Showing 499 results

File consists of four type- and manuscript poems. Three of the poems are by Sanborn and the fourth, titled My Eight of May, is by Mary Farley Sanborn.

File consists of 17 (handwritten and typed originals) poems by Stan Johannesen.

Series consists of manuscript and typescripts of poems written by John Herbert between 1953 and 2000. The series is divided into files for each individual poem and they are arranged chronologically.

3 typed poems (original).

Two poems by Elizabeth Williams Cook, one addressed to her husband James Cook and one to her children.

Four poems possibly acquired by Cameron Hill or his parents, Britton and Grace Hill, during the Second World War including Songs of Assurance by Clara Bernhardt, Our Heritage by Helen Middleton, Why Should We Fight for England? by Harold S. Wood, and Old Pals by an unknown author.

File consists of three audio cassettes (originally bound together) with readings of poetry by Rienzi Crusz. Tapes are labled Part 4: Rienzi Crusz Family Poems Continued, Rienzi Crusz : Poems and Micheal Crusz, Part III "Rain..." Cont._. Also includes a note from the author regarding the quality.

One typescript and two printed poems by Orpheus Schantz.

A collection of poems by Don Middleton. These include poems written about his time in the Second World War, including his time in the Colditz POW camp.

File consists of two untitled poems in various drafts.

Untitled duo-tang containing typed poems (11. p., original), with photographs of people and photographs of illustrations [by Nancy-Lou Patterson?].

Two issues of Washington Profile, each containing a poem by Nancy-Lou Patterson.

1 printed item.

1 photocopy of "Less than God."

Poems and drafts of poems written and annotated by Julia McCarthy. Includes poems: “Erasure,” “Oblivion,” “The wedding tree,” “Bite down little whisper” and others untitled.

Spiral-bound copy of All Green Creation.

File consists of poems written by Suits. Includes manuscript and typescript poems as well as "Liontayles", a poetry book put out by the University of Waterloo Federation of Students which includes four poems by Suits and one item of correspondence regarding "Liontayles". Poems are typescript (original and computer output) and manuscript and are one leaf unless otherwise noted. Multiple copies of each poem are present.

Poems include:

• Lily
• Epitaph
• Riddle
• Triolte upon Triolet
• In Memoriam
• Venus at Five O'Clock
• Parable
• Things Always Look Much Different in the Morning
• Two Part Invention
• Triolet
• Untitled Lines
• Obsolescence
  *Nocturn: Early Spring
• October Day (2 leaves)
• Comment
• Self Portrait
• Verses to my Friends
• What is She
• Sonnet to Bette
• Untitled
• Nineteenth Birthday
• The Nocturnal Vase
• A Song of the Sea (2 leaves)
• The History of Man
• Parable
• A Portable Proust
• The Figure in the Carpet
• The Fool on the Hill
• Furnish the House
• McBain
• The Monsters: A Theological Reflection
• My Return
• The Playwright Begins His Day
• Old Age
• Reflection of a Chamber Pot.

Three typescript poems, with corrections.

File consists of a variety of chain poems written by Virgil Burnett and others (D.D. and F.G.).

Published poems by Julia McCarthy in different media. Includes a published copy of Literary Review of Canada (Vol. 16, No. 10, December 2008) with poem titled “Beneath Cyrillic stars,” a photocopy of The Antigonish Review (no. 157) with poem titled “meditations on Ephemera: #4 Earwig” (2005), and published copy of Contemporary poetry series: nature and the sacred (Vol. 1, No. 3, 2017) with poem "Before the before" (also includes poem by Don Domanski "Birthday").

Series consists of issues of periodicals and offprints containing poems written by Rienzi Crusz.

File consists of the January 2008 (vo. 2 no. 1) issue of Vagdevi : Journal of Religious Reflection, with the poems "Racism", "Sermon in the Forest", "Let us Know" and "Never Discuss Theology with Your Grand Daughter" by Rienzi Crusz.

