Two identical head and shoulder studio portraits of Tobias Schantz with long beard seen looking at camera.

One head and shoulders studio photograph of Tobias Schantz in his later years.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Full body studio portrait of Worth Schantz, age twelve weeks. Worth is seen propped in a chair wearing a long white gown and looking toward camera.

Upper body studio portrait of Worth Schantz seen looking off camera.

Upper body studio portrait of Worth Schantz seen looking at camera with arms crossed.

Upper body studio portrait of Joe Snyder, wife Priscilla, and daughter Martha (age 1). Joe is looking toward the camera and Priscilla is seen looking at Martha.

Upper body studio portrait of Urban Snyder seen looking toward camera.

One fully body studio portrait of Walter and Margery Spelman (children of Ruth Schantz), aged two years and six months. Included with photograph is a slip of paper inscribed "With love to Great-Grandmother From Walter and Margery. Walter Age 2 years. Margery – 6 months." Identification from paper.

One full length portrait of Walter Bishop Spelman (son of Ruth Schantz) at two years of age. Walter is shown wearing a one piece jumper standing outside. Identification from recto.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

Two identical full length studio portraits of Miss. Jessie Thomson seen seated on a chair covered with a fur and looking at camera. Enclosed is a calling card of Miss. Thomson with the inscription "With love all & best wishes for the new year."

Photographs of unknown Schantz Russell extended family members. Everyone in the photos is white with the exception of one studio portrait of Black child taken in Chicago, Illinois.

One group portrait of the Victoria School class of 1915-1916, of which Dorothy White [front row, third from right?] was a student. The group, taught by Mrs. Suter, is seen posed in four rows, grouped by gender, on the front steps of the school.

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

One snapshot of Ruth holding her newborn cousin Dorothy. Image of the children is only 5 cm (diam) surrounded by a border of leaves. Photograph is possibly a photogram.

Seven negatives showing images of Beausoliel Island. Four are landscapes showing the windblown trees, one shows a sailboat, another two women stand next to a pleasure boat "The Wabanaki" and the final is a group portrait. Enclosure included in file.

Nine negatives of family snapshots. Images includes children building a snowman and playing in the snow with snowshoes, a family playing hockey, and children pulling a push lawn mower. Enclosure included in file.

Four negatives of Harold Russell as an infant with mother Dorothy White, on a tricycle as a toddler, in [Victoria Park] being held by an unidentified adult, and in a carriage with another child as an unidentified adult looks on. Enclosure included in file.

Fourteen images of Dorothy Russell and family. Included are images of bicycle riding, dress-up, a snowball fight, and other leisure activities.

Six group class photos of of students at Prueter Public School. In four of the images Dorothy White is the teacher, the other two show the rhythm band. Enclosure included in file.

Six negatives showing the Schantz-Russell family at Port Elgin. They are shown picnicking, with a catch of fish, and posing in the wilderness. Identification from enclosure.

One head and shoulders colour portrait of Dorothy White. Dorothy is wearing a necklace and earrings in the image.

Ten photographs. Six of the images are of students taught by Dorothy White at both Prueter and Margaret Ave public schools. Three of the images are exterior views of Prueter P.S. Identification from enclosure.

237 slides of photographs taken by Dorothy White. Originally organized into subjects, they do not necessarily correspond with what is shown on the images. Subjects include: Downtown Kitchener, Kitchener City Hall (interior and exterior), Oktoberfest parade, construction on King St., Rockway Gardens, images of Waterloo region, 1959 Loblaws fire, Christmas lights downtown Kitchener, Kitchener trollybusses, Conestogo Parkway, Blair's Sheave Tower, Victoria Park, Queen Elizabeth's visit to Kitchener, Bridgeport Mills, Waterloo Pioneers Memorial Tower.

Ten slides of photographs taken by Dorothy White. Four are of Toronto and show the old and new city halls as well as views from the top of the new building. Six are of the University of Waterloo and show various buildings on campus including the Dana Porter Library. Identifications from container.

Four identical full length studio portraits of Dorothy White, aged one year. Identification from verso.

