Drawing of LeRoy car.

A tie made from red construction paper made by an unknown individual. Words describing Andrew Telegdi are written on the tie.

Fonds consists of materials created and accumulated by Stan Johannesen including seven diaries and original artwork for his novel Sister Patsy.

The fonds consists of a single diary kept by Jane Urquhart from 1974 to 1981, before she began her writing career, and documents primarily several trips to Europe taken with Tony Urquhart. This diary served as a sketchbook, journal and trip diary, and contains drawings and sketches, photographs, ephemera, plant material, etc. Its 258 pages contain 71 sketches, drawings and watercolours including 27 by Tony Urquhart, 32 by Jane Urquhart, 2 by Michael Ondaatje and 10 by other artists.

File consists of one drawing of a lighthouse on an island. The bottom right hand corner is signed F.K.M. (probably Francis Kathleen Montgomery).

File consists of one print of Animals All. The print is unique in that it is gold ink on a black background. Originally used for the tail piece "The Philosophy of Art."

File consists of one print of Ascension. Originally an illustration for "The Game" printed by St. Dominic's Press.

File consists of one engraving by Desmond Macready Chute (1895–1962). Engraving shows the Madonna with child. Recto note reads "Engraving by Desmond Chute see Songs to our Lady SDP 33."

File consists of one print of Crucific.

File consists of one print of Death be not Proud. Numbered 15/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Divine Lovers. Numbered 14/25 and signed by Gill. Originally the frontispiece from Morals and Marriage.

File consists of one print of Jesus Before Pilate. Signed by Gill.

File consists of one print of Laocoon. Numbered 12/15 and signed by Gill. Originally designed for the jacket of XX Century Library.

File consists of one print of The Last Judgement.

File consists of one print of The Leisure State, showing a woman listening to a grammaphone with the words Techne (translation: “art, craft”) and Poiesis (translation: “creation, poetry”). Numbered 18/18 and signed by Gill. Originally for Unemployment, by Gill.

File consists of one print of My Love Among the Lilies showing a man sitting in a garden with a goblet in one hand and a ball in the other which was used in the Golden Cockerel Press edition of Song of Songs. The print is numbered as edition 8/12 and is signed by Gill.

File consists of one print of Romance: Man Seizing Unreality. Numbered 4/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of the side-by-side images of Spray of Seven Leaves and Flower Bud and Woman Climbing Floreated Phallus. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of St. Matthew. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

File consists of four drawings later used to create woodcuts. They include The Manage (Physick 74), Epiphany (Physick 84) and Palm Sunday (Physick 86).

File consists of one original drawing by Eric Gill titled "Old House at Ditchling." Signed E.A.G.

File consists of one portrait of David Sovereign Bowlby. The painting is oil on prepared canvas. A signature on the bottom left is hard to read, but may say [Ella] [Moss].

One pen and ink sketch of a Chateau at Monte Bello, signed M. Krueger, 1928; one watercolour [of Mount Fuji?] signed HMR.

File consists of two etchings accumulated by Florence Grace Clement. One is a plate taken from a book with identifying notes showing Louisa Elizabeth, Baroness Durham engraved by Thomson from a painting by Sir Thomas Lawrence, 1831. The other is an advertisement for an exhibit of oil and watercolour drawings and modern etchings at the City of London Fine Art Gallery by H. Gillard Glindoni from 1882.

Sketchbook containing pencil sketches by David Hill, only partially filled.

Sketchbook containing pencil sketches by David Hill.

Undated sketchbook containing pencil sketches by David Hill.

File consists of one dance programme in the format of a large painting listing the dances, and featuring an illustration of a student using a transit to look at a flying diploma while his military instructor urges him on. Painting is unsigned but is attributed to W.H.E. Schmalz.

File consists of a sheet of paper with sketches of borders, corner designs, cornices and ceiling roses. Some are pencil, and some are coloured with watercolour. Sheet is double sided. Although unsigned, it is attributed to W.H.E. Schmalz.

File consists of one hand drawn printing plate titled Plate No. II. The plate shows upper case and lower letters as well as numbers in various fonts and sizes. Plate is signed by W.H.E. Schmalz and is dated at R.M. College, Kingston, March 14, 1910. The plate has been given a grade of 95.