• "Apologia of a dark poet." Fiddlehead, no. 92 (Winter 1972): 16.
• "Boy and bird." Fiddlehead, no. 92 (Winter 1972): 18.
• "Remains of an Oriental poet." Quarry 21, no. 1 (Winter 1972): 29"How does one reach the sweet kernel?" West Coast Review 6, no. 3 (January 1972): 37.
• "The scrawlers." Confrontation, no. 5 (Winter/Spring 1972): 84.
• "Immigrant." IPLO Quarterly 14, no. 1 (July 1972): 41.
• "Sun-man." IPLO Quarterly 14, no. 1 (July 1972): 42.
• "Prophecy." IPLO Quarterly 14, no. 1 (July 1972): 44.
• "Faces of the sun-man." Prism International 12, no. 1 (Summer 1972): 92.
• "Kamala." Poetlore 67, no. 3 (Autumn 1972): 230.
• "Taste of old wine." Quarry 21, no. 2 (Autumn 1972): 24.
• "The night before my birthday." The University of Windsor Review 8, no. 1 (Fall 1972): 32.
• "September." [Gazette?], [1972?].(OVERSIZE)
• "The scrawlers." Gazette, 15 November 1972.(OVERSIZE)

• "Elegy." Applegarth's Folly 2 (1975): 56.
• "On talking to oneself." Applegarth's Folly 2 (1975): 119.
• "Come take the shy man by his third ear." Fiddlehead, no. 105 (Spring 1975): 106.
• "Will the real sun-man please stand up?" Canadian Forum 55, no. 653 (August 1975): 42.
• "... But seek the road..." Prism International (Summer 1975): 31.
• "The interview." Waves 4, no. 1 (Autumn 1975): 62.

Series is comprised of handwritten and typed drafts of poems by Rienzi Crusz, including originals and photocopies. Some drafts include handwritten corrections or annotations by the author.

"Eyeline." New Quarterly 9, no. 1 (Spring, 1989): 71.
"Inheritance." New Quarterly 9, no. 1 (Spring, 1989): 73.
"The crucifixion." New Quarterly 9, no. 1 (Spring, 1989): 75.
"Peggy.” Toronto South Asian Review 7, no. 3 (Spring 1989): 49.
Sardiel runs the blockade." Toronto South Asian Review 7, no. 3 (Spring 1989): 50.
"Mid-February on the lawn." Toronto South Asian Review 7, no. 3 (Spring 1989): 51.
The rain doesn't know me anymore.” Toronto South Asian Review 7, no. 3 (Spring 1989): 52-53.
"The painter." Toronto South Asian Review 7, no. 3 (Spring 1989): 54.
"Requiem for a cow." Toronto South Asian Review 7, no. 3 (Spring 1989): 55.
"The Sandwich-maker." Grain 17, no. 4 (Winter 1989): 50-51.

Series consists of typed and handwritten poems by Rienzi Crusz. Some include comments by the author or editor.

This series includes poems and pieces of prose, some of which are already listed in the original finding aid.

Series consists of poems published in periodicals.

Series consists of poems published in periodicals.

"The Night Before My Birthday," reprinted from the University of Windsor Review, duplicate.

"Poetry Reading, Scarborough College." A copy already listed as added in 1993.

This series includes poems and pieces of prose, some of which are already listed in the original finding aid and in the 1997 Accrual. The poetry and prose from Sardeil is listed first, followed by a list of the remaining poems.
Typescripts from a typewriter and those produced by computer have all been described as typescript Most poems have information added by the author as to the version.
The term "Already listed" indicates that there is already a folder by that title in the fonds (either in the original collection or in the 1997 Accrual), and that this is additional material for that folder.

"Arrythmia". One leaf with ms. note by Rienzi Crusz.

Three poems published in Kunapipi 4, no. 2 (1982): 27-29, "The elephant who would be a poet," "Fresh-cut flowers," "Poetics".

Poems clipped from newspapers and magazines. Some of them may be by Montgomery.

Twelve handwritten and typed poems.

Series consists of anthologies containing poems by Rienzi Crusz.

