Series consists of material relating to proposals for research and publications prepared by Rienzi Crusz. Includes ms. and ts. drafts of proposals and other material.

Series is comprised of materials created and accumulated by Rienzi Crusz relating to various proposals for publications.

File consists of proposals by Reinzi Crusz for writing various book. Includes proposals for "Journals of the sun-man", "Cracking the code" and "The rain doesn't know me anymore."

6 versions, holograph, typescript. 1 p. ; 28 cm. Published in Elephant and ice (1980): 59.

1 typed document, returned by editors of The Fiddlehead. Already listed.

1 typed draft.

File consists of one print given to Rienzi Crusz by Nany-Lou Patterson.

2 versions, holograph, typescript. 1 p. ; 28 cm.

Typed documents. (photocopies).

Contents: 1 typed original, 1 leaf, handwritten signature.

1 version, holograph. 1 p. ; 28 cm.

4 handwritten drafts, 1 typed document

Contents: 1 typed original, 1 leaf, handwritten signature.

8 versions, holograph, typescript. 1 p. ; 28 cm. Some versions differ.

File consists of seven photocopies of posters advertising Rienzi's poems. All posters were designed by L'Affice Barrio Poetry Posters.

File consists of posters advertising book launches and readings by Rienzi Crusz.

1 version, holograph. 1 p. ; 28 cm.

3 versions, holograph, typescript, revisions. 1 p. ; 28 cm. Some versions have differing first lines.

7 versions, holograph, typescript. 1 p. ; 28 cm. Some versions contain annotations and have differing Titles.

3 handwritten, 1 typed drafts.

File consists of one typed document (photocopy), newly signed by the author.

File consists of one typed document (66 unnumbered leaves, computer output ).

File consists of one typed document (original), signed by the author.

7 versions, holograph, typescript. 1 p. ; 28 cm. Some versions contain annotations.

Copies of certificates awarded to Rienzi Crusz by Poet Lore for poems in various categories.

Copies of certificates awarded to Rienzi Crusz by Poet Lore for poems in various categories.

1 typed document (photocopy).

1 typed document (photocopy).

1 photocopy of "Less than God."

File consists of the July 2009 (vo. 3 no. 2) issue of Vagdevi : Journal of Religious Reflection, with the poem "For Michael Estok" by Rienzi Crusz.

"Becoming" and "If you must keep your paradise (for John)" published in Journal of Religious Reflection (New Series 4)2, no. 2 (July 2008): 36-38.

File consists of the January 2008 (vo. 2 no. 1) issue of Vagdevi : Journal of Religious Reflection, with the poems "Racism", "Sermon in the Forest", "Let us Know" and "Never Discuss Theology with Your Grand Daughter" by Rienzi Crusz.

File consists of the Fall 1998 (Vol. 33 no. 2) edition of the Wascan Review, which features a selection of poems from Rienzi Crusz's Sadriel.

File consists of two offprints from Vol. XXIX No. 2 of the Journal of South Asian Literature. Includes the poems "Rice", "Seasons of Memory", "Requiem for the Passionate Ones", "Cry Without a Name", "How to Dance in This Rarefied Air" and "Song of Myself" by Rienzi Crusz. Offprints are in a folder from the journal.

"Theatre of the dead." Possibilitiis 1, no. 3 (1993): 26.

"The opposite men." Cross cultures 2, no. 2 (April/May 1993): 23.

"Poetry Reading, Scarborough College." A copy already listed as added in 1993.

"Boy and bird." Cross Cultures, no. 3 (April/May 1992): 18.
"Distant rain." New Quarterly 11, no. 4 (Winter 1992): 49.
"Learning the language." New Quarterly 11, no. 4 (Winter 1992): 49.

"Domestic history." Women Talking With Men Talking With Women, no. 2 (March 1991): [2].
"The accepted one." Grail 7, no. 2 (June 1991): 100.
“Yes, in our Father’s house there are many rooms.” Grail 7, no. 2 (June 1991): 102-104.
“Sunday morning.” Grail 7, no. 2 (June 1991): 105.
“He who talks to the raven." Fiddlehead, no. 169 (Autumn 1991): 22-23.

