Inscription reads: With compliments and kindest regards from Harrison. Attached note reads: Presented to me by Harrison Peiris - Sri Lanka's best poet of the 1950's R.C.

1 photocopied typed document, holograph annotation. Already listed.

Contents: 1 typed original, 1 leaf, handwritten signature. Accompanied by handwritten note.

One work with a title page, ms. and ts. drafts of poems ([26] leaves, originals).

• "The accepted one." Liontayles 1, no 2 (March 1968): 54.
• "Return of the fisherman." Liontayles 1, no 2 (March 1968): 55.
• "Yesterday and today." Liontayles 1, no 2 (March 1968): 6.
• "Blind Jack." The American Poet, (April, May, June 1968): 95.
• "Francis of Assisi." Cardinal Poetry Quarterly 4, no. 1(Summer 1968): 31.
• "The accepted one." United Poets (July, August, September 1968): 25.
• "Integration of a kind." Liontayles 2, no 1 (December 1968): 23.
• "Sun-worshipper." Voices International 3, no. 4 (Fall-Winter 1968): 41.

Contents: 1 typed original, 1 leaf, handwritten signature.

Contents: 1 photocopy from "Canadian Lights" with handwritten note.

1 handwritten draft.

Series consists of miscellaneous material prepared by Rienzi Crusz.

Two essays written by Crusz as a university student, and photocopy of a portion of a book used in his research.

Collection of poems, some printed and some ts. and ms. originals (41 p.) arranged in a scrapbook.

Collection of poems, some printed and some ts. originals (47 p.) arranged in a scrapbook.

• "Nihilist." Liontayles 2, no. 2 (April 1969): 22.
• "Dream for a Singhala man." A: University of Waterloo Staff Association Newsletter 2, no. 2 (September 1969): 8.
• "Karma." The Canadian Forum 49, no. 586 (November 1969): 197.
• "Before the great flood." The Chevron, 7 November 1969, p. 24.(OVERSIZE)
• "When Johnny came marching home." The Chevron, 11 November 1969, p. 12.(OVERSIZE)

Collection of poems, ms and ts. originals and photocopies (46 p.) arranged in a scrapbook.

• "Resurrection." Liontayles 3 (April 1970): 21.
• "From a fisherman's log-book." Liontayles 3 (April 1970): 20.
• "Summertime at Waterloo Park." Malahat Review, no. 14 (April 1970): 108.
• "Resurrection." Quarterly Poetry Magazine, no. 31 (Spring 1970): 21.
• "From a fisherman's log-book." Fiddlehead, no. 85 (May, June, July 1970): 19.
• "Immigrant." Fiddlehead, no. 85 (May, June, July 1970): 20-21.
• "Tramp." Fiddlehead, no. 85 (May, June, July 1970): 22-23.
• "Sermon in the forest." New York Quarterly, no. 3 (Summer 1970): 48.
• "The companions." Prairie Schooner 44, no. 2 (Summer 1970): 163.
• "The havocking of silence." Prairie Schooner 44, no. 2 (Summer 1970): 164-165.
• "September." Prairie Schooner 44, no. 2 (Summer 1970): 165.
• "Like the lotus." Fiddlehead, no. 86 (August, September, October 1970): 138.
• "Prophecy." Trace (Autumn 1970): 489.
• "Prophecy." Gazette, 4 November 1970. (OVERSIZE)
• "Moods." Gazette, 4 November 1970.(OVERSIZE)
• "For Daphne." Gazette, 4 November 1970.(OVERSIZE)
• "Immigrant." Gazette, 4 November 1970.(OVERSIZE)
• "Resurrection." Gazette, 4 November 1970.(OVERSIZE)
• "Summertime at Waterloo Park." Gazette, 4 November 1970.(OVERSIZE)
• "Remains of an Oriental poet writing in Canada." Gazette, 4 November 1970.(OVERSIZE)
• "Sun-man." Gazette 4 November 1970.
• "For Daphne." Poetlore 65, no. 4 (Winter 1970): 385.
• "God's hiding place." Poetlore 65, no. 4 (Winter 1970): 386.
• "Sun-man." Poetlore 65, no. 4 (Winter 1970): 387.
• "Summertime at Waterloo Park." Poetlore 65, no. 4 (Winter 1970): 388.
• "Dream for a Singhala Man." Poetlore 65, no. 4 (Winter 1970): 389.
• "Protest." Poetlore 65, no. 4 (Winter 1970): 391.