• "Resurrection." Liontayles 3 (April 1970): 21.
• "From a fisherman's log-book." Liontayles 3 (April 1970): 20.
• "Summertime at Waterloo Park." Malahat Review, no. 14 (April 1970): 108.
• "Resurrection." Quarterly Poetry Magazine, no. 31 (Spring 1970): 21.
• "From a fisherman's log-book." Fiddlehead, no. 85 (May, June, July 1970): 19.
• "Immigrant." Fiddlehead, no. 85 (May, June, July 1970): 20-21.
• "Tramp." Fiddlehead, no. 85 (May, June, July 1970): 22-23.
• "Sermon in the forest." New York Quarterly, no. 3 (Summer 1970): 48.
• "The companions." Prairie Schooner 44, no. 2 (Summer 1970): 163.
• "The havocking of silence." Prairie Schooner 44, no. 2 (Summer 1970): 164-165.
• "September." Prairie Schooner 44, no. 2 (Summer 1970): 165.
• "Like the lotus." Fiddlehead, no. 86 (August, September, October 1970): 138.
• "Prophecy." Trace (Autumn 1970): 489.
• "Prophecy." Gazette, 4 November 1970. (OVERSIZE)
• "Moods." Gazette, 4 November 1970.(OVERSIZE)
• "For Daphne." Gazette, 4 November 1970.(OVERSIZE)
• "Immigrant." Gazette, 4 November 1970.(OVERSIZE)
• "Resurrection." Gazette, 4 November 1970.(OVERSIZE)
• "Summertime at Waterloo Park." Gazette, 4 November 1970.(OVERSIZE)
• "Remains of an Oriental poet writing in Canada." Gazette, 4 November 1970.(OVERSIZE)
• "Sun-man." Gazette 4 November 1970.
• "For Daphne." Poetlore 65, no. 4 (Winter 1970): 385.
• "God's hiding place." Poetlore 65, no. 4 (Winter 1970): 386.
• "Sun-man." Poetlore 65, no. 4 (Winter 1970): 387.
• "Summertime at Waterloo Park." Poetlore 65, no. 4 (Winter 1970): 388.
• "Dream for a Singhala Man." Poetlore 65, no. 4 (Winter 1970): 389.
• "Protest." Poetlore 65, no. 4 (Winter 1970): 391.

"Parenthesis." Inscape 11, no. 2 (Spring 1974): 24.

• "Elegy for the sun-man's children going." Quarry 25, no. 3 (Summer 1976): 36.
• "Elegy for an orange." Quarry 25, no. 3 (Summer 1976): 37.
• "The accepted one." Quarry 25, no. 3 (Summer 1976): 37.
• "Elegy for the children going." Fiddlehead, no. 111 (Fall 1976): 78.
• “Elegy for the poems that got away." Gazette, 15 December 1976, p. 6.(OVERSIZE)

• "Hotel room." Fiddlehead, no. 117 (Spring 1978): 19.
• "Truth." Canadian Forum (May 1978): 38.

"Elegy for the two poems that got away." Canadian Forum 59, no. 696 (February 1980): 40.

• "Mayaro sea sculpture." The Antigonish Review, no. 58 (Summer 1984): 85.
• "On the beach." The Antigonish Review, no. 58 (Summer 1984): 86.
• "The poet meets God at the Mennonite market." Getting Your Money's Worth (September 1984).
• "Michael's tree in late autumn." Imprint, 21 September 1984, p. 14.(OVERSIZE)
• "Immigrant." Getting Your Money's Worth (September 1984): n.p.
• "Elegy." Getting Your Money's Worth (September 1984): n.p.
• "A touch of vinegar." Happenstance 13, no. 1 (September 1984): n.p.
• "Dark antonyms in paradise." The Toronto South Asian Review 2, no. 3 (Winter 1984): 2.

• "Song of the immigrant." Grail 2 (September 1986): 33.
• "Heart of the matter." Grail 2 (September 1986): 34.
• "Hanging on to your leg-roots like the good earth." Grail 2 (September 1986): 35.
• "Dusk." Grail 2 (September 1986): 57.
• "A touch of vinegar." Kunapipi 8, no. 1 (1986): 102.

"Remains of an oriental poet writing in Canada." The Asianadian 3, no. 3 (April, 1981): 5.
"Of life and death." The Asianadian 3, no. 3 (April, 1981): 8.
"Critique in crystal." Imprint, September 25, 1981: 13.
"Less than God." Imprint, October 23, 1981 : [13].

"Poet as fabulator." Happenstance 12, no. 1 (April 1983): [2].