"Eyeline." New Quarterly 9, no. 1 (Spring, 1989): 71.
"Inheritance." New Quarterly 9, no. 1 (Spring, 1989): 73.
"The crucifixion." New Quarterly 9, no. 1 (Spring, 1989): 75.
"Peggy.” Toronto South Asian Review 7, no. 3 (Spring 1989): 49.
Sardiel runs the blockade." Toronto South Asian Review 7, no. 3 (Spring 1989): 50.
"Mid-February on the lawn." Toronto South Asian Review 7, no. 3 (Spring 1989): 51.
The rain doesn't know me anymore.” Toronto South Asian Review 7, no. 3 (Spring 1989): 52-53.
"The painter." Toronto South Asian Review 7, no. 3 (Spring 1989): 54.
"Requiem for a cow." Toronto South Asian Review 7, no. 3 (Spring 1989): 55.
"The Sandwich-maker." Grain 17, no. 4 (Winter 1989): 50-51.

"Talking for myself." Toronto South Asian Review 6, no. 1(Summer 1987): 29.
"Ode to the muse.” Toronto South Asian Review 6, no. 1 (Summer 1987): 36.
"Love poem." Toronto South Asian Review 6, no. 1 (Summer 1987): 37.
"Elegy””. Toronto South Asian Review 6, no. 1 (Summer 1987): 38.

• "Song of the immigrant." Grail 2 (September 1986): 33.
• "Heart of the matter." Grail 2 (September 1986): 34.
• "Hanging on to your leg-roots like the good earth." Grail 2 (September 1986): 35.
• "Dusk." Grail 2 (September 1986): 57.
• "A touch of vinegar." Kunapipi 8, no. 1 (1986): 102.

• "Going home." The New Quarterly 4, no. 4(Winter 1985): 58.
• "'Willie' and the disenchanted child." The New Quarterly 4, no. 4 (Winter 1985): 60.
• "The opposite men." The New Quarterly 5, no. 3(Fall 1985): 69.
• "Prayer." Happenstance (December 1985): 4.

• "Mayaro sea sculpture." The Antigonish Review, no. 58 (Summer 1984): 85.
• "On the beach." The Antigonish Review, no. 58 (Summer 1984): 86.
• "The poet meets God at the Mennonite market." Getting Your Money's Worth (September 1984).
• "Michael's tree in late autumn." Imprint, 21 September 1984, p. 14.(OVERSIZE)
• "Immigrant." Getting Your Money's Worth (September 1984): n.p.
• "Elegy." Getting Your Money's Worth (September 1984): n.p.
• "A touch of vinegar." Happenstance 13, no. 1 (September 1984): n.p.
• "Dark antonyms in paradise." The Toronto South Asian Review 2, no. 3 (Winter 1984): 2.

"Poet as fabulator." Happenstance 12, no. 1 (April 1983): [2].

• "Love poem." Imprint, 25 March 1983.(OVERSIZE)
• "Love poem." Prism International 21, no. 4 (July 1983): 47.
• "Arrythmia." The New Quarterly 3, no. 3 (Fall 1983): 38.
• "You gaze at the sun, then you are lost in the dark." The New Quarterly 3, no. 3 (Fall 1983): 39.
• "The way to go." The New Quarterly 3, no. 3 (Fall 1983): 40.
• "Poem in peacock blue." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 97.
• "These roses are the color of blood." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 99.
• "As told to a new Asian immigrant on the brink of winter." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 99.
• "Elegy for the unfinished poem." The Toronto South Asian Review 1, no. 3 (Fall 1982, Winter 1983): 100.
• "In a weathervane idiom." Descant 43 14, no. 5(Winter 1983/84): 51.
• "... 'a door ajar to Eden or Cathay'." Descant 43 14, no. 5 (Winter 1983/84): 52.
• "Mayaro sea sculpture." Descant 43 14, no. 5 (Winter 1983/84): 53.
• "Elegy for the unfinished poem." Descant 43 14, no. 5 (Winter 1983/84): 54.
• "The art of self-deception." Descant 43 14, no. 5 (Winter 1983/84): 55.
• "On the beach." Descant 43 14, no. 5 (Winter 1983/84): 56.
• "Poem in peacock blue." Descant 43 14, no. 5 (Winter 1983/84): 57.
• "All I ask is my life." Descant 43 14, no. 5 (Winter 1983/84): 59.

"Mayaro sea sculpture." Imprint, November 26, 1982: 10.
“Love poem." Happenstance 11, no. 4 (Winter 1982): [7].

