- SCA217-GA200-12-214-4
- Item
- November 1900
Part of Rieder and Anthes family fonds.
Studio portrait of Peg [last name unknown], who is seen wearing a hat and fur capelet.
Rieder and Anthes family
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Part of Rieder and Anthes family fonds.
Studio portrait of Peg [last name unknown], who is seen wearing a hat and fur capelet.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Fully length studio portrait of Margaret Parry as a small child looking at the camera while holding a stuffed animal in right hand and wearing a white dress.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine regarding the birth of daughter Martha Magdalena, indicating that she and his wife, Magdalena Stricker, are doing well. He also notes that the church construction is progressing quickly and that the apples arrived.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine. Anthes shares that the family is in good health and that he his back to preaching and visiting people. He makes note of the "self-destructive" efforts of a Baptist preacher and comments about the number of preachers that have passed through Port Elgin. He shares that the quarter-year assembly was a success making note of the contributions of Brother Umbach and Brother Büsh, and warns his parents that he won't be able to visit over the summer due to plans to spend several weeks preaching in the north part of Mission. The remainder of the letter consists of questions about the wheat crop and Jacob, along with additional updates about his work and that of Brother Eby. He concludes with well wishes to family and friends, and shares that Martha Magdalena "is really growing, is chubby and cheerful and has now started to slide about"
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of W.W. Nash seen looking at camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Louise McEwen McLean looking off camera, wearing a high-collar top with leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Louise McEwen seen slightly in profile and wearing a high-collar top with leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Zella Dexter McDonald, seen wearing a hat with a large bow on top.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photograph of Zella Dexter McDonald posed for the camera seated, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Zella Dexter McDonald. Seen standing, she is wearing a hat, gloves and has a fur scarf around her shoulders.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of Zella Dexter McDonald seen dressed in a high-collar top and looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Zella Dexter McDonald, seen wearing a hat with a large bow on top.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photograph of Zella Dexter McDonald posed for the camera with left hand at back of head, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Dexter McDonald dressed in a school uniform with a workbook on his lap. He is seen seated in a chair, with ankles crossed, looking at the camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Dexter McDonald as a young child seated on a toy horse.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Charles Campbell McDonald.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of (left to right) Zella, Dexter and Charles McDonald.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of (left to right) Dexter, Charles and Zella McDonald.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine providing an update about his health and preaching activities. Anthes notes that he's unwell following extensive speaking engagements and travelling in snowy conditions, on roads in poor condition. He notes that several people in Port Elgin are sick with typhoid and comments that Old Bricker is unwell. Anthes also notes that Brother Busch is sick and struggling with building the new preacher’s home, and offers brief updates about visits from J. Schneider and Brother Umbach. Also included are comments about the weather and questions about various people, likely friends and family.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Mae [?] seen in partial profile.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine in response to a letter from them dated May 18. After wondering if their letter was misplaced because it took longer than expected to arrive, he provides an update about the family's living situation indicating that his wife, Magdalena, is liking things better. He explains they will be moving into a home vacated by Brother Fink once it has been whitewashed and improved by Brother Wigand. Anthes notes he is so busy preaching and visiting families that he has to do all of his studying and writing at night. The remainder of the letter consists of requests to pass on well wishes to family and friends.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Lola [?] seen looking at camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Irene Anthes Locke seen looking at camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from S. Braun to 'Father Anthes' regarding a mother and child they are seeking to assist. Letter makes mention of streets that are "barely passable" due to deep snow.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine regarding trips to Carrick and Southhampton that daughter Sarah missed out on due to a lung infection. Makes reference to son Martin's reaction to boats full of fish and the family's plans to acquire late apples.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Laureen [?] seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Ina Kimmel seen standing and looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photograph of Emma Ratz Kaufman standing on the sandy shore of a body of water in Haliburton.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of Emma Ratz Kaufman seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Full body studio portrait of Emma Ratz Kaufman seen looking off camera with a rose in hands.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and body studio portrait of Emma Kaufman seen looking off camera in a white dress and standing with hands at front.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Emma Kaufman as a young adult, seen looking at camera with slight smile.
Rieder and Anthes family
Kaufman, Alvin and Emma Ratz with friends.
Part of Rieder and Anthes family fonds.