"Talking for myself." Toronto South Asian Review 6, no. 1(Summer 1987): 29.
"Ode to the muse.” Toronto South Asian Review 6, no. 1 (Summer 1987): 36.
"Love poem." Toronto South Asian Review 6, no. 1 (Summer 1987): 37.
"Elegy””. Toronto South Asian Review 6, no. 1 (Summer 1987): 38.

"The opposite men." Cross cultures 2, no. 2 (April/May 1993): 23.

"Becoming" and "If you must keep your paradise (for John)" published in Journal of Religious Reflection (New Series 4)2, no. 2 (July 2008): 36-38.

"For Daphne,", "Karma," "The Dana Porter Arts Library Lounge," all from the Chevron. All are duplicates? One is listed incorrectly? -- have to check.

This series includes poems and pieces of prose, some of which are already listed in the original finding aid and in the 1997 Accrual. The poetry and prose from Sardeil is listed first, followed by a list of the remaining poems.

"Civilization" published in a library publication, possibly Happenstance. Undated photocopy with ms. note by Rienzi Crusz.

File consists of the Fall 1998 (Vol. 33 no. 2) edition of the Wascan Review, which features a selection of poems from Rienzi Crusz's Sadriel.

Grey booklet with DADDY on cover. 2 poems regarding the father/daughter relationship. An excerpt from "The Father of my country" from Inside the Blood Factory, by Diane Wakoski and Daddy from Ariel by Sylvia Plath.

• "The accepted one." Liontayles 1, no 2 (March 1968): 54.
• "Return of the fisherman." Liontayles 1, no 2 (March 1968): 55.
• "Yesterday and today." Liontayles 1, no 2 (March 1968): 6.
• "Blind Jack." The American Poet, (April, May, June 1968): 95.
• "Francis of Assisi." Cardinal Poetry Quarterly 4, no. 1(Summer 1968): 31.
• "The accepted one." United Poets (July, August, September 1968): 25.
• "Integration of a kind." Liontayles 2, no 1 (December 1968): 23.
• "Sun-worshipper." Voices International 3, no. 4 (Fall-Winter 1968): 41.

• "Nihilist." Liontayles 2, no. 2 (April 1969): 22.
• "Dream for a Singhala man." A: University of Waterloo Staff Association Newsletter 2, no. 2 (September 1969): 8.
• "Karma." The Canadian Forum 49, no. 586 (November 1969): 197.
• "Before the great flood." The Chevron, 7 November 1969, p. 24.(OVERSIZE)
• "When Johnny came marching home." The Chevron, 11 November 1969, p. 12.(OVERSIZE)

• "Love poem." Imprint, 25 March 1983.(OVERSIZE)
• "Love poem." Prism International 21, no. 4 (July 1983): 47.
• "Arrythmia." The New Quarterly 3, no. 3 (Fall 1983): 38.
• "You gaze at the sun, then you are lost in the dark." The New Quarterly 3, no. 3 (Fall 1983): 39.
• "The way to go." The New Quarterly 3, no. 3 (Fall 1983): 40.
• "Poem in peacock blue." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 97.
• "These roses are the color of blood." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 99.
• "As told to a new Asian immigrant on the brink of winter." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 99.
• "Elegy for the unfinished poem." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 100.
• "In a weathervane idiom." Descant 43 14, no. 5(Winter 1983/84): 51.
• "... 'a door ajar to Eden or Cathay'." Descant 43 14, no. 5 (Winter 1983/84): 52.
• "Mayaro sea sculpture." Descant 43 14, no. 5 (Winter 1983/84): 53.
• "Elegy for the unfinished poem." Descant 43 14, no. 5 (Winter 1983/84): 54.
• "The art of self-deception." Descant 43 14, no. 5 (Winter 1983/84): 55.
• "On the beach." Descant 43 14, no. 5 (Winter 1983/84): 56.
• "Poem in peacock blue." Descant 43 14, no. 5 (Winter 1983/84): 57.
• "All I ask is my life." Descant 43 14, no. 5 (Winter 1983/84): 59.

• "Going home." The New Quarterly 4, no. 4(Winter 1985): 58.
• "'Willie' and the disenchanted child." The New Quarterly 4, no. 4 (Winter 1985): 60.
• "The opposite men." The New Quarterly 5, no. 3(Fall 1985): 69.
• "Prayer." Happenstance (December 1985): 4.