• "The sun-man's poetic five ways." The Toronto South Asian Review 1, no. 1(Winter 1982): 54.
• "Baby-photo inc. vs Michael Egerton Crusz." The Toronto South Asian Review 1, no. 1 (Winter 1982): 57.
• "Riencarnation." The Toronto South Asian Review 1, no. 1 (Winter 1982): 59.
• "Ritual at dawn." Poetry Canada Review, Summer 1982, p. 5.(OVERSIZE)
• "Galle Road (Sri Lanka), or the tango of flesh and fender." Fiddlehead, no. 134 (October 1982): 23.
• "In a weathervane idiom." Imprint, 8 October 1982.(OVERSIZE)
• "Anatomy of fear." Fiddlehead, no. 134 (October 1982): 25.

• "Baby-photo Inc. vs Michael Egerton Crusz." The New Quarterly 1, no. 1 (Spring 1981): 51.
• "The sun-man takes to wokking." The New Quarterly 1, no. 1 (Spring 1981): 51.
• "Anatomy of fear." Imprint, 5 June 1981, p. 9.(OVERSIZE)
• "Fresh-cut flowers." Imprint, 31 July 1981.(OVERSIZE)
• "Waiting for knapper." Grain 9, no. 3 (August 1981): 60.
• "The disenchanted child." The New Quarterly 1, no. 2 (Summer 1981): 36.
• "Of liars and kings." The New Quarterly 1, no. 2 (Summer 1981): 37.
• "Poem in peacock blue." Imprint, 8 September 1981.(OVERSIZE)
• "Civilization." The New Quarterly 1, no. 3 (Winter 1981): 16.

"Remains of an oriental poet writing in Canada." The Asianadian 3, no. 3 (April, 1981): 5.
"Of life and death." The Asianadian 3, no. 3 (April, 1981): 8.
"Critique in crystal." Imprint, September 25, 1981: 13.
"Less than God." Imprint, October 23, 1981 : [13].

"Elegy for the two poems that got away." Canadian Forum 59, no. 696 (February 1980): 40.

• "Hotel room." Fiddlehead, no. 117 (Spring 1978): 19.
• "Truth." Canadian Forum (May 1978): 38.

• "Elegy for the sun-man's children going." Quarry 25, no. 3 (Summer 1976): 36.
• "Elegy for an orange." Quarry 25, no. 3 (Summer 1976): 37.
• "The accepted one." Quarry 25, no. 3 (Summer 1976): 37.
• "Elegy for the children going." Fiddlehead, no. 111 (Fall 1976): 78.
• “Elegy for the poems that got away." Gazette, 15 December 1976, p. 6.(OVERSIZE)

• "Elegy." Applegarth's Folly 2 (1975): 56.
• "On talking to oneself." Applegarth's Folly 2 (1975): 119.
• "Come take the shy man by his third ear." Fiddlehead, no. 105 (Spring 1975): 106.
• "Will the real sun-man please stand up?" Canadian Forum 55, no. 653 (August 1975): 42.
• "... But seek the road..." Prism International (Summer 1975): 31.
• "The interview." Waves 4, no. 1 (Autumn 1975): 62.

"Parenthesis." Inscape 11, no. 2 (Spring 1974): 24.

File consists of the Summer 1973 (vo. 22 no. 3) issue of Quarry, with the poems "Some Metaphors for Wendy", "The Maker", "The Sun-Man Looks at Pain" and "With the Tempestuous Myth of Birds."