One full body studio portrait of Dorothy White, approximately five years of age. Identification from verso.

One head and shoulders studio portrait possibly of Dorothy White.

One group portrait of some of the students of the Toronto Normal School, possibly those in Kindergarten-Primary section as well as parents and friends.

Back row: Ray Weldon, Helen Lockie, Rowena Stringer, Verna Frazer, Dorothy White, Christine [?], Unknown, Unknown, Glenny Bannerman.

Middle Row: Kathleen Frizzle, Unknown, Mrs. (Bishop) Stringer, Mrs. Bannerman, Margaret Flarity.

Front Row: Joy Connel, Marjorie Dougall, Grace Longworth.

Mrs. (Bishop) Stringer is the mother of student Rowena Stringer and wife of the then Bishop of York. Mr. and Mrs. Bannerman were a couple that Dorothy boarded with while attending the Normal School and Glenny is their son. The other girls in the image are friends and classmates of Dorothy's. Identifications from verso.

Two negatives showing images of the Victory Bond rally parade in Kitchener. Included are images of local people and army vehicles. Identification from enclosure.

Three negatives showing images of the Waterloo Pioneer Memorial Tower. In one image people can be seen reading the tombstones at the base of the tower, and period cars can be seen in the background of each image.

One snapshot photograph of an unidentified woman with Dorothy White and Anna Moyer at Victoria Park, Kitchener. The women are shown standing in front of the water and the photograph is in a large paper frame with a pipe cleaner for hanging. The frame reads "With best wishes: Days of the year" in an Eastern style font. Location identified from verso.

Two identical studio head and shoulders studio portraits of Ward Malott White in his salvation army uniform. Identification from verso.

One head and shoulders studio portrait of Lieutenant Ward Malott White, showing him in his Salvation Army uniform. Identification from verso.

One full body studio portrait of Wilifred White as an infant. Wilifred is shown in a cradle. Possible postmortem photograph. Wilifred was born February 20, 1899 and passed June 4, 1899. Identification from verso.

One group studio portrait of the Wismer family. Shown are John E. Wismer, with wife Priscilla Moyer, Solomon G. Wismer, and Sophia Wismer. Identification from verso.

One three quarter length studio portrait of John, Annie and Sophia Wismer. Identification from verso.

One full length studio portrait possibly of Sophia Wismer. Sophia is shown wearing an elaborate hat and a long coat, and carrying a handbag. Identification from enclosure.

Two identical head and shoulders studio portraits of Sophia Wismer. Head and shoulders studio portrait.

Group portrait possibly of a meeting of officials of the of Alma Street United Brethren in Christ Church taken outside. Identified on the verso are Rev. S.H. Swartz (centre in front of doors), President Bangs of Huntington College Indiana (front row, 3rd from right), Rev. Stanton, Lautenschlager, Rev. Howe, and Rev. Burton.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

One artistic landscape photograph of trees in swamp land. Photograph is an a portfolio style enclosure with "Almer Coe & Company, Chicago" on the front; however, the creator of the photograph is unknown.

Head and shoulders studio portrait of Rev. Mrs. Baldwin seen in partial profile looking off camera.

Negatives showing the Bridgeport Flood. Includes images of cars, houses, and bridges in the water as well as the river. Identification from enclosure.

Upper body studio portrait of Eli Brubacher, seen looking at camera.

Photographs and negatives showing the Canadian Officer's Training Corps, possibly of McGill University. Included are images of the Longueuil barracks, the Jacques Cartier Bridge in Montreal, a fort, and other army camps and vehicles as well as an image of Lt. Peter Anderson. Some identification from verso.

Studio portrait of evangelists Hugh Crossley and John Hunter. Crossley is seen with legs crossed, looking off camera and paper in left hand. Hunter is seated on the arm of a chair next to him with right arm propped on Crossley's shoulder, looking at camera.

One studio portrait of Goodwal Dickerman as the character Freddie in "The Tomkins Family" given as a gift for Christmas 1894. Goodwal was a humorist and impersonator, and went on to act on Broadway.