Copies of certificates awarded to Rienzi Crusz by Poet Lore for poems in various categories.

• "Pardon my muted ways." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "A touch of fever." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "Resurrection." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "At the wedding of the lake." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "Little brown boy." The Inkpot Monkey, [1971?].(OVERSIZE)
• "Truth." The Chevron, 22 January 1971, p. 24. (OVERSIZE)
• "For Daphne." The Chevron, 12 March 1971, p. 24. (OVERSIZE)
• "A bull shows its true colors." Voices (April 1971): 30.
• "The defiant one." Voices (April 1971): 30.
• "Before the great flood." Voices (April 1971): 30.
• "The maker." Voices (April 1971): 31.
• "Only because we are coming to the bend." Voices (April 1971): 31.
• "Only after the coffee-break." Canadian Forum 51, no. 606-7 (July, August 1971): 40.
• "Remains of an Oriental poet writing in Canada." New Ceylon Writing (1971): 76.
• "For Daphne." NEWSTATEments 1, no. 2 (1971): 38.
• "Sun-man." NEWSTATEments 1, no. 2 (1971): 52.
• "Immigrant." NEWSTATEments 1, no. 2 (1971): 56.
• "The Dana Porter Arts Library lounge." The Chevron, 10 September 1971, p. 16.(OVERSIZE)
• "Biography of an elusive cat." The Chevron, 17 September 1971, p. 28.(OVERSIZE)
• "Black on green." Poetlore 66, no. 3 (Autumn 1971): 286.
• "Song of David." Poetlore 66, no. 3 (Autumn 1971): 286.
• "Sacred cow." Poetlore 66, no. 3 (Autumn 1971): 287.
• "Ma." The Chevron, 22 October 1971, p. 22.(OVERSIZE)
• "Petition for a university probe." The Chevron, 26 October 1971, p. 12.(OVERSIZE)
• "For Daphne." The Inkpot Monkey, 10 December 1971, p. 22.(OVERSIZE)
• "Christmas poem." Gazette, 15 December 1971.(OVERSIZE )

"For Daphne,", "Karma," "The Dana Porter Arts Library Lounge," all from the Chevron. All are duplicates? One is listed incorrectly? -- have to check.

Copies of certificates awarded to Rienzi Crusz by Poet Lore for poems in various categories.

File consists of one photocopy of the poems "Immigrant" and "Sun-man" from IPLO Quarterly Vol. 14, No.1, July 1972.

Series is comprised of periodicals containing poems by Rienzi Crusz.

File consists of Vol. 14 No. 1 of IPLO Quarterly. There is a profile on Reinzi Crusz accompanied by his poems "Immigrant", "Sun-Man", and "Prophecy."

• "Apologia of a dark poet." Fiddlehead, no. 92 (Winter 1972): 16.
• "Boy and bird." Fiddlehead, no. 92 (Winter 1972): 18.
• "Remains of an Oriental poet." Quarry 21, no. 1 (Winter 1972): 29"How does one reach the sweet kernel?" West Coast Review 6, no. 3 (January 1972): 37.
• "The scrawlers." Confrontation, no. 5 (Winter/Spring 1972): 84.
• "Immigrant." IPLO Quarterly 14, no. 1 (July 1972): 41.
• "Sun-man." IPLO Quarterly 14, no. 1 (July 1972): 42.
• "Prophecy." IPLO Quarterly 14, no. 1 (July 1972): 44.
• "Faces of the sun-man." Prism International 12, no. 1 (Summer 1972): 92.
• "Kamala." Poetlore 67, no. 3 (Autumn 1972): 230.
• "Taste of old wine." Quarry 21, no. 2 (Autumn 1972): 24.
• "The night before my birthday." The University of Windsor Review 8, no. 1 (Fall 1972): 32.
• "September." [Gazette?], [1972?].(OVERSIZE)
• "The scrawlers." Gazette, 15 November 1972.(OVERSIZE)

File consists of Vol. 8 No. 2 of the Vagdevi: Journal of Religious Reflection. Includes the poem "The Opposite Men" by Rienzi Crusz.