File consists of one sketch of a landscape identified as being looking towards Tann and Pirmass. Sketch is signed W.H.E. Schmalz, II Class.

A scrapbook containing press clippings, cards, postcards, telegrams, tickets, programs, report cards, certificates, a diploma, invitations, correspondence including notes of congratulations to Betty Forbes on her engagement to Bill Land, the birth certificates of Millicent Lyall Forbes and Betty Forbes, and other textual material. Also includes three watercolour paintings by Willie Winklemann and photographs of the Forbes family featuring Peg Forbes and Joe Wilson's wedding and other family events.

A wedding planner notebook containing correspondence, sketches, advertisements, and notes pertaining to Betty Forbes's wedding ceremony with Bill Land on May 29, 1954 in Hespeler, Ontario.

Artwork created by Mary Ham (nee Augustine).

Collection contains prints of Canadian landscapes done by William Henry Bartlett in 1841 and portraits of prominent 17th and 18th century politicians from Europe and Canada. Also included are letters from English prime ministers dating around the 1700s. The collection is arranged in one series consisting of print engravings, a file of Bartlett prints, and a scrapbook containing letters.

Collection consists of two prints of Sir Robert Peel and Lord Nelson. They are printed by George Baxter as an oil colour picture print, the first commercially viable colour printing.

Fonds consists of one print of a work by Thomas Austen Brown. The drawing shows ships in the water at night underneath a moon. Signed by the artist.

Fonds consists of one charcoal drawing of a George Barrie print titled "The Old Mill." There is no signature on the drawing. Also includes a print of The Old Mill.

Handmade birthday card from Orpheus Moyer Schantz to Sophie Schantz. The card has scherenschnitte edges and features calligraphy, drawings of small animals, birds and plants. It reads: "May Happy Returns. Sophie E. Schantz. May 4-'89"

Handmade New Yeas card from the Schantz family to Sophie Schantz. The card features calligraphy, small drawings of moons and has the numbers of the year 1894 in each corner.. It reads: "To Sophe E. Schantz. Berlin. Ontario. We wish you a happy new year. From Ruth Schantz, Carrie Flagler Schantz,Orpheus Moyer Schantz. Morton Park, Ill."

A black ink drawing of a dogwood flower and an unidentified building done by Orpheus Moyer Schantz September 1st and 2nd, 1895.

Pen drawing featuring the lines of the poem titled, A Slumber Song as well as butterfly and 16 point compass rose motifs. The drawing also includes a monogram possibly made by combining the letters F, A, C, S and the date October 5, 1902.

The poem featured in the drawing was originally titled, Sleep Sweet and was written by Ellen M. Huntington Gates. The creator of this drawing changed the title and a few words in the lines of the original poem titled, Sleep Sweet by Ellen M. Huntington Gates.

File consists of one poster advertising the Kaufman Lofts. The poster is double sided with two different advertisements.

One sketchbook (13 pages). Includes landscape sketches of the harbours of Provincetown and Orleans, Cape Cod, boats, trees, and a sketch of the Preston flour mill.

One sketchbook (9 pages). Includes landscape sketches of Bermuda scenery, cacti, figures, flowers, boats, and a sketch of a map of Bermuda.

One sketchbook (11 pages). Includes landscape, cityscape, architecture, harbour, and figure sketches.

One sketchbook (10 pages). Includes sketches of flowers, figures, landscapes, cityscapes, and seascapes.

One sketchbook (10 pages). Includes landscape sketches of Cape Cod and local scenery, and sketches of boats.

One sketchbook (43 pages). Includes ms. notes, landscape sketches of Cape Cod, still life studies, flowers, harbours, boats, and plans for paintings.

One sketchbook (45 pages). Includes ms. notes, landscapes, plans for paintings, harbours and boats, geometric designs, cars, figures, interior scenes, studies in perspective, and still life studies.

One sketchbook (17 pages). Includes ms. notes, landscape and cityscape sketches of Eaglesham, Dunure, Perthshire, Dunlop, and Prestwick, figures, still life studies, painting plans, calculations and equations.

One sketchbook (39 pages). Includes ms. notes, sketches of boats and ships, figures, birds, painting plans, flowers [coloured pen], architecture, geometric designs, cityscapes, landscapes, mathematical models, and plans for some kind of water dispenser.