One full body studio portrait of Goodwal Dickerman dressed in the character of Peter Timothy Tomkins from " The Tomkins Family", given as a Christmas gift in 1894. Goodwal was a humorist and impersonator, and went on to act on Broadway.

One studio portrait photograph of Goodwal Dickerman, showing his left side. Goodwal was a humorist and impersonator, and went on to act on Broadway.

Full body studio portrait of Glenn Earl Eby, seen as a small child, standing on a chair, wearing a long gown with lace.

Two identical upper body studio portraits of Melvina Dorthula Flagler. Melvina is shown with a watch on a chain and a large lace flower on her jacket. Note that the mounting for one photograph is labeled: "Dunn, Leamington, Ont." but that the image was in fact taken by Hartley's, Chicago, Ill..

One upper body studio portrait of Melvina Dorthula Flagler seen looking off camera.

One upper body studio portrait of Melvina Dorthula Flagler, later in life, seen looking at camera.

One heads and shoulders portrait of (left to right) Melvina Dorthula Flagler, Ruth Schantz, and Carrie Flagler Schantz. Ruth in the middle with arms around her Melvina's neck.

Photograph of Nell Johnston Flagler and William B. Flagler, posed for the camera, seated on a bench on the side lawn of a residential home.

One head and shoulders portrait [Annie Nash Fry?] seen wearing glasses and looking slightly off-camera.

One studio portrait of Annie Nash Fry (wife of Samuel Fry) seen looking at camera. Annie is shown late in life wearing a bonnet which ties at her neck, and glasses. Also includes one print of the identical portrait with a poem. Item may be a funeral card. Identification from verso with birth date as 1819 and death as 1903. Identification is uncertain however, as a print with a poem about the woman identifies the woman as Nancy Fry (possibly familiar form of Anna).

Poem reads:

We meet, in thankfulness to-day,
For blessings showered on our way.
May all our hearts with love abound
As once again we gather round
The heartstone of Aunt Nancy.
Vineland, August 9th, 1905.

One upper body studio portrait, possibly of Faith Gribble. Photograph is in an embossed green enclosure with a purple interior and reads "With the Compliments of the Season."

Studio portrait of [Mary Harriet Gribble] with grandchildren Elsie Snider and Ralph Snider, the children of Faith Gribble and William Snider. Gribble is shown looking down at newborn Elsie, held on her lap, while Ralph, about three years of age, stands next to them, looking over shoulder off camera.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

One group portrait of some attendees of the golden wedding anniversary celebrations for Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Studio portrait of Grace Evelyn Kolb, aged 8 years, 8 days, seated, holding Raymond Oliver Kolb, aged 1 year on lap. Evelyn is seen with has large ribbons in her hair and Raymond is holding a sprig of greenery.

Group portrait of Lang Treacy Co. Ltd. (dry goods and house-furnishings) employees posed outdoors taken June 1927. Image shows Franklin Schantz (back row, 4th) W.C. Treacy (front row, far right), R.D. Lang (second row, first from left) and E.D. Lang (third row, first from left). Also of note are the dress of the employees, particularly a fur stole.

Head and shoulders studio portrait of Grace Longworth seen looking slightly off camera.

One full body studio portrait of Inez Muriel Martin, aged one year. Inez is showing standing on a chair, wearing a long white gown with lace.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

Head and shoulders studio portrait of Abraham Nash Moyer seen in partial profile.

Portrait of Anna Tomlins Moyer taken outside. Anna is shown seated in a wicker chair with tree branches behind her.

Portrait of Anna Tomlins Moyer taken outdoors. Anna is shown sitting on a wicker chair with branches behind her.

Photograph of Charlotte Hayes and mother-in-law Mary Elizabeth "Mollie" Moyer. They are seen sitting together in a hammock on the front porch of a home. Charlotte is shown wearing a boater hat.

One full body studio portrait of Dorothy Louise Moyer, age 10 1/2 months. Dorothy is shown sitting on a chair looking at the camera and dressed in a white gown.

One upper body studio portrait of Edmund Warren Moyer seen in profile.

One head and shoulders studio portrait of Edna Moyer seen looking off camera, aged 17 years, 6 months. Photograph originally belonged to Sophia Moyer.