Series is comprised of anthologies containing poems by Rienzi Crusz.

Series is comprised of periodicals containing poems by Rienzi Crusz.

Series consists of typed and handwritten poems by Rienzi Crusz. Some include comments by the author or editor.

Series consists of poems published in periodicals.

"Boy and bird." Cross Cultures, no. 3 (April/May 1992): 18.
"Distant rain." New Quarterly 11, no. 4 (Winter 1992): 49.
"Learning the language." New Quarterly 11, no. 4 (Winter 1992): 49.

Series consists of typed and handwritten poems by Rienzi Crusz. Some include comments by the author or editor.

Series consists of poems published in periodicals.

Series consists of one periodical issue containing two poems by Rienzi Crusz.

"Dark Antonyms in Paradise" published in The Toronto South Asian Review 2, no. 3 (winter 1984): 2-4.

"Resolve To Be Always Beginning: To Be a Beginner: Rilke" published in Canadian Literature, no. 117 (summer 1988): 79.

"Listening to the Raven", "Fields of Baeza...", "Don't Ask Me What's Happening", "Memory's Truth" published in The Toronto Review of Contemporary Writing Abroad 2, no. 2 (winter 1996): 44-49.

This series includes poems and pieces of prose, some of which are already listed in the original finding aid.

6 p. (photocopies) of poems: "Boy and bird", "But seek the road", "I am now balancing on ice with more poems in my hand", "Last stanza for the cactus man", "Summertime at Waterloo park", "Truth", published in the Courier shortly after the publication of Elephant and ice, probably 1980.

Series consists of poems published in periodicals.

"Journey for man and boy," United Poets (Winter 1969): 27.

File consists of the poem "Distant rain," published in the Globe and Mail, 9 December 1995, p. C21, and the poems "Poetry Reading" and "After the KW writer's award" published in Ariel: a review of international English literature 26, no. 4 (October, 1995), 68-70.

File consists of three copies of the poem "I am balancing on ice with more poems in my hand," published in the Dalhousie Review ; a photocopy of the poem "Sermon in the forest," published in The New York Quarterly ; and a photocopy of the poem "Ode to the muse" (unidentified publication).

Contents: series consists of one periodical issue containing two poems by Rienzi Crusz.

Series consists of handwritten and typed drafts of poems by Rienzi Crusz. Includes photocopies. Some drafts contain handwritten corrections or annotations by the author.

File consists of two offprints from Vol. XXIX No. 2 of the Journal of South Asian Literature. Includes the poems "Rice", "Seasons of Memory", "Requiem for the Passionate Ones", "Cry Without a Name", "How to Dance in This Rarefied Air" and "Song of Myself" by Rienzi Crusz. Offprints are in a folder from the journal.

File consists of the Summer 1973 (vo. 22 no. 3) issue of Quarry, with the poems "Some Metaphors for Wendy", "The Maker", "The Sun-Man Looks at Pain" and "With the Tempestuous Myth of Birds."

File consists of the July 2009 (vo. 3 no. 2) issue of Vagdevi : Journal of Religious Reflection, with the poem "For Michael Estok" by Rienzi Crusz.

Series consists of ms. and ts. drafts of poems by Rienzi Crusz. Includes photocopies. Some drafts contain ms. corrections or annotations by the author.

Series consists of issues of periodicals, newspapers, and magazines containing poems by Rienzi Crusz.