"The Night Before My Birthday," reprinted from the University of Windsor Review, duplicate.

File consists of the Summer 1973 (vo. 22 no. 3) issue of Quarry, with the poems "Some Metaphors for Wendy", "The Maker", "The Sun-Man Looks at Pain" and "With the Tempestuous Myth of Birds."

Ts. draft ([59 leaves], originals with insertions, spiral-bound).

Ts. draft ([70 leaves], photocopies).

Two partial ts. drafts, ([39] and [43] leaves, photocopies).

• "Conversations with God about my present whereabouts." Times of Ceylon Annual (1973): n.p.
• "For Daphne." Times of Ceylon Annual (1973). n.p.
• "Moods." Times of Ceylon Annual (1973). n.p.
• "Elegy." Times of Ceylon Annual (1973). n.p.
• "Immigrant." Times of Ceylon Annual (1973). n.p.
• "Faces of the sun-man." Ceylon Observer Pictorial (1973): n.p.
• "Pardon my muted ways." Fiddlehead, no. 96 (Winter 1973): 74.
• "Separate stones." Fiddlehead, no. 96 (Winter 1973): 73.
• "How an old poet beat loneliness to death." Confrontation, no. 6 (Spring 1973): 16.
• "A touch of fever." Happenstance 3, no. 2 (March, April 1973): 6.
• "Conversations with God concerning my present whereabouts." The Maker 1, no. 3 (April 1973): 15.
• "The bone-thrower." Happenstance 3, no. 3 (May, June 1973): 7.
• "Elegy." Gazette, 13 June 1973.(OVERSIZE)
• "Elegy." Cooperation Canada (July, August 1973): 30.
• "Boy and bird." Cooperation Canada (July, August 1973): 30.
• "Resurrection." Cooperation Canada (July, August 1973): 31.
• "Remains of an Oriental poet writing in Canada." Cooperation Canada (July August 1973): 31.
• "Conversations with God about my present whereabouts." Applegarth's Folly, no. 1 (Summer 1973): 43.
• "Birth of a misogynist." The English Quarterly 6, no. 2 (Summer 1973): 217.
• "Sun-man in suburbia." Fiddlehead, no. 98(Summer 1973): 66.
• "In the idiom of the brave." Fiddlehead, no. 98 (Summer 1973): 67.
• "Christmas poem." Fiddlehead, no. 98 (Summer 1973): 68.
• "Vilma." Fiddlehead, no. 98 (Summer 1973): 69.
• "Some metaphors for Wendy." Quarry 22, no. 3 (Summer 1973): 3.
• "The maker." Quarry 22, no. 3 (Summer 1973): 4.
• "The sun-man looks at pain." Quarry 22, no. 3 (Summer 1973): 5.
• "With the tempestuous myths of birds." Quarry 22, no. 3 (Summer 1973): 6.
• "I am balancing on ice with more poems in my hand." Dalhousie Review 53, no. 3 (Autumn 1973): 558.
• "Again Vilma." Fiddlehead, no. 99 (Fall 1973): 76.
• "Sun-man." Gazette, 10 October 1973.(OVERSIZE)
• "Immigrant." Gazette, 10 October 1973.(OVERSIZE)
• "Prophecy." Gazette, 10 October 1973.(OVERSIZE)

Ts. draft (60 leaves, photocopies, spiral-bound).

Drafts and working notes for title-pages and tables of contents for the work Sun-Man: a collection of poems.

File consists of two typed documents (photocopies), newly signed, one dated 1973.

Ts. draft ([70 leaves], photocopies with insertions, spiral-bound).

Two ts. drafts ([33 leaves], original and carbon). T.p. states "illustrations by Virgil Burnett" although no illustrations are present.

"Parenthesis." Inscape 11, no. 2 (Spring 1974): 24.

Clippings relating to grant awarded to Rienzi Crusz by the Ontario Arts Council in 1974 for his work Flesh and thorn.

File consists of one review of "Flesh and Thorn" by Don MacKay, published in Applegarth's Folly #2, Spring 1975.

Review (original) published in a newspaper.

File consists of one review of "Flesh and thorn" by Douglas Barbour.

