Showing 481 results
Archival descriptionFortune and men's eyes : film.
Fortune and men's eyes : film.
Fortune and men's eyes : film.
Fortune and men's eyes : film.
Queenie's job.
Queenie's job.
Close friends.
Close friends.
Men's room.
Men's room.
Time to a waltz.
Time to a waltz.
Children of the wind.
Children of the wind.
The elephant graveyard.
The elephant graveyard.
Born of Medusa's blood.
Born of Medusa's blood.
The dinosaurs.
The dinosaurs.
Beer room.
Beer room.
Omphale and the hero.
Omphale and the hero.
One Castle Court.
One Castle Court.
The power of paper dolls.
The power of paper dolls.
The real Mrs. Reynard.
The real Mrs. Reynard.
The great shmaltz.
The great shmaltz.
Vengeance is mine.
Vengeance is mine.
The token star.
The token star.
The token star : video.
The token star : video.
Her only sister.
Her only sister.
The unemployee.
The unemployee.
A ruby fell.
A ruby fell.
Private club.
Private club.
Short Stories
Short Stories
Bad girl.
Bad girl.
Life's like that.
Life's like that.
Lonely lady.
Lonely lady.
Career crazed.
Career crazed.
Some of the little luxuries.
Some of the little luxuries.
Be good.
Be good.
The most beautiful shoulders.
The most beautiful shoulders.
Essays
Essays
I didn't believe a word they said.
I didn't believe a word they said.
The dear old damnable depression : who remembers it?
The dear old damnable depression : who remembers it?
On realism in art.
On realism in art.
Review (unpublished) of London Little Theatre's production of Pirandello's "As you desire me".
Review (unpublished) of London Little Theatre's production of Pirandello's "As you desire me".
The good city.
The good city.
The executive dining room.
The executive dining room.
Not your humble servant, Sir!.
Not your humble servant, Sir!.
The struggle to become a playwright in Canada.
The struggle to become a playwright in Canada.
On the desire of a prisoner to have his own identity.
On the desire of a prisoner to have his own identity.
On the authenticity of my play's subject.
On the authenticity of my play's subject.
I have always depended upon the strangeness of kind hearts.
I have always depended upon the strangeness of kind hearts.
The Cuban sailor.
The Cuban sailor.
Parish pumpism or pseudo-Communism.
Parish pumpism or pseudo-Communism.
Review of "The ecstasy of Rita Joe" by George Ryga.
Review of "The ecstasy of Rita Joe" by George Ryga.
One playwright's opinion on theatre in Toronto.
One playwright's opinion on theatre in Toronto.
O.K., U.S.A. I give up!.
O.K., U.S.A. I give up!.
My life and hard times in cold, bitter, suspicious Toronto.
My life and hard times in cold, bitter, suspicious Toronto.
Sarah's war : a film by Lothar Spree.
Sarah's war : a film by Lothar Spree.
Theatre professionalism is more a matter of quality than of money : see a Thornhill production.
Theatre professionalism is more a matter of quality than of money : see a Thornhill production.
Hosanna at the global village.
Hosanna at the global village.
Yes, Virginia, there is a Disneyland in Canada, or, How I came to be a guest at Banff Center.
Yes, Virginia, there is a Disneyland in Canada, or, How I came to be a guest at Banff Center.
Rhythm on the rocks, and I do mean "ICE".
Rhythm on the rocks, and I do mean "ICE".
It's time for another tea party.
It's time for another tea party.
Graham Coughtry : at the Isaacs Gallery.
Graham Coughtry : at the Isaacs Gallery.
Roy Austin and Charles Hilder at the Arts and Letters Club.
Roy Austin and Charles Hilder at the Arts and Letters Club.
Run! Do not walk to the nearest supermarket.
Run! Do not walk to the nearest supermarket.
Miska the Magnate : The Hungarian Art Theatre.
Miska the Magnate : The Hungarian Art Theatre.
Pauline Carey as Anna Jameson.
Pauline Carey as Anna Jameson.
The profit picture : Mel and Smell on C.B.C.
The profit picture : Mel and Smell on C.B.C.
Ramona and the white slaves: at the Factory Theatre Lab.
Ramona and the white slaves: at the Factory Theatre Lab.
Pots of people: Ivan Sarossy sculptures at the Kar Gallery.
Pots of people: Ivan Sarossy sculptures at the Kar Gallery.
Writing for ourselves and to each other.
Writing for ourselves and to each other.
Keepers of the sacred cows.
Keepers of the sacred cows.
Giselle, Kain and critics: The National Ballet of Canada.
Giselle, Kain and critics: The National Ballet of Canada.
What has any of this to do with the price of eggs.
What has any of this to do with the price of eggs.
Poetry
Poetry
All you hangmen, 1949.
All you hangmen, 1949.
Indian girl at Portage and Main, or, Reflection, 1949.
Indian girl at Portage and Main, or, Reflection, 1949.
Joyous moment, 1949.
Joyous moment, 1949.
Lice on Louisiana, 1949.
Lice on Louisiana, 1949.
Wanderer, 1949.
Wanderer, 1949.
Why am I?, 1949.
Why am I?, 1949.
The honour and the glory, 1950.
The honour and the glory, 1950.
Job, 1951.
Job, 1951.
Patrons of war, 1951.
Patrons of war, 1951.
Lost love, 1952.
Lost love, 1952.
Birth of a revolutionary, 1954.
Birth of a revolutionary, 1954.
I slept, 1955.
I slept, 1955.
Jest, 1955
Jest, 1955
Watching, 1955.
Watching, 1955.
Watching; Sunday; All you hangmen; Job; Patrons of war.
Watching; Sunday; All you hangmen; Job; Patrons of war.
Abortion, 1956.
Abortion, 1956.
Garbo, 1956.
Garbo, 1956.
Late love, 1956.
Late love, 1956.
To a great beauty, 1956.
To a great beauty, 1956.
A year, 1956.
A year, 1956.
3 poems on love, of different years: Late love; First love or Plea; Lost love.
3 poems on love, of different years: Late love; First love or Plea; Lost love.
Mortality, 1957.
Mortality, 1957.
Depraved dream, 1958; All you hangmen, 1949.
Depraved dream, 1958; All you hangmen, 1949.
Aging, 1959.
Aging, 1959.
Miss Tina, 1959.
Miss Tina, 1959.
Once in youth, 1959.
Once in youth, 1959.
Thirty years ago tomorrow, 1959.
Thirty years ago tomorrow, 1959.
Futility of violence, 1960; Irony of ecstasy, 1960.
Futility of violence, 1960; Irony of ecstasy, 1960.
Irony of ecstasy, 1960.
Irony of ecstasy, 1960.
The locks on life, 1960.
The locks on life, 1960.
Storm at dawn, 1960.
Storm at dawn, 1960.
Warning in Panama, 1960.
Warning in Panama, 1960.
Results 201 to 300 of 481