File 69 - St. Luke (Physick 864).

Title and statement of responsibility area

Title proper

St. Luke (Physick 864).

General material designation

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

File

Reference code

SCA240-GA239-2-69

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

1 print : woodcut ; 24 x 16 cm

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1882-1940)

Biographical history

Arthur Eric Rowton Gill was born February 22, 1882 in Steyning, Sussex, England. He attended the Chichester Technical and Art School and later moved to London to study to become an architect. While there he took courses in stonemasonry and calligraphy with the Westminster Technical Institute and the Central School of Arts and Crafts. In 1903 he left the architectural profession to focus on calligraphy, letter-cutting and monumental masonry.

Gill's first success as a sculptor came in 1912 while he was living at Sopers in Ditchling, Sussex with his wife Ethel Hester Moore (1878-1961). Gill and Moore had married in 1904 and moved to Sopers in 1907. In 1913 Gill moved to Hopkin's Crank at Ditchling Common and later that year Gill was commissioned to sculpt the Stations of the Cross in Westminster Cathedral.

After the First World War, Gill along with Hilary Pepler and Desmond Chute established The Guild of St. Joseph and St. Dominic, an artist's commune at Ditchling. Over the next ten years over forty people would come to live and work on the Common, which was grounded in Roman Catholic beliefs. During this time Gill and Mary had three girls, Petra, Joan and Betty and adopted one son, Gordian.

By 1924 Gill had moved to Capel-y-ffin, Wales where he established a new workshop. It was here that his work in typeface began, and in 1927 he cut Gill Sans, his most famous typeface.

In 1928 Gill wanted to move closer to London to be near his clients and moved to Pigotts at Speen in Buckinghamshire. From here he carved sculptures for the London Electric Railway, Marlborough College, Queen Mary College and the BBC's Broadcasting House.
Gill's other works include designing the first George VI stamp series for the Post Office and producing a bas relief for the League of Nations building in Geneva. He was also made Royal Designer for Industry and was a founding member of the Faculty of Royal Designers for Industry.
Throughout his career Gill also worked in woodblock cuts and created commissions for a number of personal clients as well as for private press editions.

Gill also founded or partnered in a number of presses, including Hague and Gill with his son-in-law Rene Hague and Saint Dominic's Press with others at The Guild of St. Joseph and St. Dominic. He was also heavily involved with Nonesuch Press and Golden Cockerel Press, providing prints for many of their works.

Gill died of lung cancer in November 17, 1940.

Custodial history

Scope and content

File consists of one print of St. Luke. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

Notes area

Physical condition

Immediate source of acquisition

Purchased from Bertram Rota.

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Associated materials

Related materials

Accruals

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Language of description

Script of description

Sources

Accession area

Related subjects

Related people and organizations

Related places

Related genres