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Rienzi Crusz fonds. File
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The divine equation.
The divine equation.
A door ajar to Eden or Cathay.
A door ajar to Eden or Cathay.
Dusk.
Dusk.
Elegy #2.
Elegy #2.
Elegy (for Cleta Nora Marcellina Serpanchy).
Elegy (for Cleta Nora Marcellina Serpanchy).
Elegy for the perfect man.
Elegy for the perfect man.
Elegy for the poems that got away.
Elegy for the poems that got away.
Elegy for the straw man.
Elegy for the straw man.
Etiquette for an exotic night.
Etiquette for an exotic night.
Eventually grandpa.
Eventually grandpa.
Again, a dream of another brief kind of summer.
Again, a dream of another brief kind of summer.
The eye.
The eye.
Faces of the sun-man.
Faces of the sun-man.
For a poet friend thrashed by a humbling wind.
For a poet friend thrashed by a humbling wind.
For Cleta Marcellina Nora Serpanchy #1.
For Cleta Marcellina Nora Serpanchy #1.
For Cleta Marcellina Nora Serpanchy #3.
For Cleta Marcellina Nora Serpanchy #3.
For the winter man.
For the winter man.
From a fisherman's log-book.
From a fisherman's log-book.
The genetics of language.
The genetics of language.
The geography of voice.
The geography of voice.
Getting to know you.
Getting to know you.
All I ask is my life.
All I ask is my life.
The ghosts of kings.
The ghosts of kings.
God is in the apple turnover.
God is in the apple turnover.
Guess what happened the day I walked on water.
Guess what happened the day I walked on water.
God is in the apple turnover.
God is in the apple turnover.
How can we understand the pain in the rickshawman's thighs.
How can we understand the pain in the rickshawman's thighs.
In a weathervane idiom.
In a weathervane idiom.
Inheritance.
Inheritance.
The interview.
The interview.
King Kong doesn't understand the English language.
King Kong doesn't understand the English language.
Know your own bone.
Know your own bone.
Late evening in Bechtel woods.
Late evening in Bechtel woods.
Learning the language.
Learning the language.
Apartment #13.
Apartment #13.
Leaving, Michael style.
Leaving, Michael style.
Love poem for Anne #2.
Love poem for Anne #2.
Love poem for Anne #4.
Love poem for Anne #4.
Magpie.
Magpie.
Masks.
Masks.
Mayaro sea sculpture.
Mayaro sea sculpture.
The midnight hour/before citizenship.
The midnight hour/before citizenship.
Moving.
Moving.
Never discuss theology with your granddaughter.
Never discuss theology with your granddaughter.
Night train through the tunnel.
Night train through the tunnel.
The art of self-deception.
The art of self-deception.
No fixed address.
No fixed address.
Not exactly Jade.
Not exactly Jade.
Not for her the madness of art.
Not for her the madness of art.
Ode to a fly (after Pablo Neruda).
Ode to a fly (after Pablo Neruda).
Of life and death.
Of life and death.
Of spiders and sponge cakes.
Of spiders and sponge cakes.
On the beach.
On the beach.
The opposite men.
The opposite men.
The painter.
The painter.
Please, no more questions.
Please, no more questions.
As told to a new Asian immigrant on the brink of winter.
As told to a new Asian immigrant on the brink of winter.
Poem for a certain Atlantic critic.
Poem for a certain Atlantic critic.
Poetics.
Poetics.
Poetry reading (Scarborough College).
Poetry reading (Scarborough College).
The rain doesn't know me any more.
The rain doesn't know me any more.
Remains of an Asian poet writing in Canada.
Remains of an Asian poet writing in Canada.
Return of the fishermen.
Return of the fishermen.
Rice.
Rice.
Salute to a cat with a head full of memories.
Salute to a cat with a head full of memories.
Seasons of memory.
Seasons of memory.
The separate one.
The separate one.
At the wedding of the lake.
At the wedding of the lake.
Slow dancing.
Slow dancing.
Song for silence.
Song for silence.
Song for the burning bush.
Song for the burning bush.
Song for the Indian River man (Indian River, Keene, 10 May, 1986) for Murray Black.
Song for the Indian River man (Indian River, Keene, 10 May, 1986) for Murray Black.
Song of the immigrant.
Song of the immigrant.
Spring raking.
Spring raking.
Sunday morning.
Sunday morning.
Taxi.
Taxi.
There's always a water bead in the cactus (for my favourite students at SSAS).
There's always a water bead in the cactus (for my favourite students at SSAS).
Thinking of you Mother #1.
Thinking of you Mother #1.
Autobiography.
Autobiography.
Thinking of you Mother #3 : Maria takes Antoni on safari.
Thinking of you Mother #3 : Maria takes Antoni on safari.
A touch of genetics (for Michael).
A touch of genetics (for Michael).
The unhyphenated Canadians.
The unhyphenated Canadians.
The upside-down elephant who was a poet.
The upside-down elephant who was a poet.
The wedding photo and the geckoes of the evening.
The wedding photo and the geckoes of the evening.
Why I can talk of the angelic qualities of the raven.
Why I can talk of the angelic qualities of the raven.
Winter grass.
Winter grass.
Yes, in our Father's house there are many rooms.
Yes, in our Father's house there are many rooms.
You gaze at the sun, then you are lost in the dark - Seferis (for Anne).
You gaze at the sun, then you are lost in the dark - Seferis (for Anne).
Beatitudes of ice.
Beatitudes of ice.
Beatitudes of ice.
Beatitudes of ice.
Beatitudes of ice.
Beatitudes of ice.
Bumpis the magical elephant.
Bumpis the magical elephant.
Bumpis the magical elephant.
Bumpis the magical elephant.
The cinnabar of sun.
The cinnabar of sun.
Don't tell me that I am not an elephant.
Don't tell me that I am not an elephant.
Don't tell me that I am not an elephant.
Don't tell me that I am not an elephant.
Elephant and ice.
Elephant and ice.
Elephant and ice.
Elephant and ice.
Elephant and ice.
Elephant and ice.
Enough to be mortal now.
Enough to be mortal now.
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