Studio portrait of Alvin Ratz (back row, far right) and Emma Ratz (seated, far right) with three unidentified friends or family members.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of A. R. Kaufman, posed with left hand at face, as a child.
Rieder and Anthes family
I will see that the cow is fetched
Part of Rieder and Anthes family fonds.
Undated letter from Jacob Anthes indicating he will ensure a cow is fetched as soon as possible. Letter also asks about Johann's marriage and makes mention Wilhelm being a "fine fellow" acting in a "truly brotherly way".
Rieder and Anthes family
Household economics and building a church
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine. He shares that everyone with the exception of Sara is healthy, but that she's still going to school. He says the family is in good spirits and are speaking English well. Martha is noted as having a difficult time knowing how to cook and that until they got some new potatoes she had been relying on bread and coffee, though Anthes emphasizes that they're still better off than many others. He provides updates about the prices for various crop yields explaining that the buyers are still figuring out how things should work and that he'll rely on credit if need be to get by. Martin and Catherine are also provided updates about the building Jacob is working that is described as 42x50 with arched windows and a small tower. He concludes by noting the help of S. Eby and Mr. Gilger before asking asking Wolf is getting along.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Leona Hoffman seen looking at the camera and seated in a wicker chair. She is wearing a hat and a high-collar dress with slight leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Maude V. Henry seen looking off camera and wearing a hat
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulder studio portrait of Jennie Hall seen looking at camera and wearing a high-collar top with leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine, in response to a latter received from them on November 30th. Anthes makes note of the winter conditions in Carrick and that he will be preaching at two different locations on Sunday. He also shares his opinion about financial contributions toward paying off church debts, indicating he thinks the Anthes families have contributed enough given his extensive travelling and related expenses the past two years.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of Lulu Fawcett seen looking off camera. Lulu is wearing a fancy hat and a high-collar jacket with leg of mutton sleeves.
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine. Anthes begins by sharing that the family has returned home safely but that he's still having bouts of illness, though less severe than before. In addition to updates about preaching activities, he tells of the death of Thede, who succumbed to injuries suffered being run over by an oxen-driven wagon. He concludes by sharing news of the summer harvest, indicating that several families will be struggling to make ends meet due to mildew drying up the wheat crops.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine. Includes message from Daniel Ewald. Ewald reports about the success of assemblies, making mention of people seeking blessings and families who have converted including the Davids, the Cress', the Beckers, the Schneiders, Büschlens, Deuners and Detweilers. He comments about the good work of Brother Moyer, Brother Jacob, and Brother S. Eby. Before signing off he shares that his wife recently gave birth to a daughter and that he will be travelling to Cleveland.
Anthes' shares that he is one again in good health and that the doctor said he'd "improved beyond all expectations". He notes however that he has to be careful and can't preach, but that he has led a prayer assembly and has occasionally given the Invitation. He gives thanks to the prayer of his Brothers and Sisters in Christ as the reason for his recovery. Anthes also offers updates about various families and people including the Schwedenborgians, Brother M. Weber, Brother Mayer and Brother Umbach. He asks that his parents pass on well wishes to Brother Meyer, J. Wolfs, the Anthes, the Meyers and "all the Brothers and Sisters."
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Ella [?] seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of unidentified woman seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of an unidentified woman seen looking off camera with left hand at chin.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine, regarding the death and burial of Brother J. Kastner.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Scenic view of the Grand River with cows crossing through the water to a partially submerged patch of land in the middle of the water.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Blanche Mildred Clement looking off camera, seen wearing a fancy hat.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Full length studio portrait of Hugh and Evelyn Clarke, the children of May Wing, seen looking at camera. Hugh is seen seated on a side table, holding hands with Evelyn who is standing at right.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Clara [?] seen in partial profile.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of John Edward Breithaupt seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body portrait of John Edward Breithaupt as a child seen looking at camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Evelyn Breithaupt seen looking slightly off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Evelyn Breithaupt seen in partial profile with right hand at chin.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of Carrie Briethaupt seen looking slightly off camera that likely belonged to Martha Rieder.
Rieder and Anthes family
Breithaupt, Albert and Martha Rieder
Part of Rieder and Anthes family fonds.