• "Conversations with God about my present whereabouts." Times of Ceylon Annual (1973): n.p.
• "For Daphne." Times of Ceylon Annual (1973). n.p.
• "Moods." Times of Ceylon Annual (1973). n.p.
• "Elegy." Times of Ceylon Annual (1973). n.p.
• "Immigrant." Times of Ceylon Annual (1973). n.p.
• "Faces of the sun-man." Ceylon Observer Pictorial (1973): n.p.
• "Pardon my muted ways." Fiddlehead, no. 96 (Winter 1973): 74.
• "Separate stones." Fiddlehead, no. 96 (Winter 1973): 73.
• "How an old poet beat loneliness to death." Confrontation, no. 6 (Spring 1973): 16.
• "A touch of fever." Happenstance 3, no. 2 (March, April 1973): 6.
• "Conversations with God concerning my present whereabouts." The Maker 1, no. 3 (April 1973): 15.
• "The bone-thrower." Happenstance 3, no. 3 (May, June 1973): 7.
• "Elegy." Gazette, 13 June 1973.(OVERSIZE)
• "Elegy." Cooperation Canada (July, August 1973): 30.
• "Boy and bird." Cooperation Canada (July, August 1973): 30.
• "Resurrection." Cooperation Canada (July, August 1973): 31.
• "Remains of an Oriental poet writing in Canada." Cooperation Canada (July August 1973): 31.
• "Conversations with God about my present whereabouts." Applegarth's Folly, no. 1 (Summer 1973): 43.
• "Birth of a misogynist." The English Quarterly 6, no. 2 (Summer 1973): 217.
• "Sun-man in suburbia." Fiddlehead, no. 98(Summer 1973): 66.
• "In the idiom of the brave." Fiddlehead, no. 98 (Summer 1973): 67.
• "Christmas poem." Fiddlehead, no. 98 (Summer 1973): 68.
• "Vilma." Fiddlehead, no. 98 (Summer 1973): 69.
• "Some metaphors for Wendy." Quarry 22, no. 3 (Summer 1973): 3.
• "The maker." Quarry 22, no. 3 (Summer 1973): 4.
• "The sun-man looks at pain." Quarry 22, no. 3 (Summer 1973): 5.
• "With the tempestuous myths of birds." Quarry 22, no. 3 (Summer 1973): 6.
• "I am balancing on ice with more poems in my hand." Dalhousie Review 53, no. 3 (Autumn 1973): 558.
• "Again Vilma." Fiddlehead, no. 99 (Fall 1973): 76.
• "Sun-man." Gazette, 10 October 1973.(OVERSIZE)
• "Immigrant." Gazette, 10 October 1973.(OVERSIZE)
• "Prophecy." Gazette, 10 October 1973.(OVERSIZE)

• "Apologia of a dark poet." Fiddlehead, no. 92 (Winter 1972): 16.
• "Boy and bird." Fiddlehead, no. 92 (Winter 1972): 18.
• "Remains of an Oriental poet." Quarry 21, no. 1 (Winter 1972): 29"How does one reach the sweet kernel?" West Coast Review 6, no. 3 (January 1972): 37.
• "The scrawlers." Confrontation, no. 5 (Winter/Spring 1972): 84.
• "Immigrant." IPLO Quarterly 14, no. 1 (July 1972): 41.
• "Sun-man." IPLO Quarterly 14, no. 1 (July 1972): 42.
• "Prophecy." IPLO Quarterly 14, no. 1 (July 1972): 44.
• "Faces of the sun-man." Prism International 12, no. 1 (Summer 1972): 92.
• "Kamala." Poetlore 67, no. 3 (Autumn 1972): 230.
• "Taste of old wine." Quarry 21, no. 2 (Autumn 1972): 24.
• "The night before my birthday." The University of Windsor Review 8, no. 1 (Fall 1972): 32.
• "September." [Gazette?], [1972?].(OVERSIZE)
• "The scrawlers." Gazette, 15 November 1972.(OVERSIZE)

"The Night Before My Birthday," reprinted from the University of Windsor Review, duplicate.

• "Pardon my muted ways." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "A touch of fever." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "Resurrection." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "At the wedding of the lake." The Inkpot Monkey, [1971?], p. 3.(OVERSIZE)
• "Little brown boy." The Inkpot Monkey, [1971?].(OVERSIZE)
• "Truth." The Chevron, 22 January 1971, p. 24. (OVERSIZE)
• "For Daphne." The Chevron, 12 March 1971, p. 24. (OVERSIZE)
• "A bull shows its true colors." Voices (April 1971): 30.
• "The defiant one." Voices (April 1971): 30.
• "Before the great flood." Voices (April 1971): 30.
• "The maker." Voices (April 1971): 31.
• "Only because we are coming to the bend." Voices (April 1971): 31.
• "Only after the coffee-break." Canadian Forum 51, no. 606-7 (July, August 1971): 40.
• "Remains of an Oriental poet writing in Canada." New Ceylon Writing (1971): 76.
• "For Daphne." NEWSTATEments 1, no. 2 (1971): 38.
• "Sun-man." NEWSTATEments 1, no. 2 (1971): 52.
• "Immigrant." NEWSTATEments 1, no. 2 (1971): 56.
• "The Dana Porter Arts Library lounge." The Chevron, 10 September 1971, p. 16.(OVERSIZE)
• "Biography of an elusive cat." The Chevron, 17 September 1971, p. 28.(OVERSIZE)
• "Black on green." Poetlore 66, no. 3 (Autumn 1971): 286.
• "Song of David." Poetlore 66, no. 3 (Autumn 1971): 286.
• "Sacred cow." Poetlore 66, no. 3 (Autumn 1971): 287.
• "Ma." The Chevron, 22 October 1971, p. 22.(OVERSIZE)
• "Petition for a university probe." The Chevron, 26 October 1971, p. 12.(OVERSIZE)
• "For Daphne." The Inkpot Monkey, 10 December 1971, p. 22.(OVERSIZE)
• "Christmas poem." Gazette, 15 December 1971.(OVERSIZE )