• "Pardon my muted ways." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "A touch of fever." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "Resurrection." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "At the wedding of the lake." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "Little brown boy." The Inkpot Monkey, [1971?].(OVERSIZE)
• "Truth." The Chevron, 22 January 1971, p. 24. (OVERSIZE)
• "For Daphne." The Chevron, 12 March 1971, p. 24. (OVERSIZE)
• "A bull shows its true colors." Voices (April 1971): 30.
• "The defiant one." Voices (April 1971): 30.
• "Before the great flood." Voices (April 1971): 30.
• "The maker." Voices (April 1971): 31.
• "Only because we are coming to the bend." Voices (April 1971): 31.
• "Only after the coffee-break." Canadian Forum 51, no. 606-7 (July, August 1971): 40.
• "Remains of an Oriental poet writing in Canada." New Ceylon Writing (1971): 76.
• "For Daphne." NEWSTATEments 1, no. 2 (1971): 38.
• "Sun-man." NEWSTATEments 1, no. 2 (1971): 52.
• "Immigrant." NEWSTATEments 1, no. 2 (1971): 56.
• "The Dana Porter Arts Library lounge." The Chevron, 10 September 1971, p. 16.(OVERSIZE)
• "Biography of an elusive cat." The Chevron, 17 September 1971, p. 28.(OVERSIZE)
• "Black on green." Poetlore 66, no. 3 (Autumn 1971): 286.
• "Song of David." Poetlore 66, no. 3 (Autumn 1971): 286.
• "Sacred cow." Poetlore 66, no. 3 (Autumn 1971): 287.
• "Ma." The Chevron, 22 October 1971, p. 22.(OVERSIZE)
• "Petition for a university probe." The Chevron, 26 October 1971, p. 12.(OVERSIZE)
• "For Daphne." The Inkpot Monkey, 10 December 1971, p. 22.(OVERSIZE)
• "Christmas poem." Gazette, 15 December 1971.(OVERSIZE )

• "Conversations with God about my present whereabouts." Times of Ceylon Annual (1973): n.p.
• "For Daphne." Times of Ceylon Annual (1973). n.p.
• "Moods." Times of Ceylon Annual (1973). n.p.
• "Elegy." Times of Ceylon Annual (1973). n.p.
• "Immigrant." Times of Ceylon Annual (1973). n.p.
• "Faces of the sun-man." Ceylon Observer Pictorial (1973): n.p.
• "Pardon my muted ways." Fiddlehead, no. 96 (Winter 1973): 74.
• "Separate stones." Fiddlehead, no. 96 (Winter 1973): 73.
• "How an old poet beat loneliness to death." Confrontation, no. 6 (Spring 1973): 16.
• "A touch of fever." Happenstance 3, no. 2 (March, April 1973): 6.
• "Conversations with God concerning my present whereabouts." The Maker 1, no. 3 (April 1973): 15.
• "The bone-thrower." Happenstance 3, no. 3 (May, June 1973): 7.
• "Elegy." Gazette, 13 June 1973.(OVERSIZE)
• "Elegy." Cooperation Canada (July, August 1973): 30.
• "Boy and bird." Cooperation Canada (July, August 1973): 30.
• "Resurrection." Cooperation Canada (July, August 1973): 31.
• "Remains of an Oriental poet writing in Canada." Cooperation Canada (July August 1973): 31.
• "Conversations with God about my present whereabouts." Applegarth's Folly, no. 1 (Summer 1973): 43.
• "Birth of a misogynist." The English Quarterly 6, no. 2 (Summer 1973): 217.
• "Sun-man in suburbia." Fiddlehead, no. 98(Summer 1973): 66.
• "In the idiom of the brave." Fiddlehead, no. 98 (Summer 1973): 67.
• "Christmas poem." Fiddlehead, no. 98 (Summer 1973): 68.
• "Vilma." Fiddlehead, no. 98 (Summer 1973): 69.
• "Some metaphors for Wendy." Quarry 22, no. 3 (Summer 1973): 3.
• "The maker." Quarry 22, no. 3 (Summer 1973): 4.
• "The sun-man looks at pain." Quarry 22, no. 3 (Summer 1973): 5.
• "With the tempestuous myths of birds." Quarry 22, no. 3 (Summer 1973): 6.
• "I am balancing on ice with more poems in my hand." Dalhousie Review 53, no. 3 (Autumn 1973): 558.
• "Again Vilma." Fiddlehead, no. 99 (Fall 1973): 76.
• "Sun-man." Gazette, 10 October 1973.(OVERSIZE)
• "Immigrant." Gazette, 10 October 1973.(OVERSIZE)
• "Prophecy." Gazette, 10 October 1973.(OVERSIZE)

• "Baby-photo Inc. vs Michael Egerton Crusz." The New Quarterly 1, no. 1 (Spring 1981): 51.
• "The sun-man takes to wokking." The New Quarterly 1, no. 1 (Spring 1981): 51.
• "Anatomy of fear." Imprint, 5 June 1981, p. 9.(OVERSIZE)
• "Fresh-cut flowers." Imprint, 31 July 1981.(OVERSIZE)
• "Waiting for knapper." Grain 9, no. 3 (August 1981): 60.
• "The disenchanted child." The New Quarterly 1, no. 2 (Summer 1981): 36.
• "Of liars and kings." The New Quarterly 1, no. 2 (Summer 1981): 37.
• "Poem in peacock blue." Imprint, 8 September 1981.(OVERSIZE)
• "Civilization." The New Quarterly 1, no. 3 (Winter 1981): 16.