One sketchbook (89 pages). Includes sketches and ms. notes regarding landscape in Orleans and Cape Cod, ms. notes and sketches regarding Kandinsky, a "list of stuff to paint/sketch", landscape sketches, design sketches, sketches of cars and other objects, and notes relating to an automobile accident.

Contains 1 sketchbook (29 pages). Includes sketches of symbols and geometric designs (some in colour), mathematical calculations, sketches of landscapes, boats, harbours, and cityscapes.

File consists of art work created by John Edward Motz as a child.

File consists of twenty drawings, mostly pencil sketches, of scenery, still lifes and friends and family.

Writings and paperwork related to Bettie Bernice Wilson during her time at the Royal Canadian Air Force (RCAF). Includes a drawing, a certificate of discharge for Wilson from the RCAF from September 1945, writing titled "The plight of 'C' flight" by AW2 Lockwood, J.B.E. in May 1942, the Christmas program for No. 16 Service Flying Training School (SFTS) Hagersville (Ontario) for 1944, and the menu for the 25th Anniversary Reunion of Women of the RCAF (1966).

Administrative records related to The Forum including an email about the frequency of the publication, receipts for reproduction work related to the publication and portrait sketches by Anu Banerji of various individuals including George Atkinson, Michael Bird and John Wilson. Original and copy versions of the sketches are included in file.

Materials related to biographical sketches written by James Downey. Contains writings about different people, tributes and essays by Downey, materials accumulated by Downey to support his research (such as news stories and photocopies of photographs), and related correspondence.
Titles of speeches and articles are:

• "A toast to Tom" (May 14, 2003),
• "Foreword" to Otto Tucker That nothing be lost (2003),
• "Mary Louise Lynch: lawyer; adviser & confidante of Lord Beaverbrook,"
• "Protectorate to Province: Newfoundland, 1934-1957,"
• "Ernest Fletcher Downey" (July 14, 2006),
• "Jemima Anne (Andrews) Downey" (May 13, 2000),
• "Dorothy (Downey) Elder" (January 31, 2000),
• "Margaret (Downey) Richards, on the 50th anniversary of her marriage,"
• "Lorne Parott" (July 9, 2000) and related correspondence,
• "Roland Hawkins" (April 11, 2000) and related correspondence,
• "Arthur S. Butt" (August 11, 2001),
• "Memories are made of this & that: recollections of life on Long's Hill, 1955-1956,"
• "Cott Fillier: a quick sketch" (September 16, 2005),
• "Dunville" (January 11, 2000),
• "George Story" (December 29, 1999)
• "Paul West" (January 6, 2000),
• "Eric Richards (1924-2004)" (August 4, 1999),
• "John Hutchinson",
• "Donald Soper" (January 2000),
• "A tribute to Chester Campbell" (March 1995),
• "A tribute to Eric Garland" (February 1997),
• "A toast to Harrison McCain" (January 17, 1998),
• "A toast to James F. O'Sullivan" (April 23, 1999),
• "Bob Burridge: a tribute (sort of)" (April 12, 1991),
• "For Colin B. Mckay" (March 30, 1999),
• "Beaverbrook's choice: the appointment of Colin B. Mackay as President of UNB" (February 18, 2003),
• "Tom Condon" (May 14, 2003),
• "Mary Ives (Anglin) Mackay,"
• "The Beaverbrook Beneficence" (January 1992),
• "Frank McKenna" (April 13, 2006),
• "Ted Williams" (July 11, 2002),
• "The brothers Kennedy at UNB. Introduction,"
• "Notes for remarks about Les Harris at AAU Dinner" (March 22, 1990),
• "Opening of Pratt exhibition" (September 16, 1993),
• "Senator J. Trevor Eyton" (January 19, 1994),
• "Michael Higgins" (May 9, 1994),
• "Introduction for peter Gzowski" (February 16, 1995),
• "Alex Colville" (November 10, 1995),
• "Remarks for the opening of an exhibition of the sculpture of Judith Schwartz" (January 14, 1998),
• "Installation of Bonnie Patterson: Luncheon talk" (October 2, 1998),
• "Introduction for David Johnston" (May 19, 1999),
• "Brian Hendley" (June 2, 1999),
• "Peter Harvey Sims to be Doctor of Laws" (June 15, 1999)
• "For Jim Kalbfleisch" (December 10, 2000),
• "For Susan Shantz" (April 24, 2000),
• "For Ian Lithgow, friend and colleague" (October 19, 2000),
• "Paul Mitchell" (April 3, 2001),
• "Arnold Naimark" (August 1998),
• "Anastasios Christodoulou: the very model of a Secretary General" (August 2002),
• "Introduction for Michael Ignatieff" (January 24, 2001),
• "For Paul Davenport, Officer of the Order of Canada" (October 28, 2002),
• "Conclusion to slide/video tribute to Valentine O'Donovan" (October 29, 2002),
• "J. Robert S. Prichard to be Doctor of Laws" (May 18, 2002),
• "For Lyle Hallman: a funeral tribute" (October 31, 2003),
• "Russel Legge: a funeral tribute" (March 28, 2004),
• "Welcome to the groom & toast to the bride" (May 2005),
• "For Bill Klassen" (April 23, 2006),
• "Words for Robin" (March 24, 2013),
• "For Mary Bales,"
• "For Doris Nicholson" (August 21, 2015),
• "A funeral tribute for Jim Kalbfleisch" (April 30, 2017).