"For Daphne,", "Karma," "The Dana Porter Arts Library Lounge," all from the Chevron. All are duplicates? One is listed incorrectly? -- have to check.

• "Resurrection." Liontayles 3 (April 1970): 21.
• "From a fisherman's log-book." Liontayles 3 (April 1970): 20.
• "Summertime at Waterloo Park." Malahat Review, no. 14 (April 1970): 108.
• "Resurrection." Quarterly Poetry Magazine, no. 31 (Spring 1970): 21.
• "From a fisherman's log-book." Fiddlehead, no. 85 (May, June, July 1970): 19.
• "Immigrant." Fiddlehead, no. 85 (May, June, July 1970): 20-21.
• "Tramp." Fiddlehead, no. 85 (May, June, July 1970): 22-23.
• "Sermon in the forest." New York Quarterly, no. 3 (Summer 1970): 48.
• "The companions." Prairie Schooner 44, no. 2 (Summer 1970): 163.
• "The havocking of silence." Prairie Schooner 44, no. 2 (Summer 1970): 164-165.
• "September." Prairie Schooner 44, no. 2 (Summer 1970): 165.
• "Like the lotus." Fiddlehead, no. 86 (August, September, October 1970): 138.
• "Prophecy." Trace (Autumn 1970): 489.
• "Prophecy." Gazette, 4 November 1970. (OVERSIZE)
• "Moods." Gazette, 4 November 1970.(OVERSIZE)
• "For Daphne." Gazette, 4 November 1970.(OVERSIZE)
• "Immigrant." Gazette, 4 November 1970.(OVERSIZE)
• "Resurrection." Gazette, 4 November 1970.(OVERSIZE)
• "Summertime at Waterloo Park." Gazette, 4 November 1970.(OVERSIZE)
• "Remains of an Oriental poet writing in Canada." Gazette, 4 November 1970.(OVERSIZE)
• "Sun-man." Gazette 4 November 1970.
• "For Daphne." Poetlore 65, no. 4 (Winter 1970): 385.
• "God's hiding place." Poetlore 65, no. 4 (Winter 1970): 386.
• "Sun-man." Poetlore 65, no. 4 (Winter 1970): 387.
• "Summertime at Waterloo Park." Poetlore 65, no. 4 (Winter 1970): 388.
• "Dream for a Singhala Man." Poetlore 65, no. 4 (Winter 1970): 389.
• "Protest." Poetlore 65, no. 4 (Winter 1970): 391.

• "Nihilist." Liontayles 2, no. 2 (April 1969): 22.
• "Dream for a Singhala man." A: University of Waterloo Staff Association Newsletter 2, no. 2 (September 1969): 8.
• "Karma." The Canadian Forum 49, no. 586 (November 1969): 197.
• "Before the great flood." The Chevron, 7 November 1969, p. 24.(OVERSIZE)
• "When Johnny came marching home." The Chevron, 11 November 1969, p. 12.(OVERSIZE)

• "The accepted one." Liontayles 1, no 2 (March 1968): 54.
• "Return of the fisherman." Liontayles 1, no 2 (March 1968): 55.
• "Yesterday and today." Liontayles 1, no 2 (March 1968): 6.
• "Blind Jack." The American Poet, (April, May, June 1968): 95.
• "Francis of Assisi." Cardinal Poetry Quarterly 4, no. 1(Summer 1968): 31.
• "The accepted one." United Poets (July, August, September 1968): 25.
• "Integration of a kind." Liontayles 2, no 1 (December 1968): 23.
• "Sun-worshipper." Voices International 3, no. 4 (Fall-Winter 1968): 41.

