File consists of one reproduction of a handkerchief showing an etching of Chatterton with a brief biography of his life, and a poem. The bottom right corner reads "The Chatterton pocket handkerchief c. 1782" and the verso reads "For Dr. Warren U. Ober. University of Waterloo. Ontario, Canada."

One print showing a bouquet of flowers in a bucket.

Handmade New Years card sent to Sophie Schantz. The card has scherenschnitte edges and features calligraphy and a painting of pink flower blossoms by Carrie Schantz. It reads "Of this joyous day. Sophie Schantz. Many happy returns."

Small painted drawing of the back of a woman wearing a pink bonnet by Carrie Flagler Schantz.

File consists of two etchings accumulated by Florence Grace Clement. One is a plate taken from a book with identifying notes showing Louisa Elizabeth, Baroness Durham engraved by Thomson from a painting by Sir Thomas Lawrence, 1831. The other is an advertisement for an exhibit of oil and watercolour drawings and modern etchings at the City of London Fine Art Gallery by H. Gillard Glindoni from 1882.

File consists of one print showing Chatterton in his room composing the Rowleian manuscripts.
Caption reads "Bristol: published 1st September, 1846, by C. Mitchell, 37 College Green. To the right worshipful John Haberfield, esq. third time mayor of Bristol. This engraving of Chatterton composing the Rowleian manuscripts. in the lumber room of his mother's house, Colston's Parade, the Church of St. Mary's, Redcliffe, which contains the celebrated Muniment Room, being seen through the window is respectfully dedicated, by his obligated servant, the publisher."

File consists of one print showing the death of Chatterton, based on the 1856 painting by Henry Wallis. The lithograph was published March 20, 1862 by R. Turner and engraved by T. Oldham Barlow.

A small black ink drawing of a cardinal with a circular border by Orpheus Moyer Schantz.

Handmade birthday card from Orpheus Moyer Schantz to Sophie Schantz. The card has scherenschnitte edges and features calligraphy, drawings of small animals, birds and plants. It reads: "May Happy Returns. Sophie E. Schantz. May 4-'89"

Ten prints including:

One portrait of Abraham Lincoln.

Two memorial portraits of Victoria, Queen of Great Britain, 1819-1901.

One portrait of the [George] Washington family.

One portrait of Baden-Powell of Gilwell, Robert Stephenson Smyth Baden-Powell, Baron, 1857-1941. This print is mounted on the lid of a box and decorated with gilt paper trim.

Side-by-side portraits of George V, King of Great Britain, 1865-1936 and Mary, Queen, consort of George V, King of Great Britain, 1867-1953.

Side-by-side portraits of Edward VII, King of Great Britain, 1841-1910 and Alexandra, Queen, consort of Edward VII, King of Great Britain, 1844-1925.

One illustration of the G?ltzsch Viaduct, a railway bridge in Germany.

One illustration of a landscape in Switzerland.

One illustration of cupid and another figure warming their hands by a fire.

22 coloured illustrations of flowers, animals, children, and sentimental scenes. Most of the prints are Chicago Tribune Art supplements.

Handmade New Yeas card from the Schantz family to Sophie Schantz. The card features calligraphy, small drawings of moons and has the numbers of the year 1894 in each corner.. It reads: "To Sophe E. Schantz. Berlin. Ontario. We wish you a happy new year. From Ruth Schantz, Carrie Flagler Schantz,Orpheus Moyer Schantz. Morton Park, Ill."

Handmade New Years card from the Schantz family to Arthur Benjamin Schantz. The card features calligraphy, small drawings of bells and has scherenschnitte edges. It reads: "1894. Wishing you a joyous new year. To Arthur B. Schantz From Ruth, Carrie & Orph."

One print showing the enlarged premises of the Marshall & Field Company building in Chicago. Orpheus worked for Marshall & Field.

Notecard with a reproduction of a sketch of the Olympic Range in B.C. by Lady Aberdeen.

A black ink drawing of a dogwood flower and an unidentified building done by Orpheus Moyer Schantz September 1st and 2nd, 1895.