Also includes one drawing by Gerard Brender à Brandis titled “Winterton, Newfoundland” and photocopies of photographs.

Student portfolio created by Nancy-Lou Patterson and presented as a special art project in January 1947, possibly during her time at the University of Washington. Art project is of story The Princess and the Goblin and includes a front cover with a small illustration of a castle with mountains in the background, eleven drawings made by Patterson, and a back cover. Drawings were drawn with pencil and then coloured with watercolours. Drawings depict moments of the story of princess Irene and her friend Curdie, with bright colours and dynamic scenes, and include subtitles with information about the section of the story to which they belong. Sections are:

• Title page "The princess and the goblins" with subtitle "Special art project / January, 1947".
• Drawing of Irene and a woman with subtitle "There, Irene, is my work for you!"
• Drawing of Irene and a woman on a balcony with subtitle "She clapped her hands with delight."
• Drawing of Irene and her nursemaid Lootie by a river with goblins in the background with subtitle "We are lost, lost!"
• Drawing of Curdie in a mine watching goblins talk with subtitle "It was a goblin-voice...there could / be no doubt about that."
• Drawing of a Curdie in a cave watching goblins talk with subtitle "One of the court was now addressing / the multitude."
• Drawing of a woman with a spinning wheel with subtitle "'Come in, Irene,' she said again."
• Drawing of Irene walking in the night with subtitle "In a moment, the clouds them- / selves parted."
• Drawing of Irene walking in a forest with subtitle "[...] bit of gossamer is!"
• Drawing of Irene and Curdie in a cave with subtitle "Curdie gave a great rush with his / shoulder."
• Drawing of a battle between humans and goblins with subtitle "Curdie burst in like a small incarnate / whirlwind."

Collection of etchings from the 16th to 20th centuries covering a variety of formats and topics.

File consists of one print of At the Round Earths Imagin'd Corners. Numbered 7/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Bartimeus. Originally an illustration the jacket of the Aldine Bible.

File consists of one print of Christchild, showing a young Jesus holding boughs of leaves. Numbered USA 3/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Comedy: Man Trying to Fly. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of The Constant Mistress. Numbered 7/20 and signed by Gill. Originally an illustration for The Constant Mistress printed by the Golden Cockerel Press.

File consists of one print of The Empty Bed. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress. Also includes a photocopy of the print and a caption from the Thomas Fisher Rare Book Room.

File consists of one print of Hamlet, the cover page for the Hague and Gill edition of Hamlet. Numbered 12/25 and signed by Gill.

File consists of one print of the frontispiece for Henry the Eighth. Signed by Gill with a note reading "for Shakespear's Henry VIII pub by New York Limited Edition Club, 1937. Also includes the back of the original mat.

File consists of one print of Jesus and the Doctors. Numbered 3/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of two copies of the print The Lord's Song from the artist's own published sermon of the same name. Numbered 1/25 and 4/25 and signed by Gill.

File consists of two prints of Naphill Jubilee Card. Lettered "to his majesty King George from his loyal subjects of Naphill Buckinghamshire thankful greetings."

File consists of one print of a nativity scene. Numbered 20/25 and signed by Gill.