• "Immigrant"; "The rain doesn't know me anymore"; "Where Adam first touched God"; "Elegy"; "Conversations with God about my present whereabouts" in Another way to dance: Asian Canadian poetry, ed. Cyril Dabydeen. Stratford:, Ont. Williams-Wallace Publishers, 1990: 22-28.
• "A new equilibrium" in Relations: family portraits, ed. Kenneth Sherman. Totonto: Mosaic press, 1986: 112.

File consists of one typed document (58 unnumbered leaves, computer output and photocopies; one leaves original). Includes handwritten note by the author attached to the folder. Includes editorial comments by Stuart MacKinnon.

Series consists of issues of periodicals, newspapers, and magazines containing poems by Rienzi Crusz.

Contents: series consists of one periodical issue containing two poems by Rienzi Crusz.

Series is comprised of periodicals containing poems by Rienzi Crusz.

Series consists of poems published in periodicals.

Series consists of poems published in periodicals.

Series consists of issues of periodicals and offprints containing poems written by Rienzi Crusz.

Series consists of poems published in periodicals.

Series consists of poems published in books and anthologies.

Series consists of poems published in books and anthologies.

Series consists of anthologies containing poems by Rienzi Crusz.

Series is comprised of anthologies containing poems by Rienzi Crusz.

File consists of three audio cassettes (originally bound together) with readings of poetry by Rienzi Crusz. Tapes are labled Part 4: Rienzi Crusz Family Poems Continued, Rienzi Crusz : Poems and Micheal Crusz, Part III "Rain..." Cont._. Also includes a note from the author regarding the quality.

15 versions, holograph, typescript, revisions. 1 p. ; 28 cm. Published in Singing against the wind (1985): 70. Some versions contain annotations.

7 versions, holograph, typescript, revisions. 2 p. ; 28 cm. Published in Singing against the wind (1985): 60 and A time for loving (1986): 70.

3 handwritten drafts, 1 typed document

File consists of one typed document (computer output). handwritten note: "Early draft, later published under the title 'Conversations with God about my present literary whereabouts' with some modifications," initialled by the author.

1 photocopy of typed document.

One anthology of poetry titled "Pluriel: An Anthology of Diverse Voices ", edited by Marc Charron, Seymour Mayne, and Christiane Melancon. The anthology includes the poem "Conversations with God about my Present Whereabouts" by Rienzi Crusz.

File consists of seven versions: draft 1 is a handwritten document (original); drafts 2-6 are typed documents (computer output), draft [7] is a typed document (computer output) with one correction, dated 14.2.2010 and signed by the author. Title varies.

Inscription reads: For Rienzi with affection & admiration Aloysius 25/01/11 Tulana. Attached note reads: Aloysius Pieris is the famous author of "Asian Theology of Liberation." He is now the Director of the Tulana Research Centre, Sri Lanka. He is the editor of the journal "Vagdevi, Journal of Religious Reflection." He has published some of my poems in this journal R.C.

1 typed draft.

3 handwritten drafts, 3 typed documents.

1 printout (2 leaves, hanwriten signature)

Inscription reads: With compliments and kindest regards from Harrison. Attached note reads: Presented to me by Harrison Peiris - Sri Lanka's best poet of the 1950's R.C.

4 handwritten and typed drafts.

1 typed early draft version entitled "No greater love." Already listed.

18 versions, typescript,holograph. 1 p. ; 28 cm. Some versions have differing Titles.

Contents: 1 handwritten original (1 leaf), 1 printout, 2 leaves, handwritten signature.

16 versions, holograph, typescript. 1 p. ; 28 cm. Published in Elephant and ice (1980): 44. Some versions contain annotations.

4 versions, typescript. 1 p. ; 28 cm. Published in Flesh and thorn (1974): n. d. and A time for loving (1986): 26.

7 handwritten drafts.

7 versions, holograph, typescript. 1 or 2 p. ; 28 cm.

1 handwritten draft.

File consists of one photocopy of "The Persistence of Memory" by Dali with the title information for "Other Landscapes" by Rienzi Crusz.