Material relating to grant applications made by Rienzi Crusz in 1973 and 1975. Conists of photocopies and forms.

Reviews (photocopies and originals) published in newspapers and periodicals.

One review (photocopy).

1 typed draft.

Drafts and working notes for title-pages and tables of contents for the work published as Flesh and thorn. Includes a cover mock-up with title Thorn and flesh.

Series consists of material relating to grant applications made by Rienzi Crusz. Includes photocopies and forms.

• "Elegy." Applegarth's Folly 2 (1975): 56.
• "On talking to oneself." Applegarth's Folly 2 (1975): 119.
• "Come take the shy man by his third ear." Fiddlehead, no. 105 (Spring 1975): 106.
• "Will the real sun-man please stand up?" Canadian Forum 55, no. 653 (August 1975): 42.
• "... But seek the road..." Prism International (Summer 1975): 31.
• "The interview." Waves 4, no. 1 (Autumn 1975): 62.

Inscription reads: For Rienzi Best Wishes! Ashely Harpe.

• "Elegy for the sun-man's children going." Quarry 25, no. 3 (Summer 1976): 36.
• "Elegy for an orange." Quarry 25, no. 3 (Summer 1976): 37.
• "The accepted one." Quarry 25, no. 3 (Summer 1976): 37.
• "Elegy for the children going." Fiddlehead, no. 111 (Fall 1976): 78.
• “Elegy for the poems that got away." Gazette, 15 December 1976, p. 6.(OVERSIZE)

Inscription reads: For Rienzi Crusz -- good luck with Sardiel -- best wishes Don. March 1993.

File consists of one typed document (76 unnumbered leaves, photocopies, title page dated 1977) with accompanying handwritten note by the author (dated 26.7.2010)stating that this work was later published under the title Elephant & Ice, also that the handwritten pencil annotations are by T. Eadie.

Two poems published in ??? "Remains of an oriental poet writing in Canada."
and "Conversations with God about my present whereabouts."
"Summertime at Waterloo Park" in Fire, ed. Peter Carver. Toronto :P Methuen, 1978: 26.

Series consists of anthologies containing poems by Rienzi Crusz.

• "Hotel room." Fiddlehead, no. 117 (Spring 1978): 19.
• "Truth." Canadian Forum (May 1978): 38.

Two typescripts (89 leaves, photocopies) of a work later published as _Elephant and Ice. One cover is dated 1978.

Ms. (original) and ts. (photocopy) drafts of "South Asians in Canada : research proposal" by Rienzi Crusz.

3 photocopies, spiral-bound, 89 leaves with accompanying note by the author stating that this work was later published under the title Elephant and Ice.

File consists of one typed document (original?). Newly signed by the author.

File consists of one typed document (photocopy), signed by the author.

File consists of one typed document (photocopy) with handwritten corrections, newly signed by the author.

Two typescripts (89 leaves, photocopies) of a work later published as _Elephant and Ice.

Ts. draft [ca. 55 leaves], photocopies. Includes working notes for cover, title page and introduction.

File consists of one typed document (photocopy). Newly signed by the author.

File consists of two variant typed documents (originals), handwritten notes: "Draft...", initialled by the author.

File consists of one typed document ( 68 unnumbered leaves, photocopies, title page dated 1979) with author's handwritten note: " Manuscript of Elephant & Ice, 1980, RC."

Drafts and working notes for title-pages and tables of contents for Lovescapes and vinegar.

1 typed document, returned by editors of The Fiddlehead. Already listed.

File consists on one typed document (photocopy), newly signed by the author.

File consists of one typed document (102 unnumbered leaves, photocopies, undated) with author's handwritten note: " Elephant & Ice, early draft ms., RC."

File consists of illustration by Virgil Burnett for the work published as Flesh and thorn. Includes author's handwritten note.

One typescript ([ca. 89 leaves], photocopies) of a work later published as _Elephant and Ice. Cover with title Cinnabar of Sun is undated; contains also a title page for Elephant and Ice dated 1979.

File consists of one typed document (photocopy), handwritten note: "Draft experimental poem", initialled by the author.

File consists of one typed document (photocopy) with handwritten note: "Draft poem: this poem revised with a new title 'The elephant who would be a poet'," initialled by the author.

