, John Edward, Walter (in white) Carrie, Frieda, John and Louise.

File consists of one wedding portrait each of H. Milton Cook and Ella Anthes Cook.

File consists of photographs (possibly progress photographs) of the construction of additions to the the Dominion Tire Company manufacturing plant in Kitchener. File also includes some photographs of the Elmira Rubber factory.

Upper body studio portrait of Edna Louise Augustine seen looking off camera.

Upper body studio portrait of Martha Rieder seen looking off camera.

Upper body studio portrait of Laureen [?] seen looking off camera.

Upper body studio portrait of Lillian Southgate and Nettie Morris seen looking at camera, dressed in jackets and fancy straw hats.

Upper body studio portrait of unidentified woman seen looking slightly off camera and wearing a hat.

Head and torso studio portrait of an unidentified woman standing, and looking at camera.

Head and torso studio portrait of an unidentified woman standing with her hands and her back and wearing a nursing uniform.

Upper body studio portrait of Evelyn Breithaupt seen in partial profile with right hand at chin.

Upper body studio portrait of Mae [?] seen in partial profile.

Studio portrait of Effie Schmidt Tulloh seen standing with right hand at back and looking off camera.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Photograph of [Ella Anthes] (at right) with two unidentified friends standing in front of the door to a [residential home]. Each are wearing a jacket and hat.

File consists of a wedding portrait of Arthur Gauerke and Talma (May) Rieder, a photograph of their daughter Joyce Evelyn at 6 months old, and a later family portrait (with three daughters).

Studio portrait of Alvin Ratz (back row, far right) and Emma Ratz (seated, far right) with three unidentified friends or family members.

File consists of three photographs of the Kitchener Natatorium and its locker rooms. Talmon Henry Rieder played a role in the construction of the natatorium, which opened July 21, 1917 at at 121 King Street West in the Rieder Block.

Studio portrait of Zella Dexter McDonald. Seen standing, she is wearing a hat, gloves and has a fur scarf around her shoulders.

Studio portrait of two unidentified women seen looking off camera.

Studio portrait of Peg [last name unknown], who is seen wearing a hat and fur capelet.

Studio portrait of Martha Anthes with unidentified woman and two children, likely immediate or extended family.

Studio portrait of Ella Anthes (standing) with unidentified person. Both are seen wearing large fancy hats.

Studio portrait of Martha (seated left) and Ella (standing left) Anthes with three other children, possibly siblings or cousins.

Photograph taken on the way to Penetanguishene from Berlin, of women and children resting on a beach and in horse-drawn buggy. Carrie Breithaupt is seen standing with three children, including John Edward Breithaupt, standing at left. The adults seated in the carriage are likely (left to right) Martha and Louisa Anthes.

File consists of a photograph of an orchard taken from Frank's [J.I. Frank Anthes?] upper verandah. Photograph possibly taken by Martha Rieder.

File consists of five snapshots of Martha Rieder with friends on a picnic on the Grand River.

Scenic view of the Grand River with cows crossing through the water to a partially submerged patch of land in the middle of the water.

File consists of seven studio portraits of Edward Rieder as a baby, toddler, youth, and upon graduation from university. Duplicates are present.

File consists of two copies of a studio portrait of four generations of the Rieder family: Elizabeth Merner (nee Young), Peter Rieder, Talmon Henry Rieder (standing), and Margaret Paisley.

File consists of individual studio portraits of Idella Rieder, Alma Rieder, and [Loretta?] Rieder, sisters of Talmon Henry Rieder. One duplicate is present. One photograph by Hershman.

Studio portrait of Martha Rieder and Ella Anthes Cook, dressed in high-collared, lace adorned tops.

Studio portrait of Martha Rieder and Ella Cook.

File consists of mounted miscellaneous snapshots accumulated by Martha Rieder, most of them also probably taken by her. Includes snapshots of Martha and her family and friends, including her daughter Margaret and nieces and nephews; Talmon Henry Rieder is also present in some photographs. Includes snapshots taken at Penetanguishene, at picnics, at a factory, part of a May 24 procession, and other subjects.

File consists of studio portraits of Martha Rieder and her children (Margaret, Edward, Helen, and Paul). Includes one portrait of Martha with her four children, one portrait of the four children, two portraits of Margaret and Edward, and one portrait of Helen with an unidentified boy, probably a cousin. Duplicates are present. File also includes manuscript notes by Martha regarding the distribution of one of the portraits.

File consists of nine studio portraits of Martha Rieder. A duplicate photograph is present.

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Head and shoulders studio portrait of Martha Rieder seen in profile and wearing a lace collared top.

Head and torso studio portrait of Peter Rieder seated and looking at camera.

Head and shoulders studio portrait of unidentified bearded adult seen looking off camera.

Head and torso studio portrait of unidentified adult seated in arm chair.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

File consists of two copies of a group portrait of Peter and Emeline Rieder on their 50th wedding anniversary, with their children and grandchildren. The group is seen standing and seated in rows inside of a residential home.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

File consists of two studio portraits of Peter Rieder.

Full body studio portrait of Peter Rieder standing and looking forward with left hand on a carrying case and right hand holding an umbrella.

Head and shoulders studio portrait of an unidentified adult, possibly a Della Rieder, looking off camera.

Head and shoulders studio portrait of Zella Dexter McDonald seen dressed in a high-collar top and looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Fully length studio portrait of Margaret Parry as a small child looking at the camera while holding a stuffed animal in right hand and wearing a white dress.

Full length studio portrait of Hugh and Evelyn Clarke, the children of May Wing, seen looking at camera. Hugh is seen seated on a side table, holding hands with Evelyn who is standing at right.

Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.

Head and shoulders studio portrait of an unidentified adult seen looking at the camera with a slight smile on face.

Fully length studio portrait of an unidentified child looking toward camera with right hand resting on the arm of a chair positioned at back. Their right ankle is crossed in front of the left and they are holding a rolled up document in their left hand.

Full length studio portrait of four children, possibly siblings, seated at various heights and looking at camera. Two of the children have large bows in their hair, another is wearing a suit with mid-leg high socks, and the third, an infant, is dressed in a white gown.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

Upper body studio portrait of two unidentified adults seem looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.