Photograph of Albert Breithaupt and Martha Rieder posing with a large fish strung on a branch held between them.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photo of Albert Breithaupt posing with an upright riffle, standing over a dead buck at his feet.
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Evelyn Breithaupt seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
List with three items regarding repairs to boots and shoes.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulder studio portrait of J.E. Bilger seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of unidentified woman seen looking off camera.
Rieder and Anthes family
Beck, Milla and Evelyn Breithaupt.
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Milla Beck and Evelyn Breithaupt. Only Milla is looking at the camera. Both are wearing jackets and elaborate hats.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine Anthes. He begins by saying that he's feeling healthier and that the fall weather has been beautiful. After mentioning a visit by Wagenast and his wife, and fish sent with them as gifts, he provides suggestions for transporting and selling apples, sharing that he's pleased with the barrel yielded from his garden.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of Emma Wilkin (Simpson) seen looking slightly off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine. He details his success converting several heads of local families, some of whom are identified by name, despite the efforts of a [Lutheran?] pastor to prevent their departure from their former beliefs. Anthes explains that he has fallen ill from the exertion of hosting repeated assemblies and that the snowy weather is preventing him from travelling to hold yet another assembly. Prior to signing off he notes that son Martin's arm was burned by a cup of hot tea and that Brother Umbach’s Märthe may be visiting in early March.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Letter from Jacob Anthes to his parents, Martin and Catharine, regarding the shipment and selling of bushels of apples. Anthes makes reference to a trip he took with Brother Miller to transport an almost too heavy load of apples and shares his wishes for how they are to be sold and distributed, and at what price.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Martha Anthes with unidentified woman and two children, likely immediate or extended family.
Rieder and Anthes family
Anthes, Martha and Emma Kaufman
Part of Rieder and Anthes family fonds.
Portrait of Martha Anthes and Emma Kaufman looking at the camera, dressed in fancy hats and cool weather jackets.
Rieder and Anthes family
Anthes, Martha and Emma Kaufman
Part of Rieder and Anthes family fonds.
Upper body portrait of Martha Anthes and Emma Kaufman. Martha is looking off to the side and Emma at the camera.
Rieder and Anthes family
Anthes, Martha and Emma Kaufman
Part of Rieder and Anthes family fonds.
Upper body portrait of Martha Anthes and Emma Kaufman, seen looking off camera.
Rieder and Anthes family
Anthes, Martha and Emma Kaufman
Part of Rieder and Anthes family fonds.
Upper body portrait of Martha Anthes and Emma Kaufman, seen looking off camera.
Rieder and Anthes family
Anthes, Martha and Emma Kaufman.
Part of Rieder and Anthes family fonds.
Upper body portrait of Martha Anthes and Emma Kaufman looking at the camera dressed in fancy hats and cool weather jackets.
Rieder and Anthes family
Anthes, Martha and Ella with Louise McEwen and friends.
Part of Rieder and Anthes family fonds.
Studio portrait of (seated, left to right) Louise McEwen, and Ella and Martha Anthes with two unidentified friends. The group is dressed for cool weather and posed against a winter backdrop.
Rieder and Anthes family
Anthes, Martha and Ella with family
Part of Rieder and Anthes family fonds.
Studio portrait of Martha (seated left) and Ella (standing left) Anthes with three other children, possibly siblings or cousins.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photograph of Martha and Ella Anthes standing arm in arm in a tree line yard. Both are wearing white dresses and seen from the waist up, looking at the camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Lydia Anthes with daughters Ella Cook, Martha Rieder, Louisa Breithaupt and Carrie Breithaupt. Ella and Martha are seen standing, with Louisa and Carrie seated on either side of Lydia. Only Lydia and Louisa are looking toward the camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Lydia Anthes (centre) with daughters (left to right) Carrie Breithaupt, Martha Rieder, Ella Cook, and Louisa Breithaupt. Only Martha and Ella are seen looking toward camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Two copies of a studio portrait of Lydia Anthes with daughters Louisa Breithaupt, Ella Cook, Martha Rieder and Carrie Breithaupt. Louisa and Ella are seen standing, with Lydia, Martha and Carrie seated at front. Only Ella, Lydia and Carrie are looking toward the camera.
Rieder and Anthes family
Anthes, Louisa, Ella and J.I. Frank.
Part of Rieder and Anthes family fonds.