File consists of one print of The Single Bed (Thanks). Numbered 12/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of St. Bernadette, lettered "Bernadette Ora Pro Nobis." Numbered 25/50 and signed by Gill.

File consists of one print of St. Luke. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one drawing of David Pepler. Titled, dated and signed by Gill.

Letters exchanged between George Alexander Forbes, Millicent Lyall Forbes, Betty Land, Peg Wilson, Ross Wilson, Pamela Wilson, Janet Land, Jennifer Land, and Thomas Land. Correspondence also contains press clippings, drawings, and greeting cards.

A notebook containing drawings, writing, and mathematical equations created by Peg Forbes.

Contains 1 sketchbook (88 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

File consists of nineteen woodcut prints by Elizabeth Rivers. Some of the prints are signed and numbered and include captions.

One photograph album kept by an unknown woman with pictures of famous women. The album is made with wooden boards which feature paintings of a sunset over water and a song sparrow with calligraphic poetry. Each page includes a photograph of a different woman surrounded by a hand drawn frame that speaks to her life and work. Women in the album include Florence Nightingale, Elizabeth Barrett Browning, Dame Millicent Garrett Fawcett, Elizabeth Garrett Anderson, Lady Florence Baker, Mary Somerville, Emily Davies, Johanna Maria Lind, and Rosa Bonheur.

Twenty drawings and sketches by Orpheus Moyer Schantz. Included are portraits, studies of animals, technical drawings for a boat, one ink drawing of the back of a woman in a gown, two drawings after C.D. Gibson- "When Doctors Disagree" and "Mr. Pipp just after dinner steps our for a few moments with a change acquaintance. He returns at 2 A.M.", and two with leaf varieties and poetry. Smaller drawings were originally found in an old men's silk handkerchief box with other ephemera.

Small painted drawing of the back of a woman wearing a pink bonnet by Carrie Flagler Schantz.

Handmade New Years card from the Schantz family to Arthur Benjamin Schantz. The card features calligraphy, small drawings of bells and has scherenschnitte edges. It reads: "1894. Wishing you a joyous new year. To Arthur B. Schantz From Ruth, Carrie & Orph."

File contains the April 2, 1992 issue of the magazine "Frank". There is a comic created by John Herbert published in the magazine on page 22. Includes author's note on the envelope: "Box C - C6: FRANK Magazine: A comic strip by J.H. aka 'Nemesis', page 22 - 'The Club on Bay Street'. Note: John Herbert used the nom de plume 'Nemesis', as a cartoonist for Onion, the Toronto Paper on the Arts, from 1975 to 1982. (See collection of Onion issues in J.H. archives, the Porter Library, University of Waterloo)."

Posters advertising concerts held at the Village Bistro featuring a variety of artists including the Papa Bears, Chase Anderson, the Paisleys, Black Shake Blues Band, Sleepy John, Seeds of Time (later known as the Passionate Mad), Tomorrow’s Eyes, the Poppy Family, Mock Duck, Grady Moore, Black Snake, Hydroelectric Street Car, As Sherriff, the Billy Joe Bottom Band, and the Isle of Sky. One poster contains a handwritten contract on the verso transferring ownership of the Village Bistro to Allan Kirton for the sum of $2000.00. The contract is dated March 22, 1969 but is not signed by Telegdi or Kirton.

Also includes posters and related material including press clippings and a brochure advertising musicians and bands performing at other venues in Vancouver, British Columbia or Toronto, Ontario including Sweetwater, Buffy Saint-Marie, Dick Gregory, the Poppy Family, Mother Tucker, Black Shake, Seeds of Time, Mock Duck, Tomorrow’s Eyes, Tiny Tim, Country Joe and the Fish, A Wizard of the North, Tunnel, Deyong Sound, Lights by Ecto Plasmic, the Papa Bears, Man Child, Elusive Butterfly, the Collectors, the Tote Family, and a variety of other bands that performed at the 1969 Thunderbird Peace Festival in Vancouver, British Columbia.

File consists of one leaf of paper with drawings by a child on it. Possibly by Julian or Dana Porter Jr.

Sketchbooks and loose sketches by David Hill, American artist. Includes material relating to his death and estate, primarily correspondence to Joe Plaskett. Includes correspondence to David Hill by Virgil Burnett.

Sketchbook containing pen and ink sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.