File consists of one typed document ( 66 unnumbered leaves, photocopies, title page dated 1979) with author's handwritten note: " Elephant & Ice, 1980, early draft, RC."

Drafts and working notes for title-pages and tables of contents for the work published as Elephant and ice.

Typed documents (photocopies) with title: "From Elephant & Ice, 1980".

"Elegy for the two poems that got away." Canadian Forum 59, no. 696 (February 1980): 40.

One copy of Elephant and ice, published 1980 by the Porcupine's Quill, with illustrations by Tim Wynne Jones.Typescript ms., partially bound,uncut pages (95 p., uncut, not bound).

Contents : ms. notes on manuscripts Cinnabar of sun and Elephant and ice, as well as ms. notes on poems. None of the writers are identified.

File consists of one review of "Elephant and ice" by Gladys Wade from The New Quarterly.

Reviews (photocopies) published in periodicals.

File consists of one typed document (1 leaf, photocopy). Newly signed by the author.

Five pieces of original artwork by C. Svela, 1981.

Clippings from newspapers relating to Rienzi Crusz.

Reviews (photocopies and originals) published in newspapers and periodicals.

• "Baby-photo Inc. vs Michael Egerton Crusz." The New Quarterly 1, no. 1 (Spring 1981): 51.
• "The sun-man takes to wokking." The New Quarterly 1, no. 1 (Spring 1981): 51.
• "Anatomy of fear." Imprint, 5 June 1981, p. 9.(OVERSIZE)
• "Fresh-cut flowers." Imprint, 31 July 1981.(OVERSIZE)
• "Waiting for knapper." Grain 9, no. 3 (August 1981): 60.
• "The disenchanted child." The New Quarterly 1, no. 2 (Summer 1981): 36.
• "Of liars and kings." The New Quarterly 1, no. 2 (Summer 1981): 37.
• "Poem in peacock blue." Imprint, 8 September 1981.(OVERSIZE)
• "Civilization." The New Quarterly 1, no. 3 (Winter 1981): 16.

Material relating to a conference in which Rienzi Crusz participated. Includes ephemera only.

Series consists of clippings with biographical information about Rienzi Crusz.

"Remains of an oriental poet writing in Canada." The Asianadian 3, no. 3 (April, 1981): 5.
"Of life and death." The Asianadian 3, no. 3 (April, 1981): 8.
"Critique in crystal." Imprint, September 25, 1981: 13.
"Less than God." Imprint, October 23, 1981 : [13].

1 handwritten draft.

File consists of one handwritten list (4 leaves, original) of poems for the work Singing against the Wind by Rienzi Crusz. Includes attached handwritten note.

1 handwritten, 1 typed draft.

"Mayaro sea sculpture." Imprint, November 26, 1982: 10.
“Love poem." Happenstance 11, no. 4 (Winter 1982): [7].

• "The sun-man's poetic five ways." The Toronto South Asian Review 1, no. 1(Winter 1982): 54.
• "Baby-photo inc. vs Michael Egerton Crusz." The Toronto South Asian Review 1, no. 1 (Winter 1982): 57.
• "Riencarnation." The Toronto South Asian Review 1, no. 1 (Winter 1982): 59.
• "Ritual at dawn." Poetry Canada Review, Summer 1982, p. 5.(OVERSIZE)
• "Galle Road (Sri Lanka), or the tango of flesh and fender." Fiddlehead, no. 134 (October 1982): 23.
• "In a weathervane idiom." Imprint, 8 October 1982.(OVERSIZE)
• "Anatomy of fear." Fiddlehead, no. 134 (October 1982): 25.

File consists of one photocopy of an announcement for Rienzi Crusz's "Elephant and ice" from "The Porcupine's Quill, Inc. Books in Print."

File consists of Rienzi Crusz's work "Ralph Nader: A Bibliography, 1960-1982." The work was published as part of the University of Waterloo Library's Bibliography series.

Inscription reads: For Rienzi affectionately Cyril Dabydeen CESA, Oct. 23, 1983.

1 handwritten draft.

Series is comprised of materials advertising and announcing works by Rienzi Crusz. Includes one announcement for "Elephant and ice" from a publisher's catalogue.