Contains 1 sketchbook (88 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

Contains 1 sketchbook (56 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

File consists of one hand drawn printing plate titled Plate No. I. The plate shows upper case and lower letters as well as numbers in various fonts and sizes. Plate is signed by W.H.E. Schmalz and is dated at R.M. College, Kingston, January 31, 1910. The plate has been given a grade of 75.

Pen drawing featuring the lines of the poem titled, My Symphony by William Ellery Channing as well as flower and butterfly motifs. The creator of this drawing changed the order of some of the lines in the original poem titled, My Symphony by William Ellery Channing.

One sketch of an owl by Dorothy Etta Russell (nee White) in pencil outline which has been filled in with crayons.

File consists of one hand drawn printing plate titled Plate No. II. The plate shows upper case and lower letters as well as numbers in various fonts and sizes. Plate is signed by W.H.E. Schmalz and is dated at R.M. College, Kingston, March 14, 1910. The plate has been given a grade of 95.

File consists of an ink and crayon drawing of a landscape in Hong Kong, by an unknown artist.

Print of a photograph of Levi Nash Moyer.

Circular wood burning by Orpheus Schantz of a woman's face surrounded by symbols.

Pen drawing featuring the lines of the poem titled, A Slumber Song as well as butterfly and 16 point compass rose motifs. The drawing also includes a monogram possibly made by combining the letters F, A, C, S and the date October 5, 1902.

The poem featured in the drawing was originally titled, Sleep Sweet and was written by Ellen M. Huntington Gates. The creator of this drawing changed the title and a few words in the lines of the original poem titled, Sleep Sweet by Ellen M. Huntington Gates.

File consists of one portrait of David Sovereign Bowlby. The painting is oil on prepared canvas. A signature on the bottom left is hard to read, but may say [Ella] [Moss].

22 coloured illustrations of flowers, animals, children, and sentimental scenes. Most of the prints are Chicago Tribune Art supplements.

A print of a purple bouquet of flowers.

One print of a studio portrait of Levi Nash Moyer.

Twenty drawings and sketches by Orpheus Moyer Schantz. Included are portraits, studies of animals, technical drawings for a boat, one ink drawing of the back of a woman in a gown, two drawings after C.D. Gibson- "When Doctors Disagree" and "Mr. Pipp just after dinner steps our for a few moments with a change acquaintance. He returns at 2 A.M.", and two with leaf varieties and poetry. Smaller drawings were originally found in an old men's silk handkerchief box with other ephemera.

Pen drawing by Orpheus Moyer Schantz titled, The Girl He Left Behind Him. The drawing features a woman sitting in a field with ships visible in the distance. Artist's note underneath signature confirms this drawing was modeled after the works of Charles Dana Gibson.

Photograph of Ruth Schantz on an illustrated mount. The photograph consists of four separate shots of Ruth in different poses that have been developed together as one photograph and mounted on a large board around which Carrie Flagler Schantz has painted pink flowers. The mount is dated September 30, 1899 and includes two lines from the poem, Seven Times One by Jean Ingelow: “I've said my seven times over and over; Seven times one are seven.”

One print showing a bouquet of flowers in a bucket.

A small black ink drawing of a cardinal with a circular border by Orpheus Moyer Schantz.

One small watercolour sketch and a drawing of a dog with puppies mounted on board and matted with construction paper and secured with brass brads.

Handmade New Years card sent to Sophie Schantz. The card has scherenschnitte edges and features calligraphy and a painting of pink flower blossoms by Carrie Schantz. It reads "Of this joyous day. Sophie Schantz. Many happy returns."

Black ink drawing of a couple seated close together by Orpheus Moyer Schantz captioned "The last day of summer" of a despondent looking couple.

Small painted drawing of the back of a woman wearing a pink bonnet by Carrie Flagler Schantz.

One print showing the enlarged premises of the Marshall & Field Company building in Chicago. Orpheus worked for Marshall & Field.

Notecard with a reproduction of a sketch of the Olympic Range in B.C. by Lady Aberdeen.

A black ink drawing of a dogwood flower and an unidentified building done by Orpheus Moyer Schantz September 1st and 2nd, 1895.

Handmade New Yeas card from the Schantz family to Sophie Schantz. The card features calligraphy, small drawings of moons and has the numbers of the year 1894 in each corner.. It reads: "To Sophe E. Schantz. Berlin. Ontario. We wish you a happy new year. From Ruth Schantz, Carrie Flagler Schantz,Orpheus Moyer Schantz. Morton Park, Ill."

Handmade New Years card from the Schantz family to Arthur Benjamin Schantz. The card features calligraphy, small drawings of bells and has scherenschnitte edges. It reads: "1894. Wishing you a joyous new year. To Arthur B. Schantz From Ruth, Carrie & Orph."

Handmade birthday card from Orpheus Moyer Schantz to Sophie Schantz. The card has scherenschnitte edges and features calligraphy, drawings of small animals, birds and plants. It reads: "May Happy Returns. Sophie E. Schantz. May 4-'89"

File consists of two etchings accumulated by Florence Grace Clement. One is a plate taken from a book with identifying notes showing Louisa Elizabeth, Baroness Durham engraved by Thomson from a painting by Sir Thomas Lawrence, 1831. The other is an advertisement for an exhibit of oil and watercolour drawings and modern etchings at the City of London Fine Art Gallery by H. Gillard Glindoni from 1882.

File consists of one print showing the death of Chatterton, based on the 1856 painting by Henry Wallis. The lithograph was published March 20, 1862 by R. Turner and engraved by T. Oldham Barlow.

File consists of one print showing Chatterton in his room composing the Rowleian manuscripts.
Caption reads "Bristol: published 1st September, 1846, by C. Mitchell, 37 College Green. To the right worshipful John Haberfield, esq. third time mayor of Bristol. This engraving of Chatterton composing the Rowleian manuscripts. in the lumber room of his mother's house, Colston's Parade, the Church of St. Mary's, Redcliffe, which contains the celebrated Muniment Room, being seen through the window is respectfully dedicated, by his obligated servant, the publisher."

File consists of one reproduction of a handkerchief showing an etching of Chatterton with a brief biography of his life, and a poem. The bottom right corner reads "The Chatterton pocket handkerchief c. 1782" and the verso reads "For Dr. Warren U. Ober. University of Waterloo. Ontario, Canada."

One sketchbook. Includes ms. notes, landscape sketches, plans for paintings, geometric designs, sketches of boats, ships, harbours, figures, still life studies, watercolour sketches of geometric designs for a painting, and a list of paintings completed.