Photograph of Schantz family members and friends outside of the home of Mrs. McNamee, who lived in Morton Park along with the Schantz's. The group is see at the side of a house standing between a three trees.

Back row: Sophie Schantz, Arthur Schantz, "Jed" Moore [?], Lor Brown, Orpheus Moyer Schantz, Frank Thompson and Clara Robbins, seen standing with a bicycle built for two.

Middle Row: Carrie Flagler Schantz, Annie Payne Brown, Mrs. McNamee [?].

Front Row: Marshall Dutton, Ruth Schantz, Edwina Meaney, Laura Gardin, Robert Brown, Geradline Meaney.

Two identical outdoor group portraits taken at the 1913 Schantz family reunion. Over 880 people attended the reunion; this portrait shows only a few of them. Florence Schantz is seen, second row from the back, sixth from right and the person standing at centre, at the very back of the group, is likely Franklin Abram Schantz.

Outdoor group portrait taken at the 1913 Schantz family reunion. All people present in the portrait are descendants of Benjamin Schantz. Over 880 people attended the reunion; this portrait shows only a few of them. Sophie Schantz is seen seated, second from left, and Orpheus Moyer Schantz is seen seated at far right.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

One head and shoulders studio portrait of Etta Schantz. Etta is wearing a unique hairstyle.

One fully body cartes-de-visite studio portrait of Etta Schantz, at the age of three. Etta is seated on a small stool.

Full length studio portrait of Etta and Sophie Schantz with friends. Etta is seated at left and Lavina Detweiler, Sophie and Nancy Eby are seen standing. Maggie Eby is also seated, on a higher chair at right, and Noah Eby is seated on the ground at the centre of the group. The women are wearing three story, or flower pot hats, while Noah's bowler hat lies on the ground next to him. The women are holding either parasols or cedar boughs. Identification from verso.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Head and shoulders studio portrait of (left to right) siblings Worth and Ruth Schantz with cousin Dorothy White. Ruth is wearing eyeglasses and both she and Dorothy are wearing hair ornaments.

A group portrait of Joan Elizabeth Schantz and Constance Demaris Spelman. The cousins are standing in a garden holding hands. The photograph was taken by Orpheus Moyer Schantz and has been hand coloured.

Photograph of Constance Demaris Spelman, aged five years and nine months, Richard Ogden Spelman, aged four years and eleven months, and Joan Elizabeth Schantz, aged three years. The cousins are seen outdoors seated in a row on a bench.

One photograph of Christian K. Schantz, wife Mary (Hutchinson) Schantz, five of their children and two dogs in front of their homestead south of Wetaskiwin, Alberta.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

One full length studio portrait showing Herbert Schantz and Florence Schantz as children. They are seen standing side by side with arms propped on a pedestal.

One upper body studio group portrait of the four youngest children of Tobias Schantz and Mary Moyer: Florence Annie Catherine, Franklin Abram, Herbert Cecil Palmer, and Arthur Benjamin. Portrait belonged to Sophie Emma Schantz. Identification from verso.

One full length studio portrait of Florence, Arthur and Herbert Schantz. Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

One portrait photograph of Carrie Flagler Schantz. The photograph has been altered so that it appears to look like a charcoal drawing.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

One upper body studio portrait of Arthur Schantz. Date is based on identical photograph on a different mount found in the collection. Identification from verso.

One head and shoulders studio portrait of Arthur Schantz.

One head and should studio portrait of Arthur B. Schantz. Identification from verso.

Snapshots of Arthur Schantz's life in Alberta. The images range in date from ca. 1900 to ca. 1920 and show Arthur and Austin Schantz as well as Jean Beddome (Braithwaite). Included are images of Arthur's summer job as a fire warden and a trip by wagon to Lake Minnewanka in Banff National Park. Also of interest are images of a group of youths who came to visit Arthur while he was a warden. Of particular interest is the dress of the women who are wearing jeans. Most of the images are unidentified.

Three-quarter length studio portrait of Abraham Shantz, seated, with Mary Shantz standing at left. Both are seen looking at camera.

Negatives showing Harold and Donald Russell as children and youths. Included are images of swimming, posing with a war memorial and a fountain, tricycle and bicycle riding, playing dress-up and group portraits. Identification from enclosure.

Full body photograph of Annie Piggott, age 13, seen standing with arms at side in front of a door covered with a wool blanket.

Full body photograph of Jennie Piggott, age 11, seen standing with arms at side in front of a door covered with a wool blanket.

Head and shoulders studio portrait of Henry Nash. Photograph has been altered to show Henry in a scroll and the edges of the card are bevelled.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

One card photograph of an upper body studio portrait of Theodore Moyer. The image has been altered so that Theodore is shown in a scroll. Identification from verso

Upper body studio portrait of Theodore Moyer seen looking off camera.

One upper body studio portrait card photograph of Mollie Moyer (wife of Levi Nash Moyer). Identification from verso.

Photographs of Hervey Bowman, a house on Church St., Kitchener, and a house on Roland St., Kitchener. Note that the photographs were found with correspondence between Franklin Abram Schantz and Franklin Bowman regarding Hervey Bowman's death.

Snapshots of Ward White's family. Also includes the original envelope the photographs were stored in and a sheet of paper identifying individual people in the photographs.

One portrait of Peter Erb Schantz in a frame. Peter was the President of the Schantz Reunion in 1913. A card with biographical details about Peter Erb Schantz is taped to the back of the frame.

Two photographs of Dorothy Russell, one on skis, one receiving an award.