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Archival descriptionBeatitudes of ice.
Beatitudes of ice.
Winter grass.
Winter grass.
Why I can talk of the angelic qualities of the raven.
Why I can talk of the angelic qualities of the raven.
The wedding photo and the geckoes of the evening.
The wedding photo and the geckoes of the evening.
The upside-down elephant who was a poet.
The upside-down elephant who was a poet.
A touch of genetics (for Michael).
A touch of genetics (for Michael).
The unhyphenated Canadians.
The unhyphenated Canadians.
Thinking of you Mother #3 : Maria takes Antoni on safari.
Thinking of you Mother #3 : Maria takes Antoni on safari.
Thinking of you Mother #1.
Thinking of you Mother #1.
Taxi.
Taxi.
There's always a water bead in the cactus (for my favourite students at SSAS).
There's always a water bead in the cactus (for my favourite students at SSAS).
Sunday morning.
Sunday morning.
Spring raking.
Spring raking.
Song for the Indian River man (Indian River, Keene, 10 May, 1986) for Murray Black.
Song for the Indian River man (Indian River, Keene, 10 May, 1986) for Murray Black.
Song of the immigrant.
Song of the immigrant.
Song for the burning bush.
Song for the burning bush.
Song for silence.
Song for silence.
Slow dancing.
Slow dancing.
The separate one.
The separate one.
Salute to a cat with a head full of memories.
Salute to a cat with a head full of memories.
Seasons of memory.
Seasons of memory.
Rice.
Rice.
Return of the fishermen.
Return of the fishermen.
Remains of an Asian poet writing in Canada.
Remains of an Asian poet writing in Canada.
The rain doesn't know me any more.
The rain doesn't know me any more.
Poetry reading (Scarborough College).
Poetry reading (Scarborough College).
Poem for a certain Atlantic critic.
Poem for a certain Atlantic critic.
Poetics.
Poetics.
The painter.
The painter.
Please, no more questions.
Please, no more questions.
On the beach.
On the beach.
The opposite men.
The opposite men.
Of life and death.
Of life and death.
Of spiders and sponge cakes.
Of spiders and sponge cakes.
Ode to a fly (after Pablo Neruda).
Ode to a fly (after Pablo Neruda).
Not for her the madness of art.
Not for her the madness of art.
Not exactly Jade.
Not exactly Jade.
Night train through the tunnel.
Night train through the tunnel.
No fixed address.
No fixed address.
Never discuss theology with your granddaughter.
Never discuss theology with your granddaughter.
Moving.
Moving.
The midnight hour/before citizenship.
The midnight hour/before citizenship.
Masks.
Masks.
Mayaro sea sculpture.
Mayaro sea sculpture.
Magpie.
Magpie.
Love poem for Anne #4.
Love poem for Anne #4.
Leaving, Michael style.
Leaving, Michael style.
Love poem for Anne #2.
Love poem for Anne #2.
Late evening in Bechtel woods.
Late evening in Bechtel woods.
Learning the language.
Learning the language.
King Kong doesn't understand the English language.
King Kong doesn't understand the English language.
Know your own bone.
Know your own bone.
Inheritance.
Inheritance.
The interview.
The interview.
In a weathervane idiom.
In a weathervane idiom.
How can we understand the pain in the rickshawman's thighs.
How can we understand the pain in the rickshawman's thighs.
God is in the apple turnover.
God is in the apple turnover.
Guess what happened the day I walked on water.
Guess what happened the day I walked on water.
God is in the apple turnover.
God is in the apple turnover.
The ghosts of kings.
The ghosts of kings.
Getting to know you.
Getting to know you.
The geography of voice.
The geography of voice.
From a fisherman's log-book.
From a fisherman's log-book.
The genetics of language.
The genetics of language.
For Cleta Marcellina Nora Serpanchy #3.
For Cleta Marcellina Nora Serpanchy #3.
For the winter man.
For the winter man.
For Cleta Marcellina Nora Serpanchy #1.
For Cleta Marcellina Nora Serpanchy #1.
For a poet friend thrashed by a humbling wind.
For a poet friend thrashed by a humbling wind.
The eye.
The eye.
Faces of the sun-man.
Faces of the sun-man.
Etiquette for an exotic night.
Etiquette for an exotic night.
Eventually grandpa.
Eventually grandpa.
Elegy for the straw man.
Elegy for the straw man.
Elegy for the perfect man.
Elegy for the perfect man.
Elegy for the poems that got away.
Elegy for the poems that got away.
Elegy #2.
Elegy #2.
Elegy (for Cleta Nora Marcellina Serpanchy).
Elegy (for Cleta Nora Marcellina Serpanchy).
A door ajar to Eden or Cathay.
A door ajar to Eden or Cathay.
Dusk.
Dusk.
The divine equation.
The divine equation.
Death of a poet.
Death of a poet.
Dark antonyms in paradise.
Dark antonyms in paradise.
Dark with excessive bright.
Dark with excessive bright.
Coming through the shadows.
Coming through the shadows.
Come take the shy man by his third ear.
Come take the shy man by his third ear.
Civilization.
Civilization.
The child who would be a poet (for Michael).
The child who would be a poet (for Michael).
Boy and bird.
Boy and bird.
Baby-Photo Inc. vs Michael Egerton Crusz.
Baby-Photo Inc. vs Michael Egerton Crusz.
Bouquet to my colonial masters.
Bouquet to my colonial masters.
At the wedding of the lake.
At the wedding of the lake.
Autobiography.
Autobiography.
As told to a new Asian immigrant on the brink of winter.
As told to a new Asian immigrant on the brink of winter.
Miscellaneous : Works by Others
Miscellaneous : Works by Others
The art of self-deception.
The art of self-deception.
Poems : Published in Periodicals
Poems : Published in Periodicals
Apartment #13.
Apartment #13.
Biographical and Personal
Biographical and Personal
Correspondence To Rienzi Crusz
Correspondence To Rienzi Crusz
All I ask is my life.
All I ask is my life.
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