• "The sun-man's poetic five ways." The Toronto South Asian Review 1, no. 1(Winter 1982): 54.
• "Baby-photo inc. vs Michael Egerton Crusz." The Toronto South Asian Review 1, no. 1 (Winter 1982): 57.
• "Riencarnation." The Toronto South Asian Review 1, no. 1 (Winter 1982): 59.
• "Ritual at dawn." Poetry Canada Review, Summer 1982, p. 5.(OVERSIZE)
• "Galle Road (Sri Lanka), or the tango of flesh and fender." Fiddlehead, no. 134 (October 1982): 23.
• "In a weathervane idiom." Imprint, 8 October 1982.(OVERSIZE)
• "Anatomy of fear." Fiddlehead, no. 134 (October 1982): 25.

"Mayaro sea sculpture." Imprint, November 26, 1982: 10.
“Love poem." Happenstance 11, no. 4 (Winter 1982): [7].

"Domestic history." Women Talking With Men Talking With Women, no. 2 (March 1991): [2].
"The accepted one." Grail 7, no. 2 (June 1991): 100.
“Yes, in our Father’s house there are many rooms.” Grail 7, no. 2 (June 1991): 102-104.
“Sunday morning.” Grail 7, no. 2 (June 1991): 105.
“He who talks to the raven." Fiddlehead, no. 169 (Autumn 1991): 22-23.

"Theatre of the dead." Possibilitiis 1, no. 3 (1993): 26.

"Rice", "Seasons of Memory", "Requiem for the Passionate Ones", "City without a Name", "How to Dance in this Rarefied Air", "Song of Myself" all published in the Journal of South Asian Literature 29, no. 2 (Fall 1994): 113-122. Reprint from this publication.
"Suitcase." The Toronto Review 12, no. 3 (Summer 1994): 61
"Synthesis." The Toronto Review 12, no. 3 (Summer 1994): 62
"Silverfish." The Toronto Review 12, no. 3 (Summer 1994): 63-64
"Connections." The Toronto Review 12, no. 3 (Summer 1994): 64-66

"Elegy for the Ice-Cube Man", "Seasons of Memory" published in Des Pardes 7, no. 1 (spring 1995): 14. "Connections", "Rice" published in Textshop, (summer 1995): 12-13. Note this issue of Textshop also includes a review of "Connections" and "Rice" written by Andrew Stubbs, the editor of this serial publication. This file also includes "Poetry Reading: (Scarborough College)", "After the KW Writer's Award" published in Ariel: A Review of International English Literature 26, no. 4 (October 1995): [68-70].

"Distant Rain" published in Ariel: A Review of International English Literature 28, no. 1 (January 1997): [37-38]. "Homecomings" "A Harvest of Moods" published in The Toronto Review of Contemporary Writing Abroad 15, no. 2 (winter 1997): 51-53.

"Letters from a Jungle Hideout" published in The Toronto Review of Contemporary Writing Abroad 17, no. 1 (fall 1998): 48-49. "Autobiography", "Reflections of a Once Cocksure Man" published in Grail: An Ecumenical Journal 14, no. 4 (December 1998): 31-35, also includes two accompanying illustrations. In addition to the print version of Rienzi Crusz's contribution to this issue of Grail: An Ecumenical Journal, this file also contains the electronic version of this contribution in the form of electronic files stored on a computer diskette.

Series consists of poems published in periodicals.

"The unhappy cataloguer" published in a University of Toronto library publication. One leaf with ms. note by Rienzi Crusz.

Series consists of poems published in periodicals.

"Song of the immigrant." Canadian Lights (Aug. 1968): 5.

"Remains of an oriental poet writing in Canada," Journal of South Asian Literature 12, no. 1-2 (Fall-Winter 1976): 13.

This series includes poems and pieces of prose, some of which are already listed in the original finding aid.