Photograph of Ruth Schantz on an illustrated mount. The photograph consists of four separate shots of Ruth in different poses that have been developed together as one photograph and mounted on a large board around which Carrie Flagler Schantz has painted pink flowers. The mount is dated September 30, 1899 and includes two lines from the poem, Seven Times One by Jean Ingelow: “I've said my seven times over and over; Seven times one are seven.”

One small watercolour sketch and a drawing of a dog with puppies mounted on board and matted with construction paper and secured with brass brads.

Black ink drawing of a couple seated close together by Orpheus Moyer Schantz captioned "The last day of summer" of a despondent looking couple.

File consists of various small drawings of cartoons and sketches on three sheets of paper. Includes cartoons copied from famous works (including Mutt and Jeff), original cartoons, and sketches.

File consists of one annotated painting of samples of colours. Unsigned, but attributed to W.H.E. Schmalz.

File consists of six high quality colour photocopies of original paintings by Dana Porter. The paintings are typically Northern Ontario landscapes and were stylistically inspired by the Group of Seven. Porter's maternal uncle was Group of Seven painter Lawren Harris.

File consists of one print probably by Desmond Chute. Print shows a woman with a halo and head dress holding a sprig of plants. Lettering reads "Catharina Sponsa XTI."

File consists of one drawing of an unidentified femal nude. The drawing has been squared, possibly indicating it was to be made into a sculpture. Verso of drawing appears to be a list of books. Also includes photocopy and original sale notice.

One mounted painting of a jack-in-the-pulpit flower, one watercolour landscape signed by D.E.W., and one reverse painting on glass of puppies.

Pen drawing featuring the lines of the poem titled, My Symphony by William Ellery Channing as well as flower and butterfly motifs. The creator of this drawing changed the order of some of the lines in the original poem titled, My Symphony by William Ellery Channing.

A print of a purple bouquet of flowers.

File consists of four watercolour paintings of landscapes.

One undated, unattributed sketchbook, containing pencil and pen and ink sketches, possibly by both David Hill and Joe Plaskett.

File consists of one drawing of a house in the daytime. The house has been coloured in with watercolours. Although unsigned, it is likely by W.H.E. Schmalz.

One print of a studio portrait of Levi Nash Moyer.

File consists of twenty three prints by Virgil Burnett. The prints are of five different images by Burnett.

File consists of three small card folded horizontally featuring a woodcut illustrion of a fish and a religious verse. Lettering reads "Salvator noster hodie natus est: gaudeamus. Neque enim fas est locum esse tristitiae, ubi natalis est vitae. Nemo ab hujus alacritatis participatione secernitur: una cunctis laetitiae communis est ratio. Ersultet (sic) sanctus, quia appropinquat ad palmam; gaudeat paccator, quia invitatur ad beniam."

Translation: This day our Saviour was born: let us rejoice. For it is impossible to be sad to, where is the birthday of life. No one from participating in our category, all a joy to both systems. Rejoice, O thou holy, because it approaches nearer to the palm;'s joy is a sinner, for he is invited to pardon.

One pen and ink sketch of a Chateau at Monte Bello, signed M. Krueger, 1928; one watercolour [of Mount Fuji?] signed HMR.

File consists of one drawing of a lighthouse on an island. The bottom right hand corner is signed F.K.M. (probably Francis Kathleen Montgomery).

File consists of one dance programme in the format of a large painting listing the dances, and featuring an illustration of a student using a transit to look at a flying diploma while his military instructor urges him on. Painting is unsigned but is attributed to W.H.E. Schmalz.

File consists of a sheet of paper with sketches of borders, corner designs, cornices and ceiling roses. Some are pencil, and some are coloured with watercolour. Sheet is double sided. Although unsigned, it is attributed to W.H.E. Schmalz.

Undated sketchbook containing pencil sketches by David Hill.

File consists of one leaf of paper with drawings by a child on it. Possibly by Julian or Dana Porter Jr.

One folder of undated loose pencil sketches by David Hill.

