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File consists of one snapshot of members of the Bowlby family in the garden of their home. Includes David Sovereign Bowlby, Martha Esther Murphy Bowlby, Grace Bowlby Fennell, and three unidentified adults.

File consists of two identical snapshots of David Sovereign Bowlby, Martha Esther Murphy Bowlby and Grace Bowlby Fennell and one unidentified woman. David Sovereign Bowlby is shown riding a donkey and the three women are standing near another one. Versos read "Dearest little Frieda Aunt Grace's Love. Los Angeles California, May 7th, 1901" and "Dearest Olive from Aunt Grace, Los Angeles California May 7th, 1901."

File consists of one photograph showing members of the Bowlby family in front of "Liberty Hall", the family home. In the carriage are shown Martha Esther Murphy Bowlby and Janie Elizabeth Bowlby Clement, being pulled by mare Dolly. In front of the home are shown David Sovereign Bowlby, George Herbert Bowlby, Blanche Alexandrine (Adine) Seagram Bowlby, David Shannon Bowlby, and Grace Esther Bowlby Fennell. The photograph was used in "Busy Berlin" in 1897.

File consists of two identical snapshots of members of the Bowlby family in Los Angeles in 1901. Includes David Sovereign Bowlby, Martha Esther Murphy Bowlby, Grace Bowlby Fennell and two unknown people. Versos read "Los Angeles May 6, 1901. To dear Mosom with love from Grandma" and "Lose Angelse Cal. May 6, 1901. To dear little Frieda with grandma's love."

File consists of three identical upper body studio portraits of David Sovereign Bowlby.

Upper body studio portrait photograph of David Sovereign Bowbly seen looking off camera.

File consists of two identical upper body studio portraits of David Sovereign Bowlby, seen in partial profile looking off camera.

File consists of one upper body studio portrait photograph of David Sovereign Bowbly by J. Inglis, Montreal.

File consists of one portrait of David Sovereign Bowlby. The painting is oil on prepared canvas. A signature on the bottom left is hard to read, but may say [Ella] [Moss].

File consists of two identical upper body studio portrait photographs of David Sovereign Bowbly in his graduation cap and gown.

File consists of one head and shoulders studio portrait of David Sovereign Bowlby.

Upper body studio portrait of David Sovereign Bowbly in graduation cap and gown.

File consists of one photograph of the home of Dr. David Sovereign Bowlby.

File consists of two identical photographs of David Sovereign Bowbly's home "Liberty Hall" in Kitchener, taken from the tennis courts in warm weather. The resident is seen from the rear, surrounded by trees, shrubs and garden beds.

Photograph of the exterior of "Liberty Hall", the 25 John Street residence of David Sovereign Bowlby in what was then Berlin, Ontario. The home is situated on a dirt road. A wrought-iron fence and two trees border the front of the house and ivy is visible growing up sections of the building. A sign over an entrance to a separate section of the home, at left, reads: "Dr. Bowlby".

File consists of one photograph of David Sovereign Bowlby with sons David Shannon (centre) and George Herbert on right.

File consists of one full body group studio portrait of members of the Bowlby Clement families. From left to right: David Sovereign Bowlby, Janie Elizabeth Bowlby Clement, Charles Bowlby Clement (being held by Janie), Adam H. Bowlby. Identification on verso incorrectly identifies the infant as William Pope Clement.

Fonds consists of 28 items of correspondence predominantly written during 1893 to David Shannon Bowlby from his family in Berlin (Kitchener), Ontario while Bowlby was a student at the University of Toronto. Most of the letters are casual in nature providing updates about happenings in Berlin, including church sermons and social engagements.

The majority of the letters are authored by Bowlby's mother Martha Esther, with additional letters from friends, including Albert Liborius Breithaupt, and family, including father David Sovereign. Also in the file is one letter from Bowlby on personalized letterhead.