The William Blake Collection consists of more than 200 titles of which the majority are facsimiles of Blake's works or privately-printed reprints and editions containing facsimiles of the illustrations. The collection also forms part of a larger collection devoted to joint painter-illustrator-author books that include followers of Blake, e.g. Palmer & Calvert, William Morris, Eric Gill, and David Jones.

One of the highlights of the William Blake Collection is the 1951 Trianon Press edition of William Blake's Jerusalem.

Materials related to Reverend Alfred Henry Tyrer’s books and publications on birth control, sex education, and marriage life.

Includes pamphlets and order forms for Tyrer’s books Where did we come from, mother dear? (Marriage Welfare Bureau, 1939) and Sex, marriage and birth control (Marriage Welfare Bureau, 1936), and ephemera related to the books and the Marriage Welfare Bureau.

Also contains booklet Marriage welfare : some facts about birth-control by Reverend Alfred Henry Tyrer which acted as promotional material for the book Sex, marriage and birth control. Booklet includes sections: Birth-control, the population problem, definition of birth-control, birth control and war, mothers who die in child-birth, infant mortality, birth control vs. infanticide, birth-control vs. abortions, birth-control vs. degeneracy and disease, birth-control vs. prostitution, economics and birth-control, divorce, religion and birth-control, the present status of birth-control, a prairie marriage.

Materials were enclosed in an envelope sent from Ontario on July 10, 1941, and with a letter addressed to Steve E. Chorney from Ranfurly (Alberta) acting as an introduction to the publications and explaining their importance.

The Indigenous publications collection is a selection of published holdings held by Special Collections & Archives related to Indigenous peoples in Canada and abroad, with a primary focus on First Nations, Inuit, Métis communities. The collection consist of of books, periodicals, zines, and other published materials, produced by, about, and in the language(s) of various Indigenous peoples and communities.

Titles in this collection are varied in topic and will be of interest to those interested in grassroots activism, self-determination governance, land rights and stewardship, community building, and settler and religious colonialism.

The British Women's Periodicals Collection is made up of some 35,000 issues of British women's magazines published from 1893 to 1977. The majority of titles were published by the Amalgamated Press and publishers which it absorbed, and many copies are, in fact, copies from the publishers' own archives. Most titles in the collection are very rare.

Because these magazines were aimed at a mass market audience, the British Women's Periodicals Collection offers a unique opportunity to examine the interests and concerns of British women during the time period covered. The collection's content is primarily "popular" fiction written for a female audience, but magazines for children and youth are also well represented. Cooking, crafts, advice columns, fashion, health, and inspirational topics are also featured. Of particular interest are the advertisements, which illustrate contemporary attitudes in a vivid manner.

A collection of seven zines created by Jenna Rose Sands on topics including cultural appropriation, residential schools, missing and murdered Indigenous women and girls, Pow Wow etiquette and the 60s scoop. Much of the artwork is hand-drawn and includes collage work.