Twenty drawings and sketches by Orpheus Moyer Schantz. Included are portraits, studies of animals, technical drawings for a boat, one ink drawing of the back of a woman in a gown, two drawings after C.D. Gibson- "When Doctors Disagree" and "Mr. Pipp just after dinner steps our for a few moments with a change acquaintance. He returns at 2 A.M.", and two with leaf varieties and poetry. Smaller drawings were originally found in an old men's silk handkerchief box with other ephemera.

Pen drawing by Orpheus Moyer Schantz titled, The Girl He Left Behind Him. The drawing features a woman sitting in a field with ships visible in the distance. Artist's note underneath signature confirms this drawing was modeled after the works of Charles Dana Gibson.

File consists of one portrait of David Sovereign Bowlby. The painting is oil on prepared canvas. A signature on the bottom left is hard to read, but may say [Ella] [Moss].

Circular wood burning by Orpheus Schantz of a woman's face surrounded by symbols.

Pen drawing featuring the lines of the poem titled, A Slumber Song as well as butterfly and 16 point compass rose motifs. The drawing also includes a monogram possibly made by combining the letters F, A, C, S and the date October 5, 1902.

The poem featured in the drawing was originally titled, Sleep Sweet and was written by Ellen M. Huntington Gates. The creator of this drawing changed the title and a few words in the lines of the original poem titled, Sleep Sweet by Ellen M. Huntington Gates.

File consists of an ink and crayon drawing of a landscape in Hong Kong, by an unknown artist.

Print of a photograph of Levi Nash Moyer.

A scrapbook containing press clippings, cards, postcards, telegrams, tickets, programs, report cards, certificates, a diploma, invitations, correspondence including notes of congratulations to Betty Forbes on her engagement to Bill Land, the birth certificates of Millicent Lyall Forbes and Betty Forbes, and other textual material. Also includes three watercolour paintings by Willie Winklemann and photographs of the Forbes family featuring Peg Forbes and Joe Wilson's wedding and other family events.

File consists of one hand drawn printing plate titled Plate No. I. The plate shows upper case and lower letters as well as numbers in various fonts and sizes. Plate is signed by W.H.E. Schmalz and is dated at R.M. College, Kingston, January 31, 1910. The plate has been given a grade of 75.

One sketch of an owl by Dorothy Etta Russell (nee White) in pencil outline which has been filled in with crayons.

File consists of one hand drawn printing plate titled Plate No. II. The plate shows upper case and lower letters as well as numbers in various fonts and sizes. Plate is signed by W.H.E. Schmalz and is dated at R.M. College, Kingston, March 14, 1910. The plate has been given a grade of 95.

File consists of one sketch of a landscape identified as being looking towards Tann and Pirmass. Sketch is signed W.H.E. Schmalz, II Class.

File consists of art work created by John Edward Motz as a child.

File consists of one drawing, likely by W.H.E. Schmalz of a house at night.

Contains 1 sketchbook (56 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

File consists of one reprint of the Busy Berlin map of 1912. The map was reprinted in 1989 at 69% of the original size by the Kitchener Public Library.

Contains 1 sketchbook (88 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

File consists of one print of Hog and Wheatsheaf. Signed by Gill, and noted as a bakery bag for the Hampshire House Bakery.

File consists of one print of Madonna and Child: Madonna Kneeling. Originally a design for a Christmas card.

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

File consists of one print of Flight Into Egypt.

File consists of one print of Madonna and Child with Chalice. Originally a title page illustration for "Adeste Fideles a Christmas Hymn" published by St. Dominic's Press.

File consists of one print of Madonna and Child with Gallows. Originally a design for a Christmas card.

File consists of one watercolour painting by Gill, titled Seen in Utopia. The work is very different from his usual style. Signed and dated.

File consists of one print of Child and Spectre. Originally an illustration from "Concerning Dragons" by the St. Dominic Press.

File consists of one print of Animals All. The print is unique in that it is gold ink on a black background. Originally used for the tail piece "The Philosophy of Art."

