File consists of one print of The Constant Mistress. Numbered 7/20 and signed by Gill. Originally an illustration for The Constant Mistress printed by the Golden Cockerel Press.

File consists of one print showing the death of Chatterton, based on the 1856 painting by Henry Wallis. The lithograph was published March 20, 1862 by R. Turner and engraved by T. Oldham Barlow.

File consists of one reproduction of a handkerchief showing an etching of Chatterton with a brief biography of his life, and a poem. The bottom right corner reads "The Chatterton pocket handkerchief c. 1782" and the verso reads "For Dr. Warren U. Ober. University of Waterloo. Ontario, Canada."

File consists of one print of The Empty Bed. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress. Also includes a photocopy of the print and a caption from the Thomas Fisher Rare Book Room.

Pen drawing by Orpheus Moyer Schantz titled, The Girl He Left Behind Him. The drawing features a woman sitting in a field with ships visible in the distance. Artist's note underneath signature confirms this drawing was modeled after the works of Charles Dana Gibson.

File consists of one print of the frontispiece for Henry the Eighth. Signed by Gill with a note reading "for Shakespear's Henry VIII pub by New York Limited Edition Club, 1937. Also includes the back of the original mat.

File consists of one print of The Holy Face. Originally an illustration for "Ritus Servandus In Benedictione" printed by the St. Dominic's Press.

Black ink drawing of a couple seated close together by Orpheus Moyer Schantz captioned "The last day of summer" of a despondent looking couple.

File consists of one print of The Last Judgement.

File consists of one print of The Leisure State, showing a woman listening to a grammaphone with the words Techne (translation: “art, craft”) and Poiesis (translation: “creation, poetry”). Numbered 18/18 and signed by Gill. Originally for Unemployment, by Gill.

File consists of two copies of the print The Lord's Song from the artist's own published sermon of the same name. Numbered 1/25 and 4/25 and signed by Gill.

File consists of one print of The Nun's Priests's Tale showing three figures and a chicken under a leaf border with the letter "H". Numbered 4/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one mock up for The Order of Industrial Heritage award as presented by the London Daily Herald. This second version shows the original holy ghost dove has been replaced by a star. Also includes one colour copy of the print and a caption created by Thomas Fisher Rare Book Library.

File consists of one print of The Pardoner's Tale showing three men in a garden with a skeleton looking up at them, along with the letter "O." Numbered 10/10 and signed by Gill along with the annotation USA 5. Used as an illustration for the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of The Shipman's Tale showing a man and woman on a bed surrounded by a border of leaves and the letter "O." Numbered USA 1/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File contains 6 pen and ink drawings created by John Herbert in 1973 regarding his comic "The Slideshow". The drawings have captions written on them. Includes author's note on the envelope: "Box D: John Herbert archives. D15: original drawings, 1973. The Sideshow (a comic book). The enclosed 6 pages were John Herbert's beginning of a comic-book project (under the name 'Jack Past') based on his memories of working with a carnival burlesque show (Model Shows' 'Paris After Midnight') in 1953, travelling through Ontario, Quebec, New Brunswick and Nova Scotia (over a 6 months period)."

File consists of one print of The Single Bed (Thanks). Numbered 12/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of The Skaters showing two naked skaters based on a photograph from the London Daily Mail. Labled "specimin plate."

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

One undated, unattributed sketchbook, containing pencil and pen and ink sketches, possibly by both David Hill and Joe Plaskett.

File consists of one print of View of Ditchling. Originally a design for the Ditchling Women's Institute.

File consists of one drawing of a house, titled "Ville de Madrid." Titled, dated and signed by Gill with an explanatory note. Also includes photocopy and caption from Thomas Fisher Rare Book Room.

File consists of four watercolour paintings of landscapes.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

Circular wood burning by Orpheus Schantz of a woman's face surrounded by symbols.

Writings and paperwork related to Bettie Bernice Wilson during her time at the Royal Canadian Air Force (RCAF). Includes a drawing, a certificate of discharge for Wilson from the RCAF from September 1945, writing titled "The plight of 'C' flight" by AW2 Lockwood, J.B.E. in May 1942, the Christmas program for No. 16 Service Flying Training School (SFTS) Hagersville (Ontario) for 1944, and the menu for the 25th Anniversary Reunion of Women of the RCAF (1966).