One head and shoulders studio portrait of Emma Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

One group photograph of Anna Tomlins Moyer with daughters seated together on a porch. The group is identified on the verso as Lillian and Mable; however, other identification on other photographs suggest the group is (left to right) Edna, Anna, Etta, Bertha and Mable.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

One group portrait of (left to right) Emma Bliss Moyer with husband Samuel Moyer and Frances Moyer with father Jacob Moyer. The family is shown standing outdoors, in front of a home numbered 1211.

One group portrait taken outdoors of the Moyer family seen seated outdoors on rocks.

Back Row: Levi Nash Moyer, Emma Bliss Moyer, Charlotte Hays Moyer (wife of Harry), Mollie Moyer (wife of Levi), Harry Moyer (son of Levi), Robert Moyer (son of Samuel)

Front Row: Louisa Moyer (daughter of Samuel), Elizabeth Moyer (daughter of Harry), Robert Moyer (son of Harry), Unknown, Unknown, Samuel Moyer.

Group portrait of, left to right, Jacob Nash Moyer, Mollie Raymond Moyer and Levi Nash Moyer standing together outdoors that has been sent as a postcard.

One group portrait of members of the Moyer family seated in a row on a porch of a residential home and looking at the camera. From left to right Etta Moyer, Jesse Gross Moyer, Marjorie Moyer, Anna Talcott Moyer, Anna Tomlins Moyer, Harold Moyer. Marjorie and Harold are young children and are being held by Jesse Gross Moyer and Anna Moyer respectively.

One group portrait of the extended Moyer family outdoors with greenery in the background.

Standing: Ethel Raymond Sabin, Elihu De Forest Watt, Jennie Moyer, Edmund Warren Moyer, Mary May Raymond, Thomas Cowen Kelly, Jessie Watt Moyer, Ela Bliss Moyer, Orpheus Moyer Schantz, Annie Bell Raymond, Sophie Emma Schantz, Harry Rollin Moyer

Seated: Mary Emma Moyer, Mary Raymond Moyer (Mollie), Levi Nash Moyer, Ruth Schantz, Carrie Flagler Schantz, Charlotte Hays Moyer, Mary Elizabeth Moyer.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

Group portrait of Moyer family seated on their porch. A bicycle is visible at left leaning against the porch.

Standing: Bertha Moyer, Mable Moyer, Maurice Moyer, Herbert Moyer, Etta Moyer

Seated: Anna Tomlins Moyer, Jessie Moyer, Edna Moyer.

One outdoors group portrait of the Moyer family. From left to right are: Levi Nash Moyer, Mollie Moyer, Emma Bliss Moyer, and Samuel Moyer. The four are seated on a large rock.

One group studio portrait of Samuel Moyer and Emma Bliss Moyer with their children Ela Bliss Moyer (standing right), Robert B. Moyer (standing left) and Louise Moyer.

Photographs of various members of the Moyer and Nash families. Included is an image of Jesse Gross Moyer with wife Anna Tomlins Moyer, nieces Metta and Bertha Moyer, son Herbert Moyer, daughter-in-law Anna Talcott Moyer, Grandchildren Harold and Marjorie Moyer and unidentified other child. As well, there are two images of Jesse and Levi together as well as individual images of Willifred Moyer Curtis and husband E. Mitchell Curtis. The images were taken in 1917, 1924 and 1932 in Cedar Falls, Iowa and Kansas City, Kansas. Identification from verso and recto.

Studio portrait of Jacob Nash Moyer and family seen looking at camera. Left to right: Evelyn M. Moyer (age 9), Frances M. Moyer (age 14), Jacob Nash Moyer, Willard White Moyer (age 16), Mary Miller Moyer, Richard Moyer (age 12) and Winifred M. Moyer (age 7).

One head studio portrait of Jacob Moyer seen looking off camera.

One full body portrait of Jennie Moyer seen seated outdoors on a barrel and wearing a cap and tweed jacket with leg of mutton sleeves.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

One upper body studio portrait of Jesse Moyer seen looking at camera and dressed in a suit and tie.