File consists of one painted portrait of George Herbert Bowlby in his army uniform. The painting appears to be watercolour on ivorine, and the signature reads E.C. Blisley, 1917. Bowlby died in 1917 during First World War and this is possibly a commemorative portrait.

File consists of one print of The Holy Face. Originally an illustration for "Ritus Servandus In Benedictione" printed by the St. Dominic's Press.

File consists of one drawing by Gill of the Fox Inn, Bramsdean. Signed and dated.

File consists of one print of The Last Judgement.

File consists of four drawings later used to create woodcuts. They include The Manage (Physick 74), Epiphany (Physick 84) and Palm Sunday (Physick 86).

File consists of one print of View of Ditchling. Originally a design for the Ditchling Women's Institute.

File consists of one print of Ascension. Originally an illustration for "The Game" printed by St. Dominic's Press.

File consists of a sketch (self-portrait) of artist Leonard M. Davis presented to Catherine Taylor in appreciation for her services in the US and overseas.

File consists of one print of Crucific.

Letters and postcards from Betty and Peg Forbes to their parents, Millicent Lyall Forbes and George Alex Forbes. Also includes drawings as well as letters to the Easter Bunny and Santa Claus written by Betty Forbes and Peg Forbes.

File consists of one print of Jesus Before Pilate. Signed by Gill.

File consists of one print titled Actor on Stage, a proof design for the Ditchling Dramatic Club.

File consists of one print of Mother and Child.

File consists of one mock up for The Order of Industrial Heritage award as presented by the London Daily Herald. This second version shows the original holy ghost dove has been replaced by a star. Also includes one colour copy of the print and a caption created by Thomas Fisher Rare Book Library.

File consists of one print of Sculpture II, showing a male nude sculpture.

File consists of one print showing a head and shoulders portrait of Gordian Gill. Numbered 41/50 and signed by Gill.

File consists of one print showing a head and shoulders portrait of Mrs. Moira Robert Gibbings. Edition is marked as 40/50 and is signed by Gill.

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of Madonna and Child, With Children, showing Mary holding a baby Jesus surrounded by other children. The print is numbered 21/50 and is signed by Gill.

File consists of one print of My Love Among the Lilies showing a man sitting in a garden with a goblet in one hand and a ball in the other which was used in the Golden Cockerel Press edition of Song of Songs. The print is numbered as edition 8/12 and is signed by Gill.

File consists of one print of The Skaters showing two naked skaters based on a photograph from the London Daily Mail. Labled "specimin plate."

File consists of one print of St. Bernadette, lettered "Bernadette Ora Pro Nobis." Numbered 25/50 and signed by Gill.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one print of a nativity scene. Numbered 20/25 and signed by Gill.

File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one drawing of a house, titled "Ville de Madrid." Titled, dated and signed by Gill with an explanatory note. Also includes photocopy and caption from Thomas Fisher Rare Book Room.

File consists of one engraving by Desmond Macready Chute (1895–1962). Engraving shows the Madonna with child. Recto note reads "Engraving by Desmond Chute see Songs to our Lady SDP 33."

File consists of one drawing of Father O'Connor. Verso identifies him as "Father O'Connor (the very reverend mgr. John O'Connor). Also includes a photocopy of the drawing.

File consists of one print of Ecce Tu Pulchra Es, showing three women. Part of the print is in blue. Numbered 1/10 and signed by Gill. Originally intended to be used for the Cranach Press edition of Canticum, Canticorum.

File consists of one pencil drawing highlighted with watercolours by Gill. The drawing shows a woman's head and is titled "Minnie." Unique in style for Gill, the drawing is a Whisterlian OHO!.

File consists of one print of Christchild, showing a young Jesus holding boughs of leaves. Numbered USA 3/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

One large illustrated poem about the month of November by Orpheus Moyer Schantz. The poem is in the centre of the board and is surrounded by illustrations of autumn leaves.

File consists of one print of Clothes as Houses. Numbered 3/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of Nature and Nakedness. Numbered 15/25 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.