Photograph of (left to right) Louisa, Ella and J.I. Frank Anthes seated and kneeling in a tree filled yard. Louisa is seated with Ella kneeling at her side. Both are seen looking at the camera. Frank is seated at right using an instrument on Louisa's upturned hand [possibly reading her palm?]. Frank is dressed in a suit and bowler hat and Lydia and Ella are wearing high-collared dresses with leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Upper body studio portrait of Lydia Louisa Anthes and Marie [?]. Louisa is seen looking off camera, while Marie is looking directly at it. Both are dressed in high-collared dresses with leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Portrait of Louisa Anthes and an unidentified friend smiling and looking off camera. Both are wearing fancy hats and high-collared tops with leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Louisa Anthes with unidentified friend looking at the camera, dressed in fancy hats and cool weather, collared jackets.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait Louisa Anthes and unidentified friend seated, side by side and looking off camera. Both are wearing high-collared tops with slight leg of mutton sleeves.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of Louisa Anthes, seen in profile.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photograph of Louisa Anthes seated in a yard, looking over at camera, while working on [embroidery?].
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Head and shoulders studio portrait of Laurie Anthes seem looking off camera.
Rieder and Anthes family
Anthes, Laurie, Louisa, Emma and Lemar and Carrie Strawser
Part of Rieder and Anthes family fonds.
Studio portrait of Laurie, Louisa and Emma Anthes with Lemar and Carrie Strawser. All are seen in jackets and hats.
Rieder and Anthes family
Anthes, John S., Lydia and Ella.
Part of Rieder and Anthes family fonds.
Two copies of a full body studio portrait of (left to right) John S. Anthes, Ella Cook and Lydia Anthes. John is seen in partial profile, seated in an ornately carved arm chair. Ella and Lydia are seen standing next to John, looking at the camera with arms crossed at each other's back.
Rieder and Anthes family
Anthes, John S., Ella, Lydia and Martha.
Part of Rieder and Anthes family fonds.
Photograph of (left to right) John S., Ella, Lydia and Martha Anthes together in a yard. Lydia is seated, surrounded by the others who are seen standing.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Postcard photograph of the extended Anthes family at an outdoor gathering in a park. Included in the group is Talmon Rieder (standing, third from left), Martha Rieder (standing, sixth from right), Cyrena and John Isaac Anthes (standing, third and fourth from right), John S. Anthes (standing, far right) and Lydia Catherine Anthes (seated, second from at right in black).
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of John S. (seated left) and Lydia Anthes (seated right) with their children. Ella and Martha are seen posed between their parents with siblings (left to right) John, Louisa, and Carrie standing at back.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Photograph of the extended Anthes family outdoors during a picnic at Bridgeport on the occasion of John and Lydia Catherine Anthes' 42nd wedding anniversary. The group is seen standing and seated along the length of a bench and "Bowling Alley" sign is visible in the background at right.
Adults in back row: Cyrena Anthes, John Isaac Anthes holding an unidentified infant, Carrie Breithaupt holding an unidentified infant, John S. Anthes, Lydia Catherine Anthes, Emeline Rieder, Talmon Rieder, Peter Rieder, Ella Anthes, Martha Rieder, and Louisa Breithaupt.
Children in front row: ?, John Edward Breithaupt, ?, Frieda Breithaupt, Louise Breithaupt with possibly Esther Breithaupt, Walter Breithaupt and Fred Breithaupt (likely incorrect).
Part of Rieder and Anthes family fonds.
Photograph of John S. and Lydia Anthes with some of their children and grandchildren.
Standing: ?, Carrie Breithaupt (standing, third from left), John Christian Breithaupt
Seated middle: Ella Cook, ?, [Walter Breithaupt?], Lydia Anthes, John S. Anthes, Frieda Breithaupt, John Edward Breithaupt
Seated front: [Louisa Breithaupt?], Carl Briethaupt, Martha Rieder, Louise Breithaupt.
Part of Rieder and Anthes family fonds.
Studio portrait of John S. and Lydia Anthes seen looking off camera.
Rieder and Anthes family
Part of Rieder and Anthes family fonds.
Studio portrait of John S. and Lydia Anthes. John is seen in profile looking off camera and Lydia is seen looking toward it.
Rieder and Anthes family