Series consists of newspaper coverage of Mackenzie King's life, death and funeral. Significant issues of newspapers with major war-related headlines contain stories about Mackenzie King's prime-ministerial activities in relation to events of the day. However, the focus of this series is primarily coverage of Mackenzie King's death, memorial and funeral services published by major Ontario newspapers, often in more than one edition in a day.

p. [1]-4, 21-22, 25-26.

p. [1]-4, 27-28, 33-34, 45-46.

Clipping features portraits of eleven individuals descended from William Lyon Mackenzie, Toronto’s first mayor, from the King, Lindsey and Lay families.

Clipping contains a news story by Betty Caldwell about May Macdougall King of Denver, Colorado, sister-in-law of William Lyon Mackenzie King, and her reactions to his election as Prime Minister of Canada on June 11, 1945 Includes a portrait of Mrs. King.

Clipping contains reminiscences about and analysis of William Lyon Mackenzie King’s political and personal history by Senator Charles Bishop, number 18 in a series of stories written for the Evening Citizen.

Clippings contain plans for the memorial service for William Lyon Mackenzie King to be held in Westminster Abbey. One clipping is from the Globe and Mail, Friday, July 28, 1950, p. 4; the other is undated, from an unidentified newspaper.

Story by Dwight Whalen about William Lyon Mackenzie King visiting Woodside in 1947 and receiving flowers from Marilyn Kilbasco. He details their correspondence and her memories of the occasion.

One section of The Ottawa Citizen, June 6, 1944 concerning the D-Day allied landings in France. “Gov’t lights quickly go on: officialdom here in dark on reported landings,” The Ottawa Citizen, Tuesday, June 6, 1944, p. 8. This short story reports on early morning lights going on at government buildings as “service chiefs and public relations officers, hearing German invasion reports, hurried to their offices.” The final paragraph reads: “A servant at Laurier House, home of Prime Minister Mackenzie king, said Mr. King had retired. She declined to awaken him.”

This issue of the Evening Citizen for April 13, 1945 contains several mentions of William Lyon Mackenzie King, as well as on p. 13 a press photo of Roosevelt, King and Churchill taken at a press conference in Quebec.

This issue of the Evening Citizen for May 7, 1945 contains mentions of William Lyon Mackenzie King: “Not an hour for exultation, says Premier King,” p. 11; “Mr. King visits freed Canadians travelling home,” p. 15. Mr. King and Louis St. Laurent who were in California for the United Nations Security Conference, paid an unexpected visit to 52 Canadians who had been interned for three years in Japanese prison camps in the Philippines.

Two sections: p. [1]-18, 19-34.

p. [1]-2.

p. [1]-2, 9-10.

p. [1]-4.

Two sections, p. [1]-12, 13-28.

Second Section, p. 13-14.

p. [1]-2.

p. [1]-18, 35-[36].

p. [1]-18, 19-20, 33-34.

Two sections, p. [1]-16, 17-32.

Two sections, p. [1]-16, 17-32.

p. [1]-16, 23-24.

p. [1]-16.

p. [1]-4, [21]-22.

p. [1]-[4].

p. [1]-4, 11-12, [17]-18, 35-40.

p. [1]-[6].

Series consists of photographs of William Lyon Mackenzie King, his family and friends. Includes formal and informal portraits as well as snapshots taken in Toronto, Ottawa, Denver and Kingsmere.
Arranged in chronological order.

One formal posed studio portrait of the John King Family of Berlin, Ontario, ca. 1885.
Front row, seated, left to right: Isabel King, Janet Lindsey King, John King, Dougall Macdougall King [seated in front], William Lyon Mackenzie King.
Back Row, left to right: one unidentified boy, two unidentified young men, Bella King.

Framed black and white photographic print of the portrait of Isabel King painted by J.W.L. Forster in 1905. This was Mackenzie King’s favourite image of his mother: it still hangs in Laurier House where he placed it. This copy would appear to have belonged to Dougall Macdougall “Max” King and may have been sent to him by Mackenzie King. An earlier portrait of Isabel King was done by Forster in 1901 and in his diary Mackenzie King expresses his dissatisfaction and describes the portrait he would like to see : “ I am sorry in a way however, that it is not taken more as a photo we have of mother sitting in a chair & looking down at a book, the Mother’s face.” [1]

Print of the portrait of Isabel King painted by J.W.L. Forster in 1905, in a photographer’s tri-folder embossed: “Topley, Ottawa.

One black and white snapshot taken outside 4 Grange Road in Toronto: Left to right: Jennie Lindsey Lay, Isabel King (behind), Harry Morrison Lay, Bella King (all seated). Except for Isabel King, all identifications are conjectural.

One black and white snapshot of a group of people at Kingsmere, taken outside: William Lyon Mackenzie King is standing on the right with a camera in his hand; three unidentified men stand to his right. Isabel King and two unidentified females are seated in the grass.

