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Archival description
Rienzi Crusz fonds.
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The geography of voice.

File consists of two typed documents (computer output and photocopy). Newly signed by the author.

Crusz, Rienzi

The geography of voice: Canadian literature of the South Asian diaspora / edited by Diane McGifford.

One anthology of poetry titled "The Geography of Voice: Canadian Literature of the South Asian Diaspora", edited by Diane McGifford. The anthology includes the poems "Elegy", "Sun-Man in Suburbia", "The Elephant who would be a Poet", "Love Poem", "Dark Antonyms in Paradise", "Elegy #2", "Song of the Immigrant", "Song for the Indian River Man", "The Geography of Voice"," Bouquet to my Colonial Masters", "The Rain Doesn't Know me Anymore", "Poem", and "He who Talks to the Raven." by Rienzi Crusz.

Crusz, Rienzi

The ghosts of kings.

File consists of one typed document (computer output). Newly signed by the author.

Crusz, Rienzi

The gift of music.

18 versions, holograph, typescript, revisions. 1 p. ; 28 cm. Published in A time for loving (1986): 84. Some versions have differing first lines.

Crusz, Rienzi

The havocking of silence.

10 versions, typescript. 1 or 2 p. ; 28 cm. Published in Singing against the wind (1985): 30 and A time for loving (1986): 66. Some versions contain annotations.

Crusz, Rienzi

The house on Elvin Hill.

File consists of one typed document (112 unnumbered leaves, computer output.) Includes author's note inserted and author's handwritten notes also on folder. Editorial comments by Prof. Ojaide. On title page: "Draft 2, 22.3.2000."

Crusz, Rienzi

The house on Elvin Hill.

File consists of one typed document (85 numbered leaves, computer output.) Includes author's note inserted and author's handwritten notes also on folder. Editorial comments by Prof. Ojaide. On title page: "Draft 1, Ojaide."

Crusz, Rienzi

The house on elvin hill.

File consists of one typed draft of The House on Elvin Hill. Includes poems as well as title page, acknowledgements, and contents. Also includes an attached note by the author.

Crusz, Rienzi

The interview.

File consists of two typed documents (5 and 6 leaves, computer output).Includes author's handwritten notes. "Revised 25.4.98."

Crusz, Rienzi

The interview.

11 versions, holograph, typescript. 1 p. ; 28 cm. Published in Elephant and ice (1980): 49 and A time for loving (1986): 45.

Crusz, Rienzi

The jig-saw puzzle.

3 versions, holograph, revisions. 1 p. ; 28 cm. Some versions have differing Titles.

Crusz, Rienzi

The maker.

12 versions, typescript. 1 p. ; 28 cm. Published in Elephant and ice (1980): 53 and A time for loving (1986): 47.

Crusz, Rienzi

The new equilibrium.

4 versions, holograph, typescript. 1 p. ; 28 cm. Published in A time for loving (1986): 81.

Crusz, Rienzi

The night before my birthday.

5 versions, typescript. 1 p. ; 28 cm. Published in Flesh and thorn (1974): n. p. and A time for loving (1986): 12.

Crusz, Rienzi

The opposite men.

34 versions, holograph, typescript, revisions. 1 or 2 p. ; 28 cm. Some versions have differing first lines.

Crusz, Rienzi

The opposite men.

File consists of one typed document (photocopy), newly signed by the author.

Crusz, Rienzi

The painter.

File consists of one typed document (photocopy), newly signed by the author.

Crusz, Rienzi

The painter.

13 versions, holograph, typescript, revisions. 1 p. ; 28 cm.

Crusz, Rienzi

The painter.

Contents: 1 typed original, 1 leaf, handwritten signature.

Crusz, Rienzi

The painter.

1 typed draft, holograph corrections. Already listed.

Crusz, Rienzi

The quality of dreams.

6 versions, holograph, typescript. 1 p. ; 28 cm. Some versions have differing first lines.

Crusz, Rienzi

The rain doesn't know me any more.

File consists of one handwritten note (original), comments by Virgil Burnett on his cover design for The rain doesn't know me any more..

Crusz, Rienzi

The rain doesn't know me anymore.

File consists of one typed document (82 numbered leaves, photocopies). Author's handwritten note on cover: "Draft manuscript of The Rain Doesn't Know Me Anymore."

Crusz, Rienzi

The sand box.

2 p. ; 28 cm. Some versions have differing first lines.

Crusz, Rienzi

The sandwich-maker.

15 versions, holograph, typescript. 2 p. ; 28 cm. Some versions contain annotations.

Crusz, Rienzi

The scrawlers.

11 versions, some differ, typescript, revisions. 2 p. ; 28 cm. Published in Flesh and thorn (1974): n. p. and A time for loving (1986): 16. Some versions contain annotations, some versions are shorter and have differing first lines.

Crusz, Rienzi

The seed.

3 versions, holograph, typescript, revisions. 1 p. ; 28 cm. Some versions have differing Titles.

Crusz, Rienzi

The separate one.

File consists of one typed document (1 leaf, original). Signed by the author.

Crusz, Rienzi

The Sun-man encounters Ann Landers.

5 versions, typescript. 2 p. ; 28 cm. Published in Elephant and ice (1980): 25 and Flesh and thorn (1974): n. p. Some verisions contain annotations.

Crusz, Rienzi

The trouble with growing old.

10 versions, holograph, typescript,revisions. 1 p. ; 28 cm. Published in Singing against the wind (1985): 18 and A time for loving (1986): 64.

Crusz, Rienzi

The unhappy cataloguer.

9 versions, holograph, typescript,off prints. Note by R. C. stating this is the first poem he ever wrote. Some versions have differing Titles.

Crusz, Rienzi

The unhyphenated Canadians.

3 handwritten drafts, 6 typed drafts with holograph corrections, entitled "Who are these men?", 2 typed documents., 2 later typed drafts, one with corrections.

Crusz, Rienzi

The upside-down elephant who was a poet.

File consists of one typed document (photocopy) with handwritten note: "Draft poem: this poem revised with a new title 'The elephant who would be a poet'," initialled by the author.

Crusz, Rienzi

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