File consists of miniature portraits of Martha, Ella, and Louisa Anthes and their friends and [cousins?], including Louise McEwen; J.E. Breithaupt; Peg [last name unknown]; Laurie, Lou and Emma Anthes and Lemar and Carrie Strawser; Zella Dexter McDonald; Alvin R. Kaufman; Emma Kaufman; and other unidentified individuals.

Upper body portrait of Martha Anthes and Emma Kaufman, seen looking off camera.

Upper body portrait of Martha Anthes and Emma Kaufman looking at the camera dressed in fancy hats and cool weather jackets.

Upper body portrait of Martha Anthes and Emma Kaufman. Martha is looking off to the side and Emma at the camera.

Upper body portrait of Martha Anthes and Emma Kaufman, seen looking off camera.

Studio portrait of Emma Kaufman as a young adult, seen looking at camera with slight smile.

Photograph of Ella Anthes, Emma Kaufman and Martha Anthes standing outside dressed for cool weather in capes and fancy hats.

Portrait of Martha Anthes and Emma Kaufman looking at the camera, dressed in fancy hats and cool weather jackets.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen in front of a vine covered backdrop.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen seated in front of a vine covered backdrop.

Group studio portrait of the [Women's Mission Society?] at Zion Evangelical Church in Berlin with three of the Anthes sisters among the members. Carrie Breithaupt is stand at far right in the back row and Louisa Breithaupt (second from left) and Martha Rieder (fourth from left) are standing in the third row front front. Person at far left of back row is likely Emma Kaufman.

Three typescript letters regarding the papers of Caroline MacDonald, the work of Emma Ratz Kaufman in Japan, and the possible donation of Kaufman's papers to the Lady Aberdeen Library at the University of Waterloo.

The first letter, from Kaufman to Long, makes reference to Kaufman's work with the YWCA in Japan including Canada House, Toki Hamano and the move of Caroline MacDonald's papers from New York to the Victoria College Archives at the University of Toronto.

The second and third letters are both from Long and written on the same day, consisting of a response to Kaufman and a letter to Doris Lewis about her correspondence with Kaufman. In the letter to Kaufman, Long praises Kaufman's work in Japan, expresses belief that MacDonald's papers will be better used in Canada than in the United States, and pitches the University of Waterloo as a home for Kaufman's paper. Of note is Long's rationale for the donation of all of Kaufman's papers so that future generations can "get the "feel" of the human being with whom they are establishing a contact - across the intervening years" and postscript inclusion of an anecdote about the unfortunate destruction of the papers of Cairine Wilson by her family, following her death. In Long's letter to Lewis, presumably written after her letter to Kaufman, Long provides context about her pitch to Kaufman, including references to the establishment of Canada House and her local ties to Waterloo. The letter ends with a brief mention about being sad about her "dear friends Floring and Wyle" and their [health and estate].

Ephemera, including reports, promotional material and leaflets about the International Christian University in Japan. File also includes a photo copy of The Japan Times article "YWCA, Pioneer in Training Leaders, Looks to New Nat'l, Int'l Challenges" which mentions Emma Kaufman's 30 year involvement with the Tokyo YWCA [Young Women's Christian Association].