One black and white snapshot of Isabel King (left) and May King (right) outside a house in an unidentified location. Inscribed on verso in an unidentified hand: “Mrs. King, mother of WML King and of Macdougall King, poss. With May King.”

One black and white snapshot of Isabel King (right) and May King (left) outside a house in an unidentified location. Inscribed on verso in an unidentified hand: “Mrs. King, mother of Willie & Mac King and Mac’s wife May.”

One black and white snapshot of John King at Kingsmere, wearing a bathrobe, with trees and lake in background. Inscribed on verso in an unidentified hand: “Father King goes down to swim.”

One black and white snapshot of John King lying in bed, both eyes bandaged, hands clasped, dated on verso: June 1915..

Eight snapshots taken during Isabel and William Lyon Mackenzie King’s trip to Denver, Colorado, where Isabel was to stay for a time with her son Dougall Macdougall King, his wife May and their twin sons Arthur and Lyon. The first six snapshots are of family groups taken at the entrance steps of 928 Olive St., Denver, where Dougall had set up his medical practice. His plaque can be seen to the left of the doorway. 1. Left to right: May, Arthur, Isabel, Lyon (seated) and Dougall Macdougall King (standing). - 2. Left to right: Isabel and Dougall Macdougall King (seated). – 3. Left to right: Arthur, Isabel and Lyon King (all seated). – 4. Left to right: William Lyon Mackenzie King (standing), Dougall Macdougall King (seated). – 5. Left to right: William Lyon Mackenzie King, Isabel King, Dougall Macdougall King (all seated). – 6. Left to right: Lyon King, William Lyon Mackenzie King, Arthur King. – 7. Picnic in unidentified location. Left to right: possibly Isabel King in widow’s weeds, possibly Mae King, unidentified female, unidentified male. – 8. Left to right: Isabel King in widow’s weeds, William Lyon Mackenzie King, standing beside river. The latter two may have been taken at Welborn Farm (letter Willie to Jennie Sept 16, 1916. He writes that he has left Isabel at Max and May’s and has gone to stay at Welborn’s farm: “ they are all coming out to dinner with us here tomorrow.”)[1]

One black and white snapshot of William Lyon Mackenzie King seated at a desk indoors, probably at Kingsmere.[1]

One black and white snapshot of Isabel King in the garden at Kingsmere, seated in a chair with her feet on a box or block.

One sepia portrait of William Lyon Mackenzie King standing on the steps to Laurier House, Ottawa. This photograph is pasted on a mount that is printed as a Christmas greeting: “With the Season’s Greetings, W.L. Mackenzie King, Laurier House, Ottawa, Christmas 1938. This photograph was found in a red photograph holder produced as a souvenir of the “Normandie Roof” on top of the Mount Royal Hotel, Montreal, Quebec and probably meant to hold a photograph of the three people who have autographed and dated the back cover “Dec. 26/46”: “Best Wishes [illegible] Happy New Year! A.M. King Best of the Season- Walter.”

One informal group portrait taken outdoors, location and occasion unidentified. William Lyon Mackenzie King is standing third from the right; to his right are his nephew Arthur King and Arthur’s wife Kathleen King. Three females and two males are unidentified. The location appears to be a wooded area, with tents.

One black and white informal portrait of William Lyon Mackenzie King seated on the farmhouse porch at Kingsmere.
Photo dated July 18, 1950, National Film Board.

Series consists of a single object, a suit of cashmere and wool undergarments owned and worn by William Lyon Mackenzie King.

One set of men's Jaeger beige cashmere and wool underwear, size 42, belonging to William Lyon Mackenzie King, consisting of of a jersey-knit shirt and a pair of bottoms. The shirt has three buttons with button placket reinforced with woven material. Mackenzie King's Initials “W.L.M.K.” are embroidered in red on the front right bottom above the ribbing. The shirt has a white woven label with red letters at centre inside back neck: “Jaeger, Pure Cashmere & Wool, Made in Gt. Britain.” The bottoms close with a three-button fly and have a lace-up gusset at centre back. The waistband and fly are reinforced inside with woven material; the gusset has two sets of embroidered eyelets laced with a white ribbon. Two sets of horizontal double loops made of woven fabric are sewn down outside at the waist on either side of the fly, possibly for attaching to the shirt. The T. Eaton Co. catalogue of 1920-1921 describes these as “brace loops.”[1] There is evidence of something having been sewn above the shirt ribbing, front left side, as thread knots remain. The bottoms have a white woven label, inside centre back, with red letters. The word “Jaeger” is at the centre of a diamond shape bearing text on all four sides: “Health & Comfort, Warrented Pure Wool.” Below the diamond is a ribbon shape bearing text: “Patent Unshrinkable Process,” and below this on the bottom edges is: “Made in Gt. Britain.”